Category: Exclusive—Reflection
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS Editor’s note: Aastha Uprety’s essay reads Jia Zhangke’s Still Life and Razan AlSalah’s A Stone’s Throw as twin elegies of engineered upheaval, where dams and pipelines reorder earth and memory. Through…
![[ESSAY] “Energies of Displacement: Transformation in Jia Zhangke’s 𝑆𝑡𝑖𝑙𝑙 𝐿𝑖𝑓𝑒 and Razan AlSalah’s 𝐴 𝑆𝑡𝑜𝑛𝑒’𝑠 𝑇ℎ𝑟𝑜𝑤”by Aastha Uprety](https://chajournal.com/wp-content/uploads/2026/02/energies-of-displacement-transformation-in-jia-zhangkes-still-life-and-razan-alsalahs-a-stones-throw-by-aastha-uprety.png?w=935)
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Editor’s note: Anna Nguyen’s essay “A Dead Language” turns on an offhand slight, “No one speaks Vietnamese,” and worries it into grief, form, and theory. Between a father’s aphasic silence and a mother’s nightly monologues, Vietnamese persists. English, institutional and…
![[ESSAY] “A Dead Language” by Anna Nguyen](https://chajournal.com/wp-content/uploads/2025/01/anna-nguyen.jpg?w=933)
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Editor’s note: Pál Dániel Levente, a guest of honour at the 2026 Brahmaputra Literature Festival, proposes a poetics of butterflies, stones, and blades. The five poems move within that range. India, New Delhi, Agra, and the Ganges become sites of…
![[ESSAY] “Butterflies, Stones, and Blades” by Pál Dániel Levente](https://chajournal.com/wp-content/uploads/2025/02/shot-by-cerqueira-hemgxmfpsaw-unsplash.jpg?w=1024)
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS Editor’s note: Jonathan Chan reads She Follows No Progression (Wendy’s Subway, 2024), edited by Juwon Jun and Rachel Valinsky, as a collective meditation on Theresa Hak Kyung Cha, attending closely to…
![[ESSAY] “Reading the Gap: Indeterminacy, Translation, and Legacy in 𝑆ℎ𝑒 𝐹𝑜𝑙𝑙𝑜𝑤𝑠 𝑁𝑜 𝑃𝑟𝑜𝑔𝑟𝑒𝑠𝑠𝑖𝑜𝑛” by Jonathan Chan](https://chajournal.com/wp-content/uploads/2026/02/she-follows-no-progression-a-theresa-hak-kyung-cha-reader-edited-by-juwon-jun-and-rachel-valinsky.png?w=579)
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Editor’s note: In this reflective essay, Gutierrez Mangansakan II recounts acting on a film by Lav Diaz to examine how Mindanao shapes Diaz’s cinema. Blending personal observation with critical analysis, he argues that the director’s duration, restraint, and resistance to…
![[ESSAY] “In Search of Mindanao in the films of Lav Diaz” by Gutierrez Mangansakan II](https://chajournal.com/wp-content/uploads/2026/02/lav-diaz.webp?w=1024)
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Editor’s note: In Gutierrez Mangansakan II’s essay, growing trees in red-clay pots becomes a metaphor for exile, love, and impermanence. Through memories of family, cats, and lost homelands, he reflects on denied inheritance and chosen distance, arguing that care, memory,…
![[ESSAY] “Reflection on Exile, Impermanence, and Red Clay Pots” by Gutierrez Mangansakan II](https://chajournal.com/wp-content/uploads/2025/02/aslan-and-buffy-in-the-dirty-kitchen.jpg?w=1024)
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS Editor’s note: Laurehl Onyx B. Cabiles considers the films Big Fish and Little Fish in relation to his father and the Filipino seafood dish kinilaw, using cinema as a lens for…
![[ESSAY] “𝐵𝑖𝑔 𝐹𝑖𝑠ℎ, 𝐿𝑖𝑡𝑡𝑙𝑒 𝐹𝑖𝑠ℎ, & The Fake Legend of Kinilaw” by Laurehl Onyx B. Cabiles](https://chajournal.com/wp-content/uploads/2026/02/big-fish-little-fish.png?w=940)
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Editor’s note: Cha’s long-term contributor Matt Turner introduces 6AMING, his forthcoming poetry book from Antiphony, due in September. In this short essay, he discusses time-stamped automatic writing, no-music influence, not-poetry, underground journals, and resistance to spectacle, surveillance, and institutional validation.…
![[ESSAY] “NO U-TURN—6𝐴𝑀𝐼𝑁𝐺: Themes and Contexts” by Matt Turner](https://chajournal.com/wp-content/uploads/2026/02/matt-turner-6aming-cha-asian.png?w=637)
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Editor’s note: Chris Sullivan reflects on an unexploded wartime bomb in Hong Kong, observed from Amsterdam, using the incident to consider urban memory, historical residue, and the quiet persistence of past violence. [ESSAY] “Disarming a Ghost” by Chris Sullivan Hong…
![[ESSAY] “Disarming a Ghost” by Chris Sullivan](https://chajournal.com/wp-content/uploads/2026/02/disarming-a-ghost-still-square.jpg?w=1024)
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Editor’s note: Daniel Gauss treats Prambanan Temple as a ninth-century political technology, where ritual, architecture, and kingship converged to naturalise obedience by embedding rule within Shaivite cosmology. Built by the Sanjaya dynasty as a counter to Borobudur Temple, it functioned…
![[ESSAY] “Prambanan: A Temple in Java that Turned Faith into Obedience” by Daniel Gauss](https://chajournal.com/wp-content/uploads/2026/01/img_20251111_094005.jpg?w=1024)
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Editor’s note: Troy Cabida reflects on his debut poetry collection Neon Manila, exploring queer Filipino-immigrant embodiment, pop music, resistance, as glamour and violence coexist. Some poems from the collection can be found HERE. [ESSAY] “On Neon Manila: A Balancing Act…
![[ESSAY] “On 𝑁𝑒𝑜𝑛 𝑀𝑎𝑛𝑖𝑙𝑎: A Balancing Act Between Sparkle and Substance” by Troy Cabida](https://chajournal.com/wp-content/uploads/2025/01/img_6830.jpg?w=1024)
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Editor’s note: Julia Merican reads Lu Lei’s practice through meals, menus, embroidery, and exhibitions, attending to how intimacy operates as both method and politics. From private dinners with strangers to layered textile works, Lu uses food and language to negotiate…
![[ESSAY] “A Seat at the Table: Lu Lei and the Politics of Intimacy” by Julia Merican](https://chajournal.com/wp-content/uploads/2026/01/64901cc90ad6cbfa52190a71-biography_1325594-resize-1920-1234.webp?w=1024)
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Editor’s note: Zheng Wang’s essay reflects on his encounter with the poet Zhang Zhihao and the process of translating his poetry across languages and generations. It traces their meeting by the Yangtze River into a broader meditation on rootedness, memory,…
![[ESSAY] “A Gaze Across the River: On Translating Zhang Zhihao” by Zheng Wang](https://chajournal.com/wp-content/uploads/2026/01/https-__www.poetryinternational.com_en_poets-poems_poets_poet_102-28920_zhang.jpg?w=336)
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[ESSAY] “Fieldnotes: Bund and Flood” by Aizuddin Anuar Translator’s note: This is a translation of my own work, originally written in Malay and titled “Nota lapangan: ban dan banjir” (2025), which was published in MediaSelangor in Malaysia. Through a series…
![[ESSAY] “Fieldnotes: Bund and Flood” by Aizuddin Anuar](https://chajournal.com/wp-content/uploads/2025/01/jelai-river_bund-aizuddin-anuar.jpg?w=1024)
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Editor’s note: In his latest essay for Cha, Daniel Gauss examines Dafen, a former rural settlement located in Shenzhen’s Longgang District in southern China, within the Pearl River Delta near the Hong Kong border. The essay examines Dafen’s transformation from…
![[ESSAY] “Dafen Transformed: From Painting Factory to Pre-Fab Cool Zone” by Daniel Gauss](https://chajournal.com/wp-content/uploads/2026/01/img_20260117_151141.jpg?w=1024)
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Editor’s note: Laurehl Onyx B. Cabiles’s essay traces a Filipino upbringing in conflict-marked Cotabato and its unlikely resonance with Derry Girls. Through memories of militarisation, prejudice, and youthful fear, it shows how humour bridges distant histories, revealing comedy as a…
![[ESSAY] “Why Does a Guy from Cotabato Province Relate to 𝐷𝑒𝑟𝑟𝑦 𝐺𝑖𝑟𝑙𝑠?” by Laurehl Onyx B. Cabiles](https://chajournal.com/wp-content/uploads/2026/01/derry-girls.jpg?w=1000)
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Editor’s note: Anna Nguyen’s essay critiques the literary marketplace’s fixation on identity, arguing that it rewards legible, consumable narratives while punishing rigorous resistance. Drawing on Glissant, Jordan, and Davis, she challenges flattened intersectionality, positionality statements, and the colonial gaze masquerading…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “Filmic Silence and the Speaking Body in the Novel” by Thammika Songkaeo Click HERE to read all entrieson Stamford Hospital. Eva Trobisch (director), All Good, 2018. 93 min. In 2020,…
![[ESSAY] “Filmic Silence and the Speaking Body in the Novel” by Thammika Songkaeo](https://chajournal.com/wp-content/uploads/2025/01/stamford-hospital-all-is-good.png?w=846)
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS Editor’s note: In Hongwei Bao’s new essay, Pillion (2025), directed by Harry Lighton and adapted from Adam Mars-Jones’s 2020 novella Box Hill, becomes a lens for exploring queer biker cinema, kink…
![[ESSAY] “Geared Up for Pillion” by Hongwei Bao](https://chajournal.com/wp-content/uploads/2024/12/pillion-film-poster.jpg?w=1024)
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Editor’s note: In Matt Turner’s essay, he recounts organising and leading a Tuesday-evening reading group in November 2025 at Accent Sisters, a Union Square gallery with a Chinese and feminist focus. The group, composed largely of Chinese participants and socially…
![[ESSAY] “Debord at Union Square” by Matt Turner](https://chajournal.com/wp-content/uploads/2026/01/the-society-of-the-spectacle.png?w=747)
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “Aesthetic Experiences: A Study of Anri Yasuda’s Beauty Matters” by Luca Griseri Anri Yasuda, Beauty Matters: Modern Japanese Literature and the Question of Aesthetics, 1890–1930, Columbia University Press, 2024. 304…
![[ESSAY] “Aesthetic Experiences: A Study of Anri Yasuda’s 𝐵𝑒𝑎𝑢𝑡𝑦 𝑀𝑎𝑡𝑡𝑒𝑟𝑠” by Luca Griseri](https://chajournal.com/wp-content/uploads/2026/01/https-__m.media-amazon.com_images_i_819sezp2oml._sl1500_.jpg.jpg?w=1000)
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “From Star to Performer-Worker: Rethinking Anna May Wong Through Labour” by Anna Nguyen Yiman Wang, To Be An Actress: Labor and Performance in Anna May Wong’s Cross-Media World, University of…
![[ESSAY] “From Star to Performer-Worker: Rethinking Anna May Wong Through Labour” by Anna Nguyen](https://chajournal.com/wp-content/uploads/2026/01/yiman-wang-to-be-an-actress-labor-and-performance-in-anna-may-wongs-cross-media-world-university-of-california-press.jpg?w=1000)
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[ESSAY] “Maggie Cheung and the Refusal of Cinematic Immortality” by Anna Nguyen I have many confessions. I am exhausted by the discourse surrounding Wong Kar-wai’s In the Mood for Love (2000). I am exhausted by fandoms that fixate on aesthetic…
![[ESSAY] “Maggie Cheung and the Refusal of Cinematic Immortality” by Anna Nguyen](https://chajournal.com/wp-content/uploads/2025/01/irma-vep-1996-maggie-cheung.jpg?w=1024)
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Editor’s note: Cleo Li-Schwartz’s essay entwines personal pilgrimage and critical meditation, reading Berlin as a palimpsest of Jewish memory, Cold-War fracture, and inherited displacement. Moving through memorials, friendships, and borders, the narrator unsettles any stable present. The essay later turns…
![[ESSAY] “Walking with Leung Ping-kwan: Berlin, Memory, and the Interstice” by Cleo Li-Schwartz](https://chajournal.com/wp-content/uploads/2024/12/leung-ping-kwan-cha.jpg?w=716)
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Editor’s note: In this deeply personal essay, Sajita Nair recounts her first pilgrimage to Sabarimala after decades of exclusion shaped by gendered religious custom. Beginning in childhood bewilderment at ritual prohibition, it moves through family memory, mythic inheritance and disciplined…
![[ESSAY] “The Eighteen Steps Home” by Sajita Nair](https://chajournal.com/wp-content/uploads/2025/12/essay-22the-eighteen-steps-home22-by-sajita-nair.png?w=1024)
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Editor’s note: It is our pleasure to present this piece by Jennifer Eagleton, one of our most valued voices at Cha. A long-term resident of Hong Kong since 1997, Jennifer has built a distinguished career as editor, writer, and scholar,…
![[REFLECTION] “Personal Transformation Docket: 31/12/25” by Jennifer Eagleton](https://chajournal.com/wp-content/uploads/2025/12/hongkonger-t-shirt.jpg?w=1024)
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[ESSAY] “Preserving the Path of Enlightenment at Borobudur and Not Just the Stones” by Daniel Gauss Borobudur is an allegory of self awareness, growth and social engagement, rendered in volcanic stone. It was not built for veneration, but to be…
![[ESSAY] “Preserving the Path of Enlightenment at Borobudur and Not Just the Stones” by Daniel Gauss](https://chajournal.com/wp-content/uploads/2025/12/borobudur_cha.jpg?w=1024)
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “Not A Utopian Land: Rereading the Evenki Culture in Chi Zijian’s novel The Last Quarter of the Moon and Gu Tao’s documentary film The Last Moose of Aoluguya” by Yiwen…
![[ESSAY] “Not Your Utopian Land: Rereading the Evenki Culture in Chi Zijian’s novel 𝑇ℎ𝑒 𝐿𝑎𝑠𝑡 𝑄𝑢𝑎𝑟𝑡𝑒𝑟 𝑜𝑓 𝑡ℎ𝑒 𝑀𝑜𝑜𝑛 and Gu Tao’s documentary film 𝑇ℎ𝑒 𝐿𝑎𝑠𝑡 𝑀𝑜𝑜𝑠𝑒 𝑜𝑓 𝐴𝑜𝑙𝑢𝑔𝑢𝑦𝑎” by Yiwen Liu](https://chajournal.com/wp-content/uploads/2024/12/not-a-utopian-land_yiwen-liu.png?w=1024)
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[ESSAY] “1331 Runway: Hong Kong Youth Utopia or Real-Estate Planning Malfunction?” by Daniel Gauss In July 2025, international media erupted with enthusiasm over a project in Hong Kong called 1331 Runway. Built on land once occupied by the former Kai…
![[ESSAY] “1331 Runway: Hong Kong Youth Utopia or Real-Estate Planning Malfunction?” by Daniel Gauss](https://chajournal.com/wp-content/uploads/2025/12/767206174.jpg?w=576)
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [Essay] “1000XRESIST and Immunity in the Chinese Diaspora” by Nick Admussen Sunset Visitor (developer), 1000xResist, Fellow Traveller Games. 2024. 1000xRESIST is a 2024 narrative video game created by the Canadian studio…
![[ESSAY] “1000𝑋𝑅𝐸𝑆𝐼𝑆𝑇 and Immunity in the Chinese Diaspora” by Nick Admussen](https://chajournal.com/wp-content/uploads/2025/12/https-www.fellowtraveller.games1000xresist.jpg?w=1024)
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