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Every year, the PEN/Robert J. Dau Short Story Prize for Emerging Writers recognizes 12 emerging writers for their debut short story published in a literary magazine, journal, or cultural website, and aims to support the launch of their careers as…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “Satire, Science, and Utopia: Wu Jianren’s New Story of the Stone” by Ronald Gray Wu Jianren (author), Liz Evans Weber (translator). New Story of the Stone: An Early Chinese Science…
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[INCIDENTAL] “Resolute Voices Across Time: Virginia Woolf, Eileen Chang, and Chow Hang-tung” by Patrick Poon Few would think to place the British writer Virginia Woolf, the Chinese writer Eileen Chang, and Chow Hang-tung, the Hong Kong barrister and Vice-Chairperson of…
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[ESSAY] “Spongeboy” by Kin Pan The author with his grandmother outside Sydney Town Hall in the Olympic year, 2000. Her Cantonese isn’t the melodic speech of a Hong Kong film. In my first Mandarin class, the teacher asks why each…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “Last Cry: Light, Love and Everyday Evil in We’re Nothing at All” by Tin Yuet Tam Click HERE to read all entries in Cha on We’re Nothing at All. Herman Yau (director). We’re Nothing at…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “Beyond First Love: Family Trauma and the Search for Connection in Rio Shimamoto’s First Love” by James Kin Pong Au Click HERE to read all entries in Chaon First Love.…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “Between Hegel and Home: Reading Fukuyama’s In the Realm of the Last Man” by Raymond Pun Francis Fukuyama. In the Realm of the Last Man: A Memoir, Farrar, Straus and…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [FIRST IMPRESSIONS] “Body Part 520: Crime and Tragic Romance in Herman Yau’s We’re Nothing at All” by Jennifer Eagleton Click HERE to read all entries in Cha on We’re Nothing at All. Herman Yau (director). We’re…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “The Politics of Smallness and the Power of Cute in Hui Faye Xiao’s Youth Economy, Crisis, and Reinvention in Twenty-First Century China” by Géraldine Fiss Hui Faye Xiao. Youth Economy,…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “Ghost in the Shellphone: TxT and the Rarity of Filipino Techno-horror”by William Carlo Antonio Sanchez Mike Tuviera (director). TxT, 2006, 114 min. For a country so chronically online and so…


![[ANNOUNCEMENT] The 2027 PEN/Robert J. Dau Short Story Prize for Emerging Writers: 𝐶ℎ𝑎’s Nominations](https://chajournal.com/wp-content/uploads/2026/10/2027-PENRobert-J.-Dau-Short-Story-Prize-CHA-AN-ASIAN-LITERARY-JOURNAL.png)
![[REVIEW] “Satire, Science, and Utopia: Wu Jianren’s 𝑁𝑒𝑤 𝑆𝑡𝑜𝑟𝑦 𝑜𝑓 𝑡ℎ𝑒 𝑆𝑡𝑜𝑛𝑒” by Ronald Gray](https://chajournal.com/wp-content/uploads/2026/10/New-Story-of-the-Stone.png)
![[INCIDENTAL] “Resolute Voices Across Time: Virginia Woolf, Eileen Chang, and Chow Hang-tung” by Patrick Poon](https://chajournal.com/wp-content/uploads/2025/10/The-Shared-Philosophical-Ideals-of-Three-Women-Writers-from-Different-Eras-Countries-and-Backgrounds—Virginia-Woolf-Eileen-Chang-and-Chow-Hang-tung.png)
![[ESSAY] “Spongeboy” by Kin Pan](https://chajournal.com/wp-content/uploads/2025/10/Spongeboy-by-Kin-Pan-CHA.png)
![[ESSAY] “Last Cry: Light, Love and Everyday Evil in 𝑊𝑒’𝑟𝑒 𝑁𝑜𝑡ℎ𝑖𝑛𝑔 𝑎𝑡 𝐴𝑙𝑙” by Tin Yuet Tam](https://chajournal.com/wp-content/uploads/2026/10/images-2.jpeg)
![[ESSAY] “Beyond First Love: Family Trauma and the Search for Connection in Rio Shimamoto’s First Love” by James Kin Pong Au](https://chajournal.com/wp-content/uploads/2026/09/Rio-Shimamoto-First-Love.png)
![[REVIEW] “Between Hegel and Home: Reading Fukuyama’s 𝐼𝑛 𝑡ℎ𝑒 𝑅𝑒𝑎𝑙𝑚 𝑜𝑓 𝑡ℎ𝑒 𝐿𝑎𝑠𝑡 𝑀𝑎𝑛” by Raymond Pun](https://chajournal.com/wp-content/uploads/2026/10/Francis-Fukuyama.-In-the-Realm-of-the-Last-Man-A-Memoir-.jpg)
![[ESSAY] “The Politics of Smallness and the Power of Cute in Hui Faye Xiao’s 𝑌𝑜𝑢𝑡ℎ 𝐸𝑐𝑜𝑛𝑜𝑚𝑦, 𝐶𝑟𝑖𝑠𝑖𝑠, 𝑎𝑛𝑑 𝑅𝑒𝑖𝑛𝑣𝑒𝑛𝑡𝑖𝑜𝑛 𝑖𝑛 𝑇𝑤𝑒𝑛𝑡𝑦-𝐹𝑖𝑟𝑠𝑡 𝐶𝑒𝑛𝑡𝑢𝑟𝑦 𝐶ℎ𝑖𝑛𝑎” by Géraldine Fiss](https://chajournal.com/wp-content/uploads/2025/10/China-Dream.png)
![[REVIEW] “Ghost in the Shell𝑝ℎ𝑜𝑛𝑒: 𝑇𝑥𝑇 and the Rarity of Filipino Techno-horror”by William Carlo Antonio Sanchez](https://chajournal.com/wp-content/uploads/2026/10/Mike-Tuviera-director.-TxT.jpeg)