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[EXCERPT] “Self-Made Effigies: The Life of Han Suyin” by Susie Gordon Click HERE to read Susie Gordon’s essay “On Biographsing Han Suyin”. … to be whole, I must fragment myself; like a tree multiplying its skyward gestures, I proliferate personae,…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “Back Then: Memory and the Cultural Revolution in Zhang Yueran’s Cocoon” by Seiya Tanase All things Jeremy Tiang in Cha. Zhang Yueran (author), Jeremy Tiang (translator). Cocoon, World Editions, 2026.…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “Seeing Our Parents Otherwise: Hong Kong, Diaspora, and Family in Pik-Shuen Fung’s Ghost Forest” by Jeyan Chung Pik-Shuen Fung. Ghost Forest, One World, 2021. 272 pgs. For a long time,…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “Banner Women in Verse: Wilt Idema’s Anthology of Manchu Women Poets” by Ronald Gray Wilt L. Idema (editor and translator). Two Centuries of Manchu Women Poets: An Anthology, University of…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “The Madwoman in the Courtyard: Zhang Yimou’s Raise the Red Lantern” by Bea Phi Click HERE to read all entries in Chaon Raise the Red Lantern. Zhang Yimou (director), Raise…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “Doll and Void: On Noboru Tsujihara’s Mistress Koharu” by Tyran Grillo Noboru Tsujihara (author), Kalau Almony (translator). Mistress Koharu, Honford Star, 2025. 256 pgs. The greeting “I’m home” requires somebody…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [INCIDENTAL] “After the Credits Rolled: Crouching Tiger, Hidden Dragon and a Writer’s Awakening” by Larnchana Larkshitha Alahendra Ang Lee (director). Crouching Tiger, Hidden Dragon, 2000. 120 min. Few films can transport…
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[FIRST IMPRESSIONS] “Shinya Tamada’s I Am What I Am: The Solitary Sprint Towards Self-Love” by Nicola Ulaan Wan Shinya Tamada (director). I Am What I Am (Sobakasu), 2022. 104 min. In Asian societies, romantic love is still frequently presented as…
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[ESSAY] “From Fife to the Fragrant Harbour: On Learning to Love Hong Kong English” by Stewart McKay Me at the pier in Stanley, 2012, the year I first arrived in Hong Kong I speak English. And I have an accent.…


![[EXCERPT] “𝑆𝑒𝑙𝑓-𝑀𝑎𝑑𝑒 𝐸𝑓𝑓𝑖𝑔𝑖𝑒𝑠: The Life of Han Suyin” by Susie Gordon](https://chajournal.com/wp-content/uploads/2026/11/Han-Suyin.png)
![[REVIEW] “Back Then: Memory and the Cultural Revolution in Zhang Yueran’s 𝐶𝑜𝑐𝑜𝑜𝑛” by Seiya Tanase](https://chajournal.com/wp-content/uploads/2026/11/Cocoon-by-Zhang-Yueran-Author-Jeremy-Tiang-Translator-.png)
![[ESSAY] “Seeing Our Parents Otherwise: Hong Kong, Diaspora, and Family in Pik-Shuen Fung’s 𝐺ℎ𝑜𝑠𝑡 𝐹𝑜𝑟𝑒𝑠𝑡” by Jeyan Chung](https://chajournal.com/wp-content/uploads/2026/11/Pik-Shuen-Fung.-Ghost-Forest.png)
![[REVIEW] “Banner Women in Verse: Wilt L. Idema’s Anthology of Manchu Women Poets” by Ronald Gray](https://chajournal.com/wp-content/uploads/2026/11/Wilt-L.-Idema-editor-and-translator.-Two-Centuries-of-Manchu-Women-Poets-An-Anthology-University-of-Washington-Press-2017.-328-pgs.jpeg)
![[REVIEW] “The Madwoman in the Courtyard: Zhang Yimou’s 𝑅𝑎𝑖𝑠𝑒 𝑡ℎ𝑒 𝑅𝑒𝑑 𝐿𝑎𝑛𝑡𝑒𝑟𝑛” by Bea Phi](https://chajournal.com/wp-content/uploads/2024/09/raise-the-red-lantern-13.jpg)
![[ESSAY] “Doll and Void: On Noboru Tsujihara’s 𝑀𝑖𝑠𝑡𝑟𝑒𝑠𝑠 𝐾𝑜ℎ𝑎𝑟𝑢” by Tyran Grillo](https://chajournal.com/wp-content/uploads/2025/11/Mistress-Koharu-Noboru-Tsujihara.png)
![[INCIDENTAL] “After the Credits Rolled: 𝐶𝑟𝑜𝑢𝑐ℎ𝑖𝑛𝑔 𝑇𝑖𝑔𝑒𝑟, 𝐻𝑖𝑑𝑑𝑒𝑛 𝐷𝑟𝑎𝑔𝑜𝑛 and a Writer’s Awakening” by Larnchana Larkshitha Alahendra](https://chajournal.com/wp-content/uploads/2026/11/Tiger-Dragon.png)
![[FIRST IMPRESSIONS] “Shinya Tamada’s 𝐼 𝐴𝑚 𝑊ℎ𝑎𝑡 𝐼 𝐴𝑚: The Solitary Sprint Towards Self-Love” by Nicola Ulaan Wan](https://chajournal.com/wp-content/uploads/2025/11/Shinya-Tamada-director.-I-Am-What-I-Am-Sobakasu.jpg)
![[ESSAY] “From Fife to the Fragrant Harbour: On Learning to Love Hong Kong English” by Stewart McKay](https://chajournal.com/wp-content/uploads/2026/11/stewart-mckay-in-the-highlands-of-Scotland.png)