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Editor’s note: In this reflective essay, Gutierrez Mangansakan II recounts acting on a film by Lav Diaz to examine how Mindanao shapes Diaz’s cinema. Blending personal observation with critical analysis, he argues that the director’s duration, restraint, and resistance to…
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茶 LEEDS茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [LEEDS | REVIEW] “Building Shenzhen from the Ground Up: Sheng Keyi’s Northern Girls” by Todd Foley Click HERE to read all entries in Cha on Northern Girls. Sheng Keyi (author), Shelly Bryant (translator), Northern Girls:…
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Editor’s note: In Gutierrez Mangansakan II’s essay, growing trees in red-clay pots becomes a metaphor for exile, love, and impermanence. Through memories of family, cats, and lost homelands, he reflects on denied inheritance and chosen distance, arguing that care, memory,…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [FIRST IMPRESSIONS] “On Grief, Diaspora, and Grace Loh Prasad’s The Translator’s Daughter”by Rebekah Chan Click HERE to read all entries in Chaon Translator’s Daughter. Grace Loh Prasad, The Translator’s Daughter, The Ohio State University Press,…
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茶 LEEDS茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [LEEDS | REVIEW] “Primal Energy and Female Defiance in Sheng Keyi’s Northern Girls” by Cuilin Sang Click HERE to read all entries in Cha on Northern Girls. Sheng Keyi (author), Shelly Bryant (translator), Northern Girls:…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS Editor’s note: Laurehl Onyx B. Cabiles considers the films Big Fish and Little Fish in relation to his father and the Filipino seafood dish kinilaw, using cinema as a lens for…
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All entries on SUNDANCE 2026 [SUNDANCE 2026] “Visions of a Future Self: Kogonada’s zi” by Nirris Nagendrarajah Kogonada (director), zi, 2025. 199 min. In cinema, whenever I see a shot of the back of a character’s head, I think of…
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茶 LEEDS茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [LEEDS | REVIEW] “Memory, Fiction, and Subjective Reality in Ge Fei’s A Flock of Brown Birds” by Todd Foley Ge Fei (author), Poppy Toland (translator), Flock of Brown Birds, Penguin…
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Editor’s note: Zalman S. Davis places Xuân Diệu and Huy Cận within Vietnamese literary history shaped by Confucian ethics, French colonial modernity, and revolutionary discipline. The essay reads Thơ Mới poetry as a space where male intimacy could appear through…
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Please click LEEDS to view selected pieces,updated regularly. We are very pleased to announce that we have formed a collaboration with the Leeds Centre for New Chinese Writing to republish selected reviews of translated titles from their platform. These reviews…


![[ESSAY] “In Search of Mindanao in the films of Lav Diaz” by Gutierrez Mangansakan II](https://chajournal.com/wp-content/uploads/2026/02/lav-diaz.webp?w=1024)
![[LEEDS | REVIEW] “Building Shenzhen from the Ground Up: Sheng Keyi’s 𝑁𝑜𝑟𝑡ℎ𝑒𝑟𝑛 𝐺𝑖𝑟𝑙𝑠” by Todd Foley](https://chajournal.com/wp-content/uploads/2026/02/https-www.penguin.sgbooknorthern-girls.jpg?w=974)
![[ESSAY] “Reflection on Exile, Impermanence, and Red Clay Pots” by Gutierrez Mangansakan II](https://chajournal.com/wp-content/uploads/2025/02/aslan-and-buffy-in-the-dirty-kitchen.jpg?w=1024)
![[FIRST IMPRESSIONS] “On Grief, Diaspora, and Grace Loh Prasad’s 𝑇ℎ𝑒 𝑇𝑟𝑎𝑛𝑠𝑙𝑎𝑡𝑜𝑟’𝑠 𝐷𝑎𝑢𝑔ℎ𝑡𝑒𝑟” by Rebekah Chan](https://chajournal.com/wp-content/uploads/2024/07/the-translators-daughter.jpg?w=880)
![[LEEDS | REVIEW] “Primal Energy and Female Defiance in Sheng Keyi’s 𝑁𝑜𝑟𝑡ℎ𝑒𝑟𝑛 𝐺𝑖𝑟𝑙𝑠” by Cuilin Sang](https://chajournal.com/wp-content/uploads/2026/02/northern-girls-cha.png?w=1024)
![[ESSAY] “𝐵𝑖𝑔 𝐹𝑖𝑠ℎ, 𝐿𝑖𝑡𝑡𝑙𝑒 𝐹𝑖𝑠ℎ, & The Fake Legend of Kinilaw” by Laurehl Onyx B. Cabiles](https://chajournal.com/wp-content/uploads/2026/02/big-fish-little-fish.png?w=940)
![[SUNDANCE 2026] “Visions of a Future Self: Kogonada’s 𝑧𝑖” by Nirris Nagendrarajah](https://chajournal.com/wp-content/uploads/2026/02/zi-film-cha-nirris.png?w=702)
![[LEEDS | REVIEW] “Memory, Fiction, and Subjective Reality in Ge Fei’s 𝐹𝑙𝑜𝑐𝑘 𝑜𝑓 𝐵𝑟𝑜𝑤𝑛 𝐵𝑖𝑟𝑑𝑠” by Todd Foley](https://chajournal.com/wp-content/uploads/2026/02/poppy-toland.jpg?w=1024)
![[ESSAY] “Between Confession and Restraint: Queer Intimacy and the Making of Vietnamese Modernist Lyricism in Xuân Diệu and Huy Cận” by Zalman S. Davis](https://chajournal.com/wp-content/uploads/2026/02/xuan-dieu-1916e280931985-and-huy-can.webp?w=700)
