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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “James Shea’s Last Day of My Face and the Practice of Not Knowing” by Jennifer Eagleton Click HERE to read all entries in Cha on Last Day of My Face. James Shea, The Last Day of…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “The Female Researcher and Patriarchal Figures in Hon Lai Chu’s Mending Bodies” by Grace En-Yi Ting Click HERE to read all entries in Cha on Mending Bodies. Hon Lai Chu (author), Jacqueline Leung (translator), Mending…
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[ESSAY] “A Woman Named Summer: Rethinking Xu Hongfei’s Early Sculpture at the Guangzhou Museum of Art” by Daniel Gauss Xu Hongfei’s Summer, photos by Daniel Gauss Among the many works displayed in the Guangzhou Museum of Art, one marble sculpture…
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[ESSAY] “The Burden of Representation: 𝑃𝑖𝑙𝑙𝑖𝑜𝑛 and the BDSM Representation on Screen” by Hongwei Bao
茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “The Burden of Representation: Pillion and the BDSM Representation on Screen” by Hongwei Bao Click HERE to read all entries in Cha on Pillion & Box Hill. Editor’s note: Hongwei Bao revisits the conversations prompted…
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[EXCLUSIVE] “Seeing the Unseen: Lessons from Tai Po” by Stuart Lau Wai-shing, translated by Tammy Lai-Ming Ho “What is essential is invisible to the eye.”Antoine de Saint-Exupéry, The Little Prince (1943). Spoken by the fox during his lesson to the…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “Mariko Nagai’s Imaginary Death: The Genre-Bending Architecture of Wartime Testimony” by James Au Kin-Pong Mariko Nagai, Imaginary Death, Punctum Books, 2025. 297 pgs. It is difficult to determine the genre to…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “When News Breaks: Carol Lin’s Memoir of Love and War” by Susan Blumberg-Kason Carol Lin, When News Breaks, Third Rail Press, 2025. 284 pgs. Carol Lin came of age in…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “STEP OUT Studios’ The Next Movement Blasts Out Futuristic Sounds From the Dancers’ Feet” by by Dawna Fung Wong Chun-ho (director), Zoe Chan & Cal Tang (artistic directors & choreographers), hirsk…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “Kokuho: Lee Sang-il’s Mesmerizing Portrait of Kabuki Mastery” by Jennifer Eagleton Lee Sang-il (director), Kokuho, 2025. 174 min. What makes Lee Sang-il’s Kokuho special are the tight closeups of onnagata…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “The Endearing Sisterhood in Yoko Ogawa’s Mina’s Matchbox” by Fathima M Click HERE to read all entries in Cha on Mina’s Matchbox. Yōko Ogawa (author), Stephen B. Snyder (translator), Mina’s Matchbox, Pantheon Books, 2024. 288…


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![[ESSAY] “The Burden of Representation: 𝑃𝑖𝑙𝑙𝑖𝑜𝑛 and the BDSM Representation on Screen” by Hongwei Bao](https://chajournal.com/wp-content/uploads/2025/10/pillion-film-review-2025-cha-an-asian-literary-journal-hongwei-bao.png?w=1024)
![[EXCLUSIVE] “Seeing the Unseen: Lessons from Tai Po” by Stuart Lau Wai-shing, translated by Tammy Lai-Ming Ho](https://chajournal.com/wp-content/uploads/2025/11/hk-fire-3-ap-gmh-251125_1764163221138_hpmain.jpg?w=1024)
![[REVIEW] “Mariko Nagai’s 𝐼𝑚𝑎𝑔𝑖𝑛𝑎𝑟𝑦 𝐷𝑒𝑎𝑡ℎ: The Genre-Bending Architecture of Wartime Testimony” by James Au Kin-Pong](https://chajournal.com/wp-content/uploads/2025/11/imaginary-death-mariko-nagai.png?w=600)
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![[REVIEW] “𝐾𝑜𝑘𝑢ℎ𝑜: Lee Sang-il’s Mesmerizing Portrait of Kabuki Mastery” by Jennifer Eagleton](https://chajournal.com/wp-content/uploads/2024/11/httpsgkids.comfilmskokuho.png?w=1024)
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