Category: Exclusive
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Editor’s note: Laurehl Onyx B. Cabiles’s essay traces a Filipino upbringing in conflict-marked Cotabato and its unlikely resonance with Derry Girls. Through memories of militarisation, prejudice, and youthful fear, it shows how humour bridges distant histories, revealing comedy as a…
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Editor’s note: Anna Nguyenโs essay critiques the literary marketplaceโs fixation on identity, arguing that it rewards legible, consumable narratives while punishing rigorous resistance. Drawing on Glissant, Jordan, and Davis, she challenges flattened intersectionality, positionality statements, and the colonial gaze masquerading…
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่ถ FIRST IMPRESSIONS ่ถ REVIEW OF BOOKS & FILMS [ESSAY] “Filmic Silence and the Speaking Body in the Novel” by Thammika Songkaeo Click HERE to read all entrieson Stamford Hospital. Eva Trobisch (director), All Good, 2018. 93 min. In 2020,…
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่ถ FIRST IMPRESSIONS ่ถ REVIEW OF BOOKS & FILMS Editor’s note: In Hongwei Bao’s new essay, Pillion (2025), directed by Harry Lighton and adapted from Adam Mars-Jonesโs 2020 novella Box Hill, becomes a lens for exploring queer biker cinema, kink…
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Editor’s note: In Matt Turnerโs essay, he recounts organising and leading a Tuesday-evening reading group in November 2025 at Accent Sisters, a Union Square gallery with a Chinese and feminist focus. The group, composed largely of Chinese participants and socially…
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Editor’s note: Llinos Evansโs essay traces the literary and linguistic significance of the One-Syllable Article through a detailed reading of Yuen Ren Chaoโs โLion-Eating Poet in the Stone Denโ. Moving beyond its reputation as a phonetic curiosity, it argues for…
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่ถ FIRST IMPRESSIONS ่ถ REVIEW OF BOOKS & FILMS [ESSAY] โAesthetic Experiences: A Study of Anri Yasudaโs Beauty Mattersโ by Luca Griseri Anri Yasuda, Beauty Matters: Modern Japanese Literature and the Question of Aesthetics, 1890โ1930, Columbia University Press, 2024. 304…
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่ถ FIRST IMPRESSIONS ่ถ REVIEW OF BOOKS & FILMS [ESSAY] โFrom Star to Performer-Worker: Rethinking Anna May Wong Through Labourโ by Anna Nguyen Yiman Wang, To Be An Actress: Labor and Performance in Anna May Wongโs Cross-Media World, University of…
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[ESSAY] โMaggie Cheung and the Refusal of Cinematic Immortalityโ by Anna Nguyen I have many confessions. I am exhausted by the discourse surrounding Wong Kar-wai’s In the Mood for Love (2000). I am exhausted by fandoms that fixate on aesthetic…
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Editor’s note: Cleo Li-Schwartzโs essay entwines personal pilgrimage and critical meditation, reading Berlin as a palimpsest of Jewish memory, Cold-War fracture, and inherited displacement. Moving through memorials, friendships, and borders, the narrator unsettles any stable present. The essay later turns…
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Editor’s note: In this deeply personal essay, Sajita Nair recounts her first pilgrimage to Sabarimala after decades of exclusion shaped by gendered religious custom. Beginning in childhood bewilderment at ritual prohibition, it moves through family memory, mythic inheritance and disciplined…
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Editor’s note: It is our pleasure to present this piece by Jennifer Eagleton, one of our most valued voices at Cha. A long-term resident of Hong Kong since 1997, Jennifer has built a distinguished career as editor, writer, and scholar,…
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[ESSAY] โPreserving the Path of Enlightenment at Borobudur and Not Just the Stonesโ by Daniel Gauss Borobudur is an allegory of self awareness, growth and social engagement, rendered in volcanic stone. It was not built for veneration, but to be…
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่ถ FIRST IMPRESSIONS ่ถ REVIEW OF BOOKS & FILMS [ESSAY] โNot A Utopian Land: Rereading the Evenki Culture in Chi Zijianโs novel The Last Quarter of the Moon and Gu Taoโs documentary film The Last Moose of Aoluguyaโ by Yiwen…
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[ESSAY] โ1331 Runway: Hong Kong Youth Utopia or Real-Estate Planning Malfunction?โ by Daniel Gauss In July 2025, international media erupted with enthusiasm over a project in Hong Kong called 1331 Runway. Built on land once occupied by the former Kai…
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่ถ FIRST IMPRESSIONS ่ถ REVIEW OF BOOKS & FILMS [Essay] “1000XRESIST and Immunity in the Chinese Diaspora” by Nick Admussen Sunset Visitor (developer), 1000xResist, Fellow Traveller Games. 2024. 1000xRESIST is a 2024 narrative video game created by the Canadian studio…
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[ESSAY] โSixteen Dead, Zero Justice: Cambodiaโs Monument to a Silenced Crimeโ by Daniel Gaussย
[ESSAY] โSixteen Dead, Zero Justice: Cambodiaโs Monument to a Silenced Crimeโ by Daniel Gauss In 2009, Cambodia experienced a rare moment of national pride when Duch, the Khmer Rouge official who oversaw the notorious S-21 prison, was finally brought to…
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่ถ FIRST IMPRESSIONS ่ถ REVIEW OF BOOKS & FILMS Editor’s note: In Chris Songโs essay, James Sheaโs Last Day of My Face (University of Iowa Press, 2025) is read in relation to Hong Kong as both a lived city and…
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[ESSAY] โA Woman Named Summer: Rethinking Xu Hongfeiโs Early Sculpture at the Guangzhou Museum of Artโ by Daniel Gauss Xu Hongfei’s Summer, photos by Daniel Gauss Among the many works displayed in the Guangzhou Museum of Art, one marble sculpture…
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่ถ FIRST IMPRESSIONS ่ถ REVIEW OF BOOKS & FILMS Editor’s note: Ai-Ting Chung’s essay โToxic Humidifiers and Atmospheric Thinking in Air Murderโ examines Air Murder (2022), directed by Jo Yong-sun, as an ecocinema work grounded in real-life tragedy: South Koreaโs…
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่ถ FIRST IMPRESSIONS ่ถ REVIEW OF BOOKS & FILMS Editor’s note: In โE.T. 3 is Lying in a Coffin Outside Wuhan”, Angus Stewart explores Xiaosha Zhangโs 2018 mockumentary My Son Went to an Alien Planet (E.T. Made in China), situating…
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[ESSAY] “Wong Bar Wine: A Cinematic Oasis in Hanoi” by Zalman S.ย Davis On a calm Monday evening, I found myself at 14B Hai Bร Trฦฐng in Hanoi, drawn to a cosy corner on Trร ng Tiแปn that radiated a warm, amber…
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Editor’s note: We are honoured to present the personal reflection โCurriculum Vitae in Silenceโ and the poem of the same title by Liu Hongbin, a Chinese British poet of Tiananmen exile. He was shaped by a childhood torn between pastoral…
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Chris Song’s Note: Liu Yichangโs ๅไปฅ้ฌฏ (1918โ2018) short story โRiotโ ๅไบ, set against the backdrop of the 1967 Hong Kong Riots, is a hauntingly experimental meditation on violence, urban alienation, and the blurred boundary between the living and the inanimate.…
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Earlier this week, the Nobel Prize in Literature for 2025 was awarded to the Hungarian novelist Lรกszlรณ Krasznahorkai โfor his compelling and visionary oeuvre that, in the midst of apocalyptic terror, reaffirms the power of art.โ Coverage in outlets such…
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TIFF 2025 โ 10. The Archivistโs Film: A Conversation on Kunsang Kyirongโs 100 Sunsetโ 9. She Was Screaming into Silence: A Conversation on Cai Shangjunโs The Sun Rises On Us Allโ 8. You Don’t Belong to Anyone: A Conversation on…
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Editor’s note: In this interview, poet and critic Tiffany Troy speaks with translator Chenxin Jiang about her recent rendering of for now I am sitting here growing transparent (Zephyr Press, 2025) by Hong Kong poet, filmmaker, and scholar Yau Ching.…
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Editorโs note: This conversation between Shuang Xiao ่็ฝ and T. L. Tsim ่ฉนๅพท้, former director of Chinese University Press, provides a wide-ranging reflection on Hong Kongโs cultural and literary landscape of the 1980s, highlighting Tsimโs collaboration with John Minford on Renditions…
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โ Afterword: Living Between Languagesโ Three Poemsโ Anything but Human ๅคง้ๅ @ TrendLit Publishing Living between languages by Daryl Lim Wei Jie My poetry was brewed in the multilingual kitchen that is Singapore. The translational and the interlingualโthat is, existing…
![[ESSAY] โWhy Does a Guy from Cotabato Province Relate to ๐ท๐๐๐๐ฆ ๐บ๐๐๐๐ ?โ by Laurehl Onyx B. Cabiles](https://chajournal.com/wp-content/uploads/2026/01/derry-girls.jpg?w=1000)
![[ESSAY] “I Write An Attempt Away From Identity Reductionism” by Anna Nguyen](https://chajournal.com/wp-content/uploads/2025/01/anna-nguyen.jpg?w=933)
![[ESSAY] “Filmic Silence and the Speaking Body in the Novel” by Thammika Songkaeo](https://chajournal.com/wp-content/uploads/2025/01/stamford-hospital-all-is-good.png?w=846)
![[ESSAY] “Geared Up for Pillion” by Hongwei Bao](https://chajournal.com/wp-content/uploads/2024/12/pillion-film-poster.jpg?w=1024)
![[ESSAY] “Debord at Union Square” by Matt Turner](https://chajournal.com/wp-content/uploads/2026/01/the-society-of-the-spectacle.png?w=747)
![[ESSAY] “Beyond the Stone Den: One-Syllable Articles as Literary FormโAn Introduction” by Llinos Evans](https://chajournal.com/wp-content/uploads/2026/01/poem.jpg?w=785)
![[ESSAY] โAesthetic Experiences: A Study of Anri Yasudaโs ๐ต๐๐๐ข๐ก๐ฆ ๐๐๐ก๐ก๐๐๐ โ by Luca Griseri](https://chajournal.com/wp-content/uploads/2026/01/https-__m.media-amazon.com_images_i_819sezp2oml._sl1500_.jpg.jpg?w=1000)
![[ESSAY] โFrom Star to Performer-Worker: Rethinking Anna May Wong Through Labourโ by Anna Nguyen](https://chajournal.com/wp-content/uploads/2026/01/yiman-wang-to-be-an-actress-labor-and-performance-in-anna-may-wongs-cross-media-world-university-of-california-press.jpg?w=1000)
![[ESSAY] โMaggie Cheung and the Refusal of Cinematic Immortalityโ by Anna Nguyen](https://chajournal.com/wp-content/uploads/2025/01/irma-vep-1996-maggie-cheung.jpg?w=1024)
![[ESSAY] โWalking with Leung Ping-kwan: Berlin, Memory, and the Intersticeโ by Cleo Li-Schwartz](https://chajournal.com/wp-content/uploads/2024/12/leung-ping-kwan-cha.jpg?w=716)
![[ESSAY] “The Eighteen Steps Home” by Sajita Nair](https://chajournal.com/wp-content/uploads/2025/12/essay-22the-eighteen-steps-home22-by-sajita-nair.png?w=1024)
![[REFLECTION] “Personal Transformation Docket: 31/12/25” by Jennifer Eagleton](https://chajournal.com/wp-content/uploads/2025/12/hongkonger-t-shirt.jpg?w=1024)
![[ESSAY] โPreserving the Path of Enlightenment at Borobudur and Not Just the Stonesโ by Daniel Gauss](https://chajournal.com/wp-content/uploads/2025/12/borobudur_cha.jpg?w=1024)
![[ESSAY] โNot Your Utopian Land: Rereading the Evenki Culture in Chi Zijianโs novel ๐โ๐ ๐ฟ๐๐ ๐ก ๐๐ข๐๐๐ก๐๐ ๐๐ ๐กโ๐ ๐๐๐๐ and Gu Taoโs documentary film ๐โ๐ ๐ฟ๐๐ ๐ก ๐๐๐๐ ๐ ๐๐ ๐ด๐๐๐ข๐๐ข๐ฆ๐โ by Yiwen Liu](https://chajournal.com/wp-content/uploads/2024/12/not-a-utopian-land_yiwen-liu.png?w=1024)
![[ESSAY] โ1331 Runway: Hong Kong Youth Utopia or Real-Estate Planning Malfunction?โ by Daniel Gauss](https://chajournal.com/wp-content/uploads/2025/12/767206174.jpg?w=576)
![[ESSAY] “1000๐๐
๐ธ๐๐ผ๐๐ and Immunity in the Chinese Diaspora” by Nick Admussen](https://chajournal.com/wp-content/uploads/2025/12/https-www.fellowtraveller.games1000xresist.jpg?w=1024)
![[ESSAY] โSixteen Dead, Zero Justice: Cambodiaโs Monument to a Silenced Crimeโ by Daniel Gaussย](https://chajournal.com/wp-content/uploads/2025/12/cambodia_cha.jpg?w=1024)
![[ESSAY] โRealism and Memory in Chinese Film: Cecรญlia Mello’s ๐โ๐ ๐ถ๐๐๐๐๐ ๐๐ ๐ฝ๐๐ ๐โ๐๐๐๐๐โ by Tim Murphy](https://chajournal.com/wp-content/uploads/2025/12/cecilia-mello.-the-cinema-of-jia-zhangke-realism-and-memory-in-chinese-film-bloomsbury-academic.jpg?w=1000)
![[ESSAY] “๐ฟ๐๐ ๐ก ๐ท๐๐ฆ ๐๐ ๐๐ฆ ๐น๐๐๐, Past Light of a City: Reading James Shea and Hong Kong” by Chris Song](https://chajournal.com/wp-content/uploads/2024/12/https-uipress.uiowa_.edubookslast-day-my-face.jpg?w=970)
![[ESSAY] โA Woman Named Summer: Rethinking Xu Hongfeiโs Early Sculpture at the Guangzhou Museum of Artโ by Daniel Gauss](https://chajournal.com/wp-content/uploads/2025/12/img_20251125_110600.jpg?w=1024)
![[ESSAY] โToxic Humidifiers andย Atmospheric Thinking in ๐ด๐๐ ๐๐ข๐๐๐๐โ by Ai-Ting Chung](https://chajournal.com/wp-content/uploads/2025/11/air-murder-korea.jpg?w=1024)
![[ESSAY] “E.T. 3 is Lying in a Coffin Outside Wuhan” by Angus Stewart](https://chajournal.com/wp-content/uploads/2025/11/https-mubi.comenbefilmse-t-made-in-china.webp?w=1024)
![[ESSAY] “Wong Bar Wine: A Cinematic Oasis in Hanoi” by Zalman S. Davis](https://chajournal.com/wp-content/uploads/2025/11/img_20241222_010158-e1761994105173.jpg?w=1024)
![[EXCLUSIVE] “Curriculum Vitae in Silence” by Liu Hongbin](https://chajournal.com/wp-content/uploads/2025/10/marble-feature.webp?w=1024)
![[TRANSLATION] “Riot” by Liu Yichang, Translated by Chris Song](https://chajournal.com/wp-content/uploads/2024/02/liu-yichang-and-chris-song-1.png?w=1024)
![[EXCLUSIVE] “Whose Words Win the Nobel? On Translators and the Question of Literary Recognition” by Kabir Deb](https://chajournal.com/wp-content/uploads/2025/10/copy-of-copy-of-taken-as-strictly-true-neuroscience-and-sinology-in-laszlo-krasznahorkais-f09d90b7f09d9192f09d91a0f09d91a1f09d919ff09d91a2f09d9190f09d91a1f09d9196f09d919cf09d919b-f09d918.png?w=1024)
![[TIFF 2025] “You Don’t Belong to Anyone: A Conversation on Kalainithan Kalaichelvan’s ๐พ๐๐๐ข๐๐ฆ” by Nirris Nagendrarajah & Kalainithan Kalaichelvan](https://chajournal.com/wp-content/uploads/2025/10/kalainithan-kalaichelvan-on-karupy-1.jpg?w=1024)
![[EXCLUSIVE] “On Translating Hong Kong Identity, Resilience, & Longing” by Tiffany Troy and Chenxin Jiang](https://chajournal.com/wp-content/uploads/2024/09/71e5yoi5wl._sl1500_-1.jpg?w=1023)
![[EXCLUSIVE] “From Page to Print: In Conversation with T. L. Tsim aboutย ๐
๐๐๐๐๐ก๐๐๐๐ , CUHK Press, and his Fellowship with John Minford” by Shuang Xiao & T. L. Tsim](https://chajournal.com/wp-content/uploads/2024/08/tsim-.jpg?w=1024)
![[FEATURE] “๐ด๐๐ฆ๐กโ๐๐๐ ๐๐ข๐ก ๐ป๐ข๐๐๐: Living between Languages” by Daryl Lim Wei Jie](https://chajournal.com/wp-content/uploads/2024/09/anythingbuthuman-copy.jpg?w=838)