Category: Exclusive
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “As If Present; As If Absent: Fang Fang’s Wuhan” by Angus Stewart Click HERE to read all entries in Cha on Fang Fang. Editor’s note: In this eloquent and incisive…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “It’s My House, and I Live Here: Weike Wang’s Rental House” by Peixuan Xie Weike Wang, Rental House, Riverhead Books, 2024. 224 pgs. Reading Rental House is, for a Chinese…
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Editor’s note: Lydia Wong’s evocative essay explores salt as both a material and metaphorical force in Hong Kong’s cultural, political, and sensual identity. From ancient salt fields to contemporary political repression, she traces how salt symbolises preservation, resistance, and longing.…
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[ESSAY] “Pseudo-Resistance and Ethical Beauty: A Critique of South Korean and Japanese Cinematic Aesthetics” by Zheng Wang In the narrative context of East Asian visual media, both South Korean and Japanese films and television series excel at exposing the darker…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Masaki Kobayashi (director), Kwaidan, 1964. 175 min. Ma—a profound Japanese concept that encapsulates the essence of stillness. The term refers to the empty spaces in between, a fleeting suspension…
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Chris Song and Simona Gallo Dwelling in Tongues◉ Part I—”Hong Kong & Poetry”◉ Part II—”A Translingual Self and The Art of Self-Translation” Editor’s note: This is the second in a two-part series of interview entitled “Dwelling in Tongues: A Conversation…
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Chris Song and Simona Gallo Dwelling in Tongues◉ Part I—”Hong Kong & Poetry”◉ Part II—”A Translingual Self: The Art of Self-Translation” Editor’s note: This is the first in a two-part series of interview entitled “Dwelling in Tongues: A Conversation on…
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There is no excerpt because this is a protected post.
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Jacqueline Leung’s note: “果實微溫,” pronounced “gwo sud mei wun,” translates literally from Cantonese as “warm fruit” and phonetically echoes “grocery run.” When Stuart Lau Wai-shing attended the Iowa International Writing Program in 2017, a bus would arrive each Tuesday morning, ferrying…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “Six Questions about the Six—Steven Schwankert’s The Six: The Untold Story of the Titanic’s Chinese Survivors” by Ryan Ho Kilpatrick Steven Schwankert, The Six: The Untold Story of the Titanic’s…
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Japanese cinema has long been a vanguard of distinctive stylistic choices, particularly in the realm of horror. J-horror eschews gratuitous special effects in favour of an atmospheric approach that meticulously cultivates suspense, delivering an experience that is profoundly unsettling. Ringu…
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Russell Leong on these poems: Like apparitions or long-lost friends, these three unpublished poems—written more than twenty years ago in New London, Connecticut; Cuse, France; and Hong Kong, China—have returned to me through the efforts of editor Tammy Lai-Ming Ho.…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS For Gab Angeles, who lent me the book. Natsume Sōseki (author), Meredith McKinney (translator), Kokoro, Penguin Classics, 2010. 256 pgs. Kokoro is the final novel written by Natsume Sōseki.…
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Kishore Kumar I was just five when I first “saw” Kishore Kumar—his presence flickering to life on the tiny black-and-white television set my grandfather had brought back from one of his work trips to the then-USSR. There he was—handsome, dashing,…
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There is a scene in the television show Friends where the six main characters—the titular friends—discuss “Chinese food.” Chandler jokingly remarks, “Yes, but in China, they just call it food.” It was a humorous moment, and it made perfect sense.…
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📁RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS ▚ Shao Yihui (director), Her Story 好东西, 2024. 123 min. ▚ Ling Jia (director), YOLO 热辣滚烫, 2024. 130 min. Decades after Chairman Mao declared that “women hold up half…
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📁RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS ▚ Lin Zhao, Flowing Creek 流溪 (originally published in Mandarin Chinese), Shanghai Sanlian Publishing Company, 2020, 192 pgs.▚ Lin Zhao, Tidal Chart 潮夕圖 (originally published in Mandarin Chinese with a variety…
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Ma Ka Fai’s note: These are selected excerpts from my novel Once Upon a Time in Hong Kong III (雙天至尊), forthcoming this year. The story’s protagonist, Hon Tien-Yan, is a passionate martial arts enthusiast and an ardent admirer of Bruce Lee.…
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Poet’s note: I consider this poem an ode to beginnings—a constant reminder that, before the hurt sets in, before any damage is done, the first page of any story holds infinite promise. There is always a reason for characters to…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [EXCLUSIVE] “You Are Not of Human Kind: A Freudian Comparison of Liaozhai and Nosferatu” by Angus Stewart Robert Eggers (director), Nosferatu, 2024. 132 min. Over Christmas, I finally lifted my copy…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS ❀ Julie Otsuka, When the Emperor Was Divine, Alfred A. Knopf, 2002. 148 pgs.❀ Julie Otsuka, The Buddha in the Attic, Alfred A. Knopf, 2011. 129 pgs.❀ Julie Otsuka,…
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“Article 5.3: Under no circumstances shall any citizen go to the capital.” This is one of the most serious of all our laws. Anyone who grew up in my village of Orfetel, only a few days’ travel from the ruins…
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Artwork by Raimonda I suppose you’ve seen obituaries shared on WeChat. People post them thoughtlessly, almost as if it’s routine. It feels strange, doesn’t it, that a life concludes in such a trivial manner? I used to find it unsettling,…
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Chris Song’s note: Roses in the Floating World 浮世薔薇 is the debut novel of Luwei Rose Luqiu 閭丘露薇, bearing an autobiographical touch as it recounts the lives of three generations of women—Miss Zhao, Ruolin, and Xiaoyu. The narrative follows these…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “On Memory” by Jonathan Chan Permutations (detail), 1976. Theresa Hak Kyung Cha (South Korean, 1951–1982). Black and white, 16 mm film on video, silent; 10 min. Collection of the University…
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Chris Song’s note: Haixin 海辛 (1930–2011) was one of Hong Kong’s most prolific realist fiction writers. His deep curiosity about various professions and the lives of ordinary people in Hong Kong, combined with his broad taste in literature, allowed him…
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On my way to the prison, I heard a teaser on the radio about bananas. Something to the effect that bananas were in trouble. I didn’t hear the actual story, but I’ve been thinking of bananas ever since. For several…
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TIFF 2024 ▞ Introduction▞ 8. Band of Outsiders: On Neo Sora’s Happyend▞ 7. The Soul of an Artist: On Hong Sang-soo’s By The Stream▞ 6. The Two Maidens: On Trương Minh Quý’s Viet and Nam▞ 5. The Master and Her…
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Chris Song’s note: Lü Lun’s “Piano Day” tells the story of May, a Garbo-like beauty who uses her piano sessions to extract tributes from men, ensnaring both T and P in a web of emotional temptation and entanglement. Like Lü Lun’s…
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Andrea Lingenfelter’s Note: In “The Legend of a Funambulist”, Lawrence Kwok-ling Pun 潘國靈 takes us on a journey with the tightrope-walker Mantra from his origins in the former Soviet Union, through Cold War Europe, and on to sojourns in New York,…
![[ESSAY] “As If Present; As If Absent: Fang Fang’s Wuhan” by Angus Stewart](https://chajournal.com/wp-content/uploads/2025/08/fang-fang.jpg?w=976)
![[ESSAY] “It’s My House, and I Live Here: Weike Wang’s 𝑅𝑒𝑛𝑡𝑎𝑙 𝐻𝑜𝑢𝑠𝑒” by Peixuan Xie](https://chajournal.com/wp-content/uploads/2025/08/rental-house.jpg?w=994)
![[EXCLUSIVE] “SALTY WET 鹹濕” by Lydia Wong](https://chajournal.com/wp-content/uploads/2025/07/salted-fish_peng-chau_december-2019_oliver-farry.jpg?w=1024)
![[ESSAY] “Pseudo-Resistance and Ethical Beauty: A Critique of South Korean and Japanese Cinematic Aesthetics” by Zheng Wang](https://chajournal.com/wp-content/uploads/2024/06/8331752405576_.pic_.png?w=610)
![[EXCLUSIVE] “𝐾𝑤𝑎𝑖𝑑𝑎𝑛: Horror and Folklore as an Art Form” by Tushi Gogoi](https://chajournal.com/wp-content/uploads/2025/06/kwaidan.jpg?w=570)
![[EXCLUSIVE] “A Translingual Self & The Art of Self-Translation” by Simona Gallo and Chris Song](https://chajournal.com/wp-content/uploads/2025/05/simona-gallo-and-chris-song.png?w=1024)
![Protected: [ESSAY] “Of Elephants and Peoples” by Aishwarya Narayanan](https://chajournal.com/wp-content/uploads/2026/04/elephants-https-periyartigerreserve.org_.jpg?w=1024)
![[EXCLUSIVE] “Warm Fruit” by Stuart Lau, translated by Jacqueline Leung](https://chajournal.com/wp-content/uploads/2025/04/stuart-lau_jacqueline-leung_cha.png?w=1024)
![[INTERVIEW] “Six Questions about the Six—Steven Schwankert’s 𝑇ℎ𝑒 𝑆𝑖𝑥: 𝑇ℎ𝑒 𝑈𝑛𝑡𝑜𝑙𝑑 𝑆𝑡𝑜𝑟𝑦 𝑜𝑓 𝑡ℎ𝑒 𝑇𝑖𝑡𝑎𝑛𝑖𝑐’𝑠 𝐶ℎ𝑖𝑛𝑒𝑠𝑒 𝑆𝑢𝑟𝑣𝑖𝑣𝑜𝑟𝑠” by Ryan Ho Kilpatrick](https://chajournal.com/wp-content/uploads/2025/04/steven-schwankert-the-six-the-untold-story-of-the-titanics-chinese-survivors-1.jpg?w=988)
![[EXCLUSIVE] “Before J-Horror: The Paranormal in Ancient Japanese Writing” by Tushi Gogoi](https://chajournal.com/wp-content/uploads/2025/03/a-traditional-japanese-emaki-scroll-scene-depicting-a-22hyakkiyagyo22-.png?w=1024)
![[EXCLUSIVE] Three Poems by Russell Leong](https://chajournal.com/wp-content/uploads/2025/03/three-poems-by-russell-leong.png?w=1024)
![[EXCLUSIVE] “The Virtue of Melancholy: Reading Natsume Sōseki’s 𝐾𝑜𝑘𝑜𝑟𝑜” by Ramzzi Fariñas](https://chajournal.com/wp-content/uploads/2025/03/kokoro.png?w=1024)
![[EXCLUSIVE] “Kishore Kumar: A Journey of Adoration and Rediscovery” by Namrata](https://chajournal.com/wp-content/uploads/2025/02/kishore-kumar-cha.jpg?w=1024)
![[EXCLUSIVE] “The Beginning of My Education in The Finer Points of Chinese Cuisine” by Jeff Beyl](https://chajournal.com/wp-content/uploads/2025/02/fremont-film-still.png?w=1024)
![[EXCLUSIVE] “𝐻𝑒𝑟 𝑆𝑡𝑜𝑟𝑦, 𝑌𝑂𝐿𝑂, and the Alternative Family in Chinese Cinema” by Edward Allen](https://chajournal.com/wp-content/uploads/2025/01/the-alternative-family-in-chinese-cinema.png?w=1024)
![[EXCLUSIVE] “Rewriting the Southeast Chinese Frontier with Tenderness: Lin Zhao’s 𝐹𝑙𝑜𝑤𝑖𝑛𝑔 𝐶𝑟𝑒𝑒𝑘 and 𝑇𝑖𝑑𝑎𝑙 𝐶ℎ𝑎𝑟𝑡” by Winifred Dongyi Wang](https://chajournal.com/wp-content/uploads/2024/11/lin-zhao.jpeg?w=600)
![[TRANSLATION] “Master Ip and the Dragonling” by Ma Ka fai, translated by Chris Song](https://chajournal.com/wp-content/uploads/2025/01/ma-ka-fai-e9a6ace5aeb6e8bc9d.png?w=1024)
![[EXCLUSIVE] “Beginnings are Generous” by Marco Yan](https://chajournal.com/wp-content/uploads/2025/01/frost-flowers-thumb.jpeg?w=1024)
![[EXCLUSIVE] “You Are Not of Human Kind: A Freudian Comparison of 𝐿𝑖𝑎𝑜𝑧ℎ𝑎𝑖 and 𝑁𝑜𝑠𝑓𝑒𝑟𝑎𝑡𝑢” by Angus Stewart](https://chajournal.com/wp-content/uploads/2025/01/nosferatu.png?w=1024)
![[EXCLUSIVE] “Julie Otsuka: The Ideal of Justice and the Reality of History” by Jiahe Chen](https://chajournal.com/wp-content/uploads/2025/01/julie-otsuka_cha.png?w=1024)
![[EXCLUSIVE] “In Farghestan” by Matt Turner](https://chajournal.com/wp-content/uploads/2025/01/farghestan6-1.png?w=972)
![[EXCLUSIVE—FICTION] “A Social Post” by Edward Allen](https://chajournal.com/wp-content/uploads/2024/12/a-social-post-by-edward-allen_illustration-by-raimonda-1.jpg?w=1024)
![[TRANSLATION] “𝑅𝑜𝑠𝑒𝑠 𝑖𝑛 𝑡ℎ𝑒 𝐹𝑙𝑜𝑎𝑡𝑖𝑛𝑔 𝑊𝑜𝑟𝑙𝑑 [An Excerpt]” by Luwei Rose Luqiu, translated by Chris Song](https://chajournal.com/wp-content/uploads/2024/11/luwei-rose-luqiu-and-chris-song_cha-an-asian-literary-journal.png?w=1024)
![[ESSAY] “On Memory” by Jonathan Chan](https://chajournal.com/wp-content/uploads/2024/10/permutations-detail-1976.-theresa-hak-kyung-cha-south-korean-1951e280931982.jpg?w=904)
![[TRANSLATION] “Spirits of Cicadas” by Haixin, translated by Chris Song](https://chajournal.com/wp-content/uploads/2024/10/haixin-e6b5b7e8be9b_chris-song.png?w=1024)
![[EXCLUSIVE] “Memories of Bananas” by Daniel Hudon](https://chajournal.com/wp-content/uploads/2024/10/bananas2.jpg?w=837)
![[TIFF 2024] “Introduction: TIFF 2024” by Nirris Nagendrarajah](https://chajournal.com/wp-content/uploads/2024/10/tiff.png?w=1024)
![[TRANSLATION] “Piano Day” by Lü Lun, translated by Chris Song](https://chajournal.com/wp-content/uploads/2024/10/lu-lun-e4beb6e580ab_cha-an-asian-literary-journal.png?w=1024)
![[TRANSLATION] “The Legend of a Funambulist” by Lawrence Kwok-ling Pun, Translated by Andrea Lingenfelter](https://chajournal.com/wp-content/uploads/2024/03/lawrence-kwok-ling-pun-e6bd98e59c8be99d88-1.jpg?w=1024)