Category: Duke University Press
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS [REVIEW] βChungking Dreaminβ: A Review of Giorgio Biancorossoβs Remixing Wong Kar-waiβ by Mario Rustan Giorgio Biancorosso. Remixing Wong Kar-wai: Music, Bricolage, and the Aesthetics of Oblivion, Duke University Press, 2025, 240…
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[ESSAY] βMaggie Cheung and the Refusal of Cinematic Immortalityβ by Anna Nguyen I have many confessions. I am exhausted by the discourse surrounding Wong Kar-wai’s In the Mood for Love (2000). I am exhausted by fandoms that fixate on aesthetic…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Kawika Guillermo, Nimrods: A Fake-Punk Self-Hurt Anti-Memoir, Duke University Press, 2023. 240 pgs. Fuck βem all. Squares on bothsides. I am the only completeman in the industry.βBurroughs, Naked Lunch…
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There is no excerpt because this is a protected post.
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πRETURN TO FIRST IMPRESSIONSπRETURN TO CHA REVIEW OF BOOKS AND FILMS Yan Lianke (author), Carlos Rojas (translator), Sound and Silence: My Experience with China and Literature, Duke University Press, 2024. 192 pgs. In late April 2024, Literary Hub released an…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Hangping Xu and Yunte Huang (special issue editors),Β Translatability and Transmediality: Chinese Poetry in/and the World, V20: N1 ofΒ Prism: Theory and Modern Chinese Literature. Duke University Press, March 2023. 252…
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{Return to Cha Review of Books and Films.} Carlos Rojas (special issue editor), Method as Method, V16: N2 of Prism: Theory and Modern Chinese Literature. Duke University Press, 2019. According to a quick etymological internet search, the term βmethodβ originates in the…
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{Return to Cha Review of Books and Films.} Carlos Rojas (special issue editor), Method as Method, V16: N2 of Prism: Theory and Modern Chinese Literature. Duke University Press, 2019. Method here is used as a βprismβ to tease out our underlying assumptions…
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Β {Return to Cha Review of Books and Films.} Carlos Rojas (special issue editor), Method as Method, V16: N2 of Prism: Theory and Modern Chinese Literature. Duke University Press, 2019. Twenty years ago, as a graduate student newly arrived in the…
![[REVIEW] βChungking Dreaminβ: A Review of Giorgio Biancorossoβs π
ππππ₯πππ ππππ πΎππ-π€ππβ by Mario Rustan](https://chajournal.com/wp-content/uploads/2026/04/remixing-wong-kar-wai-music-bricolage-and-the-aesthetics-of-oblivion.jpg?w=1000)
![[ESSAY] βMaggie Cheung and the Refusal of Cinematic Immortalityβ by Anna Nguyen](https://chajournal.com/wp-content/uploads/2025/01/irma-vep-1996-maggie-cheung.jpg?w=1024)
![[REVIEW] β ‘________________________’: Rererecapitulating Kawika Guillermoβs Devastatingly Wondrous πππππππ : π΄ πΉπππ-ππ’ππ ππππ-π»π’ππ‘ π΄ππ‘π-ππππππ” by Jason S Polley](https://chajournal.com/wp-content/uploads/2025/10/kawika-guillermo-devastating-nimrods-a-fake-punk-self-hurt-anti-memoir-.jpg?w=1024)
![Protected: [REVIEW] βNo Useless Poems: Tsering Woeserβs Greater Tibetβ by Angus Stewart](https://chajournal.com/wp-content/uploads/2026/05/ocean-as-much-as-rain-stories-lyrical-prose-and-poems-from-tibet.jpg?w=1000)
![[FIRST IMPRESSIONS] “Yan Lianke: The Reader Comes First” by A. B. Freeman](https://chajournal.com/wp-content/uploads/2024/11/feb5978a-5dfd-11ea-be3e-43af5536d789_image_hires_104029.jpeg?w=1024)
![[REVIEW] “A Groundbreaking Conversation: David L. Eng and Shinhee Han’s π
πππππ ππππππβππππ, π
πππππ π·ππ π πππππ‘πππ” by Elaine Chiew](https://chajournal.com/wp-content/uploads/2024/08/racial-melancholia-racial-dissociation-on-the-social-and-psychic-lives-of-asian-americans.jpg?w=1000)
![[REVIEW] “Worlds of Translation, Translated Worlds: ππππ π Special Issue πππππ πππ‘ππππππ‘π¦ πππ πππππ ππππππππ‘𦔠by Astrid MΓΈller-Olsen](https://chajournal.com/wp-content/uploads/2023/11/prisme28094march-2023.png?w=1024)
![[REVIEW] “Review as Method: A Review of Method as Method” by Gareth Paul Breen](https://chajournal.com/wp-content/uploads/2021/01/prism_method-as-method.png?w=1024)