Category: Cha Review of Books and Films
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Owlish. Dorothy Tse (author), Natascha Bruce (translator), Owlish, Fitzcarraldo Editions, 2023. 224 pgs. Iβve always sensed that Hong Kong has a unique way of combining the…
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π Return to First Impressionsπ Return to Cha Review of Books and Films Click HERE to read all entries in Cha on The Sorrows of Others. Ada Zhang, The Sorrows of Others, A Public Space, 2023. 160 pgs. Empathy. Itβs a simple word and one…
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π Return to First Impressionsπ Return to Cha Review of Books and Films Tim Tim Cheng, Tapping at Glass, Verve Poetry Press, 2023. 44 pgs. History, of course, repeats itself. What was termed βThe Lost Generationβ by Gertrude Stein, to…
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS [REVIEW] “Outstanding Translations of a Singular Poet: Yam Gong’s Moving a Stone” by Mary King Bradley and Matthew Cheng Click HERE to read all entries in Chaon Moving a Stone. Yam Gong (author), James Shea…
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π Return to First Impressionsπ Return to Cha Review of Books and Films Shirley Geok-lin Lim, In Praise of Limes, Sungold Editions, 2022. 106 pgs. In this review of Shirley Geok-lin Limβs In Praise of Limes, I attempt a process which…
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS [ESSAY] βWhat Does It Mean to Be a Feminist in China? Reviewing Feminisms with Chinese Characteristicsβ by X. H. Collins Ping Zhu and Hui Faye Xiao (editors), Feminisms with Chinese Characteristics, Syracuse…
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πRETURN TO FIRST IMPRESSIONSπRETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Strange Beasts. Yan Ge (author) and Jeremy Tiang (translator), Strange Beasts of China, Tilted Axis Press, 2020. 314 pgs. My previous Cha review of a Chinese…
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{Return to Cha Review of Books and Films} Philip Bowring. The Making of the Modern Philippines: Pieces of a Jigsaw State, Bloomsbury, 2022. 272 pgs. The thing with a jigsaw puzzle is it is a mental pursuit of completion; that somebody shuffles…
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{Return to Cha Review of Books and Films} Against the backdrop of ongoing wars and climate crisis, I found myself reading Daryl Lim Wei Jieβs Anything but Human, Gwee Li Suiβs This Floating World, and Heng Siok Tianβs Grandmaβs Attic,…
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS [ESSAY] “Giving a Voice to Those With None: Karen Ma’s China’s Millennial Digital Generation” by X. H. Collins Karen Ma. Chinaβs Millennial Digital Generation: Conversations with Balinghou (Post-1980s) Indie Filmmakers, Long…
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{Return to Cha Review of Books and Films.} Wesley Leon Aroozoo. The Punkhawala and the Prostitute, Epigram, 2021. 352 pgs. A finalist of Epigram Books Fiction Prize 2021, Wesley Leon Aroozooβs The Punkhawala and the Prostitute tells the tale of…
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{Return to Cha Review of Books and Films.} Nabina Das (translator), Alam Khorshed (curator), Arise out of the Lock: 50 Bangladeshi Women Poets in English, Balestier Press, 2022. 176 pgs. Arise Out of the Lock is a poetry collection by…
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{Return to Cha Review of Books and Films.} Maghiel van Crevel and Lucas Klein, eds., Chinese Poetry and Translation: Rights and Wrongs, Amsterdam University Press, 2019. 356 pgs. In a previous article about how late 20th/early 21st-century British and American…
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{Return to Cha Review of Books and Films.} Perhat Tursun (author), Darren Byler and Anonymous (translators), The Backstreets: A Novel from Xinjiang, Columbia University Press, 2022. 168 pgs. A man leaves an office in ΓrΓΌmqi, and starts walking. The sun…
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πΒ RETURN TO FIRST IMPRESSIONSπΒ RETURN TO CHA REVIEW OF BOOKS AND FILMS ClickΒ HERE to readΒ all entries inΒ ChaΒ onΒ Indelible City. Louisa Lim, Indelible City: Dispossession and Defiance in Hong Kong, Text Publishing Melbourne Australia, 2022. 306 pgs. Louisa Limβs 2022 book Indelible City:…
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{Return to Cha Review of Books and Films.} Monika Gaenssbauer and Nicholas Olczak (editors). Of Forests and Humans: Hong Kong Contemporary Short Fiction. Edition Cathay, vol. 74, Bochum, Projekt Verlag, 2019. 126 pgs. In Of Forests and Humans, Monika Gaenssbauer…
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{Return to Cha Review of Books and Films.} Phoebe Tsang, Setting Fire to Water. Thistledown Press, 2022. 220 pgs. Phoebe Tsangβs short story collection Setting Fire to Water is a delightful debut that transforms seemingly prosaic lives and events into…
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Duo Duo (author), Lucas Klein (translator and editor), Words as Grain (Yale University Press, 2021. 280 pgs.Β A farmer went out to sow his seed.Β As he was scattering the seed, some fell along the path, and the birds came and…
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{Return to Cha Review of Books and Films.} Annika A. Culver and Norman Smith (editors), Manchukuo Perspectives: Transnational Approach to Literary Production, Hong Kong University Press, 2020. Miserable human mouths are born on each ink drop. The paper gets crowded…
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{Return to Cha Review of Books and Films.} {This review is cross-posted on Agora.} Donald Keene and Shiba RyΕtarΕ (authors), Tony Gonzalez (translator), Edo Japan Encounters the World: Conversations Between Donald Keene and Shiba Ryotaro, Japan Library, 2018. 137 pgs.…
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πΒ RETURN TO FIRST IMPRESSIONSπΒ RETURN TO CHA REVIEW OF BOOKS AND FILMS ClickΒ HERE to readΒ all entries inΒ ChaΒ onΒ Not Written Words. Xi Xi (author), Jennifer Feeley (translator), Not Written Words, Zephyr Press and MCCM Creations, 2016. 152 pgs. . βWhen I grow up,β writes…
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{Return to Cha Review of Books and Films.} Yeng Pway Ngon (author), Natascha Bruce (translator), Lonely Face, Balestier Press, 2019. 152 pgs. Yeng Pway Ngonβs novella Lonely Face, translated into English by Natascha Bruce, relates an unnamed middle-aged manβs reflections on his…
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{Return to Cha Review of Books and Films.} Liang Luo, The Global White Snake, University of Michigan Press, 2021. 373 pgs. βNo culture can be fully understood in isolation,β writes Liang Luo in the introduction to her book The Global…
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{Return to Cha Review of Books and Films.} Liu Xinwu (author), Jeremy Tiang (translator), The Wedding Party, Amazon Crossing, 2021. 400 pgs. Time is a recurring theme in Liu Xinwuβs novel, The Wedding Party, recently translated from the Chinese into English…
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{Return to Cha Review of Books and Films.} Mang Ke (author), Lucas Klein, Huang Yibing and Jonathan Stalling (translators), October Dedications: Selected Poetry of Mang Ke, Zephyr Press, 2018. 152 pgs. This summer, all five floors of the National Art…
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{Return to Cha Review of Books and Films.} Takashina ShΕ«ji (author), Matt Treyvaud (translator), Japanese Art in Perspective: East-West Encounters, Japan Library, 2021. 191 pgs. An amateur of Japanese art might have heard about ukiyo-e (or floating painting), as well…
![[FIRST IMPRESSIONS] “Making Sense of Time: Dorothy Tse and ππ€πππ β” by Susan Blumberg-Kason](https://chajournal.com/wp-content/uploads/2023/05/dorothy-tse-cha-an-asian-literary-journal.jpg?w=1024)
![[REVIEW] βEmpathy is Key: Ada Zhangβs πβπ ππππππ€π ππ ππ‘βπππ ” by Susan Blumberg-Kason](https://chajournal.com/wp-content/uploads/2023/04/the-sorrows-of-others-1.jpg?w=700)
![[REVIEW] βA Paradigm Shift: BαΊ£o Ninhβs HΓ Nα»i at Midnight” by Mia Tompkins](https://chajournal.com/wp-content/uploads/2023/03/hanoi-at-midnight-1.png?w=967)
![[REVIEW] “Permutations of Loss: The Poetics of Tim Tim Cheng” by Sam Cheuk](https://chajournal.com/wp-content/uploads/2023/03/cheng-tim-tim_tapping-at-glass.png?w=1024)
![[REVIEW] “Outstanding Translations of a Singular Poet: Yam Gong’s πππ£πππ π ππ‘πππ” by Mary King Bradley and Matthew Cheng](https://chajournal.com/wp-content/uploads/2023/03/moving-a-stone-copy.jpg?w=896)
![[REVIEW] “Limβs Limes Call To Mind⦔ by Dean A. F. Gui](https://chajournal.com/wp-content/uploads/2023/03/praise-of-limes.png?w=1024)
![[REVIEW] βRin Ishigakiβs Poetry as Resilienceβ by Nadine Willems](https://chajournal.com/wp-content/uploads/2023/02/the-overflowing-light-1.jpg?w=653)
![[REVIEW] βLaughter of the Displaced: A Review of Gish Jenβs πβπππ πππ’, ππ. πππ₯ππβ by Emma H. Zhang](https://chajournal.com/wp-content/uploads/2023/01/thank-you-mr-nixon-gish-jen.png?w=1024)
![[ESSAY] βWhat Does It Mean to Be a Feminist in China? Reviewing πΉππππππ ππ Β π€ππ‘β πΆβππππ π πΆβπππππ‘ππππ π‘πππ β by X. H. Collins](https://chajournal.com/wp-content/uploads/2023/01/feminists_chinese-characteristics.png?w=1024)
![[REVIEW] βππ‘πππππ π΅πππ π‘π ππ πΆβπππ: Harnessing πβπππ’ππ and Magic Realism to Satirise Otheringβ by Cyril Camus](https://chajournal.com/wp-content/uploads/2022/11/strangebeastsofchinav3ccorrected_v3c-copy.jpg?w=668)
![[REVIEW] βSifting Through The Rubble: Reading Philip Bowringβs πβπ ππππππ ππ ππππππ πβπππππππππ β by Jose Santos P. Ardivilla](https://chajournal.com/wp-content/uploads/2022/11/the-making-of-the-modern-philippines-1.jpeg?w=568)
![[REVIEW] βToying With Lost Time: A Review of Three Poetry Collections from Landmark Booksβ by Cheng Tim Tim](https://chajournal.com/wp-content/uploads/2022/10/landmark-books.png?w=1024)
![[ESSAY] “Giving a Voice to Those With None: Karen Ma’s πΆβπππ’π ππππππππππ π·ππππ‘ππ πΊππππππ‘πππ” by X. H. Collins](https://chajournal.com/wp-content/uploads/2022/10/chinas-millennial-digital-generation-conversations-with-balinghou-post-1980s-indie-filmmakers-1.png?w=1024)
![[REVIEW] “Quintessential Singlit? Wesley Leon Aroozoo’s πβπ ππ’ππβππ€πππ πππ π‘βπ ππππ π‘ππ‘π’π‘πβ by Michael Tsang](https://chajournal.com/wp-content/uploads/2022/09/wesley-leon-aroozoos-the-punkhawala-and-the-prostitute.png?w=1024)
![[REVIEW] βπ΄πππ π ππ’π‘ ππ π‘βπ πΏπππ: On Resistance, Connection, and Enchantmentβ by Sharyn Phu](https://chajournal.com/wp-content/uploads/2022/09/arise-out-of-the-lock.png?w=1024)
![[REVIEW] “πΆβππππ π ππππ‘ππ¦ πππ πππππ πππ‘πππ: A Multi-Angled Overview of What Happens When Worlds Collideβ by Cyril Camus](https://chajournal.com/wp-content/uploads/2022/09/chinese-poetry-and-translation-lucas-klein-.png?w=1024)
![[REVIEW] “A Psychoanalytical Auto-fictional Biography of a City: Perhat Tursun’s πβπ π΅ππππ π‘ππππ‘π ” by Serena De Marchi](https://chajournal.com/wp-content/uploads/2022/09/the-backstreets-perhat-tursun.png?w=1024)
![[REVIEW] “Beyond Birth, Blood, and Soil: Reading Louisa Limβs πΌππππππππ πΆππ‘𦔠by Emma Zhang](https://chajournal.com/wp-content/uploads/2022/09/indelible-city-louisa-lim-1.jpg?w=1024)
![[REVIEW] βStories Grow in Hong Kong: A Review of ππ πΉππππ π‘π πππ π»π’ππππ β by Astrid MΓΈller-Olsen](https://chajournal.com/wp-content/uploads/2022/09/of-forests-and-humans-1.jpg?w=519)
![[REVIEW] “Dream-like Reality: Phoebe Tsang’s πππ‘π‘πππ πΉπππ π‘π πππ‘ππ” by Aerith Au](https://chajournal.com/wp-content/uploads/2022/09/fire-to-water_phoebe-tsang.png?w=1024)
![[REVIEW] βA Parable of the Eccentric Sower: Duo Duoβs πππππ ππ πΊππππβ by Joanna Krenz](https://chajournal.com/wp-content/uploads/2021/06/duo-duo_words-as-grain_lucas-klein.png?w=1024)
![[REVIEW] “The Buried Past Revealed: Reading ππππβπ’ππ’π ππππ ππππ‘ππ£ππ β by Yu MΓΌller](https://chajournal.com/wp-content/uploads/2022/04/manchukuo-perspectives-transnational-approach-to-literary-production-hong-kong-university-press.png?w=1024)
![[REVIEW] βAn Intellectual Exchange: A Review of πΈππ π½ππππ πΈππππ’ππ‘πππ π‘βπ πππππβ by James Kin Pong Au](https://chajournal.com/wp-content/uploads/2022/04/edo-japan-encounters-the-world-conversations-between-donald-keene-and-shiba-ryotaro.png?w=1024)
![[REVIEW] “Fiona Sze-Lorrain: Poetry and Translations” by Elizabeth Chung](https://chajournal.com/wp-content/uploads/2021/02/fiona-sze-lorrain-7.png?w=1024)
![[REVIEW] “Quietly Radical: Xi Xi’s πππ‘ ππππ‘π‘ππ πππππ ” by Kyle Muntz](https://chajournal.com/wp-content/uploads/2022/02/not-a-written-words_xi-xi.png?w=758)
![[REVIEW] βExistential Capsules and Cusps in Yeng Pway Ngonβs πΏπππππ¦ πΉπππβ by Frances An](https://chajournal.com/wp-content/uploads/2022/02/lonely_face-1-1.jpeg?w=902)
![[REVIEW] “Culture Is That Which Appropriates: A Review of Liang Luo’s πβπ πΊπππππ πβππ‘π πππππ” by Noah Arthur Weber](https://chajournal.com/wp-content/uploads/2022/02/the-global-white-snake-1.jpeg?w=667)
![[REVIEW] “A Rich Tapestry for Tomorrowβs Beijingers: A Review of πβπ πππππππ ππππ‘𦔠by Susan Blumberg-Kason](https://chajournal.com/wp-content/uploads/2022/01/theweddingparty-1.jpeg?w=700)
![[REVIEW] “Shockingly Direct and Heterodox: Mang Ke’s πππ‘ππππ π·ππππππ‘ππππ ” by David Harrison Horton](https://chajournal.com/wp-content/uploads/2021/12/october-dedications_mang-ke.png?w=994)
![[REVIEW] “(Re)formation of Ideas: π½ππππππ π π΄ππ‘ ππ ππππ ππππ‘ππ£π” by James Au Kin-Pong](https://chajournal.com/wp-content/uploads/2021/12/japanese-art-in-perspective-east-west-encounters.jpeg?w=1024)