Author: t
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Saharu Nusaiba Kannanari, The Menon Investigation, Penguin Random House India, 2025. 246 pgs. In the world of crime cinema, the Austrian film director and screenwriter Fritz Lang is considered…
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📁 RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS Kong Shangren (author), Wai-yee Li (translator), The Peach Blossom Fan, Oxford University Press, 2024. 816 pgs. Wai-yee Li is one translator who knows how to hook a reader.…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on So That You Know. Mani Rao, So That You Know, HarperCollins India, 2025. 312 pgs. “Isn’t it better to write poems about topics? On the…
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Editor’s note: This conversation between Shuang Xiao 肖爽 and T. L. Tsim 詹德隆, former director of Chinese University Press, provides a wide-ranging reflection on Hong Kong’s cultural and literary landscape of the 1980s, highlighting Tsim’s collaboration with John Minford on Renditions…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “A Glimpse of Filipino Gamers’ Lives in Mikhail Red’s Friendly Fire” by Bryan Elijah Trajano Mikhail Red (director), Friendly Fire, 2024. 112 min. As esports continue to gain traction in the…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Joan E. Ericson, Be a Woman: Hayashi Fumiko and Modern Japanese Women’s Literature, University of Hawai’i Press, 1997. 292 pgs. The vicissitudes of women’s literature in Japan have undergone…
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◉ Afterword: Living Between Languages◉ Three Poems◉ Anything but Human 大重啟 @ TrendLit Publishing Living between languages by Daryl Lim Wei Jie My poetry was brewed in the multilingual kitchen that is Singapore. The translational and the interlingual—that is, existing…
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◉ Afterword: Living Between Languages◉ Three Poems◉ Anything but Human 大重啟 @ TrendLit Publishing Expressionof Contentment by Daryl Lim Wei Jie I am extraordinarily really verycomfortable even my toes have gone forpsychoanalysis and my nose hairs havetheir favourite brand of…
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Editor’s note: In “When Everything Becomes a ‘Gender Issue’ in Asia”, Zheng Wang argues that across Asia, public debate often compresses diverse injustices into the single language of gender. While this framework can demand justice, it also displaces other issues—class,…
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TIFF 2025 ▞ 10. The Archivist’s Film: A Conversation on Kunsang Kyirong’s 100 Sunset▞ 9. She Was Screaming into Silence: A Conversation on Cai Shangjun’s The Sun Rises On Us All▞ 8. You Don’t Belong to Anyone: A Conversation on…
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TIFF 2025 ▞ 10. The Archivist’s Film: A Conversation on Kunsang Kyirong’s 100 Sunset▞ 9. She Was Screaming into Silence: A Conversation on Cai Shangjun’s The Sun Rises On Us All▞ 8. You Don’t Belong to Anyone: A Conversation on…
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TIFF 2025 ▞ 10. The Archivist’s Film: A Conversation on Kunsang Kyirong’s 100 Sunset▞ 9. She Was Screaming into Silence: A Conversation on Cai Shangjun’s The Sun Rises On Us All▞ 8. You Don’t Belong to Anyone: A Conversation on…
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TIFF 2025 ▞ 10. The Archivist’s Film: A Conversation on Kunsang Kyirong’s 100 Sunset▞ 9. She Was Screaming into Silence: A Conversation on Cai Shangjun’s The Sun Rises On Us All▞ 8. You Don’t Belong to Anyone: A Conversation on…
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📁 RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS Masayuki Suo (director), Shall We Dance? 1996, 136 min. At college, I once romanced a young lady by agreeing to take ballroom dancing lessons with her after her…
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TIFF 2025 ▞ 10. The Archivist’s Film: A Conversation on Kunsang Kyirong’s 100 Sunset▞ 9. She Was Screaming into Silence: A Conversation on Cai Shangjun’s The Sun Rises On Us All▞ 8. You Don’t Belong to Anyone: A Conversation on…
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TIFF 2025 ▞ 10. The Archivist’s Film: A Conversation on Kunsang Kyirong’s 100 Sunset▞ 9. She Was Screaming into Silence: A Conversation on Cai Shangjun’s The Sun Rises On Us All▞ 8. You Don’t Belong to Anyone: A Conversation on…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “Everything, Nothing, All at Once: Edward Yang’s Yi Yi” by Keziah Cho Edward Yang (director), Yi Yi, 2000. 173 min. Edward Yang’s Yi Yi opens in a register of melodrama.…
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📁 RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS Akiko Ohku (director), Hold Me Back, 2020. 133 min. Akiko Ohku is best known for directing and co-writing Tremble All You Want and Hold Me Back, two films…
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📁 RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS László Krasznahorkai (author), Ottilie Mulzet (translator), Destruction and Sorrow beneath the Heavens: Reportage, Seagull Books, 2016. 320 pgs. In my favourite poem by Wang Wei (699–759), the poet tries…
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📁 RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS Arun Budhathoki, And I Blamed Canadian Winter Again: Poems East & West, Nirala Publications, 2025. 98pgs. Nepali poet Arun Budhathoki, who has been living in Canada, has recently…
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📁 RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS Lê Minh Hoàng (director), Saigon in the Rain, 2020. —Written on a rainless Saigon day Urban life has long provided cinema with a stage upon which to capture…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [FIRST IMPRESSIONS] “Reliving the Filipino 90s Nostalgia in Marla Ancheta’s One Hit Wonder” by Bryan Elijah Trajano Marla Ancheta (director), One Hit Wonder, 2025. 112 min. Before music was only a…
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📁 RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Untold. Bae Suah (author), Deborah Smith (translator), Untold Night and Day, Jonathan Cape, 2020. 155 pgs. It has been some…
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Chris Song’s Note: Selected from Hong Kong author Lok Fung’s acclaimed short story collection The Charred City, “A Wayward Wisdom Tooth” recounts the tale of Shevon Kam, a driven beauty executive who endures a decade-long struggle with a decaying wisdom tooth—a…
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Editor’s note: Emma Zhang reflects on her shifting identity as a language teacher in an age when machine translation threatens the role of English as a bridge to the world. Seeking cultural understanding, she visits Talibé, an exhibition by Mauritanian…
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Editor’s note: In “Twist of Fate: When Writers Are Better Recognised for Their Images”, Thammika Songkaeo, author of Stamford Hospital (Penguin Random House SEA, 2025; reviewed in Cha), offers a thoughtful reflection on how contemporary publicity privileges appearance, exoticism, and…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “The Dynasty that Dreamt in Red: Diamond Shumshere Rana’s The Wake of the White Tiger” by Abhinav Tulachan Diamond Shumshere Rana, The Wake of the White Tiger. 1984. 235 pgs.…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Sho Miyake (director), Two Seasons, Two Strangers (Tabi to Hibi), 2025. 89 min. A woman sits at her desk, a pencil poised above a blank page. She has been…
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Editor’s note: In “Noodle Insurrection or a Gathering of Radicals”, Jennifer Eagleton intertwines Chinese character radicals with politics, crafting a witty poem around Shaanxi’s biangbiang noodles. She blends linguistic play, cultural history, and insurrectionary imagery, demonstrating radicals’ layered meanings. A…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Elizabeth Ai (editor), New Wave: Rebellion and Reinvention in the Vietnamese Diaspora, Angel City Press, 2024. 192 pgs. Elizabeth Ai’s edited volume New Wave: Rebellion and Reinvention in the…
![[REVIEW] “Silent Screams and Chaotic Truths: Saharu Nusaiba Kannanari’s 𝑇ℎ𝑒 𝑀𝑒𝑛𝑜𝑛 𝐼𝑛𝑣𝑒𝑠𝑡𝑖𝑔𝑎𝑡𝑖𝑜𝑛” by Kabir Deb](https://chajournal.com/wp-content/uploads/2024/09/saharu-nusaiba-kannanari-the-menon-investigation-.jpg?w=1000)
![[REVIEW] “Things Fall Apart: Kong Shangren’s 𝑇ℎ𝑒 𝑃𝑒𝑎𝑐ℎ 𝐵𝑙𝑜𝑠𝑠𝑜𝑚 𝐹𝑎𝑛” by Jeff Tompkins](https://chajournal.com/wp-content/uploads/2025/09/the-peach-blossom-fan.png?w=1024)
![[REVIEW] “Haunted by Words, Hunted by Silence: Mani Rao’s Radical Intimacy in 𝑆𝑜 𝑇ℎ𝑎𝑡 𝑌𝑜𝑢 𝐾𝑛𝑜𝑤” by Wani Nazir](https://chajournal.com/wp-content/uploads/2024/09/mani-rao-so-that-you-know-cha.jpg?w=1024)
![[EXCLUSIVE] “From Page to Print: In Conversation with T. L. Tsim about 𝑅𝑒𝑛𝑑𝑖𝑡𝑖𝑜𝑛𝑠, CUHK Press, and his Fellowship with John Minford” by Shuang Xiao & T. L. Tsim](https://chajournal.com/wp-content/uploads/2024/08/tsim-.jpg?w=1024)
![[REVIEW] “A Glimpse of Filipino Gamers’ Lives in Mikhail Red’s 𝐹𝑟𝑖𝑒𝑛𝑑𝑙𝑦 𝐹𝑖𝑟𝑒” by Bryan Elijah Trajano](https://chajournal.com/wp-content/uploads/2025/09/mikhail-red-director-friendly-fire.jpg?w=1024)
![[REVIEW] “Re-evaluating ‘Women’s Literature’ as a Category: Hayashi Fumiko as a Woman Writer in Modern Japan” by Charlie Ng](https://chajournal.com/wp-content/uploads/2025/09/joan-e.-ericson-be-a-woman-hayashi-fumiko-and-modern-japanese-womens-literature-.jpg?w=907)
![[FEATURE] “𝐴𝑛𝑦𝑡ℎ𝑖𝑛𝑔 𝑏𝑢𝑡 𝐻𝑢𝑚𝑎𝑛: Living between Languages” by Daryl Lim Wei Jie](https://chajournal.com/wp-content/uploads/2024/09/anythingbuthuman-copy.jpg?w=838)
![[ESSAY] “When Everything Becomes a ‘Gender Issue’ in Asia” by Zheng Wang](https://chajournal.com/wp-content/uploads/2024/09/markus-winkler-y6uhsowdivs-unsplash.jpg?w=1024)
![[TIFF 2025] “Saigon Does Not Believe In Tears: On Leon Le’s 𝐾𝑦 𝑁𝑎𝑚 𝐼𝑛𝑛” by Nirris Nagendrarajah](https://chajournal.com/wp-content/uploads/2025/09/leon-les-ky-nam-inn.jpg?w=1024)
![[TIFF 2025] “The Need for Change: On Kei Ishikawa’s 𝐴 𝑃𝑎𝑙𝑒 𝑉𝑖𝑒𝑤 𝑜𝑓 𝐻𝑖𝑙𝑙𝑠” by Nirris Nagendrarajah](https://chajournal.com/wp-content/uploads/2025/09/2a-pale-view-of-hills-e981a0e38184e5b1b1e381aae381bfe381aee58589-kei-ishikawa.jpg?w=1024)
![[TIFF 2025] “The Angel of Death: On Jafar Panahi’s 𝐼𝑡 𝑊𝑎𝑠 𝐽𝑢𝑠𝑡 𝐴𝑛 𝐴𝑐𝑐𝑖𝑑𝑒𝑛𝑡” by Nirris Nagendrarajah](https://chajournal.com/wp-content/uploads/2025/09/jafar-panahi-director-it-was-just-an-accident-1.jpg?w=1024)
![[TIFF 2025] “Of Eros & Of Dust: On Ratchapoom Boonbunchachoke’s 𝐴 𝑈𝑠𝑒𝑓𝑢𝑙 𝐺ℎ𝑜𝑠𝑡” by Nirris Nagendrarajah](https://chajournal.com/wp-content/uploads/2025/09/a-useful-ghost-film-poster--1.jpg?w=1024)
![[FIRST IMPRESSIONS] “Forget the Remake, Masayuki Suo’s 𝑆ℎ𝑎𝑙𝑙 𝑊𝑒 𝐷𝑎𝑛𝑐𝑒? is in Perfect Step with Japan” by Jeremiah Dutch](https://chajournal.com/wp-content/uploads/2025/09/masayuki-sou-director-shall-we-dance-1996-136-min.-.jpg?w=686)
![[TIFF 2025] “Light At The End of the Labyrinth: On Genki Kawamura’s 𝐸𝑥𝑖𝑡 8” by Nirris Nagendrarajah](https://chajournal.com/wp-content/uploads/2025/09/exit-8.jpg?w=1024)
![[TIFF 2025] “Affairs of the Heart: On Cai Shangjun’s 𝑇ℎ𝑒 𝑆𝑢𝑛 𝑅𝑖𝑠𝑒𝑠 𝑂𝑛 𝑈𝑠 𝐴𝑙𝑙” by Nirris Nagendrarajah](https://chajournal.com/wp-content/uploads/2025/09/cai-shangjuns-the-sun-rises-on-us-all-2025.-131-min.jpg?w=1000)
![[REVIEW] “Everything, Nothing, All at Once: Edward Yang’s 𝑌𝑖 𝑌𝑖” by Keziah Cho](https://chajournal.com/wp-content/uploads/2025/08/edward-yang-director-yi-yi-2.png?w=1024)
![[FIRST IMPRESSIONS] “Feeling Seen: Akiko Ohku’s 𝐻𝑜𝑙𝑑 𝑀𝑒 𝐵𝑎𝑐𝑘 and the Solitude of Modern Women” by Danica QP](https://chajournal.com/wp-content/uploads/2024/08/hold-me-back-film-cha.jpg?w=1024)
![[REVIEW] “Taken as Strictly True: Neuroscience and Sinology in László Krasznahorkai’s 𝐷𝑒𝑠𝑡𝑟𝑢𝑐𝑡𝑖𝑜𝑛 𝑎𝑛𝑑 𝑆𝑜𝑟𝑟𝑜𝑤 𝐵𝑒𝑛𝑒𝑎𝑡ℎ 𝑡ℎ𝑒 𝐻𝑒𝑎𝑣𝑒𝑛𝑠” by Lucas Klein](https://chajournal.com/wp-content/uploads/2025/08/destruction-and-sorrow-beneath-the-heavens-reportage-seagull-books-2016.-320-pgs-1.jpg?w=853)
![[REVIEW] “Diaspora and Duality: The Emotional Cartography of Arun Budhathoki’s 𝐴𝑛𝑑 𝐼 𝐵𝑙𝑎𝑚𝑒𝑑 𝐶𝑎𝑛𝑎𝑑𝑖𝑎𝑛 𝑊𝑖𝑛𝑡𝑒𝑟 𝐴𝑔𝑎𝑖𝑛” by Subash Singh Parajuli](https://chajournal.com/wp-content/uploads/2025/08/arun-budhathoki-and-i-blamed-canadian-winter-again-poems-east-west-nirala-publications-2025.-98pgs.-.jpg?w=923)
![[FIRST IMPRESSIONS] “Lê Minh Hoàng’s 𝑆𝑎𝑖𝑔𝑜𝑛 𝑖𝑛 𝑡ℎ𝑒 𝑅𝑎𝑖𝑛: A Resonance of Youth, Migration, and Urban Dreams” by Red Po](https://chajournal.com/wp-content/uploads/2025/08/maxresdefault.jpg?w=1024)
![[FIRST IMPRESSIONS] “Reliving the Filipino 90s Nostalgia in Marla Ancheta’s 𝑂𝑛𝑒 𝐻𝑖𝑡 𝑊𝑜𝑛𝑑𝑒𝑟” by Bryan Elijah Trajano](https://chajournal.com/wp-content/uploads/2025/08/marla-ancheta-director-one-hit-wonder.jpg?w=1024)
![[FIRST IMPRESSIONS] “Between Dream and Wakefulness: Reading Bae Suah’s 𝑈𝑛𝑡𝑜𝑙𝑑 𝑁𝑖𝑔ℎ𝑡 𝑎𝑛𝑑 𝐷𝑎𝑦” by Dorina Tataran](https://chajournal.com/wp-content/uploads/2025/07/untold-night-and-day-1.jpg?w=977)
![[TRANSLATION] “A Wayward Wisdom Tooth” by Lok Fung, Translated by Chris Song](https://chajournal.com/wp-content/uploads/2025/08/alireza-heidarpour-46cfxprdjni-unsplash.jpg?w=1024)
![[EXCLUSIVE] “𝑇𝑎𝑙𝑖𝑏𝑒́: The Forgotten Faces of Globalisation” by Emma Zhang](https://chajournal.com/wp-content/uploads/2025/08/e07c3432-3e50-439d-b428-1c00cf25c682.jpg?w=1024)
![[EXCLUSIVE] “Twist of Fate: When Writers are Better Recognised for their Images” by Thammika Songkaeo](https://chajournal.com/wp-content/uploads/2024/07/banner-size.jpg?w=1024)
![[REVIEW] “The Dynasty that Dreamt in Red: Diamond Shumshere Rana’s 𝑇ℎ𝑒 𝑊𝑎𝑘𝑒 𝑜𝑓 𝑇ℎ𝑒 𝑊ℎ𝑖𝑡𝑒 𝑇𝑖𝑔𝑒𝑟” by Abhinav Tulachan](https://chajournal.com/wp-content/uploads/2024/08/diamond-shumshere-rana-the-wake-of-the-white-tiger.jpg?w=347)
![[REVIEW] “Winter of The Soul: On Sho Miyake’s 𝑇𝑤𝑜 𝑆𝑒𝑎𝑠𝑜𝑛𝑠, 𝑇𝑤𝑜 𝑆𝑡𝑟𝑎𝑛𝑔𝑒𝑟𝑠” by Nirris Nagendrarajah](https://chajournal.com/wp-content/uploads/2025/08/still2_two-seasons-two-strangers_locarno.jpg?w=1024)
![[EXCLUSIVE] “Noodle Insurrection or a Gathering of Radicals” by Jennifer Eagleton](https://chajournal.com/wp-content/uploads/2025/08/biang-biang.png?w=1024)
![[REVIEW] “Archival Rhythms—Youth, Identity, and Cultural Resistance in the Vietnamese Diaspora: Elizabeth Ai’s 𝑁𝑒𝑤 𝑊𝑎𝑣𝑒” by Nguyễn Minh Tiến](https://chajournal.com/wp-content/uploads/2024/08/acp_11.11.24-54-copy.jpg?w=1024)