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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “Ghostly Formations and Queer Futures: On Queer Southeast Asia” by Charlotte Marie Chadwick Shawna Tang and Hendri Yulius Wijaya (editors). Queer Southeast Asia, Routledge. 2022. 296 pgs. Queer Southeast Asia,…
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Header artwork by Annysa Ng 茶 First Impressionsclick for information 茶 Essays click for information 茶 En Routeclick for information 茶 XI XI—Can We Sayclick for information 茶 Write to Powerclick for information 茶 Auditory Cortexclick for information
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “Between Golf and Karaoke: Locating Filipino Identity in Rafael Manuel’s Filipiñana” By Ciro Quiapos Click HERE to read all entries in Cha on Filipiñana. Rafael Manuel (director), Filipiñana, 2020. 24 min. Before Rafael Manuel’s directorial…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS Editor’s note: Jason S Polley opens his review essay by recounting his fond and fervent championing of Kit Fan’s first novel, Diamond Hill (2021), whose Cantonese-inflected language enabled rare intergenerational and…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [FIRST IMPRESSIONS] “What One ‘Nobody’ Did: On Mr Nobody Against Putin” by Jennifer Eagleton David Borenstein and Pavel Talankin (directors), Mr Nobody Against Putin, 2025. 90 min. Mr Nobody Against Putin…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [FIRST IMPRESSIONS] “Between Moonlight and Market Prices: Reading Yam Gong” by Jonathan Han Click HERE to read all entries in Chaon Moving a Stone. Yam Gong (author), James Shea and Dorothy Tse (translators), Moving a…
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[ESSAY] “In Another Life, I Might Not Be A Better Self” by Lei Wang Miss Universe by John Doe If not for COVID, I would have moved back to China after my MFA, rather than remaining in Iowa. Instead of…
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[ESSAY] “Hong Kong: Once in a Million Years” by Simon Patton Owen Chow 鄒家成 and his tatoo Between 2019 and 2021, Hong Kong was repeatedly in the international spotlight. A decisive clash between civilisations was the main reason for such…
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[ESSAY] “Shelves, Stories, and Silence: Reading Zheng Liu’s 𝐶𝑢𝑙𝑡𝑢𝑟𝑎𝑙 𝑀𝑎𝑣𝑒𝑟𝑖𝑐𝑘𝑠” by Laurence Westwood
茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “Shelves, Stories, and Silence: Reading Zheng Liu’s Cultural Mavericks” by Laurence Westwood Zheng Liu, Cultural Mavericks: The Business and Politics of Independent Bookselling in China, Cambridge University Press, 2026. 280…
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Editor’s note: Elaine Tsai’s essay traces Taiwan’s layered history before turning to Ghost Month, whose rituals of burning joss paper and offering food shape her childhood summers. These practices lead into reflections on ancestor worship, her father’s death, and beliefs…
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Editor’s note: Julien Pieron’s essay examines Sophie Houdart’s Ce territoire qui, comme une pulsation… (Éditions des mondes à faire, 2026), an ethnographic study of post-Fukushima life in Tōwa that portrays a world where catastrophe persists as an unclosed present. Through…
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Editor’s Note: “Digital Distances: Social Media, Intergenerational Conflict, and Female Visibility in Contemporary China” is the third in a series of three essays, together entitled “Glimpsing the Other Shore: Distance, Difference, and the Feminist Gaze in Contemporary Chinese Women’s Writing”,…
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Editor’s Note: “The Body as a Site: Class, Migration, & Geographic Distance in Contemporary Chinese Women’s Fiction” is the second in a series of three essays, together entitled “Glimpsing the Other Shore: Distance, Difference, and the Feminist Gaze in Contemporary…
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Editor’s Note: “Distance & Difference: Feminist Frameworks in Zhang Li’s An Anthology of Short Stories by Chinese Women” is the first in a series of three essays, together entitled “Glimpsing the Other Shore: Distance, Difference, and the Feminist Gaze in…
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Editor’s note: Sadie Kaye interviews artist Sai Pradhan on her forthcoming Hong Kong exhibition With Regard to Myths, exploring identity, myth, and materiality. Working on raw, stained fabric, Pradhan evokes symbols, dogs, geckos, eggs, to reflect love, loss, and time.…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “Reading—Making Notes on (There is Always Music)—Geoffrey William Brodaksilva’s The Philosophy of Aggressiveness” by Jeremy Fernando Geoffrey William. Brodaksilva. The Philosophy of Aggressiveness: The Necessity and Indeterminacy of Escape, Atropos…
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Editor’s note: Matt Turner recalls a heat-soaked 2008 dérive across Beijing, tracing Soviet-era housing while reflecting on memory’s fragility and the city’s rapid transformation. Prompted by Hari Kunzru, he contrasts Situationist theory with lived wandering, critiquing both superficial psychogeography and…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “King of the Hong Kong Kids: Martin Hürlimann’s Hong Kong” by Simon Patton Martin Hürlimann. Hong Kong, Thames and Hudson, 1962. 139 pgs. From Martin Hürlimann’s Hong Kong My sense…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “Inheritance and Reinvention in Kit Fan’s Goodbye Chinatown” by Jennifer Eagleton Click HERE to read all entries in Chaon Goodbye Chinatown. Kit Fan, Goodbye Chinatown, World Editions, 2026. 268 pgs.…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS Editor’s note: Ryan Ho Kilpatrick reflects on Reorienting Taiwan: Ocean, Selfhood, and the Pacific, a volume that interrogates Taiwan’s asserted maritime identity. The contributors expose tensions between political rhetoric, historical experience,…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “The Three Teachings in Action: Wayne Wong’s Martial Arts Ecology” by Mario Rustan Wayne Wong. Martial Arts Ecology: Aesthetics, Philosophy and Cinematic Mediation, Edinburgh University Press, 2026. 304 pgs. After…
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Editor’s note: In this essay, Daniel Gauss reflects on Bangkok’s Democracy Monument as a symbol of Thailand’s unfulfilled democratic promise. Erected in 1939 to commemorate the 1932 coup that ended absolute monarchy, it honours a revolution carried out by elites…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [FIRST IMPRESSIONS] “Metamorphosis and Memory in Dorothy Tse’s City Like Water” by Jonathan Han Dorothy Tse (author), Natascha Bruce (translator). City Like Water, Graywolf Press, 2026. 112 pgs. Dorothy Tse’s City…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “When Goodbyes Are Not Permanent: Kit Fan’s Goodbye Chinatown” by Susan Blumberg-Kason Click HERE to read all entries in Chaon Goodbye Chinatown. Kit Fan, Goodbye Chinatown, World Editions, 2026. 268…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “Contradictions Amidst a Nation Aborted in Jun Robles Lana’s Sisa” by Lorence Lozano Jun Robles Lana (director), Sisa, 2025. 115 min. After its world premiere last year at the 29th…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “Bittersweet Fusion: Taste, Pain, and Fate in Kit Fan’s Goodbye Chinatown” by Angus Stewart Click HERE to read all entries in Chaon Goodbye Chinatown. Kit Fan, Goodbye Chinatown, World Editions,…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “The Shame Economy: Caste as Currency in Mulk Raj Anand’s Untouchable” by Abhinav Tulachan Mulk Raj Anand, Untouchable, Wishart Books Ltd., 1935. 160 pgs. “In a country where caste is…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS Editor’s note: Beth Adams approaches Do You Like Brahms?, a Korean TV drama set within a prestigious Seoul music school, through her enduring interest in Asian television that explores artistic vocation,…
![[ESSAY] “Ghostly Formations and Queer Futures: On 𝑄𝑢𝑒𝑒𝑟 𝑆𝑜𝑢𝑡ℎ𝑒𝑎𝑠𝑡 𝐴𝑠𝑖𝑎” by Charlotte Marie Chadwick](https://chajournal.com/wp-content/uploads/2026/03/queer-southeast-asia-edited-by-shawna-tang-hendri-yulius-wijaya-copyright-2023.jpg?w=1000)

![[REVIEW] “Between Golf and Karaoke: Locating Filipino Identity in Rafael Manuel’s 𝐹𝑖𝑙𝑖𝑝𝑖𝑛̃𝑎𝑛𝑎” By Ciro Quiapos](https://chajournal.com/wp-content/uploads/2025/02/filipinana-trailer-diretto-da-rafael-manuel-filippine-regno-unito-2020.png?w=1024)
![[ESSAY] “𝑍𝑜𝑖 𝐺𝑖𝑛 Canton: Reading Kit Fan’s 𝐺𝑜𝑜𝑑𝑏𝑦𝑒 𝐶ℎ𝑖𝑛𝑎𝑡𝑜𝑤𝑛” by Jason S Polley](https://chajournal.com/wp-content/uploads/2026/03/goodbye-chinatown-kit-fan-cha.jpg?w=938)
![[REVIEW] “Mordant Wit and Material Imagination in Huang Fan’s 𝑓𝑙𝑜𝑤𝑒𝑟 𝑎𝑠ℎ” by Nicholas Y. H. Wong](https://chajournal.com/wp-content/uploads/2026/03/huang-fan-author-josh-stenberg-translator.-flower-ash-flying-island-books.jpg?w=600)
![[FIRST IMPRESSIONS] “What One ‘Nobody’ Did: On 𝑀𝑟 𝑁𝑜𝑏𝑜𝑑𝑦 𝐴𝑔𝑎𝑖𝑛𝑠𝑡 𝑃𝑢𝑡𝑖𝑛” by Jennifer Eagleton](https://chajournal.com/wp-content/uploads/2026/03/mr-nobody-against-putin.jpg?w=1024)
![[FIRST IMPRESSIONS] “Between Moonlight and Market Prices: Reading Yam Gong” by Jonathan Han](https://chajournal.com/wp-content/uploads/2023/03/moving-a-stone.webp?w=900)
![[ESSAY] “In Another Life, I Might Not Be A Better Self” by Lei Wang](https://chajournal.com/wp-content/uploads/2025/03/lei-wang-for-cha-an-asian-literary-journal.jpeg?w=275)
![[ESSAY] “Hong Kong: Once in a Million Years” by Simon Patton](https://chajournal.com/wp-content/uploads/2026/03/718kdzhcgql._ac_uf10001000_ql80_.jpg?w=895)
![[ESSAY] “Shelves, Stories, and Silence: Reading Zheng Liu’s 𝐶𝑢𝑙𝑡𝑢𝑟𝑎𝑙 𝑀𝑎𝑣𝑒𝑟𝑖𝑐𝑘𝑠” by Laurence Westwood](https://chajournal.com/wp-content/uploads/2026/03/cultural-mavericks-the-business-and-politics-of-independent-bookselling-in-china.jpg?w=971)
![[ESSAY] “Ghost Month and the Afterlife” by Elaine Tsai](https://chajournal.com/wp-content/uploads/2025/03/the-religious-painting-unprovoked-dead-ghosts.png?w=1024)
![[ESSAY] “Life in the Persistence of Fukushima: Sophie Houdart’s 𝐶𝑒 𝑡𝑒𝑟𝑟𝑖𝑡𝑜𝑖𝑟𝑒 𝑞𝑢𝑖, 𝑐𝑜𝑚𝑚𝑒 𝑢𝑛𝑒 𝑝𝑢𝑙𝑠𝑎𝑡𝑖𝑜𝑛…” by Julien Pieron](https://chajournal.com/wp-content/uploads/2026/03/maf_houdart_scan_01-resp2880.jpg?w=1024)
![[ESSAY] “Digital Distances: Social Media, Intergenerational Conflict, & Female Visibility in Contemporary China” by Caterina Petroselli](https://chajournal.com/wp-content/uploads/2026/03/distances3.jpg?w=593)
![[ESSAY] “The Body as a Site: Class, Migration, & Geographic Distance in Contemporary Chinese Women’s Fiction” by Caterina Petroselli](https://chajournal.com/wp-content/uploads/2025/03/distances2-1.jpg?w=596)
![[ESSAY] “Distance & Difference: Feminist Frameworks in Zhang Li’s 𝐴𝑛 𝐴𝑛𝑡ℎ𝑜𝑙𝑜𝑔𝑦 𝑜𝑓 𝑆ℎ𝑜𝑟𝑡 𝑆𝑡𝑜𝑟𝑖𝑒𝑠 𝑏𝑦 𝐶ℎ𝑖𝑛𝑒𝑠𝑒 𝑊𝑜𝑚𝑒𝑛” by Caterina Petroselli](https://chajournal.com/wp-content/uploads/2025/03/distances1.jpg?w=597)
![[CONVERSATION] “Art & Soul” by Sadie Kaye and Sai Pradhan](https://chajournal.com/wp-content/uploads/2026/03/with-regard-to-myths-sai-pradhan-19-20-21st-march-invitation.jpg?w=1024)
![[ESSAY] “Reading—Making Notes on (There is Always Music)—Geoffrey William Brodaksilva’s 𝑇ℎ𝑒 𝑃ℎ𝑖𝑙𝑜𝑠𝑜𝑝ℎ𝑦 𝑜𝑓 𝐴𝑔𝑔𝑟𝑒𝑠𝑠𝑖𝑣𝑒𝑛𝑒𝑠𝑠” by Jeremy Fernando](https://chajournal.com/wp-content/uploads/2026/03/the-philosophy-of-aggressiveness-geoffrey-w-brodaksilva-author.jpg?w=855)
![[ESSAY] “Remembering a Beijing Dérive” by Matt Turner](https://chajournal.com/wp-content/uploads/2025/03/untitled-design-31.png?w=329)
![[REVIEW] “King of the Hong Kong Kids: Martin Hürlimann’s 𝐻𝑜𝑛𝑔 𝐾𝑜𝑛𝑔” by Simon Patton](https://chajournal.com/wp-content/uploads/2026/03/martin-hurlimann-reader-image.jpg?w=651)
![[ESSAY] “Islands in Denial: 𝑅𝑒𝑜𝑟𝑖𝑒𝑛𝑡𝑖𝑛𝑔 𝑇𝑎𝑖𝑤𝑎𝑛 Amid a Sea of Contradictions” by Ryan Ho Kilpatrick](https://chajournal.com/wp-content/uploads/2025/12/reorientating-taiwan-ocean-selfhood-and-the-pacific.jpg?w=1024)
![[ESSAY] “The Three Teachings in Action: Wayne Wong’s 𝑀𝑎𝑟𝑡𝑖𝑎𝑙 𝐴𝑟𝑡𝑠 𝐸𝑐𝑜𝑙𝑜𝑔𝑦” by Mario Rustan](https://chajournal.com/wp-content/uploads/2026/03/wayne-wong.-martial-arts-ecology-aesthetics-philosophy-and-cinematic-mediation-edinburgh-university-press.jpg?w=750)
![[ESSAY] “A Democracy Monument in Bangkok, Still Waiting for Democracy” by Daniel Gauss](https://chajournal.com/wp-content/uploads/2026/03/the-monument-to-democracy-in-thailand-1.jpg?w=1024)
![[REVIEW] “Gods, Ghosts, and the Lunar Year: Reading Joan Mee Nar Law and Barbara E. Ward’s 𝐶ℎ𝑖𝑛𝑒𝑠𝑒 𝐹𝑒𝑠𝑡𝑖𝑣𝑎𝑙𝑠” by Simon Patton](https://chajournal.com/wp-content/uploads/2026/03/41leivsiyil.jpg?w=500)
![[FIRST IMPRESSIONS] “Metamorphosis and Memory in Dorothy Tse’s 𝐶𝑖𝑡𝑦 𝐿𝑖𝑘𝑒 𝑊𝑎𝑡𝑒𝑟” by Jonathan Han](https://chajournal.com/wp-content/uploads/2026/03/city-like-water-dorothy-tse-cha-an-asian-literary-journal.jpg?w=1000)
![[REVIEW] “Contradictions Amidst a Nation Aborted in Jun Robles Lana’s 𝑆𝑖𝑠𝑎” by Lorence Lozano](https://chajournal.com/wp-content/uploads/2026/03/sisa-directed-by-jun-lana.jpg?w=1024)
![[REVIEW] “The Shame Economy: Caste as Currency in Mulk Raj Anand’s 𝑈𝑛𝑡𝑜𝑢𝑐ℎ𝑎𝑏𝑙𝑒” by Abhinav Tulachan](https://chajournal.com/wp-content/uploads/2026/03/untouchable-mulk-raj-anand-1.jpg?w=979)
![[ESSAY] “Music, Ambition, and Quiet Longing in 𝐷𝑜 𝑌𝑜𝑢 𝐿𝑖𝑘𝑒 𝐵𝑟𝑎ℎ𝑚𝑠?” by Beth Adams](https://chajournal.com/wp-content/uploads/2026/02/do-you-like-brahms_.jpg?w=426)