Category: Exclusive
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Editor’s note: Cha’s long-term contributor Matt Turner introduces 6AMING, his forthcoming poetry book from Antiphony, due in September. In this short essay, he discusses time-stamped automatic writing, no-music influence, not-poetry, underground journals, and resistance to spectacle, surveillance, and institutional validation.…
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Read Matt Turner’s essay “NO U-TURN—6AMING: Themes and Contexts” HERE. [EXCLUSIVE] “Eight Poems from 6AMING” by Matt Turner Photograph © Wang Yin 8:38-3:11 pressed against, side to sidethe shelter—hidden, aggrievedunder a constant temperaturelittle balls of bone and eyerunning around, pouring…
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Editor’s note: Chris Sullivan reflects on an unexploded wartime bomb in Hong Kong, observed from Amsterdam, using the incident to consider urban memory, historical residue, and the quiet persistence of past violence. [ESSAY] “Disarming a Ghost” by Chris Sullivan Hong…
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[SUNDANCE 2026] “‘I Want to Make Films for Teenagers Forever’: A Conversation on BURN” by Nirris Nagendrarajah & Makoto Nagahisa Makoto Nagashia (director), BURN, 2025. 103 min. INTRODUCTION Nirris Nagendrarajah W-w-why do people do what they do? It is the…
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Editor’s note: Daniel Gauss treats Prambanan Temple as a ninth-century political technology, where ritual, architecture, and kingship converged to naturalise obedience by embedding rule within Shaivite cosmology. Built by the Sanjaya dynasty as a counter to Borobudur Temple, it functioned…
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Editor’s note: Troy Cabida reflects on his debut poetry collection Neon Manila, exploring queer Filipino-immigrant embodiment, pop music, resistance, as glamour and violence coexist. Some poems from the collection can be found HERE. [ESSAY] “On Neon Manila: A Balancing Act…
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Read Troy Cabida’s essay “On Neon Manila: A Balancing Act Between Sparkle and Substance” HERE. [EXCLUSIVE] “Four Poems from Neon Manila” by Troy Cabida Troy Cabida, Neon Manila, Nine Arches Press, 2025. 72 pgs. Black Turtleneck Sonnet With my first ever…
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Editor’s note: Julia Merican reads Lu Lei’s practice through meals, menus, embroidery, and exhibitions, attending to how intimacy operates as both method and politics. From private dinners with strangers to layered textile works, Lu uses food and language to negotiate…
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Read Zheng Wang’s essay “A Gaze Across the River: On Translating Zhang Zhihao” HERE. Editor’s note: These translations, rendered by Zheng Wang, bring together a decade-spanning selection of Zhang Zhihao’s poems that dwell on family, rural landscapes, ageing, grief, desire,…
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Editor’s note: Zheng Wang’s essay reflects on his encounter with the poet Zhang Zhihao and the process of translating his poetry across languages and generations. It traces their meeting by the Yangtze River into a broader meditation on rootedness, memory,…
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[ESSAY] “Fieldnotes: Bund and Flood” by Aizuddin Anuar Translator’s note: This is a translation of my own work, originally written in Malay and titled “Nota lapangan: ban dan banjir” (2025), which was published in MediaSelangor in Malaysia. Through a series…
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Editor’s note: In his latest essay for Cha, Daniel Gauss examines Dafen, a former rural settlement located in Shenzhen’s Longgang District in southern China, within the Pearl River Delta near the Hong Kong border. The essay examines Dafen’s transformation from…
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Editor’s note: Laurehl Onyx B. Cabiles’s essay traces a Filipino upbringing in conflict-marked Cotabato and its unlikely resonance with Derry Girls. Through memories of militarisation, prejudice, and youthful fear, it shows how humour bridges distant histories, revealing comedy as a…
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Editor’s note: Anna Nguyen’s essay critiques the literary marketplace’s fixation on identity, arguing that it rewards legible, consumable narratives while punishing rigorous resistance. Drawing on Glissant, Jordan, and Davis, she challenges flattened intersectionality, positionality statements, and the colonial gaze masquerading…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “Filmic Silence and the Speaking Body in the Novel” by Thammika Songkaeo Click HERE to read all entrieson Stamford Hospital. Eva Trobisch (director), All Good, 2018. 93 min. In 2020,…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS Editor’s note: In Hongwei Bao’s new essay, Pillion (2025), directed by Harry Lighton and adapted from Adam Mars-Jones’s 2020 novella Box Hill, becomes a lens for exploring queer biker cinema, kink…
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Editor’s note: In Matt Turner’s essay, he recounts organising and leading a Tuesday-evening reading group in November 2025 at Accent Sisters, a Union Square gallery with a Chinese and feminist focus. The group, composed largely of Chinese participants and socially…
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Editor’s note: Llinos Evans’s essay traces the literary and linguistic significance of the One-Syllable Article through a detailed reading of Yuen Ren Chao’s “Lion-Eating Poet in the Stone Den”. Moving beyond its reputation as a phonetic curiosity, it argues for…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “Aesthetic Experiences: A Study of Anri Yasuda’s Beauty Matters” by Luca Griseri Anri Yasuda, Beauty Matters: Modern Japanese Literature and the Question of Aesthetics, 1890–1930, Columbia University Press, 2024. 304…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “From Star to Performer-Worker: Rethinking Anna May Wong Through Labour” by Anna Nguyen Yiman Wang, To Be An Actress: Labor and Performance in Anna May Wong’s Cross-Media World, University of…
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[ESSAY] “Maggie Cheung and the Refusal of Cinematic Immortality” by Anna Nguyen I have many confessions. I am exhausted by the discourse surrounding Wong Kar-wai’s In the Mood for Love (2000). I am exhausted by fandoms that fixate on aesthetic…
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Editor’s note: Cleo Li-Schwartz’s essay entwines personal pilgrimage and critical meditation, reading Berlin as a palimpsest of Jewish memory, Cold-War fracture, and inherited displacement. Moving through memorials, friendships, and borders, the narrator unsettles any stable present. The essay later turns…
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Editor’s note: In this deeply personal essay, Sajita Nair recounts her first pilgrimage to Sabarimala after decades of exclusion shaped by gendered religious custom. Beginning in childhood bewilderment at ritual prohibition, it moves through family memory, mythic inheritance and disciplined…
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Editor’s note: It is our pleasure to present this piece by Jennifer Eagleton, one of our most valued voices at Cha. A long-term resident of Hong Kong since 1997, Jennifer has built a distinguished career as editor, writer, and scholar,…
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[ESSAY] “Preserving the Path of Enlightenment at Borobudur and Not Just the Stones” by Daniel Gauss Borobudur is an allegory of self awareness, growth and social engagement, rendered in volcanic stone. It was not built for veneration, but to be…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “Not A Utopian Land: Rereading the Evenki Culture in Chi Zijian’s novel The Last Quarter of the Moon and Gu Tao’s documentary film The Last Moose of Aoluguya” by Yiwen…
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[ESSAY] “1331 Runway: Hong Kong Youth Utopia or Real-Estate Planning Malfunction?” by Daniel Gauss In July 2025, international media erupted with enthusiasm over a project in Hong Kong called 1331 Runway. Built on land once occupied by the former Kai…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [Essay] “1000XRESIST and Immunity in the Chinese Diaspora” by Nick Admussen Sunset Visitor (developer), 1000xResist, Fellow Traveller Games. 2024. 1000xRESIST is a 2024 narrative video game created by the Canadian studio…
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[ESSAY] “Sixteen Dead, Zero Justice: Cambodia’s Monument to a Silenced Crime” by Daniel Gauss In 2009, Cambodia experienced a rare moment of national pride when Duch, the Khmer Rouge official who oversaw the notorious S-21 prison, was finally brought to…
![[ESSAY] “NO U-TURN—6𝐴𝑀𝐼𝑁𝐺: Themes and Contexts” by Matt Turner](https://chajournal.com/wp-content/uploads/2026/02/matt-turner-6aming-cha-asian.png?w=637)
![[ESSAY] “Disarming a Ghost” by Chris Sullivan](https://chajournal.com/wp-content/uploads/2026/02/disarming-a-ghost-still-square.jpg?w=1024)
![[SUNDANCE 2026] “‘I Want to Make Films for Teenagers Forever’: A Conversation on 𝐵𝑢𝑟𝑛” by Nirris Nagendrarajah & Makoto Nagahisa](https://chajournal.com/wp-content/uploads/2026/01/burn.jpg?w=936)
![[ESSAY] “Prambanan: A Temple in Java that Turned Faith into Obedience” by Daniel Gauss](https://chajournal.com/wp-content/uploads/2026/01/img_20251111_094005.jpg?w=1024)
![[ESSAY] “On 𝑁𝑒𝑜𝑛 𝑀𝑎𝑛𝑖𝑙𝑎: A Balancing Act Between Sparkle and Substance” by Troy Cabida](https://chajournal.com/wp-content/uploads/2025/01/img_6830.jpg?w=1024)
![[EXCLUSIVE] “Four Poems from 𝑁𝑒𝑜𝑛 𝑀𝑎𝑛𝑖𝑙𝑎” by Troy Cabida](https://chajournal.com/wp-content/uploads/2026/01/81b4db7dtkl._sl1500_-1.jpg?w=984)
![[ESSAY] “A Seat at the Table: Lu Lei and the Politics of Intimacy” by Julia Merican](https://chajournal.com/wp-content/uploads/2026/01/64901cc90ad6cbfa52190a71-biography_1325594-resize-1920-1234.webp?w=1024)
![[TRANSLATION] “Ten Poems” by Zhang Zhihao, translated by Zheng Wang](https://chajournal.com/wp-content/uploads/2026/01/zhange28098s-profile-photo.jpeg?w=591)
![[ESSAY] “A Gaze Across the River: On Translating Zhang Zhihao” by Zheng Wang](https://chajournal.com/wp-content/uploads/2026/01/https-__www.poetryinternational.com_en_poets-poems_poets_poet_102-28920_zhang.jpg?w=336)
![[ESSAY] “Postcolonial Ambivalence in Norberto Roldan’s 𝑉𝑖𝑣𝑎 𝐸𝑠𝑝𝑎𝑛̃𝑎, 𝐿𝑜𝑛𝑔 𝐿𝑖𝑣𝑒 𝐴𝑚𝑒𝑟𝑖𝑐𝑎” by John E. Barrios](https://chajournal.com/wp-content/uploads/2026/01/norberto-roldan.jpg?w=1024)
![[ESSAY] “Fieldnotes: Bund and Flood” by Aizuddin Anuar](https://chajournal.com/wp-content/uploads/2025/01/jelai-river_bund-aizuddin-anuar.jpg?w=1024)
![[ESSAY] “Dafen Transformed: From Painting Factory to Pre-Fab Cool Zone” by Daniel Gauss](https://chajournal.com/wp-content/uploads/2026/01/img_20260117_151141.jpg?w=1024)
![[ESSAY] “Why Does a Guy from Cotabato Province Relate to 𝐷𝑒𝑟𝑟𝑦 𝐺𝑖𝑟𝑙𝑠?” by Laurehl Onyx B. Cabiles](https://chajournal.com/wp-content/uploads/2026/01/derry-girls.jpg?w=1000)
![[ESSAY] “I Write An Attempt Away From Identity Reductionism” by Anna Nguyen](https://chajournal.com/wp-content/uploads/2025/01/anna-nguyen.jpg?w=933)
![[ESSAY] “Filmic Silence and the Speaking Body in the Novel” by Thammika Songkaeo](https://chajournal.com/wp-content/uploads/2025/01/stamford-hospital-all-is-good.png?w=846)
![[ESSAY] “Geared Up for Pillion” by Hongwei Bao](https://chajournal.com/wp-content/uploads/2024/12/pillion-film-poster.jpg?w=1024)
![[ESSAY] “Debord at Union Square” by Matt Turner](https://chajournal.com/wp-content/uploads/2026/01/the-society-of-the-spectacle.png?w=747)
![[ESSAY] “Beyond the Stone Den: One-Syllable Articles as Literary Form—An Introduction” by Llinos Evans](https://chajournal.com/wp-content/uploads/2026/01/poem.jpg?w=785)
![[ESSAY] “Aesthetic Experiences: A Study of Anri Yasuda’s 𝐵𝑒𝑎𝑢𝑡𝑦 𝑀𝑎𝑡𝑡𝑒𝑟𝑠” by Luca Griseri](https://chajournal.com/wp-content/uploads/2026/01/https-__m.media-amazon.com_images_i_819sezp2oml._sl1500_.jpg.jpg?w=1000)
![[ESSAY] “From Star to Performer-Worker: Rethinking Anna May Wong Through Labour” by Anna Nguyen](https://chajournal.com/wp-content/uploads/2026/01/yiman-wang-to-be-an-actress-labor-and-performance-in-anna-may-wongs-cross-media-world-university-of-california-press.jpg?w=1000)
![[ESSAY] “Maggie Cheung and the Refusal of Cinematic Immortality” by Anna Nguyen](https://chajournal.com/wp-content/uploads/2025/01/irma-vep-1996-maggie-cheung.jpg?w=1024)
![[ESSAY] “Walking with Leung Ping-kwan: Berlin, Memory, and the Interstice” by Cleo Li-Schwartz](https://chajournal.com/wp-content/uploads/2024/12/leung-ping-kwan-cha.jpg?w=716)
![[ESSAY] “The Eighteen Steps Home” by Sajita Nair](https://chajournal.com/wp-content/uploads/2025/12/essay-22the-eighteen-steps-home22-by-sajita-nair.png?w=1024)
![[REFLECTION] “Personal Transformation Docket: 31/12/25” by Jennifer Eagleton](https://chajournal.com/wp-content/uploads/2025/12/hongkonger-t-shirt.jpg?w=1024)
![[ESSAY] “Preserving the Path of Enlightenment at Borobudur and Not Just the Stones” by Daniel Gauss](https://chajournal.com/wp-content/uploads/2025/12/borobudur_cha.jpg?w=1024)
![[ESSAY] “Not Your Utopian Land: Rereading the Evenki Culture in Chi Zijian’s novel 𝑇ℎ𝑒 𝐿𝑎𝑠𝑡 𝑄𝑢𝑎𝑟𝑡𝑒𝑟 𝑜𝑓 𝑡ℎ𝑒 𝑀𝑜𝑜𝑛 and Gu Tao’s documentary film 𝑇ℎ𝑒 𝐿𝑎𝑠𝑡 𝑀𝑜𝑜𝑠𝑒 𝑜𝑓 𝐴𝑜𝑙𝑢𝑔𝑢𝑦𝑎” by Yiwen Liu](https://chajournal.com/wp-content/uploads/2024/12/not-a-utopian-land_yiwen-liu.png?w=1024)
![[ESSAY] “1331 Runway: Hong Kong Youth Utopia or Real-Estate Planning Malfunction?” by Daniel Gauss](https://chajournal.com/wp-content/uploads/2025/12/767206174.jpg?w=576)
![[ESSAY] “1000𝑋𝑅𝐸𝑆𝐼𝑆𝑇 and Immunity in the Chinese Diaspora” by Nick Admussen](https://chajournal.com/wp-content/uploads/2025/12/https-www.fellowtraveller.games1000xresist.jpg?w=1024)
![[ESSAY] “Sixteen Dead, Zero Justice: Cambodia’s Monument to a Silenced Crime” by Daniel Gauss](https://chajournal.com/wp-content/uploads/2025/12/cambodia_cha.jpg?w=1024)