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斷章卞之琳 你站在橋上看風景,看風景的人在樓上看你。明月裝飾了你的窗子,你裝飾了別人的夢。 FRAGMENTby Bian Zhilin, translated into English by Lucas Klein You stand on the bridge overlooking the landscape,and upstairs someone looking at the landscape looks at you. The moon adorns your window,and you adorn somebody’s dream. 在哈爾蓋仰望星空西川 有一種神秘你無法駕馭你只能充當旁觀者的角色聽憑那神秘的力量從 遙遠的地方發出信號射出光來,穿透你的心像今夜,在哈爾蓋在這個遠離城市的荒涼的地方,在這青藏高原上的一個蠶…
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{Written by Susan Blumberg-Kason, this review is part of Issue 46 of Cha.} {Return to Cha Review of Books and Films.} Leslie Shimotakahara, Red Oblivion, Dundurn Press, 2019. 304 pgs. Jill Lau and her sister Celeste rush to visit their elderly father after…
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{Written by Marc de Faoite, this review is part of Issue 46 of Cha.} {Return to Cha Review of Books and Films.} Sangeeta Bandyopadhyay (author) and Arunava Sinha (translator), The Yogini, Tilted Axis Press, 2019. 208 pgs. The Yogini is Sangeeta Bandyopadhyay’s third…
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{Return to Cha Review of Books and Films.} Carlos Rojas (special issue editor), Method as Method, V16: N2 of Prism: Theory and Modern Chinese Literature. Duke University Press, 2019. Method here is used as a “prism” to tease out our underlying assumptions…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Not Written Words. Xi Xi (author), Jennifer Feeley (translator), Not Written Words, Zephyr Press and MCCM Creations, 2016. 152 pgs. Charles Bernstein in his essay in…
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Download Joshua Ip’sSeven PoemsHERE. . The genesis of these translations was an intellectual property snafu. In 2020, I threw myself into a project to translate 30 poems—by a pioneer Singapore poet who wrote exclusively in classical Chinese forms—into formal English…
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{Written by Ang Kia Yee, this review is part of Issue 46 of Cha.} {Return to Cha Review of Books and Films.} Che Qianzi (author), Yunte Huang (translator), No Poetry: Selected Poems of Che Qianzi, Polymorph Editions, 2019. 177 pgs. The poems in No…
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{Written by Frances An, this review is part of Issue 46 of Cha.} {Return to Cha Review of Books and Films.} Sebastian Veg (editor), Popular Memories of the Mao Era: From Critical Debate to Reassessing History 毛時代的民間記憶:從批判性辯論到歷史的再評價, Hong Kong University Press, 2019. 256 pgs.…
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{Written by Susan Blumberg-Kason, this review is part of Issue 46 of Cha.} {Return to Cha Review of Books and Films.} Patricia O’Sullivan, Women, Crime and the Courts: Hong Kong 1841-1941, Blacksmith Books, 2020. 344 pgs. When the British took Hong Kong in 1841,…
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{Written by Yu Müller, this review is part of Issue 46 of Cha.} {Return to Cha Review of Books and Films.} Che Qianzi (author), Yunte Huang (translator), No Poetry: Selected Poems of Che Qianzi, Polymorph Editions, 2019. 177 pgs. Che Qianzi’s bilingual poetry…


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![[REVIEW] “Seeing Sounds and Tasting Words: Xi Xi’s 𝑁𝑜𝑡 𝑊𝑟𝑖𝑡𝑡𝑒𝑛 𝑊𝑜𝑟𝑑𝑠” by Jennifer Anne Eagleton](https://chajournal.com/wp-content/uploads/2021/02/not-written-words-cha-an-asian-literary-journal.png?w=1024)
![[EXCLUSIVE] “Kidnapping a Beloved Ancestor from Their Home Timeline: On Translating Chinese Poets from the Tang and Song Dynasties” by Joshua Ip](https://chajournal.com/wp-content/uploads/2021/02/seven-poems-by-joshua-ip-for-asian-cha.png?w=1024)
![[REVIEW] “Loving Anarchy: A Review of No Poetry” by Ang Kia Yee](https://chajournal.com/wp-content/uploads/2021/02/no-poetry.jpg?w=707)
![[REVIEW] “Underground resilience in Popular Memories of the Mao Era” by Frances An](https://chajournal.com/wp-content/uploads/2021/02/popular-memories-of-the-mao-era-from-critical-debate-to-reassessing-history.png?w=1024)
![[REVIEW] “Not Hardened Criminals: A Review of Patrician O’Sullivan’s Women, Crime and the Courts” by Susan Blumberg-Kason](https://chajournal.com/wp-content/uploads/2021/01/2_women-crime-and-the-courts-hong-kong-1841-1941-800px-1.jpg?w=1024)
![[REVIEW] “Look at the Silence You See: A Review of Che Qianzi’s 𝑁𝑜 𝑃𝑜𝑒𝑡𝑟𝑦” by Yu Müller](https://chajournal.com/wp-content/uploads/2021/01/no-poetry-selected-poems-of-che-qianzi.png?w=1024)