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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Shuchi Talati (director), Girls Will Be Girls, 2024. 118 min. Female sexuality has long remained one of the most stringently policed and anxiously mediated territories. The erotic interiority of…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “A Harrowing Future of Waste in Chen Qiufan’s Waste Tide” by Loritta Chan Chen Qiufan (author), Ken Liu (translator), Waste Tide, Tor Books, 2019. 352 pgs. They call us “the…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “Samrat Upadhyay’s Mad Country: To Adapt and Thrive in the Chaos” by Abhinav Tulachan Samrat Upadhyay, Mad Country, Soho Press, 2017. 304 pgs. Abhinav Tulachan’s copy of Mad Country Following…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Donald Keene, The First Modern Japanese: The Life of Ishikawa Takuboku, Columbia University Press, 2016. 288 pgs. At the age of fifteen, I first encountered the Chinese translation of…
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📁 RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS This is a review of the play Min forsvundne onkel (My Missing Uncle 我失蹤的舅舅) produced by Nydanskeren Jimbuts Kulturforening and premiered at Teater FÅR302, Copenhagen, on 2-12 April 2025.…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Rob Noble, Octopus: The Pioneering Story of the World’s First Contactless Payment Card, Blacksmith Books, 2023, 396 pgs. As a resident of a city bereft of a…
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There is no excerpt because this is a protected post.


![[REVIEW] “Shuchi Talati’s 𝐺𝑖𝑟𝑙𝑠 𝑊𝑖𝑙𝑙 𝐵𝑒 𝐺𝑖𝑟𝑙𝑠: A Stirring, Sublime Portrait of Becoming” by Ananya Singh](https://chajournal.com/wp-content/uploads/2025/04/girls-will-be-girls-2.webp?w=780)
![[ESSAY] “A Harrowing Future of Waste in Chen Qiufan’s 𝑊𝑎𝑠𝑡𝑒 𝑇𝑖𝑑𝑒” by Loritta Chan](https://chajournal.com/wp-content/uploads/2025/04/chen-qiufan-author-ken-liu-translator-waste-tide.jpg?w=798)
![[REVIEW] “Samrat Upadhyay’s 𝑀𝑎𝑑 𝐶𝑜𝑢𝑛𝑡𝑟𝑦: To Adapt and Thrive in the Chaos” by Abhinav Tulachan](https://chajournal.com/wp-content/uploads/2025/04/samrat-upadhyay-mad-country-1.jpg?w=1000)
![[FIRST IMPRESSIONS] “A Poet’s Most Unvarnished Desires and Defeats: Donald Keene’s 𝑇ℎ𝑒 𝐹𝑖𝑟𝑠𝑡 𝑀𝑜𝑑𝑒𝑟𝑛 𝐽𝑎𝑝𝑎𝑛𝑒𝑠𝑒” by Jiahe Chen](https://chajournal.com/wp-content/uploads/2025/04/the-first-modern-japanese-the-life-of-ishikawa-takuboku-2.jpg?w=1000)
![[REVIEW] “Reimagining Chinese Queer History and Looking for an Alternative World: A Review of 𝑀𝑦 𝑀𝑖𝑠𝑠𝑖𝑛𝑔 𝑈𝑛𝑐𝑙𝑒” by Hongwei Bao](https://chajournal.com/wp-content/uploads/2025/04/untitled_1.4.1-jacob-linholdt.png?w=1024)
![[REVIEW] “Asako Yuzuki’s 𝐵𝑢𝑡𝑡𝑒𝑟: Tasting the Essential Self” by Jennifer Eagleton](https://chajournal.com/wp-content/uploads/2025/04/butter-a-novel-of-food-and-murder-1.jpg?w=985)
![[REVIEW] “The Almost Everything Card—Rob Noble’s 𝑂𝑐𝑡𝑜𝑝𝑢𝑠: 𝑇ℎ𝑒 𝑃𝑖𝑜𝑛𝑒𝑒𝑟𝑖𝑛𝑔 𝑆𝑡𝑜𝑟𝑦 𝑜𝑓 𝑡ℎ𝑒 𝑊𝑜𝑟𝑙𝑑’𝑠 𝐹𝑖𝑟𝑠𝑡 𝐶𝑜𝑛𝑡𝑎𝑐𝑡𝑙𝑒𝑠𝑠 𝑃𝑎𝑦𝑚𝑒𝑛𝑡 𝐶𝑎𝑟𝑑” by Mario Rustan](https://chajournal.com/wp-content/uploads/2025/03/octopus-the-pioneering-story-of-the-worlds-first-contactless-payment-card-1.jpg?w=896)
![[REVIEW] “Ezra Pound’s Chinese Character: What Did the Great Modernist Author Really Know About Confucius in the Original?” by Kerry Brown](https://chajournal.com/wp-content/uploads/2025/04/ezra-pounds-chinese-friends-stories-in-letters.jpg?w=637)
![Protected: [FIRST IMPRESSIONS] “Bearing Witness in Gigi L. Leung’s 𝐸𝑣𝑒𝑟𝑦𝑑𝑎𝑦 𝑀𝑜𝑣𝑒𝑚𝑒𝑛𝑡” by Rebekah Chan](https://chajournal.com/wp-content/uploads/2025/12/everyday-movement-by-gigi-l.-leung-translated-by-jennifer-feeley-.jpg?w=993)
![Protected: [FIRST IMPRESSIONS] “Fragmentation and Repair in Leslie Shimotakahara’s 𝑇ℎ𝑒 𝐵𝑟𝑒𝑎𝑘𝑤𝑎𝑡𝑒𝑟” by Jonathan Han](https://chajournal.com/wp-content/uploads/2026/01/the-breakwater.jpg?w=900)