Category: First Impressions
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS [FIRST IMPRESSIONS] “The Art of Waking Up Words: Tammy Lai-Ming Ho’s If I Do Not Reply” by Anders KΓΈlle ClickΒ HERE to readΒ all entries inΒ ChaΒ onΒ If I Do Not Reply. Tammy Lai-Ming Ho,…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Marcus Fedder, My Shanghai Neighbours, Black Spring Press, 2023. 130 pgs. Having spent four years living in a Shanghai lane between 2012 and 2016 (when I left China), I…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Umi Ishihara (director), Gravity and Radiance, 2021. 30 min. Images featured in this piece courtesy of the director. Gravity and Radiance, a 2021 experimental documentary by the London-based Japanese…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Rory B. Quintos (director), Anak, 2000. 135 min. Where would we be without our mothers? Watching Anak, one is immediately drawn into its poignant narrative, centred on the life…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on In the Mood for Love. Wong Kar-wai (director), In the Mood for Love, 2000. 98 min. I have been haunted by the same film for twenty-five…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Jiaming Tang, Cinema Love, John Murray, 2024. 304 pgs. Cinema Love is the impressive debut novel by Chinese-American writer Jiaming Tang. The bookβs blurb and the opening chapters may…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS ClickΒ HERE to readΒ all entries inΒ ChaΒ onΒ Mina’s Matchbox. YΕko Ogawa (author), Stephen B. Snyder (translator), Minaβs Matchbox, Pantheon Books, 2024. 288 pages. In YΕko Ogawaβs previous novel, The Memory Police, set…
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πRETURN TO FIRST IMPRESSIONSπRETURN TO CHA REVIEW OF BOOKS AND FILMS Wong Siu-pong (director), Obedience, 2024. 71 min. Although Wong Siu-pongβs latest observational documentary, Obedience, does not actively stir emotions in its audiences, it is laden with unspoken weight. Featuring…
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πRETURN TO FIRST IMPRESSIONSπRETURN TO CHA REVIEW OF BOOKS AND FILMS Jose Lorenzo βPepeβ Diokno, Isang Himala, 2024. 145 min. Isang Himala (A Miracle), directed by Jose Lorenzo βPepeβ Diokno, is an adaptation on three levelsβof the screenplay by National…
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πRETURN TO FIRST IMPRESSIONSπRETURN TO CHA REVIEW OF BOOKS AND FILMS Stuart Heisler (director), Tokyo Joe, 1949. 89 min. Of all the gin joints in all the world, Humphrey Bogart had to walk into yet another one. Swap North Africa…
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πRETURN TO FIRST IMPRESSIONSπRETURN TO CHA REVIEW OF BOOKS AND FILMS Izumi KyΕka (author), Charles ShirΕ Inouye (translator and author of introduction and afterword), Japanese Gothic Tales, University of Hawaiβi Press, 1996. 202 pgs. Japan Gothic Tales comprises four short…
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πRETURN TO FIRST IMPRESSIONSπRETURN TO CHA REVIEW OF BOOKS AND FILMS Kogonada (director), Columbus, 2017. 100 min. Thereβs a profound sense of openness in Kogonadaβs Columbus (2017). The film invites us to step into its scenes, transforming them into spaces…
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πRETURN TO FIRST IMPRESSIONSπRETURN TO CHA REVIEW OF BOOKS AND FILMS John Wells (director), August: Osage County, 2013. 116 min. As Christmas draws near in the West, the East prepares for the arrival of Lunar New Year. To those unfamiliar…
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πRETURN TO FIRST IMPRESSIONSπRETURN TO CHA REVIEW OF BOOKS AND FILMS Yan Lianke (author), Carlos Rojas (translator), Sound and Silence: My Experience with China and Literature, Duke University Press, 2024. 192 pgs. In late April 2024, Literary Hub released an…
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πRETURN TO FIRST IMPRESSIONSπRETURN TO CHA REVIEW OF BOOKS AND FILMS ClickΒ HERE to readΒ all entriesΒ in Cha on The Life of Tu Fu. Eliot Weinberger, The Life of Tu Fu, New Directions, 2024. 64 pgs. A flying goose dropping out of…
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πRETURN TO FIRST IMPRESSIONSπRETURN TO CHA REVIEW OF BOOKS AND FILMS Sanaka Hiiragi (author), Jesse Kirkwood (translator), The Lantern of Lost Memories, Picador, 2024. 224 pgs. What if, when you die, someone greets you with drinks and snacks, briefing you…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on All We Imagine as Light. Payal Kapadia (director), All We Imagine as Light, 2024. 118 min. Payal Kapadiaβs debut feature All We Imagine as Light is…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Han Kang (author), Deborah Smith (translator), The White Book, Portobello Books, 2016. 128 pgs. As Han Kong wrote out her list of white things at the beginning of the…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Ryu Murakami (author), Ralph McCarthy (translator), In the Miso Soup, Kodansha International, 2003. 180 pgs. Picture a dismembered corpse of a sixteen-year-old girl dumped at a trash collection site…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Jenny Xie, Holding Pattern, Riverhead Books, 2023. 288 pgs. Jenny Xieβs novel Holding Pattern follows 28-year-old Kathleen Cheng as she returns home to Oakland, California, where she is roped…
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πΒ RETURN TO FIRST IMPRESSIONSπΒ RETURN TO CHA REVIEW OF BOOKS AND FILMS Zhang Yimou (director), Raise the Red Lantern, 1991. 125 min. Raise the Red Lantern, directed by Zhang Yimou and based on Su Tongβs novella Wives and Concubines (1987), begins…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Kamila Shamsie, Home Fire, Riverhead Books, 2017. 288 pgs. In almost every literary discussion I have had with fellow readers, whenever South Asian literature has been mentioned, Kamila Shamsieβs…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Kangyu Garam (director), Lucky, Apartment, 2024. 96 min. This review may contain spoilers. What would hate look and feel like if it took on a sensory form? South Korean…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS ClickΒ HERE to readΒ all entries inΒ ChaΒ onΒ Hong Sang-soo. Hong Sang-soo (director), In Water, 2023. 61 min. Of the 31 features Hong Sang-soo has directed, youβd be hard pressed to find a…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Yasunari Kawabata (author), Haydn Trowell (translator), The Rainbow, Penguin, 2023. 400 pgs. Yasunari Kawabataβs The Rainbow, recently translated into English for the first time, evokes in me a strong…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Lee Sol-hui (director), Greenhouse, 2022. 100 min. Lee Sol-huiβs film Greenhouse is a domain of sickness. There is illness everywhere, physical, mental, social, degenerative. The only character…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Jopy Arnaldo (director), Gitling, 2023. 105 min. The world’s noise fades into the background when youβre with the right person. Gitling (or Hyphen in English) (2023) is…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Ryo Takebayashi (director), Mondays: See You “This” Week!, 2022. 102 min. Ryo Takebayashiβs time-loop film Mondays: See You “This” Week!βs most obvious film of comparison is Groundhog…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Lkhagvadulam Purev-Ochir (director), City of Wind, 2023. 103 min. Films about Mongolia donβt make their way to Europe too often and in the past when they have,…
![[FIRST IMPRESSIONS] “The Art of Waking Up Words: Tammy Lai-Ming Ho’s πΌπ πΌ π·π πππ‘ π
πππ𦔠by Anders KΓΈlle](https://chajournal.com/wp-content/uploads/2025/01/if-i-do-not-reply_tammy-ho-1.jpg?w=907)
![[FIRST IMPRESSIONS] βResurrecting Longtang Memories: Marcus Fedderβs ππ¦ πβπππβππ ππππβπππ’ππ β by S.C. Gordon](https://chajournal.com/wp-content/uploads/2025/01/my-shanghai-neighbours-1.jpg?w=985)
![[FIRST IMPRESSIONS] “Transcendence and RedemptionβUmi Ishiharaβs πΊπππ£ππ‘π¦ πππ π
πππππππ” by Marsha McDonald](https://chajournal.com/wp-content/uploads/2025/01/gravity-and-radiance-3.png?w=1024)
![[FIRST IMPRESSIONS] “The Cost of Love and Sacrifice in Rory B. Quintosβs π΄πππ” by Jhon Steven C. Espenido](https://chajournal.com/wp-content/uploads/2025/01/the-child.webp?w=800)
![[FIRST IMPRESSIONS] “The Ghosts of Wong Kar-wai: On πΌπ π‘βπ ππππ πππ πΏππ£π” by Anders KΓΈlle](https://chajournal.com/wp-content/uploads/2024/03/in-the-mood-for-love-wong-kar-wai-2020-4k-red-ds-os-195-_blur.webp?w=1024)
![[FIRST IMPRESSIONS] βGut-punching Melodrama: Jiaming Tangβs πΆπππππ πΏππ£πβ by Hongwei Bao](https://chajournal.com/wp-content/uploads/2025/01/jiaming-tang-cinema-love-john-murray.jpg?w=975)
![[FIRST IMPRESSIONS] βMemory-keeping: YΕko Ogawaβs ππππβπ πππ‘πβπππ₯β by Jennifer Eagleton](https://chajournal.com/wp-content/uploads/2025/01/819ycgclrml._sl1500_.jpg?w=940)
![[FIRST IMPRESSIONS] βA Placeβs Sorrowful Tomorrow: Wong Siu-pongβs πππππππππβ by Vanessa Winghei Yeung](https://chajournal.com/wp-content/uploads/2025/01/obedience_wong.jpg?w=1024)
![[FIRST IMPRESSIONS] βThe Miracle of Adaptation in Pepe Dioknoβs πΌπ πππ π»πππππβ by Richell Isaiah Flores](https://chajournal.com/wp-content/uploads/2025/01/jose-lorenzo-pepe-diokno-isang-himala-2024_2-2.jpg?w=1024)
![[FIRST IMPRESSIONS] βPlay it againβ¦ Ito?: Stuart Heislerβs ππππ¦π π½ππβ by Jeremiah Dutch](https://chajournal.com/wp-content/uploads/2024/12/tokyo-joe-old-japan-hollywood-movie-humphrey-bogart-film-shibuya-tokyo-japanese-history-9.webp?w=1024)
![[FIRST IMPRESSIONS]βThe Haunting World of Random Encounters in Izumi KyΕkaβs π½ππππππ π πΊππ‘βππ πππππ β by Vanessa Winghei Yeung](https://chajournal.com/wp-content/uploads/2024/12/japanese-gothic-tales-1.png?w=1024)
![[FIRST IMPRESSIONS] βBeyond the Physicality of Places: Kogonadaβs πΆπππ’πππ’π β by V Clark](https://chajournal.com/wp-content/uploads/2024/12/columbus-1.jpg?w=736)
![[FIRST IMPRESSIONS] “Hereβs To Family Drama, In All Its Universalityβπ΄π’ππ’π π‘: ππ πππ πΆππ’ππ‘𦔠by Hai-Mo Hu](https://chajournal.com/wp-content/uploads/2024/12/1.august-osagecountyensemblecastpic.jpg?w=1024)
![[FIRST IMPRESSIONS] “Yan Lianke: The Reader Comes First” by A. B. Freeman](https://chajournal.com/wp-content/uploads/2024/11/feb5978a-5dfd-11ea-be3e-43af5536d789_image_hires_104029.jpeg?w=1024)
![[FIRST IMPRESSIONS] “A Fictional Autobiography: Eliot Weinberger’s πβπ πΏπππ ππ ππ’ πΉπ’” by Juan JosΓ© Morales](https://chajournal.com/wp-content/uploads/2024/11/screenshot-2024-11-29-at-17.39.54.png?w=1024)
![[FIRST IMPRESSIONS] βBetween the Living and the Dead: Sanaka Hiiragiβs πβπ πΏπππ‘πππ ππ πΏππ π‘ ππππππππ β by Aditi Yadav](https://chajournal.com/wp-content/uploads/2024/11/sanaka-hiiragi.png?w=1024)
![[FIRST IMPRESSIONS] “A Poetic, Nocturnal Film: Payal Kapadia’s π΄ππ ππ πΌππππππ ππ πΏππβπ‘” by Oliver Farry](https://chajournal.com/wp-content/uploads/2024/10/all-we-imagine-as-light.png?w=1024)
![[FIRST IMPRESSIONS] “A Meditation on Whiteness: Han Kang’s πβπ πβππ‘π π΅πππ” by Jennifer Eagleton](https://chajournal.com/wp-content/uploads/2024/10/the-white-book-first-published-may-25-2016.jpg?w=977)
![[FIRST IMPRESSIONS] “Floating Around in Ryu Murakami’s πΌπ π‘βπ πππ π πππ’π” by Anna Moon](https://chajournal.com/wp-content/uploads/2024/10/in-the-miso-soup.jpg?w=1024)
![[FIRST IMPRESSIONS] βThe Science of Intimacy: Jenny Xieβs π»ππππππ πππ‘π‘πππβ by Anna Chung](https://chajournal.com/wp-content/uploads/2024/09/holding-pattern-riverhead-books-1.jpg?w=993)
![[FIRST IMPRESSIONS] βThe Absence of Female Desire and Patriarchal Oppression: Zhang Yimouβs π
πππ π π‘βπ π
ππ πΏπππ‘πππβ by Fathima M](https://chajournal.com/wp-content/uploads/2024/09/raise-the-red-lantern_cha_banner.jpeg?w=1024)
![[FIRST IMPRESSIONS] βThe Politics of Love: Kamila Shamsieβs π»πππ πΉπππβ by Fathima M](https://chajournal.com/wp-content/uploads/2024/08/home-fire-a-novel-by-kamila-shamsie.jpg?w=993)
![[FIRST IMPRESSIONS] βA Queer Shape of Smell: Kangyu Garam’s πΏπ’πππ¦, π΄ππππ‘ππππ‘” by Soo Ryon Yoon](https://chajournal.com/wp-content/uploads/2024/08/lucky-apartment.jpg?w=1024)
![[FIRST IMPRESSIONS] βPerhaps Misguided: Aneeta Sundararajβs πππππ π‘ππ¦ ππ π‘βπ ππππβ by Grace NajmulskiΒ](https://chajournal.com/wp-content/uploads/2024/07/tapestry-of-the-mind-and-other-stories-aneeta-sundararaj.jpg?w=977)
![[FIRST IMPRESSIONS] βJust that Little Bit Different: Hong Sang-sooβs πΌπ πππ‘ππβ by Oliver Farry](https://chajournal.com/wp-content/uploads/2024/07/in-water_hong-sang-soo.jpg?w=1024)
![[FIRST IMPRESSIONS] βCarrying On: Yasunari Kawabataβs πβπ π
ππππππ€β by Gabrielle Tse](https://chajournal.com/wp-content/uploads/2024/07/the-rainbow-kawabata-yasunari.jpg?w=933)
![[FIRST IMPRESSIONS] “A Domain of Sickness: Lee Sol-hui’s πΊππππβππ’π π” by Oliver Farry](https://chajournal.com/wp-content/uploads/2024/06/greenhouse-2022-film-still.png?w=1024)
![[FIRST IMPRESSIONS] βLove In Translation: Decoding Jopy Arnaldoβs πΊππ‘ππππβ by Richard MuΓ±iz](https://chajournal.com/wp-content/uploads/2024/06/gitling_film-still-3-1.jpg?w=1000)
![[FIRST IMPRESSIONS] “Over and OverβRyo Takebayashi’s ππππππ¦π : πππ πππ’ ‘πβππ ’ ππππ” by Oliver Farry](https://chajournal.com/wp-content/uploads/2024/06/the-pigeon.png?w=1024)
![[FIRST IMPRESSIONS] “The Beginning (or Continuation) of a Mongolian New Wave?βLkhagvadulam Purev-Ochir’s πΆππ‘π¦ ππ ππππ” by Oliver Farry](https://chajournal.com/wp-content/uploads/2024/05/city-of-wind.jpg?w=1024)