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    CALLS FOR SUBMISSIONS: First Impressions, Essays, En Route, Xi Xi—Can We Say, Write to Power, and Auditory Cortex

    Header artwork by Annysa Ng 茶 First Impressionsclick for information 茶 Essays click for information 茶 En Routeclick for information 茶 XI XI—Can We Sayclick for information 茶 Write to Powerclick for information 茶 Auditory Cortexclick for information

  • [TIFF 2025] “The Need for Change: On Kei Ishikawa’s 𝐴 𝑃𝑎𝑙𝑒 𝑉𝑖𝑒𝑤 𝑜𝑓 𝐻𝑖𝑙𝑙𝑠” by Nirris Nagendrarajah

    TIFF 2025 ▞ 10. The Archivist’s Film: A Conversation on Kunsang Kyirong’s 100 Sunset▞ 9. She Was Screaming into Silence: A Conversation on Cai Shangjun’s The Sun Rises On Us All▞ 8. You Don’t Belong to Anyone: A Conversation on…

    Sep 9, 2025
    [TIFF 2025] “The Need for Change: On Kei Ishikawa’s 𝐴 𝑃𝑎𝑙𝑒 𝑉𝑖𝑒𝑤 𝑜𝑓 𝐻𝑖𝑙𝑙𝑠” by Nirris Nagendrarajah
  • [TIFF 2025] “The Angel of Death: On Jafar Panahi’s 𝐼𝑡 𝑊𝑎𝑠 𝐽𝑢𝑠𝑡 𝐴𝑛 𝐴𝑐𝑐𝑖𝑑𝑒𝑛𝑡” by Nirris Nagendrarajah

    TIFF 2025 ▞ 10. The Archivist’s Film: A Conversation on Kunsang Kyirong’s 100 Sunset▞ 9. She Was Screaming into Silence: A Conversation on Cai Shangjun’s The Sun Rises On Us All▞ 8. You Don’t Belong to Anyone: A Conversation on…

    Sep 8, 2025
    [TIFF 2025] “The Angel of Death: On Jafar Panahi’s 𝐼𝑡 𝑊𝑎𝑠 𝐽𝑢𝑠𝑡 𝐴𝑛 𝐴𝑐𝑐𝑖𝑑𝑒𝑛𝑡” by Nirris Nagendrarajah
  • [TIFF 2025] “Of Eros & Of Dust: On Ratchapoom Boonbunchachoke’s 𝐴 𝑈𝑠𝑒𝑓𝑢𝑙 𝐺ℎ𝑜𝑠𝑡” by Nirris Nagendrarajah

    TIFF 2025 ▞ 10. The Archivist’s Film: A Conversation on Kunsang Kyirong’s 100 Sunset▞ 9. She Was Screaming into Silence: A Conversation on Cai Shangjun’s The Sun Rises On Us All▞ 8. You Don’t Belong to Anyone: A Conversation on…

    Sep 7, 2025
    [TIFF 2025] “Of Eros & Of Dust: On Ratchapoom Boonbunchachoke’s 𝐴 𝑈𝑠𝑒𝑓𝑢𝑙 𝐺ℎ𝑜𝑠𝑡” by Nirris Nagendrarajah
  • [FIRST IMPRESSIONS] “Forget the Remake, Masayuki Suo’s 𝑆ℎ𝑎𝑙𝑙 𝑊𝑒 𝐷𝑎𝑛𝑐𝑒? is in Perfect Step with Japan” by Jeremiah Dutch

    📁 RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS Masayuki Suo (director), Shall We Dance? 1996, 136 min.  At college, I once romanced a young lady by agreeing to take ballroom dancing lessons with her after her…

    Sep 7, 2025
    [FIRST IMPRESSIONS] “Forget the Remake, Masayuki Suo’s 𝑆ℎ𝑎𝑙𝑙 𝑊𝑒 𝐷𝑎𝑛𝑐𝑒? is in Perfect Step with Japan” by Jeremiah Dutch
  • [TIFF 2025] “Light At The End of the Labyrinth: On Genki Kawamura’s 𝐸𝑥𝑖𝑡 8” by Nirris Nagendrarajah

    TIFF 2025 ▞ 10. The Archivist’s Film: A Conversation on Kunsang Kyirong’s 100 Sunset▞ 9. She Was Screaming into Silence: A Conversation on Cai Shangjun’s The Sun Rises On Us All▞ 8. You Don’t Belong to Anyone: A Conversation on…

    Sep 6, 2025
    [TIFF 2025] “Light At The End of the Labyrinth: On Genki Kawamura’s 𝐸𝑥𝑖𝑡 8” by Nirris Nagendrarajah
  • [TIFF 2025] “Affairs of the Heart: On Cai Shangjun’s 𝑇ℎ𝑒 𝑆𝑢𝑛 𝑅𝑖𝑠𝑒𝑠 𝑂𝑛 𝑈𝑠 𝐴𝑙𝑙” by Nirris Nagendrarajah

    TIFF 2025 ▞ 10. The Archivist’s Film: A Conversation on Kunsang Kyirong’s 100 Sunset▞ 9. She Was Screaming into Silence: A Conversation on Cai Shangjun’s The Sun Rises On Us All▞ 8. You Don’t Belong to Anyone: A Conversation on…

    Sep 6, 2025
    [TIFF 2025] “Affairs of the Heart: On Cai Shangjun’s 𝑇ℎ𝑒 𝑆𝑢𝑛 𝑅𝑖𝑠𝑒𝑠 𝑂𝑛 𝑈𝑠 𝐴𝑙𝑙” by Nirris Nagendrarajah
  • [REVIEW] “Everything, Nothing, All at Once: Edward Yang’s 𝑌𝑖 𝑌𝑖” by Keziah Cho

    茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “Everything, Nothing, All at Once: Edward Yang’s Yi Yi” by Keziah Cho Edward Yang (director), Yi Yi, 2000. 173 min. Edward Yang’s Yi Yi opens in a register of melodrama.…

    Sep 2, 2025
    [REVIEW] “Everything, Nothing, All at Once: Edward Yang’s 𝑌𝑖 𝑌𝑖” by Keziah Cho
  • [FIRST IMPRESSIONS] “Feeling Seen: Akiko Ohku’s 𝐻𝑜𝑙𝑑 𝑀𝑒 𝐵𝑎𝑐𝑘 and the Solitude of Modern Women” by Danica QP

    📁 RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS Akiko Ohku (director), Hold Me Back, 2020. 133 min. Akiko Ohku is best known for directing and co-writing Tremble All You Want and Hold Me Back, two films…

    Aug 31, 2025
    [FIRST IMPRESSIONS] “Feeling Seen: Akiko Ohku’s 𝐻𝑜𝑙𝑑 𝑀𝑒 𝐵𝑎𝑐𝑘 and the Solitude of Modern Women” by Danica QP
  • [REVIEW] “Taken as Strictly True: Neuroscience and Sinology in László Krasznahorkai’s 𝐷𝑒𝑠𝑡𝑟𝑢𝑐𝑡𝑖𝑜𝑛 𝑎𝑛𝑑 𝑆𝑜𝑟𝑟𝑜𝑤 𝐵𝑒𝑛𝑒𝑎𝑡ℎ 𝑡ℎ𝑒 𝐻𝑒𝑎𝑣𝑒𝑛𝑠” by Lucas Klein

    📁 RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS László Krasznahorkai (author), Ottilie Mulzet (translator), Destruction and Sorrow beneath the Heavens: Reportage, Seagull Books, 2016. 320 pgs. In my favourite poem by Wang Wei (699–759), the poet tries…

    Aug 31, 2025
    [REVIEW] “Taken as Strictly True: Neuroscience and Sinology in László Krasznahorkai’s 𝐷𝑒𝑠𝑡𝑟𝑢𝑐𝑡𝑖𝑜𝑛 𝑎𝑛𝑑 𝑆𝑜𝑟𝑟𝑜𝑤 𝐵𝑒𝑛𝑒𝑎𝑡ℎ 𝑡ℎ𝑒 𝐻𝑒𝑎𝑣𝑒𝑛𝑠” by Lucas Klein
  • [REVIEW] “Diaspora and Duality: The Emotional Cartography of Arun Budhathoki’s 𝐴𝑛𝑑 𝐼 𝐵𝑙𝑎𝑚𝑒𝑑 𝐶𝑎𝑛𝑎𝑑𝑖𝑎𝑛 𝑊𝑖𝑛𝑡𝑒𝑟 𝐴𝑔𝑎𝑖𝑛” by Subash Singh Parajuli

    📁 RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS Arun Budhathoki, And I Blamed Canadian Winter Again: Poems East & West, Nirala Publications, 2025. 98pgs. Nepali poet Arun Budhathoki, who has been living in Canada, has recently…

    Aug 29, 2025
    [REVIEW] “Diaspora and Duality: The Emotional Cartography of Arun Budhathoki’s 𝐴𝑛𝑑 𝐼 𝐵𝑙𝑎𝑚𝑒𝑑 𝐶𝑎𝑛𝑎𝑑𝑖𝑎𝑛 𝑊𝑖𝑛𝑡𝑒𝑟 𝐴𝑔𝑎𝑖𝑛” by Subash Singh Parajuli
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Cha

Cha: An Asian Literary Journal
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Asian Cha Daily chajournal.com
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