Category: Vulgar Beauty: Acting Chinese in the Global Sensorium
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[ESSAY] “Maggie Cheung and the Refusal of Cinematic Immortality” by Anna Nguyen I have many confessions. I am exhausted by the discourse surrounding Wong Kar-wai’s In the Mood for Love (2000). I am exhausted by fandoms that fixate on aesthetic…
![[ESSAY] “Maggie Cheung and the Refusal of Cinematic Immortality” by Anna Nguyen](https://chajournal.com/wp-content/uploads/2025/01/irma-vep-1996-maggie-cheung.jpg?w=1024)