Category: First Impressions
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Han Kang (author), Deborah Smith (translator), The White Book, Portobello Books, 2016. 128 pgs. As Han Kong wrote out her list of white things at the beginning of the…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Ryu Murakami (author), Ralph McCarthy (translator), In the Miso Soup, Kodansha International, 2003. 180 pgs. Picture a dismembered corpse of a sixteen-year-old girl dumped at a trash collection site…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Jenny Xie, Holding Pattern, Riverhead Books, 2023. 288 pgs. Jenny Xieβs novel Holding Pattern follows 28-year-old Kathleen Cheng as she returns home to Oakland, California, where she is roped…
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πΒ RETURN TO FIRST IMPRESSIONSπΒ RETURN TO CHA REVIEW OF BOOKS AND FILMS Zhang Yimou (director), Raise the Red Lantern, 1991. 125 min. Raise the Red Lantern, directed by Zhang Yimou and based on Su Tongβs novella Wives and Concubines (1987), begins…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Kamila Shamsie, Home Fire, Riverhead Books, 2017. 288 pgs. In almost every literary discussion I have had with fellow readers, whenever South Asian literature has been mentioned, Kamila Shamsieβs…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Kangyu Garam (director), Lucky, Apartment, 2024. 96 min. This review may contain spoilers. What would hate look and feel like if it took on a sensory form? South Korean…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS ClickΒ HERE to readΒ all entries inΒ ChaΒ onΒ Hong Sang-soo. Hong Sang-soo (director), In Water, 2023. 61 min. Of the 31 features Hong Sang-soo has directed, youβd be hard pressed to find a…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Yasunari Kawabata (author), Haydn Trowell (translator), The Rainbow, Penguin, 2023. 400 pgs. Yasunari Kawabataβs The Rainbow, recently translated into English for the first time, evokes in me a strong…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Lee Sol-hui (director), Greenhouse, 2022. 100 min. Lee Sol-huiβs film Greenhouse is a domain of sickness. There is illness everywhere, physical, mental, social, degenerative. The only character…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Jopy Arnaldo (director), Gitling, 2023. 105 min. The world’s noise fades into the background when youβre with the right person. Gitling (or Hyphen in English) (2023) is…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Ryo Takebayashi (director), Mondays: See You “This” Week!, 2022. 102 min. Ryo Takebayashiβs time-loop film Mondays: See You “This” Week!βs most obvious film of comparison is Groundhog…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Lkhagvadulam Purev-Ochir (director), City of Wind, 2023. 103 min. Films about Mongolia donβt make their way to Europe too often and in the past when they have,…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS RyΓ»suke Hamaguchi (director), Evil Does Not Exist, 2023. 106 min. RyΓ»suke Hamaguchiβs follow-up to his Oscar-nominated hit Drive My Car starts off as a seemingly much more…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Babak Jalali (director), Fremont, 2023. 88 min. “Fortune messages are a responsibility. Consciously, or unconsciously, they are going to act on the flux of things. They shouldn’t…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Wong Ping (director), Sorry for the Late Reply, 2021. 15 min. βIf youβve ever stepped into the supernatural world during a hike, or have gotten lost in…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Yangsze Choo, The Fox Wife, Henry Holt and Company, 2024. 400 pgs. One of the biggest challenges a novelist has is that of worldbuilding. In the world…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Γlise Girard (director), Sidonie in Japan, 2024. 95 min. Sidonie Perceval (Isabelle Huppert) is a writer, or at least she once was. She has now decided to…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Life Ceremony. Sayaka Murata (author), Ginny Tapley Takemori (translator), Life Ceremony, Granta Books, 2023. 272 pgs. Sayaka Murataβs Life Ceremony is a disturbing…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Huang Ji and Ryuji Otsuka (directors and screenwriters), The Foolish Bird 笨ι³₯, 2017. 118 min. One minute into The Foolish Bird 笨ι³₯, I realised that, despite being…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS ClickΒ HERE to readΒ all entries inΒ ChaΒ onΒ Perfect Days. Wim Wenders (director),Β Perfect Days, 2023. 123 min. Perfect Days (2023) is a drama directed by Wim Wenders, from a script written…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Yan Lianke (author), Carlos Rojas (translator), Heart Sutra, Glove Atlantic, 2023. 426 pgs. Just as the late Milan Kundera was in the 2000s and 2010s, Yan Lianke…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Apichatpong Weerasethakul (director), Mysterious Object at Noon, 2000. 83 min. “Enlisting locals to contribute improvised narration to a simple tale, Apichatpong charts the collective construction of the…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Lawrence Kwan Chun Kan (director), In Broad Daylight η½ζ₯δΉδΈ, 2023. 106 min. In Broad Daylight combines two major news stories that expose abuses against the vulnerable: the…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Nick Bradley, The Cat and the City, Atlantic Books, 2020. 304 pgs. Nick Bradleyβs The Cat and the City is a patchwork of short stories and vignettes…
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πΒ RETURN TO FIRST IMPRESSIONSπΒ RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Hiroko Oyamada. Hiroko Oyamada (author), David Boyd (translator), The Factory, New Directions, 2019. 128 pgs. The cover is what first…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILM Jing Tsu, Kingdom of Characters, Riverhead Books, 2023. 336 pgs. The earliest known empire is the Sumerian. It is also the first civilisation known to have written down numbers.…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on The Flowers of Lhasa. Tsering Yangkyi (author), Christopher Peacock (translator), The Flowers of Lhasa, Balestier Press, 2022. 205 pgs. The city of Lhasa in Tibet is…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Goro Miyazaki (director), Hayao Miyazaki (co-writer), From Up on Poppy Hill, 2011. 91 min. Yokohama is somewhat in the shadow of neighbouring Tokyo but itβs the second-largest city in…
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS [FIRST IMPRESSIONS] “Slightly Off-kilter Worlds: Yun Ko-eun’s Table for One” by Jennifer Eagleton ClickΒ HERE to readΒ all entries inΒ ChaΒ onΒ Table for One. Yun Ko-eun (author), Lizzie Buehler (translator),Β Table for One: Stories, Columbia University…
![[FIRST IMPRESSIONS] “A Meditation on Whiteness: Han Kang’s πβπ πβππ‘π π΅πππ” by Jennifer Eagleton](https://chajournal.com/wp-content/uploads/2024/10/the-white-book-first-published-may-25-2016.jpg?w=977)
![[FIRST IMPRESSIONS] “Floating Around in Ryu Murakami’s πΌπ π‘βπ πππ π πππ’π” by Anna Moon](https://chajournal.com/wp-content/uploads/2024/10/in-the-miso-soup.jpg?w=1024)
![[FIRST IMPRESSIONS] βThe Science of Intimacy: Jenny Xieβs π»ππππππ πππ‘π‘πππβ by Anna Chung](https://chajournal.com/wp-content/uploads/2024/09/holding-pattern-riverhead-books-1.jpg?w=993)
![[FIRST IMPRESSIONS] βThe Absence of Female Desire and Patriarchal Oppression: Zhang Yimouβs π
πππ π π‘βπ π
ππ πΏπππ‘πππβ by Fathima M](https://chajournal.com/wp-content/uploads/2024/09/raise-the-red-lantern_cha_banner.jpeg?w=1024)
![[FIRST IMPRESSIONS] βThe Politics of Love: Kamila Shamsieβs π»πππ πΉπππβ by Fathima M](https://chajournal.com/wp-content/uploads/2024/08/home-fire-a-novel-by-kamila-shamsie.jpg?w=993)
![[FIRST IMPRESSIONS] βA Queer Shape of Smell: Kangyu Garam’s πΏπ’πππ¦, π΄ππππ‘ππππ‘” by Soo Ryon Yoon](https://chajournal.com/wp-content/uploads/2024/08/lucky-apartment.jpg?w=1024)
![[FIRST IMPRESSIONS] βPerhaps Misguided: Aneeta Sundararajβs πππππ π‘ππ¦ ππ π‘βπ ππππβ by Grace NajmulskiΒ](https://chajournal.com/wp-content/uploads/2024/07/tapestry-of-the-mind-and-other-stories-aneeta-sundararaj.jpg?w=977)
![[FIRST IMPRESSIONS] βJust that Little Bit Different: Hong Sang-sooβs πΌπ πππ‘ππβ by Oliver Farry](https://chajournal.com/wp-content/uploads/2024/07/in-water_hong-sang-soo.jpg?w=1024)
![[FIRST IMPRESSIONS] βCarrying On: Yasunari Kawabataβs πβπ π
ππππππ€β by Gabrielle Tse](https://chajournal.com/wp-content/uploads/2024/07/the-rainbow-kawabata-yasunari.jpg?w=933)
![[FIRST IMPRESSIONS] “A Domain of Sickness: Lee Sol-hui’s πΊππππβππ’π π” by Oliver Farry](https://chajournal.com/wp-content/uploads/2024/06/greenhouse-2022-film-still.png?w=1024)
![[FIRST IMPRESSIONS] βLove In Translation: Decoding Jopy Arnaldoβs πΊππ‘ππππβ by Richard MuΓ±iz](https://chajournal.com/wp-content/uploads/2024/06/gitling_film-still-3-1.jpg?w=1000)
![[FIRST IMPRESSIONS] “Over and OverβRyo Takebayashi’s ππππππ¦π : πππ πππ’ ‘πβππ ’ ππππ” by Oliver Farry](https://chajournal.com/wp-content/uploads/2024/06/the-pigeon.png?w=1024)
![[FIRST IMPRESSIONS] “The Beginning (or Continuation) of a Mongolian New Wave?βLkhagvadulam Purev-Ochir’s πΆππ‘π¦ ππ ππππ” by Oliver Farry](https://chajournal.com/wp-content/uploads/2024/05/city-of-wind.jpg?w=1024)
![[FIRST IMPRESSIONS] βEnigmatic Pronouncement: RyΓ»suke Hamaguchiβs πΈπ£ππ π·πππ πππ‘ πΈπ₯ππ π‘β by Oliver Farry](https://chajournal.com/wp-content/uploads/2024/04/evil-does-not-exist-new.jpg?w=1000)
![[FIRST IMPRESSIONS] “Inside the Fortune Cookie: Babak Jalali’s πΉππππππ‘” by Oliver Farry](https://chajournal.com/wp-content/uploads/2024/04/fremont.jpg?w=799)
![[FIRST IMPRESSIONS] βSeeking Freedom in the Midst of Sexual Fetishes and Voyeurism: Wong Ping’s πππππ¦ πππ π‘βπ πΏππ‘π π
πππ𦔠by Octavia Chen](https://chajournal.com/wp-content/uploads/2024/04/sorry-for-the-late-reply_wong-ping.jpg?w=830)
![[FIRST IMPRESSIONS] “A Historic Thriller Steeped in the Mythical Mists of Time: Yangsze Choo’s πβπ πΉππ₯ ππππ” by Kevin McGeary](https://chajournal.com/wp-content/uploads/2024/04/the-fox-wife_yangsze-choo.jpg?w=974)
![[FIRST IMPRESSIONS] βSpectral Valency: Γlise Girard’s πππππππ ππ π½ππππ” by Oliver Farry](https://chajournal.com/wp-content/uploads/2024/04/elise-girard-director-sidonie-in-japan-2024.-95-min.jpg?w=559)
![[FIRST IMPRESSIONS] βWhen The Translations Hit, They Really Hit: Sayaka Murata’s πΏπππ πΆπππππππ¦β by Grace Najmulski](https://chajournal.com/wp-content/uploads/2024/04/life-ceremony_cha.jpg?w=933)
![[FIRST IMPRESSIONS] βA Portrait of Those Left Behind: πβπ πΉπππππ β π΅πππβ by X. H. Collins](https://chajournal.com/wp-content/uploads/2024/04/the-foolish-bird_cha.jpg?w=800)
![[FIRST IMPRESSIONS] “An Excellent Example of Slow Cinema: Wim Wenders’s πππππππ‘ π·ππ¦π ” by Jennifer Eagleton](https://chajournal.com/wp-content/uploads/2024/03/perfect-days-copy.webp?w=1024)
![[FIRST IMPRESSIONS] “An Outrageously Ambitious Not-Quite Masterpiece: Yan Lianke’s π»ππππ‘ ππ’π‘ππ” by Kevin McGeary](https://chajournal.com/wp-content/uploads/2024/03/heart-sutra.jpg?w=995)
![[FIRST IMPRESSIONS] βSimultaneities and Narratives in Apichatpong Weerasethakulβs ππ¦π π‘πππππ’π ππππππ‘ ππ‘ ππππ” by Richell Isaiah Flores](https://chajournal.com/wp-content/uploads/2024/03/mysterious-objects-at-noon.jpg?w=1000)
![[FIRST IMPRESSIONS] βNothing Under the Sun Is Truly New: Lawrence Kwan Chun KanβsΒ πΌπ π΅ππππ π·ππ¦πππβπ‘β by Tin Yuet Tam](https://chajournal.com/wp-content/uploads/2024/03/in-broad-daylight_poster.jpg?w=1024)
![[FIRST IMPRESSIONS] βTroubling Facets of Life in Tokyo: Nick Bradley’s πβπ πΆππ‘ πππ π‘βπ πΆππ‘π¦β by Vicky Wong](https://chajournal.com/wp-content/uploads/2024/03/nick-bradley_the-cat-and-the-city.jpg?w=977)
![[FIRST IMPRESSIONS] βSome Sort of Enclosed System: Hiroko Oyamadaβs πβπ πΉπππ‘πππ¦β by Jane McBride](https://chajournal.com/wp-content/uploads/2024/03/hiroko-oyamada_the-factory.jpg?w=931)
![[FIRST IMPRESSIONS] “History As Written by the Successful Underdogs: Jing Tsu’s πΎππππππ ππ πΆβπππππ‘πππ ” by Kevin McGeary](https://chajournal.com/wp-content/uploads/2024/03/jing-tsu-kingdom-of-characters.jpg?w=994)
![[FIRST IMPRESSIONS] “Four Women Migrant Workers: TSERING YANGKYIβS πβπ πΉπππ€πππ ππ πΏβππ π” by David W. Landrum](https://chajournal.com/wp-content/uploads/2024/02/flowers-of-lhasa_tsering-yangkyi.jpg?w=1024)
![[FIRST IMPRESSIONS] βOne Foot in the Past, One Foot in the Future: Hayao and Goro Miyazakiβs πΉπππ ππ ππ πππππ¦ π»πππβ by Jeremiah Dutch](https://chajournal.com/wp-content/uploads/2024/02/1_hvheoa-xbqexnbq1dk9jzg.webp?w=1024)
![[FIRST IMPRESSIONS] “Slightly Off-kilter Worlds: Yun Ko-eun’s πππππ πππ πππ” by Jennifer Eagleton](https://chajournal.com/wp-content/uploads/2024/02/yun-ko-eun_table-for-one.png?w=1024)