Category: films
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS ClickΒ HERE to readΒ all entries inΒ ChaΒ onΒ Hong Sang-soo. Hong Sang-soo (director), In Water, 2023. 61 min. Of the 31 features Hong Sang-soo has directed, youβd be hard pressed to find a…
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πRETURN TO FIRST IMPRESSIONS πRETURN TO CHA REVIEW OF BOOKS AND FILMS Pat Boonnitipat (director), How to Make Millions Before Grandma Dies, 2024. 127 min. This review may contain spoilers. Dare I say it, Pat Boonnitipatβs How to Make Millions Before…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Jopy Arnaldo (director), Gitling, 2023. 105 min. The world’s noise fades into the background when youβre with the right person. Gitling (or Hyphen in English) (2023) is…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS RyΓ»suke Hamaguchi (director), Evil Does Not Exist, 2023. 106 min. RyΓ»suke Hamaguchiβs follow-up to his Oscar-nominated hit Drive My Car starts off as a seemingly much more…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Huang Ji and Ryuji Otsuka (directors), Stonewalling, 2022. 148 min. The first time she wears the t-shirt she paces before a mirror practicing a tongue twister. βForty…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Perfect Days. Wim Wenders (director), Perfect Days, 2023. 123 min. Wim Wenders is not alone among Western filmmakers in having a fascination with…
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πRETURN TO FIRST IMPRESSIONS πRETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Fly Me to the Moon. Sasha Chuk (director), Fly Me to the Moon δ½ι‘δΊΊι·δΉ , 2023. 112 min. A story fraught with the problems and pain…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Jun Ichikawa (director), Tony Takitani, 2004. 75 min. Tony Takitani is a film about loneliness and its unwavering cloudinessβthe way it makes you want to lie down in a…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Kim Jee-woon (director), Cobweb, 2023. 135 min. Song Kang-ho (best known for Parasite and A Taxi Driver) in Cobweb Kim Ki-yeol (Song Kang-ho, best known for Parasite and A Taxi…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Satyajit Ray (director), Branches of the Tree, 1990. 130 min. Made and released in 1990, Satyajit Rayβs Branches of the Tree arrives as an artefact of a bygone sensibility,…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Hayao Miyazaki (director), The Boy and the Heron, 2023. 125 min. This review contains spoilers. For me, whatβs perhaps most interesting about The Boy and the Heron is that…
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS [ESSAY] “Tragedies of Inequality: Bong Joon-hoβs Parasite and Jordan Peeleβs Us” by Jonathan Chan Bong Joon-Ho (director), Parasite, 2019. 132 min.Jordan Peele (director), Us, 2019, 116 min. The sociologist Teo You Yenn…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Celine Song (director), Past Lives, 2023. 106 min. Life is a sea, a kaleidoscopic cornucopia of experiences with a myriad of people. We start in shallow waters of first…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Nick Cheuk (director), Time Still Turns the Pages εΉ΄ε°ζ₯θ¨, 2023. 95 min. This review contains major spoilers. With five nominations in the 60th Golden Horse Awards, Nick Cheukβs tightly…
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS [FIRST IMPRESSIONS] “The Liminality of Being: Anthony Chen’s The Breaking Ice” by Jonathan Chan Anthony Chen (director),Β The Breaking Ice, 2023. 97 min. Arresting visuals, an immersive soundtrack, and interesting ideas do…
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS [ESSAY] “Die With Your Pants Down: Patrick Tam’s Nomad” by Matt Turner Patrick Tam (director), Nomad (ηη«ιζ₯), 1982. 157 min. This review contains spoilers. I really didnβt see the final scene coming.…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Davy Chou (director), Return to Seoul, 2022. 119 min. Thereβs an ambiguity inherent in the title of Davy Chouβs film Return to Seoul. At first sight, it seems to…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Mamoru Hosada (director), Wolf Children, 2012. 117 min. A story about a single mother trying to bring up two half-Japanese children on her own might naturally be of interest…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS β Michihito Fujii (director), The Journalist, 2019. 113 min.β Michihito Fujii (director), A Family, 2021. 136 min.β Michihito Fujii (director), Village, 2023. 120 min. In these days of ever fewer choices…
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πΒ RETURN TO FIRST IMPRESSIONSπΒ RETURN TO CHA REVIEW OF BOOKS AND FILMS ClickΒ HERE to readΒ all entries inΒ ChaΒ onΒ Chungking Express. Wong Kar-wai (director), Chungking Express, 1994. 92 min. Whenever I think of Wong Kar-waiβs Chungking Express I hear California Dreaminβ by The Mamas…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Chan Tze-Woon (director), Blue Island, 2022. 97 min. A history student, I linger in the Hong Kong Museum of Historyβs condensed Hong Kong Story exhibition: one room per millennium,…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Yudho Aditya (director), Pria, 2017. 22 min. In a world where heterosexuality is still considered the norm, there remain many deterrents for LGBT people from embracing their queerness. And,…
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π Return to First Impressionsπ Return to Cha Review of Books and Films Isabel Sandoval (director), Lingua Franca, 2019. 90 min. In the gloaming hour, light leaves remnants of ambiguity everywhere. Nothing of consequence has asserted itself, at least not yet.…
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{Return to Cha Review of Books and Films.} Jia Zhangke (director), Ash Is Purest White (Chinese name: ζ±ζΉε ε₯³ Jianhu ErnΓΌ), 2018. 136 min. Note: This review contains spoilers. One of the most influential Chinese independent film directors today, Jia Zhangke turns to the…
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{Written by Artemis Lin, this review is part of Issue 42 (January 2019) of Cha.}Β {Return to Cha Review of Books and Films.} Bi Gan (director), Kaili Blues (Lu bian ye can), 2015. 113 min. What is a place? Is it…
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{Written by Michael Tsang, this review is part of Issue 41 (September 2018) of Cha.} {Return to Cha Review of Books and Films.} This review contains spoilers to the entire franchise. Though highly celebrated commercially, Crazy Rich Asians the film also seems to…
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{Written by Grace Chia, this review is part of Issue 39 (March 2018) of Cha.} {Return to Cha Review of Books and Films} Jang Hoon (director), A Taxi Driver (Taeksi Woonjunsa), 2017. 137 min. A Taxi Driver is set during the…
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{Written by Vivian Tang, this review is part of Issue 39 (April 2018) of Cha.}Β {Return to Cha Review of Books and Films} Chung Man Yee (director), And I Hate You So (Siu chan chan), 2000. 96 min. At the start…
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{Written by Amanda Cattel, this review is part of Issue 39 (April 2018) of Cha.}Β {Return to Cha Review of Books and Films} ClickΒ HERE to readΒ all entries inΒ ChaΒ onΒ Ang Lee. Ang Lee (director),Β Eat Drink Man Woman (Yin shi nan nΓΌ), 1994. 123…
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At Cha, we are expanding the Reviews section to include film reviews. We welcome reviews of films, both classic and more recent, that are set in Asia, explore Asian themes, depict Asian characters and/or have an Asian focus. Please first…
![[FIRST IMPRESSIONS] βJust that Little Bit Different: Hong Sang-sooβs πΌπ πππ‘ππβ by Oliver Farry](https://chajournal.com/wp-content/uploads/2024/07/in-water_hong-sang-soo.jpg?w=1024)
![[REVIEW] βAmah, Youβre My First Place: Pat Boonnitipatβs π»ππ€ π‘π ππππ ππππππππ π΅πππππ πΊππππππ π·πππ ” By Rhanydell Bien Baysa](https://chajournal.com/wp-content/uploads/2024/06/before-grandma-dies.png?w=936)
![[FIRST IMPRESSIONS] βLove In Translation: Decoding Jopy Arnaldoβs πΊππ‘ππππβ by Richard MuΓ±iz](https://chajournal.com/wp-content/uploads/2024/06/gitling_film-still-3-1.jpg?w=1000)
![[FIRST IMPRESSIONS] βEnigmatic Pronouncement: RyΓ»suke Hamaguchiβs πΈπ£ππ π·πππ πππ‘ πΈπ₯ππ π‘β by Oliver Farry](https://chajournal.com/wp-content/uploads/2024/04/evil-does-not-exist-new.jpg?w=1000)
![[REVIEW] βFemme Fatale: On Huang Ji and Ryuji Otsukaβs ππ‘ππππ€ππππππβ by Nirris Nagendrarajah](https://chajournal.com/wp-content/uploads/2024/04/huang-ji-ryuji-otsuka-return-with-third-collaboration-with-yao-honggui-stonewalling.webp?w=1024)
![[REVIEW] “Clean Work: Wim Wenders’s πππππππ‘ π·ππ¦π ” by Oliver Farry](https://chajournal.com/wp-content/uploads/2024/03/74409c07-88f6-44de-94a4-98f879833225.jpeg?w=1024)
![[REVIEW] βWhile Weβre Still Connected: Sasha Chukβs πΉππ¦ ππ π‘π π‘βπ ππππβ by Kammy Lee](https://chajournal.com/wp-content/uploads/2024/03/fly-me-to-the-moon.jpg?w=1024)
![[FIRST IMPRESSIONS] “Human Loneliness: Jun Ichikawa’s ππππ¦ πππππ‘πππ” by Yimin Huang](https://chajournal.com/wp-content/uploads/2024/01/takitani.jpg?w=345)
![[FIRST IMPRESSIONS] “In the Tradition of Film-set Comedy Dramas: Kim Jee-woon’s πΆπππ€ππ” by Oliver Farry](https://chajournal.com/wp-content/uploads/2024/01/first-poster-for-cobweb-starring-song-kang-ho-centers-v0-nlwknv9ea1za1.jpg?w=1024)
![[FIRST IMPRESSIONS] βAn Artifact of a Bygone Sensibility: Satyajit Rayβs π΅ππππβππ ππ π‘βπ ππππβ by Toshi Tomori](https://chajournal.com/wp-content/uploads/2024/01/mv5bndfmztg0mdetytrhzc00mjvilthlywytmdm2mta1ownkzjuxxkeyxkfqcgdeqxvynjm3mdiwnjc40._v1_.jpg?w=1024)
![[REVIEW] “Defying Explanation: Hayao Miyazaki’s πβπ π΅ππ¦ πππ π‘βπ π»ππππ” by e rathke](https://chajournal.com/wp-content/uploads/2024/01/2f7d7a1e-94d3-48eb-be56-12bcb518f235.sized-1000x1000-1.jpeg?w=1000)
![[ESSAY] “Tragedies of Inequality: Bong Joon-hoβs πππππ ππ‘π and Jordan PeeleβsΒ ππ ” by Jonathan Chan](https://chajournal.com/wp-content/uploads/2024/01/us.png?w=749)
![[FIRST IMPRESSIONS] βThe Beauty of the Unsaid: Celine Songβs πππ π‘ πΏππ£ππ ” by Elliot Ng](https://chajournal.com/wp-content/uploads/2024/01/https-__cdn.sanity.io_images_xq1bjtf4_production_e1bdf7c917e4a436ec391336e8a05dcba478d275-3840x2063_custom-8d06a6607db24746e6e697791cd638654a1f0dda-s1100-c50.jpg?w=1024)
![[FIRST IMPRESSIONS] βA Poignant Appeal: Nick Cheukβs ππππ ππ‘πππ ππ’πππ π‘βπ πππππ ” by Flora Mak](https://chajournal.com/wp-content/uploads/2024/01/time-still-turns-the-pages.jpg?w=980)
![[FIRST IMPRESSIONS] “The Liminality of Being: Anthony Chen’s πβπ π΅πππππππ πΌππ” by Jonathan Chan](https://chajournal.com/wp-content/uploads/2023/12/breaking-the-ice_cha-banner.png?w=1024)
![[ESSAY] “Die With Your Pants Down: Patrick Tam’s πππππ” by Matt Turner](https://chajournal.com/wp-content/uploads/2023/11/nomad_japanese-poster.webp?w=1024)
![[FIRST IMPRESSIONS] “Cultural Orphanage: Davy Chou’s π
ππ‘π’ππ π‘π ππππ’π” by Oliver Farry](https://chajournal.com/wp-content/uploads/2023/09/return-to-seoul3.webp?w=1024)
![[FIRST IMPRESSIONS] βππππ πΆβππππππ as a Statement on Parenthood and Modern Japanβ by Jeremiah Dutch](https://chajournal.com/wp-content/uploads/2023/07/wolf-children.jpg?w=1020)
![[FIRST IMPRESSIONS] “Michihito Fujii on Netflix” by Paul French](https://chajournal.com/wp-content/uploads/2023/07/michihito-fujii-1.png?w=1024)
![[FIRST IMPRESSIONS] βTwo Stories in One: Wong Kar-waiβs πΆβπ’ππππππ πΈπ₯ππππ π β by e rathke](https://chajournal.com/wp-content/uploads/2023/06/chungking-express.jpg?w=1000)
![[FIRST IMPRESSIONS] βA Hong Kong History in Chan Tze-Woonβs π΅ππ’π πΌπ ππππβ by Michelle Suen](https://chajournal.com/wp-content/uploads/2023/06/blue-island.png?w=1024)
![[FIRST IMPRESSIONS] βTraditionalist Material Symbols in Yudho Adityaβs ππππβ by Upasana Dandona](https://chajournal.com/wp-content/uploads/2023/06/pria-fi.jpg?w=600)
![[FIRST IMPRESSIONS] βIntimating Emergency in Isabel Sandovalβs πΏππππ’π πΉπππππβ by Sean Carballo](https://chajournal.com/wp-content/uploads/2023/05/mv5bymewnmuymdqtnwrjny00nwm4lwixymmtzdm0zjexmdkzogzmxkeyxkfqcgdeqxvymtq3njg3mq4040._v1_-1.jpg?w=797)
![[REVIEW] “Not Her Story: Jia Zhangkeβs π΄π β πΌπ ππ’πππ π‘ πβππ‘π” by Michael Tsang](https://chajournal.com/wp-content/uploads/2021/08/ash-is-purest-white.jpeg?w=1024)
![[Review] “Forging Dreams Through Time: Bi Gan’s Kaili Blues” by Artemis Lin](https://chajournal.com/wp-content/uploads/2018/12/Kaili-Blues.png?w=1024)
![[REVIEW] “The Asian American Elite’s Victory: πΆπππ§π¦ π
ππβ π΄π ππππ in Print and on Screen” by Michael tsang](https://chajournal.com/wp-content/uploads/2018/09/crazy-rich-asians_cha-journal.jpg?w=1024)
![[REVIEW] “Becoming a Hero: Jang Hoon’s A Taxi Driver” by Grace Chia](https://chajournal.com/wp-content/uploads/2018/03/driver.jpg?w=1024)
![[Review] Vinyl Love: Chung Man Yee’s And I Hate You So](https://chajournal.com/wp-content/uploads/2018/03/siu-chan-chan-hong-kong-movie-poster.jpg?w=500)
![[REVIEW] “The Recipe for Embracing Biformity: Ang Lee’s πΈππ‘ π·ππππ πππ πππππ” by Amanda Cattel](https://chajournal.com/wp-content/uploads/2018/02/meal.jpg?w=800)
