Category: ExclusiveβReflection
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Editor’s note: Chaβs long-term contributor Matt Turner introduces 6AMING, his forthcoming poetry book from Antiphony, due in September. In this short essay, he discusses time-stamped automatic writing, no-music influence, not-poetry, underground journals, and resistance to spectacle, surveillance, and institutional validation.…
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Editor’s note: Chris Sullivan reflects on an unexploded wartime bomb in Hong Kong, observed from Amsterdam, using the incident to consider urban memory, historical residue, and the quiet persistence of past violence. [ESSAY] βDisarming a Ghostβ by Chris Sullivan Hong…
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Editor’s note: Daniel Gauss treats Prambanan Temple as a ninth-century political technology, where ritual, architecture, and kingship converged to naturalise obedience by embedding rule within Shaivite cosmology. Built by the Sanjaya dynasty as a counter to Borobudur Temple, it functioned…
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Editor’s note: Troy Cabida reflects on his debut poetry collection Neon Manila, exploring queer Filipino-immigrant embodiment, pop music, resistance, as glamour and violence coexist. Some poems from the collection can be found HERE. [ESSAY] βOn Neon Manila: A Balancing Act…
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Editor’s note: Julia Merican reads Lu Leiβs practice through meals, menus, embroidery, and exhibitions, attending to how intimacy operates as both method and politics. From private dinners with strangers to layered textile works, Lu uses food and language to negotiate…
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Editor’s note: Zheng Wangβs essay reflects on his encounter with the poet Zhang Zhihao and the process of translating his poetry across languages and generations. It traces their meeting by the Yangtze River into a broader meditation on rootedness, memory,…
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[ESSAY] “Fieldnotes: Bund and Flood” by Aizuddin Anuar Translator’s note: This is a translation of my own work, originally written in Malay and titled βNota lapangan: ban dan banjirβ (2025), which was published in MediaSelangor in Malaysia. Through a series…
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Editor’s note: In his latest essay for Cha, Daniel Gauss examines Dafen, a former rural settlement located in Shenzhenβs Longgang District in southern China, within the Pearl River Delta near the Hong Kong border. The essay examines Dafenβs transformation from…
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Editor’s note: Laurehl Onyx B. Cabiles’s essay traces a Filipino upbringing in conflict-marked Cotabato and its unlikely resonance with Derry Girls. Through memories of militarisation, prejudice, and youthful fear, it shows how humour bridges distant histories, revealing comedy as a…
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Editor’s note: Anna Nguyenβs essay critiques the literary marketplaceβs fixation on identity, arguing that it rewards legible, consumable narratives while punishing rigorous resistance. Drawing on Glissant, Jordan, and Davis, she challenges flattened intersectionality, positionality statements, and the colonial gaze masquerading…
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS [ESSAY] “Filmic Silence and the Speaking Body in the Novel” by Thammika Songkaeo Click HERE to read all entrieson Stamford Hospital. Eva Trobisch (director), All Good, 2018. 93 min. In 2020,…
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS Editor’s note: In Hongwei Bao’s new essay, Pillion (2025), directed by Harry Lighton and adapted from Adam Mars-Jonesβs 2020 novella Box Hill, becomes a lens for exploring queer biker cinema, kink…
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Editor’s note: In Matt Turnerβs essay, he recounts organising and leading a Tuesday-evening reading group in November 2025 at Accent Sisters, a Union Square gallery with a Chinese and feminist focus. The group, composed largely of Chinese participants and socially…
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS [ESSAY] βAesthetic Experiences: A Study of Anri Yasudaβs Beauty Mattersβ by Luca Griseri Anri Yasuda, Beauty Matters: Modern Japanese Literature and the Question of Aesthetics, 1890β1930, Columbia University Press, 2024. 304…
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS [ESSAY] βFrom Star to Performer-Worker: Rethinking Anna May Wong Through Labourβ by Anna Nguyen Yiman Wang, To Be An Actress: Labor and Performance in Anna May Wongβs Cross-Media World, University of…
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[ESSAY] βMaggie Cheung and the Refusal of Cinematic Immortalityβ by Anna Nguyen I have many confessions. I am exhausted by the discourse surrounding Wong Kar-wai’s In the Mood for Love (2000). I am exhausted by fandoms that fixate on aesthetic…
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Editor’s note: Cleo Li-Schwartzβs essay entwines personal pilgrimage and critical meditation, reading Berlin as a palimpsest of Jewish memory, Cold-War fracture, and inherited displacement. Moving through memorials, friendships, and borders, the narrator unsettles any stable present. The essay later turns…
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Editor’s note: In this deeply personal essay, Sajita Nair recounts her first pilgrimage to Sabarimala after decades of exclusion shaped by gendered religious custom. Beginning in childhood bewilderment at ritual prohibition, it moves through family memory, mythic inheritance and disciplined…
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Editor’s note: It is our pleasure to present this piece by Jennifer Eagleton, one of our most valued voices at Cha. A long-term resident of Hong Kong since 1997, Jennifer has built a distinguished career as editor, writer, and scholar,…
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[ESSAY] βPreserving the Path of Enlightenment at Borobudur and Not Just the Stonesβ by Daniel Gauss Borobudur is an allegory of self awareness, growth and social engagement, rendered in volcanic stone. It was not built for veneration, but to be…
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS [ESSAY] βNot A Utopian Land: Rereading the Evenki Culture in Chi Zijianβs novel The Last Quarter of the Moon and Gu Taoβs documentary film The Last Moose of Aoluguyaβ by Yiwen…
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[ESSAY] β1331 Runway: Hong Kong Youth Utopia or Real-Estate Planning Malfunction?β by Daniel Gauss In July 2025, international media erupted with enthusiasm over a project in Hong Kong called 1331 Runway. Built on land once occupied by the former Kai…
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS [Essay] “1000XRESIST and Immunity in the Chinese Diaspora” by Nick Admussen Sunset Visitor (developer), 1000xResist, Fellow Traveller Games. 2024. 1000xRESIST is a 2024 narrative video game created by the Canadian studio…
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[ESSAY] βSixteen Dead, Zero Justice: Cambodiaβs Monument to a Silenced Crimeβ by Daniel GaussΒ
[ESSAY] βSixteen Dead, Zero Justice: Cambodiaβs Monument to a Silenced Crimeβ by Daniel Gauss In 2009, Cambodia experienced a rare moment of national pride when Duch, the Khmer Rouge official who oversaw the notorious S-21 prison, was finally brought to…
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS Editor’s note: In Chris Songβs essay, James Sheaβs Last Day of My Face (University of Iowa Press, 2025) is read in relation to Hong Kong as both a lived city and…
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[ESSAY] βA Woman Named Summer: Rethinking Xu Hongfeiβs Early Sculpture at the Guangzhou Museum of Artβ by Daniel Gauss Xu Hongfei’s Summer, photos by Daniel Gauss Among the many works displayed in the Guangzhou Museum of Art, one marble sculpture…
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS Editor’s note: In βE.T. 3 is Lying in a Coffin Outside Wuhan”, Angus Stewart explores Xiaosha Zhangβs 2018 mockumentary My Son Went to an Alien Planet (E.T. Made in China), situating…
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[ESSAY] “Wong Bar Wine: A Cinematic Oasis in Hanoi” by Zalman S.Β Davis On a calm Monday evening, I found myself at 14B Hai BΓ TrΖ°ng in Hanoi, drawn to a cosy corner on TrΓ ng Tiα»n that radiated a warm, amber…
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Editor’s note: We are honoured to present the personal reflection βCurriculum Vitae in Silenceβ and the poem of the same title by Liu Hongbin, a Chinese British poet of Tiananmen exile. He was shaped by a childhood torn between pastoral…
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Earlier this week, the Nobel Prize in Literature for 2025 was awarded to the Hungarian novelist LΓ‘szlΓ³ Krasznahorkai βfor his compelling and visionary oeuvre that, in the midst of apocalyptic terror, reaffirms the power of art.β Coverage in outlets such…
![[ESSAY] βNO U-TURNβ6π΄ππΌππΊ: Themes and Contextsβ by Matt Turner](https://chajournal.com/wp-content/uploads/2026/02/matt-turner-6aming-cha-asian.png?w=637)
![[ESSAY] βDisarming a Ghostβ by Chris Sullivan](https://chajournal.com/wp-content/uploads/2026/02/disarming-a-ghost-still-square.jpg?w=1024)
![[ESSAY] “Prambanan: A Temple in Java that Turned Faith into Obedience” by Daniel Gauss](https://chajournal.com/wp-content/uploads/2026/01/img_20251111_094005.jpg?w=1024)
![[ESSAY] βOn ππππ ππππππ: A Balancing Act Between Sparkle and Substanceβ by Troy Cabida](https://chajournal.com/wp-content/uploads/2025/01/img_6830.jpg?w=1024)
![[ESSAY] βA Seat at the Table: Lu Lei and the Politics of Intimacyβ by Julia Merican](https://chajournal.com/wp-content/uploads/2026/01/64901cc90ad6cbfa52190a71-biography_1325594-resize-1920-1234.webp?w=1024)
![[ESSAY] “A Gaze Across the River: On Translating Zhang Zhihao” by Zheng Wang Β](https://chajournal.com/wp-content/uploads/2026/01/https-__www.poetryinternational.com_en_poets-poems_poets_poet_102-28920_zhang.jpg?w=336)
![[ESSAY] “Fieldnotes: Bund and Flood” by Aizuddin Anuar](https://chajournal.com/wp-content/uploads/2025/01/jelai-river_bund-aizuddin-anuar.jpg?w=1024)
![[ESSAY] “Dafen Transformed: From Painting Factory to Pre-Fab Cool Zone” by Daniel Gauss](https://chajournal.com/wp-content/uploads/2026/01/img_20260117_151141.jpg?w=1024)
![[ESSAY] βWhy Does a Guy from Cotabato Province Relate to π·ππππ¦ πΊππππ ?β by Laurehl Onyx B. Cabiles](https://chajournal.com/wp-content/uploads/2026/01/derry-girls.jpg?w=1000)
![[ESSAY] “I Write An Attempt Away From Identity Reductionism” by Anna Nguyen](https://chajournal.com/wp-content/uploads/2025/01/anna-nguyen.jpg?w=933)
![[ESSAY] “Filmic Silence and the Speaking Body in the Novel” by Thammika Songkaeo](https://chajournal.com/wp-content/uploads/2025/01/stamford-hospital-all-is-good.png?w=846)
![[ESSAY] “Geared Up for Pillion” by Hongwei Bao](https://chajournal.com/wp-content/uploads/2024/12/pillion-film-poster.jpg?w=1024)
![[ESSAY] “Debord at Union Square” by Matt Turner](https://chajournal.com/wp-content/uploads/2026/01/the-society-of-the-spectacle.png?w=747)
![[ESSAY] βAesthetic Experiences: A Study of Anri Yasudaβs π΅πππ’π‘π¦ πππ‘π‘πππ β by Luca Griseri](https://chajournal.com/wp-content/uploads/2026/01/https-__m.media-amazon.com_images_i_819sezp2oml._sl1500_.jpg.jpg?w=1000)
![[ESSAY] βFrom Star to Performer-Worker: Rethinking Anna May Wong Through Labourβ by Anna Nguyen](https://chajournal.com/wp-content/uploads/2026/01/yiman-wang-to-be-an-actress-labor-and-performance-in-anna-may-wongs-cross-media-world-university-of-california-press.jpg?w=1000)
![[ESSAY] βMaggie Cheung and the Refusal of Cinematic Immortalityβ by Anna Nguyen](https://chajournal.com/wp-content/uploads/2025/01/irma-vep-1996-maggie-cheung.jpg?w=1024)
![[ESSAY] βWalking with Leung Ping-kwan: Berlin, Memory, and the Intersticeβ by Cleo Li-Schwartz](https://chajournal.com/wp-content/uploads/2024/12/leung-ping-kwan-cha.jpg?w=716)
![[ESSAY] “The Eighteen Steps Home” by Sajita Nair](https://chajournal.com/wp-content/uploads/2025/12/essay-22the-eighteen-steps-home22-by-sajita-nair.png?w=1024)
![[REFLECTION] “Personal Transformation Docket: 31/12/25” by Jennifer Eagleton](https://chajournal.com/wp-content/uploads/2025/12/hongkonger-t-shirt.jpg?w=1024)
![[ESSAY] βPreserving the Path of Enlightenment at Borobudur and Not Just the Stonesβ by Daniel Gauss](https://chajournal.com/wp-content/uploads/2025/12/borobudur_cha.jpg?w=1024)
![[ESSAY] βNot Your Utopian Land: Rereading the Evenki Culture in Chi Zijianβs novel πβπ πΏππ π‘ ππ’πππ‘ππ ππ π‘βπ ππππ and Gu Taoβs documentary film πβπ πΏππ π‘ ππππ π ππ π΄πππ’ππ’π¦πβ by Yiwen Liu](https://chajournal.com/wp-content/uploads/2024/12/not-a-utopian-land_yiwen-liu.png?w=1024)
![[ESSAY] β1331 Runway: Hong Kong Youth Utopia or Real-Estate Planning Malfunction?β by Daniel Gauss](https://chajournal.com/wp-content/uploads/2025/12/767206174.jpg?w=576)
![[ESSAY] “1000ππ
πΈππΌππ and Immunity in the Chinese Diaspora” by Nick Admussen](https://chajournal.com/wp-content/uploads/2025/12/https-www.fellowtraveller.games1000xresist.jpg?w=1024)
![[ESSAY] βSixteen Dead, Zero Justice: Cambodiaβs Monument to a Silenced Crimeβ by Daniel GaussΒ](https://chajournal.com/wp-content/uploads/2025/12/cambodia_cha.jpg?w=1024)
![[ESSAY] “πΏππ π‘ π·ππ¦ ππ ππ¦ πΉπππ, Past Light of a City: Reading James Shea and Hong Kong” by Chris Song](https://chajournal.com/wp-content/uploads/2024/12/https-uipress.uiowa_.edubookslast-day-my-face.jpg?w=970)
![[ESSAY] βA Woman Named Summer: Rethinking Xu Hongfeiβs Early Sculpture at the Guangzhou Museum of Artβ by Daniel Gauss](https://chajournal.com/wp-content/uploads/2025/12/img_20251125_110600.jpg?w=1024)
![[ESSAY] “E.T. 3 is Lying in a Coffin Outside Wuhan” by Angus Stewart](https://chajournal.com/wp-content/uploads/2025/11/https-mubi.comenbefilmse-t-made-in-china.webp?w=1024)
![[ESSAY] “Wong Bar Wine: A Cinematic Oasis in Hanoi” by Zalman S. Davis](https://chajournal.com/wp-content/uploads/2025/11/img_20241222_010158-e1761994105173.jpg?w=1024)
![[EXCLUSIVE] “Curriculum Vitae in Silence” by Liu Hongbin](https://chajournal.com/wp-content/uploads/2025/10/marble-feature.webp?w=1024)
![[EXCLUSIVE] “Whose Words Win the Nobel? On Translators and the Question of Literary Recognition” by Kabir Deb](https://chajournal.com/wp-content/uploads/2025/10/copy-of-copy-of-taken-as-strictly-true-neuroscience-and-sinology-in-laszlo-krasznahorkais-f09d90b7f09d9192f09d91a0f09d91a1f09d919ff09d91a2f09d9190f09d91a1f09d9196f09d919cf09d919b-f09d918.png?w=1024)