Category: Exclusive—Non-fiction
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Earlier this week, the Nobel Prize in Literature for 2025 was awarded to the Hungarian novelist László Krasznahorkai “for his compelling and visionary oeuvre that, in the midst of apocalyptic terror, reaffirms the power of art.” Coverage in outlets such…
![[EXCLUSIVE] “Whose Words Win the Nobel? On Translators and the Question of Literary Recognition” by Kabir Deb](https://chajournal.com/wp-content/uploads/2025/10/copy-of-copy-of-taken-as-strictly-true-neuroscience-and-sinology-in-laszlo-krasznahorkais-f09d90b7f09d9192f09d91a0f09d91a1f09d919ff09d91a2f09d9190f09d91a1f09d9196f09d919cf09d919b-f09d918.png?w=1024)
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Editor’s note: In “When Everything Becomes a ‘Gender Issue’ in Asia”, Zheng Wang argues that across Asia, public debate often compresses diverse injustices into the single language of gender. While this framework can demand justice, it also displaces other issues—class,…
![[ESSAY] “When Everything Becomes a ‘Gender Issue’ in Asia” by Zheng Wang](https://chajournal.com/wp-content/uploads/2024/09/markus-winkler-y6uhsowdivs-unsplash.jpg?w=1024)
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Editor’s note: Emma Zhang reflects on her shifting identity as a language teacher in an age when machine translation threatens the role of English as a bridge to the world. Seeking cultural understanding, she visits Talibé, an exhibition by Mauritanian…
![[EXCLUSIVE] “𝑇𝑎𝑙𝑖𝑏𝑒́: The Forgotten Faces of Globalisation” by Emma Zhang](https://chajournal.com/wp-content/uploads/2025/08/e07c3432-3e50-439d-b428-1c00cf25c682.jpg?w=1024)
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Editor’s note: In “Twist of Fate: When Writers Are Better Recognised for Their Images”, Thammika Songkaeo, author of Stamford Hospital (Penguin Random House SEA, 2025; reviewed in Cha), offers a thoughtful reflection on how contemporary publicity privileges appearance, exoticism, and…
![[EXCLUSIVE] “Twist of Fate: When Writers are Better Recognised for their Images” by Thammika Songkaeo](https://chajournal.com/wp-content/uploads/2024/07/banner-size.jpg?w=1024)
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📁 RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS Editor’s note: Gauri Yadav’s review essay explores Sumana Roy’s How I Became a Tree as an ecofeminist, genre-defying work that reimagines autobiography through plant life. Blending personal narrative,…
![[EXCLUSIVE] “Sumana Roy’s 𝐻𝑜𝑤 𝐼 𝐵𝑒𝑐𝑎𝑚𝑒 𝑎 𝑇𝑟𝑒𝑒: Autobiography as Ecofeminist Manifesto” by Gauri Yadav](https://chajournal.com/wp-content/uploads/2025/08/sumana-roy-how-i-became-a-tree-.jpg?w=1024)
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Editor’s note: In his reflection “A Slower Mode of Time”, Chris Sullivan contrasts urban haste with nature’s unhurried rhythms, weaving cicadas, childhood memories, and captive flamingos into a meditation on suspended instincts, looping time, and the quiet grace of slower…
![[EXCLUSIVE] “A Slower Mode of Time” by Chris Sullivan](https://chajournal.com/wp-content/uploads/2024/08/a-slower-mode-of-time-chris-sullivan.jpg?w=1024)
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Editor’s note: Cuiyu Lin’s “Broken English, Sweet Oranges” is a lyrical meditation on language, fragility, and repair, weaving Chinese porcelain mending with personal scars to reveal brokenness as both burden and beauty, and imperfection as a vessel for truth. The…
![[EXCLUSIVE] “Broken English, Sweet Oranges” by Cuiyu Lin](https://chajournal.com/wp-content/uploads/2024/08/karolina-grabowska.png?w=1024)
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “As If Present; As If Absent: Fang Fang’s Wuhan” by Angus Stewart Click HERE to read all entries in Cha on Fang Fang. Editor’s note: In this eloquent and incisive…
![[ESSAY] “As If Present; As If Absent: Fang Fang’s Wuhan” by Angus Stewart](https://chajournal.com/wp-content/uploads/2025/08/fang-fang.jpg?w=976)
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Editor’s note: Lydia Wong’s evocative essay explores salt as both a material and metaphorical force in Hong Kong’s cultural, political, and sensual identity. From ancient salt fields to contemporary political repression, she traces how salt symbolises preservation, resistance, and longing.…
![[EXCLUSIVE] “SALTY WET 鹹濕” by Lydia Wong](https://chajournal.com/wp-content/uploads/2025/07/salted-fish_peng-chau_december-2019_oliver-farry.jpg?w=1024)
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[ESSAY] “Pseudo-Resistance and Ethical Beauty: A Critique of South Korean and Japanese Cinematic Aesthetics” by Zheng Wang In the narrative context of East Asian visual media, both South Korean and Japanese films and television series excel at exposing the darker…
![[ESSAY] “Pseudo-Resistance and Ethical Beauty: A Critique of South Korean and Japanese Cinematic Aesthetics” by Zheng Wang](https://chajournal.com/wp-content/uploads/2024/06/8331752405576_.pic_.png?w=610)
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Masaki Kobayashi (director), Kwaidan, 1964. 175 min. Ma—a profound Japanese concept that encapsulates the essence of stillness. The term refers to the empty spaces in between, a fleeting suspension…
![[EXCLUSIVE] “𝐾𝑤𝑎𝑖𝑑𝑎𝑛: Horror and Folklore as an Art Form” by Tushi Gogoi](https://chajournal.com/wp-content/uploads/2025/06/kwaidan.jpg?w=570)
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Steven Schwankert, The Six: The Untold Story of the Titanic’s Chinese Survivors. Simon & Schuster, 2025. 240 pgs. When the transatlantic ocean liner RMS Titanic struck an iceberg and…
![[EXCLUSIVE] “Six Questions about the Six—Steven Schwankert’s 𝑇ℎ𝑒 𝑆𝑖𝑥: 𝑇ℎ𝑒 𝑈𝑛𝑡𝑜𝑙𝑑 𝑆𝑡𝑜𝑟𝑦 𝑜𝑓 𝑡ℎ𝑒 𝑇𝑖𝑡𝑎𝑛𝑖𝑐’𝑠 𝐶ℎ𝑖𝑛𝑒𝑠𝑒 𝑆𝑢𝑟𝑣𝑖𝑣𝑜𝑟𝑠” by Ryan Ho Kilpatrick](https://chajournal.com/wp-content/uploads/2025/04/steven-schwankert-the-six-the-untold-story-of-the-titanics-chinese-survivors-1.jpg?w=988)
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Japanese cinema has long been a vanguard of distinctive stylistic choices, particularly in the realm of horror. J-horror eschews gratuitous special effects in favour of an atmospheric approach that meticulously cultivates suspense, delivering an experience that is profoundly unsettling. Ringu…
![[EXCLUSIVE] “Before J-Horror: The Paranormal in Ancient Japanese Writing” by Tushi Gogoi](https://chajournal.com/wp-content/uploads/2025/03/a-traditional-japanese-emaki-scroll-scene-depicting-a-22hyakkiyagyo22-.png?w=1024)
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS For Gab Angeles, who lent me the book. Natsume Sōseki (author), Meredith McKinney (translator), Kokoro, Penguin Classics, 2010. 256 pgs. Kokoro is the final novel written by Natsume Sōseki.…
![[EXCLUSIVE] “The Virtue of Melancholy: Reading Natsume Sōseki’s 𝐾𝑜𝑘𝑜𝑟𝑜” by Ramzzi Fariñas](https://chajournal.com/wp-content/uploads/2025/03/kokoro.png?w=1024)
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Kishore Kumar I was just five when I first “saw” Kishore Kumar—his presence flickering to life on the tiny black-and-white television set my grandfather had brought back from one of his work trips to the then-USSR. There he was—handsome, dashing,…
![[EXCLUSIVE] “Kishore Kumar: A Journey of Adoration and Rediscovery” by Namrata](https://chajournal.com/wp-content/uploads/2025/02/kishore-kumar-cha.jpg?w=1024)
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There is a scene in the television show Friends where the six main characters—the titular friends—discuss “Chinese food.” Chandler jokingly remarks, “Yes, but in China, they just call it food.” It was a humorous moment, and it made perfect sense.…
![[EXCLUSIVE] “The Beginning of My Education in The Finer Points of Chinese Cuisine” by Jeff Beyl](https://chajournal.com/wp-content/uploads/2025/02/fremont-film-still.png?w=1024)
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There is no excerpt because this is a protected post.
![Protected: [ESSAY] “Reading the Gap: Indeterminacy, Translation, and Legacy in 𝑆ℎ𝑒 𝐹𝑜𝑙𝑙𝑜𝑤𝑠 𝑁𝑜 𝑃𝑟𝑜𝑔𝑟𝑒𝑠𝑠𝑖𝑜𝑛” by Jonathan Chan](https://chajournal.com/wp-content/uploads/2026/02/she-follows-no-progression-a-theresa-hak-kyung-cha-reader-edited-by-juwon-jun-and-rachel-valinsky.png?w=579)
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📁RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS ▚ Shao Yihui (director), Her Story 好东西, 2024. 123 min. ▚ Ling Jia (director), YOLO 热辣滚烫, 2024. 130 min. Decades after Chairman Mao declared that “women hold up half…
![[EXCLUSIVE] “𝐻𝑒𝑟 𝑆𝑡𝑜𝑟𝑦, 𝑌𝑂𝐿𝑂, and the Alternative Family in Chinese Cinema” by Edward Allen](https://chajournal.com/wp-content/uploads/2025/01/the-alternative-family-in-chinese-cinema.png?w=1024)
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📁RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS ▚ Lin Zhao, Flowing Creek 流溪 (originally published in Mandarin Chinese), Shanghai Sanlian Publishing Company, 2020, 192 pgs.▚ Lin Zhao, Tidal Chart 潮夕圖 (originally published in Mandarin Chinese with a variety…
![[EXCLUSIVE] “Rewriting the Southeast Chinese Frontier with Tenderness: Lin Zhao’s 𝐹𝑙𝑜𝑤𝑖𝑛𝑔 𝐶𝑟𝑒𝑒𝑘 and 𝑇𝑖𝑑𝑎𝑙 𝐶ℎ𝑎𝑟𝑡” by Winifred Dongyi Wang](https://chajournal.com/wp-content/uploads/2024/11/lin-zhao.jpeg?w=600)
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There is no excerpt because this is a protected post.
![Protected: [EXCERPT] “From 𝑇ℎ𝑒 𝐵𝑟𝑒𝑎𝑘𝑤𝑎𝑡𝑒𝑟” by Leslie Shimotakahara](https://chajournal.com/wp-content/uploads/2026/01/the-breakwater.jpg?w=900)
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Robert Eggers (director), Nosferatu, 2024. 132 min. Over Christmas, I finally lifted my copy of Pu Songling’s Strange Tales from a Chinese Studio off the shelf. It is often…
![[EXCLUSIVE] “You Are Not of Human Kind: A Freudian Comparison of 𝐿𝑖𝑎𝑜𝑧ℎ𝑎𝑖 and 𝑁𝑜𝑠𝑓𝑒𝑟𝑎𝑡𝑢” by Angus Stewart](https://chajournal.com/wp-content/uploads/2025/01/nosferatu.png?w=1024)
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS ❀ Julie Otsuka, When the Emperor Was Divine, Alfred A. Knopf, 2002. 148 pgs.❀ Julie Otsuka, The Buddha in the Attic, Alfred A. Knopf, 2011. 129 pgs.❀ Julie Otsuka,…
![[EXCLUSIVE] “Julie Otsuka: The Ideal of Justice and the Reality of History” by Jiahe Chen](https://chajournal.com/wp-content/uploads/2025/01/julie-otsuka_cha.png?w=1024)
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There is no excerpt because this is a protected post.
![Protected: [ESSAY] “A History of Peel Street Poetry” by Akin Jeje](https://chajournal.com/wp-content/uploads/2025/12/images.png?w=225)
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “On Memory” by Jonathan Chan Permutations (detail), 1976. Theresa Hak Kyung Cha (South Korean, 1951–1982). Black and white, 16 mm film on video, silent; 10 min. Collection of the University…
![[ESSAY] “On Memory” by Jonathan Chan](https://chajournal.com/wp-content/uploads/2024/10/permutations-detail-1976.-theresa-hak-kyung-cha-south-korean-1951e280931982.jpg?w=904)
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On my way to the prison, I heard a teaser on the radio about bananas. Something to the effect that bananas were in trouble. I didn’t hear the actual story, but I’ve been thinking of bananas ever since. For several…
![[EXCLUSIVE] “Memories of Bananas” by Daniel Hudon](https://chajournal.com/wp-content/uploads/2024/10/bananas2.jpg?w=837)
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TIFF 2024 ▞ Introduction▞ 8. Band of Outsiders: On Neo Sora’s Happyend▞ 7. The Soul of an Artist: On Hong Sang-soo’s By The Stream▞ 6. The Two Maidens: On Trương Minh Quý’s Viet and Nam▞ 5. The Master and Her…
![[TIFF 2024] “Introduction: TIFF 2024” by Nirris Nagendrarajah](https://chajournal.com/wp-content/uploads/2024/10/tiff.png?w=1024)
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Editor’s note: Read an excerpt from Lydia Kwa’s A Dream Wants Waking HERE. Lydia Kwa, A Dream Wants Waking, Buckrider Books, 2023. 226 pgs. In my latest novel A Dream Wants Waking (Buckrider Books, 2023), excerpted here, there is a…
![[EXCLUSIVE] “Alternative Intelligence: On Brains, Being and the Nonhuman” by Lydia Kwa](https://chajournal.com/wp-content/uploads/2024/09/a-dream-wants-waking-lydia-kwa.jpg?w=1000)
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There is no excerpt because this is a protected post.
![Protected: [EXCLUSIVE] “Ashen and Split: A Correspondence with Quyên Nguyễn-Hoàng” by Alex Tan](https://chajournal.com/wp-content/uploads/2024/09/qnh_history-draft.png?w=1024)
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There is no excerpt because this is a protected post.
![Protected: [EXCLUSIVE] “Love or Enemy? South Korea’s Churches at a Crossroads” by Woojin Son](https://chajournal.com/wp-content/uploads/2025/08/love-or-enemy-south-koreas-churches-at-a-crossroads-2.png?w=1024)
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“What would you think about moving here?” We were on a bus heading to Hong Kong International Airport on Lantau Island. It was dark outside. We were going to catch an early-morning flight back home to Seattle. The motion of…
![[EXCLUSIVE] “The Chinese Girl” by Jeff Beyl](https://chajournal.com/wp-content/uploads/2024/07/screenshot-2024-07-03-at-06.31.04.png?w=1024)
Cha 