Category: Cha Review of Books and Films
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Absolutely on Music. Haruki Murakami (author), Jay Rubin (translator), Absolutely on Music: Conversations with Seiji Ozawa, Alfred A. Knopf, 2016. 352 pgs. When we look back…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “Before TSMC and Same-Sex Marriage: Qiu Miaojin’s Notes of a Crocodile” by Glen Loveland Qiu Miaojin (author), Bonnie Huie (translator), Notes of a Crocodile, NYRB Classics, 2017, 256 pgs. To…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Peter Ho Davies, The Art of Revision, Graywolf Press, 2021. 192 pgs. While I wasn’t particularly aware of the Graywolf Press series to which this book belongs—The Art of…,…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Bhaswati Ghosh, Nostalgic for a Place Never Seen, Copper Coin Publishing, 2024. 102 pgs. Nostalgia is humanity’s Janus-faced companion—simultaneously looking back and forward, with someone or something perpetually tugging…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Paola Irene Galli Mastrodonato, Emilio Salgari: The Tiger Is Still Alive!, Fairleigh Dickinson University Press, 2024. 462 pgs. The very first thought that crossed my mind upon seeing Paola…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on A Woman Burnt. Imayam (author), GJV Prasad (translator), A Woman Burnt, Simon and Schuster India, 2023. 336 pgs. We step into a new world—otherwise inaccessible—every…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Mohammad Rasoulof (director), The Seed of the Sacred Fig, 2024. 167 min. The fig tree spreads by entwining itself around another, slowly constricting, siphoning its strength, until nothing remains…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Yiyun Li. Yiyun Li, Must I Go, Penguin Random House, 2020. 368 pgs. Lately, I find fewer and fewer books that surprise me—novels capable of…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Fang Li (director), The Sinking of the Lisbon Maru, 2023. 123 min. The Sinking of the Lisbon Maru is a documentary film recounting the torpedoing of the Japanese cargo…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Katarina Zhu (director), Bunnylovr, 2025. 86 min. A webcam turns on: a white fishnet stocking appears up close, resembling a fence—one that invites the possibility of being climbed, crossed,…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Shze-Hui Tjoa, The Story Game: A Memoir by Shze-Hui Tjoa, Tin House Books, 2024. 208 pgs. It was exam season, except this time I was in university. This class…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “The Fugitive: Bei Dao’s Sidetracks” by Jeff Tompkins Bei Dao (author), Jeffrey Yang (translator), Sidetracks, New Directions, 2024. 176 pgs. The “sidetracks” of Bei Dao’s title can first be understood…
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📁 RETURN TO FIRST IMPRESSIONS 📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Karan Mujoo, This Our Paradise, Penguin Random House, 2024. 240 pgs. For some, Kashmir is a paradise of serene valleys and pristine lakes. For others, it is…
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📁 RETURN TO FIRST IMPRESSIONS 📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Susan Lieu, The Manicurist’s Daughter: A Memoir, Celadon Books, 2024. 305 pgs. The Manicurist’s Daughter: A Memoir is both a profound exploration and a courageous recovery of…
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📁 RETURN TO FIRST IMPRESSIONS 📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Kang Hwagil (author), Clare Richards (translator), Another Person, Pushkin Press, 2023. 302 pgs. When her boyfriend chokes her for the fifth time since their office romance began, Kim…
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📁RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS ▚ Shao Yihui (director), Her Story 好东西, 2024. 123 min. ▚ Ling Jia (director), YOLO 热辣滚烫, 2024. 130 min. Decades after Chairman Mao declared that “women hold up half…
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📁RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS ▚ Lin Zhao, Flowing Creek 流溪 (originally published in Mandarin Chinese), Shanghai Sanlian Publishing Company, 2020, 192 pgs.▚ Lin Zhao, Tidal Chart 潮夕圖 (originally published in Mandarin Chinese with a variety…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Absolutely on Music. Haruki Murakami (author), Jay Rubin (translator), Absolutely on Music: Conversations with Seiji Ozawa, Alfred A. Knopf, 2016. 352 pgs. In…
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RETURN TO FIRST IMPRESSIONS RETURN TO CHA REVIEW OF BOOKS AND FILMS Kim Soom (author), Bruce Fulton and Ju-Chan Fulton (translators), One Left, University of Washington Press, 2020. 224 pgs. During the Second World War, over 200,000 Korean girls…
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RETURN TO FIRST IMPRESSIONS RETURN TO CHA REVIEW OF BOOKS AND FILMS Yilin Wang (editor & translator), The Lantern and the Night Moths: Five Modern and Contemporary Chinese Poets, Invisible Publishing, 2024. 120 pgs. The Lantern and The Night…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “Rediscovering Prajwal Parajuly’s The Gurkha’s Daughter: A Journey Through Identity and Displacement” by Abhinav Tulachan Prajwal Parajuly, The Gurkha’s Daughter, Quercus, 2012. 272 pgs. This is a book my father…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Idol, Burning. Rin Usami (author), Asa Yoneda (translator), Idol, Burning, Canongate, 2022. 96 pgs. Rin Usami’s Idol, Burning (『推し、燃ゆ』, 2020) offers an incisive exploration of…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Aparna Upadhyaya Sanyal, Instruments of Torture, Harper Collins India, 2024. 200 pgs. In this haunting collection of stories, each narrative is aptly named after a medieval torture device, metaphorically…
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Author’s note: This is a review of the Disco-TECA performance that took place at The Stage, London, as part of Queer East 2024, which may be different from its previous or subsequent versions. A trailer of the show can be…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [EXCLUSIVE] “You Are Not of Human Kind: A Freudian Comparison of Liaozhai and Nosferatu” by Angus Stewart Robert Eggers (director), Nosferatu, 2024. 132 min. Over Christmas, I finally lifted my copy…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS ❀ Julie Otsuka, When the Emperor Was Divine, Alfred A. Knopf, 2002. 148 pgs.❀ Julie Otsuka, The Buddha in the Attic, Alfred A. Knopf, 2011. 129 pgs.❀ Julie Otsuka,…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Idol, Burning. Rin Usami (author), Asa Yoneda (translator), Idol, Burning, HarperVia, 2022.144 pgs. Japan, for me, has long been a pop music paradise. On my…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Annie Zaidi, Bread, Cement, Cactus: A Memoir of Belonging and Dislocation, Cambridge University Press, 2020. 166 pgs. Annie Zaidi’s memoir Bread, Cement, Cactus: A Memoir of Belonging and Dislocation…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Half Sound, Half Philosophy. Jing Wang, Half Sound, Half Philosophy: Aesthetics, Politics, and History of China’s Sound Art, Bloomsbury, 2021. 232 pgs. Jing Wang’s Half…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Yvonne Yevan Yu, Christine Vicera, and Julie Ham (editors), Ingat: An Anthology of Works by Migrant Domestic Worker Creatives in Hong Kong, Small Tune Press, 2024. 228 pgs. The…
![[REVIEW] “A Symphony of Words and Sound—Haruki Murakami’s 𝐴𝑏𝑠𝑜𝑙𝑢𝑡𝑒𝑙𝑦 𝑜𝑛 𝑀𝑢𝑠𝑖𝑐: 𝐶𝑜𝑛𝑣𝑒𝑟𝑠𝑎𝑡𝑖𝑜𝑛𝑠 𝑤𝑖𝑡ℎ 𝑆𝑒𝑖𝑗𝑖 𝑂𝑧𝑎𝑤𝑎” by Antonia Yang](https://chajournal.com/wp-content/uploads/2025/01/absolutely-on-music-conversations-with-seiji-ozawa-alfred-a.-knopf-2016.jpg?w=751)
![[REVIEW] “Before TSMC and Same-Sex Marriage: Qiu Miaojin’s 𝑁𝑜𝑡𝑒𝑠 𝑜𝑓 𝑎 𝐶𝑟𝑜𝑐𝑜𝑑𝑖𝑙𝑒” by Glen Loveland](https://chajournal.com/wp-content/uploads/2025/02/qiu.crocodile.hires2-copy.jpg?w=990)
![[REVIEW] “The Last Word on Writing: Peter Ho Davies’s 𝑇ℎ𝑒 𝐴𝑟𝑡 𝑜𝑓 𝑅𝑒𝑣𝑖𝑠𝑖𝑜𝑛” by Noelle Q. de Jesus](https://chajournal.com/wp-content/uploads/2025/02/peter-ho-davies-the-art-of-revision-1.jpg?w=1024)
![[REVIEW] “This is How Places Heave: Memory and Longing in Bhaswati Ghosh’s 𝑁𝑜𝑠𝑡𝑎𝑙𝑔𝑖𝑐 𝑓𝑜𝑟 𝑎 𝑃𝑙𝑎𝑐𝑒 𝑁𝑒𝑣𝑒𝑟 𝑆𝑒𝑒𝑛” by Sayan Aich](https://chajournal.com/wp-content/uploads/2025/02/bhaswati-ghosh-nostalgic-for-a-place-never-seen-1.jpg?w=543)
![[REVIEW] “Asia’s Italian Novelist: Paola Irene Galli Mastrodonato” by Masturah Alatas](https://chajournal.com/wp-content/uploads/2025/02/emilio-salgari-the-tiger-is-still-alive-1.jpg?w=932)
![[REVIEW] “A Tale of Love and Abuse: Imayam’s 𝐴 𝑊𝑜𝑚𝑎𝑛 𝐵𝑢𝑟𝑛𝑡” by Fathima M](https://chajournal.com/wp-content/uploads/2025/02/a-woman-burnt-1.jpg?w=952)
![[REVIEW] “Strangled by Power: Mohammad Rasoulof’s 𝑇ℎ𝑒 𝑆𝑒𝑒𝑑 𝑜𝑓 𝑡ℎ𝑒 𝑆𝑎𝑐𝑟𝑒𝑑 𝐹𝑖𝑔” by Ananya Singh](https://chajournal.com/wp-content/uploads/2025/02/the-seed-of-the-sacred-fig_web-1024x559-1.webp?w=1024)
![[REVIEW] “A Meditation on Memory and Loss: Yiyun Li’s 𝑀𝑢𝑠𝑡 𝐼 𝐺𝑜” by Dorina Tataran](https://chajournal.com/wp-content/uploads/2025/02/must-i-go-cha-an-asian-literary-journal.png?w=1024)
![[REVIEW] “Crying in the Cinema, Chinese Style: Fang Li’s 𝑇ℎ𝑒 𝑆𝑖𝑛𝑘𝑖𝑛𝑔 𝑜𝑓 𝑡ℎ𝑒 𝐿𝑖𝑠𝑏𝑜𝑛 𝑀𝑎𝑟𝑢” by Edward Allen](https://chajournal.com/wp-content/uploads/2025/02/fang-li-director-the-sinking-of-the-lisbon-maru.webp?w=680)
![[REVIEW] “The Good Girl: On Katarina Zhu’s 𝐵𝑢𝑛𝑛𝑦𝑙𝑜𝑣𝑟” by Nirris Nagendrarajah](https://chajournal.com/wp-content/uploads/2025/02/bunnylovr.jpg?w=1024)
![[REVIEW] “Excavation and Memory in Shze-Hui Tjoa’s 𝑇ℎ𝑒 𝑆𝑡𝑜𝑟𝑦 𝐺𝑎𝑚𝑒: 𝐴 𝑀𝑒𝑚𝑜𝑖𝑟” by Nur Hadziqah](https://chajournal.com/wp-content/uploads/2025/01/shze-hui-tjoa-the-story-game-a-memoir-by-shze-hui-tjoa.jpg?w=971)
![[REVIEW] “The Fugitive: Bei Dao’s 𝑆𝑖𝑑𝑒𝑡𝑟𝑎𝑐𝑘𝑠” by Jeff Tompkins](https://chajournal.com/wp-content/uploads/2025/02/sidetracks-bei-dao_cha.jpg?w=611)
![[REVIEW] “A Fractured Paradise: Karan Mujoo’s 𝑇ℎ𝑖𝑠 𝑂𝑢𝑟 𝑃𝑎𝑟𝑎𝑑𝑖𝑠𝑒” by Ananya Singh](https://chajournal.com/wp-content/uploads/2025/01/this-our-paradise.jpeg?w=1024)
![[REVIEW] “Teetering Between Cultures: Susan Lieu’s 𝑇ℎ𝑒 𝑀𝑎𝑛𝑖𝑐𝑢𝑟𝑖𝑠𝑡’𝑠 𝐷𝑎𝑢𝑔ℎ𝑡𝑒𝑟” by Thu Le](https://chajournal.com/wp-content/uploads/2025/01/the-manicurists-daughter.jpg?w=987)
![[REVIEW] “Unmasking Toxic Cultures: Kang Hwagil’s 𝐴𝑛𝑜𝑡ℎ𝑒𝑟 𝑃𝑒𝑟𝑠𝑜𝑛” by John Teoh](https://chajournal.com/wp-content/uploads/2025/01/another-person-78-reviews-authors-hwa-gil-kang-author-clare-richards-translator.jpg?w=950)
![[EXCLUSIVE] “𝐻𝑒𝑟 𝑆𝑡𝑜𝑟𝑦, 𝑌𝑂𝐿𝑂, and the Alternative Family in Chinese Cinema” by Edward Allen](https://chajournal.com/wp-content/uploads/2025/01/the-alternative-family-in-chinese-cinema.png?w=1024)
![[EXCLUSIVE] “Rewriting the Southeast Chinese Frontier with Tenderness: Lin Zhao’s 𝐹𝑙𝑜𝑤𝑖𝑛𝑔 𝐶𝑟𝑒𝑒𝑘 and 𝑇𝑖𝑑𝑎𝑙 𝐶ℎ𝑎𝑟𝑡” by Winifred Dongyi Wang](https://chajournal.com/wp-content/uploads/2024/11/lin-zhao.jpeg?w=600)
![[REVIEW] “Bearing Witness to History: Kim Soom’s 𝑂𝑛𝑒 𝐿𝑒𝑓𝑡” by John Teoh](https://chajournal.com/wp-content/uploads/2025/01/kim-soom-author-bruce-fulton-and-ju-chan-fulton-translators-one-left-1.jpg?w=971)
![[REVIEW] “Poetry Translation in the Chinese Diaspora: Yilin Wang’s 𝑇ℎ𝑒 𝐿𝑎𝑛𝑡𝑒𝑟𝑛 𝑎𝑛𝑑 𝑇ℎ𝑒 𝑁𝑖𝑔ℎ𝑡 𝑀𝑜𝑡ℎ𝑠” by Hongwei Bao](https://chajournal.com/wp-content/uploads/2025/01/the-lantern-and-the-night-moths.jpg?w=1024)
![[REVIEW] “Rediscovering Prajwal Parajuly’s 𝑇ℎ𝑒 𝐺𝑢𝑟𝑘ℎ𝑎’𝑠 𝐷𝑎𝑢𝑔ℎ𝑡𝑒𝑟: A Journey Through Identity and Displacement” by Abhinav Tulachan](https://chajournal.com/wp-content/uploads/2025/01/prajwal-parajuly-the-gurkhas-daughter.jpg?w=649)
![[REVIEW] “Belief, Devotion, and Estrangement in Rin Usami’s 𝐼𝑑𝑜𝑙, 𝐵𝑢𝑟𝑛𝑖𝑛𝑔” by James Au Kin-Pong](https://chajournal.com/wp-content/uploads/2025/01/idol-burning-canongate.jpg?w=1024)
![[REVIEW] “Labyrinthine Corridors of the Human Psyche: Aparna Upadhyaya Sanyal’s 𝐼𝑛𝑠𝑡𝑟𝑢𝑚𝑒𝑛𝑡𝑠 𝑜𝑓 𝑇𝑜𝑟𝑡𝑢𝑟𝑒” by Namrata](https://chajournal.com/wp-content/uploads/2025/01/aparna-sanyal_cha.jpeg?w=800)
![[REVIEW] “Disco-TECA: Disco Culture as Queer Culture” by Hongwei Bao](https://chajournal.com/wp-content/uploads/2025/01/g47a2566x.jpg?w=1024)
![[EXCLUSIVE] “You Are Not of Human Kind: A Freudian Comparison of 𝐿𝑖𝑎𝑜𝑧ℎ𝑎𝑖 and 𝑁𝑜𝑠𝑓𝑒𝑟𝑎𝑡𝑢” by Angus Stewart](https://chajournal.com/wp-content/uploads/2025/01/nosferatu.png?w=1024)
![[EXCLUSIVE] “Julie Otsuka: The Ideal of Justice and the Reality of History” by Jiahe Chen](https://chajournal.com/wp-content/uploads/2025/01/julie-otsuka_cha.png?w=1024)
![[REVIEW] “When a Passion Turns Toxic: Rin Usami’s 𝐼𝑑𝑜𝑙, 𝐵𝑢𝑟𝑛𝑖𝑛𝑔” by Wendy Tokunaga](https://chajournal.com/wp-content/uploads/2025/01/rin-usami-author-asa-yoneda-translator-idol-burning.jpg?w=946)
![[REVIEW] “Lived Reality: Annie Zaidi’s Memoir 𝐵𝑟𝑒𝑎𝑑, 𝐶𝑒𝑚𝑒𝑛𝑡, 𝐶𝑎𝑐𝑡𝑢𝑠” by Fathima M](https://chajournal.com/wp-content/uploads/2025/01/annie-zaidi-bread-cement-cactus-a-memoir-of-belonging-and-dislocation.jpg?w=971)
![[REVIEW] “Overhearing 𝑄𝑖: Jing Wang’s 𝐻𝑎𝑙𝑓 𝑆𝑜𝑢𝑛𝑑, 𝐻𝑎𝑙𝑓 𝑃ℎ𝑖𝑙𝑜𝑠𝑜𝑝ℎ𝑦” by Maurice Windleburn](https://chajournal.com/wp-content/uploads/2025/01/half-sound-half-philosophy-aesthetics-politics-and-history-of-chinas-sound-art.jpg?w=1024)
![[REVIEW] “Sometimes Painful, Sometimes Uplifting—𝐼𝑛𝑔𝑎𝑡: 𝐴𝑛 𝐴𝑛𝑡ℎ𝑜𝑙𝑜𝑔𝑦 𝑂𝑓 𝑊𝑜𝑟𝑘𝑠 𝐵𝑦 𝑀𝑖𝑔𝑟𝑎𝑛𝑡 𝐷𝑜𝑚𝑒𝑠𝑡𝑖𝑐 𝑊𝑜𝑟𝑘𝑒𝑟 𝐶𝑟𝑒𝑎𝑡𝑖𝑣𝑒𝑠 𝐼𝑛 𝐻𝑜𝑛𝑔 𝐾𝑜𝑛𝑔” by Tim Pit Hok Yau](https://chajournal.com/wp-content/uploads/2025/01/4670.jpg?w=500)