Category: Cha Review of Books and Films
-
📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Absolutely on Music. Haruki Murakami (author), Jay Rubin (translator), Absolutely on Music: Conversations with Seiji Ozawa, Alfred A. Knopf, 2016. 352 pgs. In…
-
RETURN TO FIRST IMPRESSIONS RETURN TO CHA REVIEW OF BOOKS AND FILMS Kim Soom (author), Bruce Fulton and Ju-Chan Fulton (translators), One Left, University of Washington Press, 2020. 224 pgs. During the Second World War, over 200,000 Korean girls…
-
RETURN TO FIRST IMPRESSIONS RETURN TO CHA REVIEW OF BOOKS AND FILMS Yilin Wang (editor & translator), The Lantern and the Night Moths: Five Modern and Contemporary Chinese Poets, Invisible Publishing, 2024. 120 pgs. The Lantern and The Night…
-
茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “Rediscovering Prajwal Parajuly’s The Gurkha’s Daughter: A Journey Through Identity and Displacement” by Abhinav Tulachan Prajwal Parajuly, The Gurkha’s Daughter, Quercus, 2012. 272 pgs. This is a book my father…
-
📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Idol, Burning. Rin Usami (author), Asa Yoneda (translator), Idol, Burning, Canongate, 2022. 96 pgs. Rin Usami’s Idol, Burning (『推し、燃ゆ』, 2020) offers an incisive exploration of…
-
📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Aparna Upadhyaya Sanyal, Instruments of Torture, Harper Collins India, 2024. 200 pgs. In this haunting collection of stories, each narrative is aptly named after a medieval torture device, metaphorically…
-
Author’s note: This is a review of the Disco-TECA performance that took place at The Stage, London, as part of Queer East 2024, which may be different from its previous or subsequent versions. A trailer of the show can be…
-
📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Robert Eggers (director), Nosferatu, 2024. 132 min. Over Christmas, I finally lifted my copy of Pu Songling’s Strange Tales from a Chinese Studio off the shelf. It is often…
-
📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS ❀ Julie Otsuka, When the Emperor Was Divine, Alfred A. Knopf, 2002. 148 pgs.❀ Julie Otsuka, The Buddha in the Attic, Alfred A. Knopf, 2011. 129 pgs.❀ Julie Otsuka,…
-
📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Idol, Burning. Rin Usami (author), Asa Yoneda (translator), Idol, Burning, HarperVia, 2022.144 pgs. Japan, for me, has long been a pop music paradise. On my…
-
📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Annie Zaidi, Bread, Cement, Cactus: A Memoir of Belonging and Dislocation, Cambridge University Press, 2020. 166 pgs. Annie Zaidi’s memoir Bread, Cement, Cactus: A Memoir of Belonging and Dislocation…
-
📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Half Sound, Half Philosophy. Jing Wang, Half Sound, Half Philosophy: Aesthetics, Politics, and History of China’s Sound Art, Bloomsbury, 2021. 232 pgs. Jing Wang’s Half…
-
📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Yvonne Yevan Yu, Christine Vicera, and Julie Ham (editors), Ingat: An Anthology of Works by Migrant Domestic Worker Creatives in Hong Kong, Small Tune Press, 2024. 228 pgs. The…
-
📁RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS Lauren Walden, Surrealism from Paris to Shanghai, Hong Kong University Press, 2024. 152 pgs. In Surrealism from Paris to Shanghai, Lauren Walden has done modern Chinese art history a…
-
📁RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Listen. Chan Kwan Ee Tom, Listen, Atmosphere Press, 2023. In monochrome, a fallen beast is manipulated by puppet strings that ensnare a hand. Upon closer inspection,…
-
📁RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS Sawako Nakayasu, Pink Waves, Omnidawn, 2022. 90 pgs. When I received Sawako Nakayasu’s Pink Waves, I was drawn to its cover. Green, black, and blue arranged in shapes suggest…
-
TIFF 2024 ▞ Introduction▞ 8. Band of Outsiders: On Neo Sora’s Happyend▞ 7. The Soul of an Artist: On Hong Sang-soo’s By The Stream▞ 6. The Two Maidens: On Trương Minh Quý’s Viet and Nam▞ 5. The Master and Her…
-
📁RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS Toshihiko Tanaka (director), Rei 莉の対, 2024. 190 min. Toshihiko Tanaka, an actor and photography enthusiast, crafts a compelling narrative in his minimalist yet emotionally resonant debut, Rei. The story…
-
📁RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS Matthew Meyer (author and illustrator), The Night Parade of One Hundred Demons: A Field Guide to Japanese Yokai, Hardcover Collector’s Edition, 2015. 224 pgs. Images copyright 2015-2025 © Matthew…
-
茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “Beyond Stereotypes: Ronald Weitzer’s Sex Tourism in Thailand” by Akin Jeje Ronald Weitzer, Sex Tourism in Thailand: Inside Asia’s Premier Erotic Playground, New York University Press, 2023. 337 pgs. Ronald…
-
📁RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS Benjamin Hegarty, The Made-Up State: Technology, Trans Femininity, and Citizenship in Indonesia, Cornell University Press, 2022. 198 pgs. I grew up seeing transwomen day and night. During the day,…
-
📁RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS Yasunari Kawabata (author), Edward G. Seidensticker (translator), Snow Country, Vintage, 1996. 192 pgs. The short review goes a little something like this: Is it possible for one to love…
-
📁RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS Paul French, Her Lotus Year: China, the Roaring Twenties, and the Making of Wallis Simpson, St. Martin’s Press, 2024. 298 pgs. Wallis Simpson will forever be imprinted on British…
-
📁RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS Shiori Ito (director), Black Box Diaries, 2024. 102 min. This review may contain spoilers. In Bangkok, I went with a friend to see Black Box Diaries, directed by Shiori…
-
There is no excerpt because this is a protected post.
-
There is no excerpt because this is a protected post.
-
TIFF 2024 ▞ Introduction▞ 8. Band of Outsiders: On Neo Sora’s Happyend▞ 7. The Soul of an Artist: On Hong Sang-soo’s By The Stream▞ 6. The Two Maidens: On Trương Minh Quý’s Viet and Nam▞ 5. The Master and Her…
-
[TIFF 2024] “The Master and Her Muse: On Jia Zhang-ke’s 𝐶𝑎𝑢𝑔ℎ𝑡 𝑏𝑦 𝑡ℎ𝑒 𝑇𝑖𝑑𝑒𝑠” by Nirris Nagendrarajah
TIFF 2024 ▞ Introduction▞ 8. Band of Outsiders: On Neo Sora’s Happyend▞ 7. The Soul of an Artist: On Hong Sang-soo’s By The Stream▞ 6. The Two Maidens: On Trương Minh Quý’s Viet and Nam▞ 5. The Master and Her…
![[REVIEW] “Two Japanese Men and a Record Player—Haruki Murakami’s 𝐴𝑏𝑠𝑜𝑙𝑢𝑡𝑒𝑙𝑦 𝑜𝑛 𝑀𝑢𝑠𝑖𝑐: 𝐶𝑜𝑛𝑣𝑒𝑟𝑠𝑎𝑡𝑖𝑜𝑛𝑠 𝑤𝑖𝑡ℎ 𝑆𝑒𝑖𝑗𝑖 𝑂𝑧𝑎𝑤𝑎” by Mario Rustan](https://chajournal.com/wp-content/uploads/2025/01/absolutely-on-music-conversations-with-seiji-ozawa-alfred-a.-knopf-2016.jpg?w=751)
![[REVIEW] “Bearing Witness to History: Kim Soom’s 𝑂𝑛𝑒 𝐿𝑒𝑓𝑡” by John Teoh](https://chajournal.com/wp-content/uploads/2025/01/kim-soom-author-bruce-fulton-and-ju-chan-fulton-translators-one-left-1.jpg?w=971)
![[REVIEW] “Poetry Translation in the Chinese Diaspora: Yilin Wang’s 𝑇ℎ𝑒 𝐿𝑎𝑛𝑡𝑒𝑟𝑛 𝑎𝑛𝑑 𝑇ℎ𝑒 𝑁𝑖𝑔ℎ𝑡 𝑀𝑜𝑡ℎ𝑠” by Hongwei Bao](https://chajournal.com/wp-content/uploads/2025/01/the-lantern-and-the-night-moths.jpg?w=1024)
![[REVIEW] “Rediscovering Prajwal Parajuly’s 𝑇ℎ𝑒 𝐺𝑢𝑟𝑘ℎ𝑎’𝑠 𝐷𝑎𝑢𝑔ℎ𝑡𝑒𝑟: A Journey Through Identity and Displacement” by Abhinav Tulachan](https://chajournal.com/wp-content/uploads/2025/01/prajwal-parajuly-the-gurkhas-daughter.jpg?w=649)
![[REVIEW] “Belief, Devotion, and Estrangement in Rin Usami’s 𝐼𝑑𝑜𝑙, 𝐵𝑢𝑟𝑛𝑖𝑛𝑔” by James Au Kin-Pong](https://chajournal.com/wp-content/uploads/2025/01/idol-burning-canongate.jpg?w=1024)
![[REVIEW] “Labyrinthine Corridors of the Human Psyche: Aparna Upadhyaya Sanyal’s 𝐼𝑛𝑠𝑡𝑟𝑢𝑚𝑒𝑛𝑡𝑠 𝑜𝑓 𝑇𝑜𝑟𝑡𝑢𝑟𝑒” by Namrata](https://chajournal.com/wp-content/uploads/2025/01/aparna-sanyal_cha.jpeg?w=800)
![[REVIEW] “Disco-TECA: Disco Culture as Queer Culture” by Hongwei Bao](https://chajournal.com/wp-content/uploads/2025/01/g47a2566x.jpg?w=1024)
![[EXCLUSIVE] “You Are Not of Human Kind: A Freudian Comparison of 𝐿𝑖𝑎𝑜𝑧ℎ𝑎𝑖 and 𝑁𝑜𝑠𝑓𝑒𝑟𝑎𝑡𝑢” by Angus Stewart](https://chajournal.com/wp-content/uploads/2025/01/nosferatu.png?w=1024)
![[EXCLUSIVE] “Julie Otsuka: The Ideal of Justice and the Reality of History” by Jiahe Chen](https://chajournal.com/wp-content/uploads/2025/01/julie-otsuka_cha.png?w=1024)
![[REVIEW] “When a Passion Turns Toxic: Rin Usami’s 𝐼𝑑𝑜𝑙, 𝐵𝑢𝑟𝑛𝑖𝑛𝑔” by Wendy Tokunaga](https://chajournal.com/wp-content/uploads/2025/01/rin-usami-author-asa-yoneda-translator-idol-burning.jpg?w=946)
![[REVIEW] “Lived Reality: Annie Zaidi’s Memoir 𝐵𝑟𝑒𝑎𝑑, 𝐶𝑒𝑚𝑒𝑛𝑡, 𝐶𝑎𝑐𝑡𝑢𝑠” by Fathima M](https://chajournal.com/wp-content/uploads/2025/01/annie-zaidi-bread-cement-cactus-a-memoir-of-belonging-and-dislocation.jpg?w=971)
![[REVIEW] “Overhearing 𝑄𝑖: Jing Wang’s 𝐻𝑎𝑙𝑓 𝑆𝑜𝑢𝑛𝑑, 𝐻𝑎𝑙𝑓 𝑃ℎ𝑖𝑙𝑜𝑠𝑜𝑝ℎ𝑦” by Maurice Windleburn](https://chajournal.com/wp-content/uploads/2025/01/half-sound-half-philosophy-aesthetics-politics-and-history-of-chinas-sound-art.jpg?w=1024)
![[REVIEW] “Sometimes Painful, Sometimes Uplifting—𝐼𝑛𝑔𝑎𝑡: 𝐴𝑛 𝐴𝑛𝑡ℎ𝑜𝑙𝑜𝑔𝑦 𝑂𝑓 𝑊𝑜𝑟𝑘𝑠 𝐵𝑦 𝑀𝑖𝑔𝑟𝑎𝑛𝑡 𝐷𝑜𝑚𝑒𝑠𝑡𝑖𝑐 𝑊𝑜𝑟𝑘𝑒𝑟 𝐶𝑟𝑒𝑎𝑡𝑖𝑣𝑒𝑠 𝐼𝑛 𝐻𝑜𝑛𝑔 𝐾𝑜𝑛𝑔” by Tim Pit Hok Yau](https://chajournal.com/wp-content/uploads/2025/01/4670.jpg?w=500)
![[REVIEW] “Recovering Shanghai’s Lost Surrealist Tradition: Lauren Walden’s 𝑆𝑢𝑟𝑟𝑒𝑎𝑙𝑖𝑠𝑚 𝑓𝑟𝑜𝑚 𝑃𝑎𝑟𝑖𝑠 𝑡𝑜 𝑆ℎ𝑎𝑛𝑔ℎ𝑎𝑖” by Paul French](https://chajournal.com/wp-content/uploads/2025/01/surrealism-from-paris-to-shanghai.jpg?w=1024)
![[REVIEW] “What Did I Hope to Hear?: A Review of Chan Kwan Ee Tom’s 𝐿𝑖𝑠𝑡𝑒𝑛” by Lian-Hee Wee](https://chajournal.com/wp-content/uploads/2023/11/listen_chan-kwan-ee-tom.jpg?w=1024)
![[REVIEW] “She Was Elegylight: Sawako Nakayasu’s 𝑃𝑖𝑛𝑘 𝑊𝑎𝑣𝑒𝑠” by Tim Tim Cheng](https://chajournal.com/wp-content/uploads/2024/12/pink-waves.png?w=1024)
![[TIFF 2024] “Band of Outsiders: On Neo Sora’s 𝐻𝑎𝑝𝑝𝑦𝑒𝑛𝑑” by Nirris Nagendrarajah](https://chajournal.com/wp-content/uploads/2024/12/happyend_cha.png?w=1024)
![[REVIEW] “The Parallax Effect: Toshihiko Tanaka’s 𝑅𝑒𝑖” by Marianna Jaśniak](https://chajournal.com/wp-content/uploads/2024/12/rei-1.png?w=1024)
![[REVIEW] “Tales of Japanese monsters, ghosts, and spirits: Matthew Meyer’s 𝑇ℎ𝑒 𝑁𝑖𝑔ℎ𝑡 𝑃𝑎𝑟𝑎𝑑𝑒 𝑜𝑓 𝑂𝑛𝑒 𝐻𝑢𝑛𝑑𝑟𝑒𝑑 𝐷𝑒𝑚𝑜𝑛𝑠” by Marsha McDonald](https://chajournal.com/wp-content/uploads/2024/11/screenshot-2024-11-29-at-22.20.32.png?w=1024)
![Protected: [REVIEW] “The Strangeness Within: On Rajyabardhan Dhal Mahapatra’s The Nomad’s House” by Kathiravan Annamalai](https://chajournal.com/wp-content/uploads/2025/12/copy-of-copy-of-copy-of-untitled-design.png?w=600)
![[REVIEW] “Beyond Stereotypes: Ronald Weitzer’s 𝑆𝑒𝑥 𝑇𝑜𝑢𝑟𝑖𝑠𝑚 𝑖𝑛 𝑇ℎ𝑎𝑖𝑙𝑎𝑛𝑑” by Akin Jeje](https://chajournal.com/wp-content/uploads/2024/11/sex-tourism-in-thailand-inside-asias-premier-erotic-playground-1.jpg?w=1000)
![[REVIEW] “Dress Up for Indonesia: Benjamin Hegarty’s The Made-Up State” by Mario Rustan](https://chajournal.com/wp-content/uploads/2024/11/finalreadingsbooklaunch20april2023_poster.jpg?w=816)
![[REVIEW] “Love Lies Wasted: Yasunari Kawabata’s 𝑆𝑛𝑜𝑤 𝐶𝑜𝑢𝑛𝑡𝑟𝑦” by A. B. Freeman](https://chajournal.com/wp-content/uploads/2024/11/yasunari-kawabata.jpeg?w=1000)
![[REVIEW] “Remembering Wallis—Paul French’s 𝐻𝑒𝑟 𝐿𝑜𝑡𝑢𝑠 𝑌𝑒𝑎𝑟: 𝐶ℎ𝑖𝑛𝑎, 𝑡ℎ𝑒 𝑅𝑜𝑎𝑟𝑖𝑛𝑔 𝑇𝑤𝑒𝑛𝑡𝑖𝑒𝑠, 𝑎𝑛𝑑 𝑡ℎ𝑒 𝑀𝑎𝑘𝑖𝑛𝑔 𝑜𝑓 𝑊𝑎𝑙𝑙𝑖𝑠 𝑆𝑖𝑚𝑝𝑠𝑜𝑛” by Susan Blumberg-Kason](https://chajournal.com/wp-content/uploads/2024/11/f09d90bbf09d9192f09d919f-f09d90bff09d919cf09d91a1f09d91a2f09d91a0-f09d918cf09d9192f09d918ef09d919f-f09d90b6e2848ef09d9196f09d919bf09d918e-f09d91a1e2848ef09d9192-f09d9185f09d919cf09d918ef.png?w=1024)
![[REVIEW] “Shiori Ito’s 𝐵𝑙𝑎𝑐𝑘 𝐵𝑜𝑥 𝐷𝑖𝑎𝑟𝑖𝑒𝑠: Documentation is a Political Action, Courage Too” by Peixuan Xie](https://chajournal.com/wp-content/uploads/2024/11/screenshot-2024-11-25-at-19.39.56-1.png?w=1024)
![Protected: [REVIEW] “All in All, We’re Just Another Brick in the Wall—Saikat Majumdar’s 𝑇ℎ𝑒 𝐴𝑚𝑎𝑡𝑒𝑢𝑟: 𝑆𝑒𝑙𝑓-𝑀𝑎𝑘𝑖𝑛𝑔 𝑎𝑛𝑑 𝑡ℎ𝑒 𝐻𝑢𝑚𝑎𝑛𝑖𝑡𝑖𝑒𝑠 𝑖𝑛 𝑡ℎ𝑒 𝑃𝑜𝑠𝑡𝑐𝑜𝑙𝑜𝑛𝑦” by Kabir Deb](https://chajournal.com/wp-content/uploads/2024/11/the-amateur.png?w=600)
![Protected: [REVIEW] “Violence, Guilt and the Weight of Inaction in As You Stood in Lee Jung-rim’s 𝐴𝑠 𝑌𝑜𝑢 𝑆𝑡𝑜𝑜𝑑 𝐵𝑦” by Dorina Tataran](https://chajournal.com/wp-content/uploads/2025/11/lee-jung-rim-director-as-you-stood-by-2025.-tv-mini-series.-60-min.jpg?w=1024)
![[TIFF 2024] “The Two Maidens: On Trương Minh Quý’s 𝑉𝑖𝑒𝑡 𝑎𝑛𝑑 𝑁𝑎𝑚” by Nirris Nagendrarajah](https://chajournal.com/wp-content/uploads/2024/10/viet-and-nam.jpg?w=753)
![[TIFF 2024] “The Master and Her Muse: On Jia Zhang-ke’s 𝐶𝑎𝑢𝑔ℎ𝑡 𝑏𝑦 𝑡ℎ𝑒 𝑇𝑖𝑑𝑒𝑠” by Nirris Nagendrarajah](https://chajournal.com/wp-content/uploads/2024/10/caught-by-the-tides.jpg?w=560)
![[TIFF 2024] “Self-Studies: On Sook-Yin Lee’s 𝑃𝑎𝑦𝑖𝑛𝑔 𝑓𝑜𝑟 𝐼𝑡” by Nirris Nagendrarajah](https://chajournal.com/wp-content/uploads/2024/10/paying-for-it-sook-yin-lee.jpg?w=1024)