Category: Cha Review of Books and Films
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Uno Chiyo (author), Rebecca Copeland (translator), The Story of a Single Woman, Pushkin Press, 2025. 106 pgs. Everything in Uno Chiyo’s The Story of a Single Woman, translated from…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “Alternative Local and Translocal Hong Kong Histories in Larissa Lai’s The Lost Century” by Yiwen Liu Larissa Lai, The Lost Century: A Novel, Arsenal Pulp Press, 2022. 374 pgs. Published…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “The Mountains Speak: The Himalayan Arc” by Abhinav Tulachan Namita Gokhale (editor), The Himalayan Arc: Journeys East of South-east, HarperCollins India, 2018. 352 pgs. Namche Bazaar has always been my…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “Filial Piety and Farce: Negotiating Family and Queerness in Ang Lee’s The Wedding Banquet” by Jade Gu Click HERE to read all entries in Cha on Ang Lee. Ang Lee (director), The Wedding Banquet, 1993.…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Sean Wang (director), Didi, 2024. 96 min. In Chinese culture, parents often address their children by their familial roles, a gesture of affection and intimacy. My mother calls me…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Kevin Alambra (director), Warla, 2025. 111 min. I have just watched Warla. I cannot claim any lived experience concerning trans issues; however, I found myself uneasy with the bluntness…
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📁 RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS Johannes Schönherr, North Korean Cinema. A History, McFarland, 2012. 224 pgs. My experience with the three books on North Korean cinema I had read up to this point—Paul…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Kiriti Sengupta. Kiriti Sengupta, Selected Poems, Transcendent Zero Press, 2025. 228 pgs. It has been more than a decade since the medical practitioner turned poet,…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Mallika Bhaumik, When Time is a Magic Jar, Red River Press, 2025. 108 pgs. When Time is a Magic Jar by Mallika Bhaumik is like finding an old, dusty…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Mending Bodies. ▞ Hon Lai Chu (author), Jacqueline Leung (translator), Mending Bodies, Two Lines Press, 2025. 240 pgs.▞ Michael Shanks (director), Together, 2025. 102 min.…
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TIFF 2025 ▞ 10. The Archivist’s Film: A Conversation on Kunsang Kyirong’s 100 Sunset▞ 9. She Was Screaming into Silence: A Conversation on Cai Shangjun’s The Sun Rises On Us All▞ 8. You Don’t Belong to Anyone: A Conversation on…
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TIFF 2025 ▞ 10. The Archivist’s Film: A Conversation on Kunsang Kyirong’s 100 Sunset▞ 9. She Was Screaming into Silence: A Conversation on Cai Shangjun’s The Sun Rises On Us All▞ 8. You Don’t Belong to Anyone: A Conversation on…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Thuận (author), Nguyễn An Lý (translator), Elevator in Sài Gòn, New Directions, 2024. 192 pgs. Nobel laureate Patrick Modiano once wrote that “it is not the future which counts,…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Eva Yip Man-lai (director), Cecilia Lau (organiser), Yat Yat Kingdom, 2025. In the world of theatre, actors often serve as vessels for the stories of others, portraying characters born…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “Lav Diaz’s Magellan: From Counter-Time to Counter-History” by Ramzzi Fariñas Click HERE to read all entries in Cha on Magellan. Lav Diaz (director), Magellan, 2025. 165 min. If the art of history is to be…
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📁 RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS Kong Shangren (author), Wai-yee Li (translator), The Peach Blossom Fan, Oxford University Press, 2024. 816 pgs. Wai-yee Li is one translator who knows how to hook a reader.…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on So That You Know. Mani Rao, So That You Know, HarperCollins India, 2025. 312 pgs. “Isn’t it better to write poems about topics? On the…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Joan E. Ericson, Be a Woman: Hayashi Fumiko and Modern Japanese Women’s Literature, University of Hawai’i Press, 1997. 292 pgs. The vicissitudes of women’s literature in Japan have undergone…
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TIFF 2025 ▞ 10. The Archivist’s Film: A Conversation on Kunsang Kyirong’s 100 Sunset▞ 9. She Was Screaming into Silence: A Conversation on Cai Shangjun’s The Sun Rises On Us All▞ 8. You Don’t Belong to Anyone: A Conversation on…
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TIFF 2025 ▞ 10. The Archivist’s Film: A Conversation on Kunsang Kyirong’s 100 Sunset▞ 9. She Was Screaming into Silence: A Conversation on Cai Shangjun’s The Sun Rises On Us All▞ 8. You Don’t Belong to Anyone: A Conversation on…
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TIFF 2025 ▞ 10. The Archivist’s Film: A Conversation on Kunsang Kyirong’s 100 Sunset▞ 9. She Was Screaming into Silence: A Conversation on Cai Shangjun’s The Sun Rises On Us All▞ 8. You Don’t Belong to Anyone: A Conversation on…
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TIFF 2025 ▞ 10. The Archivist’s Film: A Conversation on Kunsang Kyirong’s 100 Sunset▞ 9. She Was Screaming into Silence: A Conversation on Cai Shangjun’s The Sun Rises On Us All▞ 8. You Don’t Belong to Anyone: A Conversation on…
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TIFF 2025 ▞ 10. The Archivist’s Film: A Conversation on Kunsang Kyirong’s 100 Sunset▞ 9. She Was Screaming into Silence: A Conversation on Cai Shangjun’s The Sun Rises On Us All▞ 8. You Don’t Belong to Anyone: A Conversation on…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “Everything, Nothing, All at Once: Edward Yang’s Yi Yi” by Keziah Cho Edward Yang (director), Yi Yi, 2000. 173 min. Edward Yang’s Yi Yi opens in a register of melodrama.…
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📁 RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS Arun Budhathoki, And I Blamed Canadian Winter Again: Poems East & West, Nirala Publications, 2025. 98pgs. Nepali poet Arun Budhathoki, who has been living in Canada, has recently…
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Editor’s note: Emma Zhang reflects on her shifting identity as a language teacher in an age when machine translation threatens the role of English as a bridge to the world. Seeking cultural understanding, she visits Talibé, an exhibition by Mauritanian…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “The Dynasty that Dreamt in Red: Diamond Shumshere Rana’s The Wake of the White Tiger” by Abhinav Tulachan Diamond Shumshere Rana, The Wake of the White Tiger. 1984. 235 pgs.…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Sho Miyake (director), Two Seasons, Two Strangers (Tabi to Hibi), 2025. 89 min. A woman sits at her desk, a pencil poised above a blank page. She has been…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Elizabeth Ai (editor), New Wave: Rebellion and Reinvention in the Vietnamese Diaspora, Angel City Press, 2024. 192 pgs. Elizabeth Ai’s edited volume New Wave: Rebellion and Reinvention in the…
![[REVIEW] “The Trembling of Memory: Self and Society in Uno Chiyo’s 𝑇ℎ𝑒 𝑆𝑡𝑜𝑟𝑦 𝑜𝑓 𝑎 𝑆𝑖𝑛𝑔𝑙𝑒 𝑊𝑜𝑚𝑎𝑛” by Wani Nazir](https://chajournal.com/wp-content/uploads/2025/10/uno-chiyo-author-rebecca-copeland-translator-the-story-of-a-single-woman-pushkin-press-1.jpg?w=977)
![[REVIEW] “Alternative Local and Translocal Hong Kong Histories in Larissa Lai’s 𝑇ℎ𝑒 𝐿𝑜𝑠𝑡 𝐶𝑒𝑛𝑡𝑢𝑟𝑦” by Yiwen Liu](https://chajournal.com/wp-content/uploads/2025/10/larissa-lai-the-lost-century.png?w=1024)
![[REVIEW] “The Mountains Speak: 𝑇ℎ𝑒 𝐻𝑖𝑚𝑎𝑙𝑎𝑦𝑎𝑛 𝐴𝑟𝑐” by Abhinav Tulachan](https://chajournal.com/wp-content/uploads/2025/10/namche-bazaar-the-himalayan-arc-journeys-east-of-south-east-copy.jpg?w=695)
![[REVIEW] “Filial Piety and Farce: Negotiating Family and Queerness in Ang Lee’s 𝑇ℎ𝑒 𝑊𝑒𝑑𝑑𝑖𝑛𝑔 𝐵𝑎𝑛𝑞𝑢𝑒𝑡” by Jade Gu](https://chajournal.com/wp-content/uploads/2025/10/ang-lee-director-the-wedding-banquet-.webp?w=1024)
![[REVIEW] “The Weight of Love: Sean Wang’s 𝐷𝑖𝑑𝑖 and the Chinese American Family” by Theodora Yu](https://chajournal.com/wp-content/uploads/2025/10/sean-wang-director-didi-2024.-2.jpg?w=625)
![[REVIEW] “𝑊𝑎𝑟𝑙𝑎: A Crime of Passionate Advocacy?” by Matthew Ordonez](https://chajournal.com/wp-content/uploads/2025/10/warla_kv.png?w=600)
![[REVIEW] “Johannes Schönherr’s 𝑁𝑜𝑟𝑡ℎ 𝐾𝑜𝑟𝑒𝑎𝑛 𝐶𝑖𝑛𝑒𝑚𝑎: Rise (and Fall?) (and Rise again?) of the Propaganda Machine” by Cyril Camus](https://chajournal.com/wp-content/uploads/2025/08/johannes-schonherr-north-korean-cinema.-a-history-1.jpg?w=838)
![[REVIEW] “The Stillness Between Fire and Water: On Kiriti Sengupta’s 𝑆𝑒𝑙𝑒𝑐𝑡𝑒𝑑 𝑃𝑜𝑒𝑚𝑠” by Abhik Ganguly](https://chajournal.com/wp-content/uploads/2025/10/selected-poems-final-1-scaled-e1754154149300.webp?w=1024)
![[REVIEW] “When the Jar Spills Time: Reading Mallika Bhaumik’s 𝑊ℎ𝑒𝑛 𝑇𝑖𝑚𝑒 𝑖𝑠 𝑎 𝑀𝑎𝑔𝑖𝑐 𝐽𝑎𝑟” by Wani Nazir](https://chajournal.com/wp-content/uploads/2025/10/when-time-is-a-magic-jar.jpg?w=1024)
![[REVIEW] “The Fantasy of Wholeness through Body Horror in Hon Lai-chu’s 𝑀𝑒𝑛𝑑𝑖𝑛𝑔 𝐵𝑜𝑑𝑖𝑒𝑠 and Michael Shanks’s 𝑇𝑜𝑔𝑒𝑡ℎ𝑒𝑟” by Charlie Ng](https://chajournal.com/wp-content/uploads/2025/10/the-fantasy-of-wholeness-through-body-horror-in-hon-lai-chus-mending-bodies-and-michael-shankss-together.png?w=1024)
![[TIFF 2025] “You Don’t Belong to Anyone: A Conversation on Kalainithan Kalaichelvan’s 𝐾𝑎𝑟𝑢𝑝𝑦” by Nirris Nagendrarajah & Kalainithan Kalaichelvan](https://chajournal.com/wp-content/uploads/2025/10/kalainithan-kalaichelvan-on-karupy-1.jpg?w=1024)
![[TIFF 2025] “The Paper Boy: On Park Chan-wook’s 𝑁𝑜 𝑂𝑡ℎ𝑒𝑟 𝐶ℎ𝑜𝑖𝑐𝑒” by Nirris Nagendrarajah](https://chajournal.com/wp-content/uploads/2025/10/https-tiff.netfilmsno-other-choice.jpg?w=1024)
![[REVIEW] “Truth, Lies, and the Mask We Choose: On Thuận’s 𝐸𝑙𝑒𝑣𝑎𝑡𝑜𝑟 𝑖𝑛 𝑆𝑎𝑖 𝐺𝑜𝑛” by Michael Londra](https://chajournal.com/wp-content/uploads/2025/10/f09f9381-return-to-first-impressions-f09f9381-return-to-cha-review-of-books-and-films.jpg?w=881)
![[REVIEW] “Between Play and Pain: 𝑌𝑎𝑡 𝑌𝑎𝑡 𝐾𝑖𝑛𝑔𝑑𝑜𝑚’s Tender Confession” by Dawna Fung](https://chajournal.com/wp-content/uploads/2025/10/e3808ae4b880e4b880e9818ae6a882e5a0b4e3808b.jpg?w=1015)
![[REVIEW] “A War, Many Cries, and a Long, Unkind Sleep: 𝐿𝑒𝑡𝑡𝑒𝑟𝑠 𝑓𝑟𝑜𝑚 𝐺𝑎𝑧𝑎” by Kabir Deb](https://chajournal.com/wp-content/uploads/2025/09/letters-from-gaza-a-collection-by-the-people-unveiling-their-stories-and-emotions-from-the-year-that-has-been-1.jpg?w=906)
![[REVIEW] “Lav Diaz’s 𝑀𝑎𝑔𝑒𝑙𝑙𝑎𝑛: From Counter-Time to Counter-History” by Ramzzi Fariñas](https://chajournal.com/wp-content/uploads/2025/09/images.jpeg?w=294)
![[REVIEW] “Things Fall Apart: Kong Shangren’s 𝑇ℎ𝑒 𝑃𝑒𝑎𝑐ℎ 𝐵𝑙𝑜𝑠𝑠𝑜𝑚 𝐹𝑎𝑛” by Jeff Tompkins](https://chajournal.com/wp-content/uploads/2025/09/the-peach-blossom-fan.png?w=1024)
![[REVIEW] “Haunted by Words, Hunted by Silence: Mani Rao’s Radical Intimacy in 𝑆𝑜 𝑇ℎ𝑎𝑡 𝑌𝑜𝑢 𝐾𝑛𝑜𝑤” by Wani Nazir](https://chajournal.com/wp-content/uploads/2024/09/mani-rao-so-that-you-know-cha.jpg?w=1024)
![[REVIEW] “Re-evaluating ‘Women’s Literature’ as a Category: Hayashi Fumiko as a Woman Writer in Modern Japan” by Charlie Ng](https://chajournal.com/wp-content/uploads/2025/09/joan-e.-ericson-be-a-woman-hayashi-fumiko-and-modern-japanese-womens-literature-.jpg?w=907)
![[TIFF 2025] “The Need for Change: On Kei Ishikawa’s 𝐴 𝑃𝑎𝑙𝑒 𝑉𝑖𝑒𝑤 𝑜𝑓 𝐻𝑖𝑙𝑙𝑠” by Nirris Nagendrarajah](https://chajournal.com/wp-content/uploads/2025/09/2a-pale-view-of-hills-e981a0e38184e5b1b1e381aae381bfe381aee58589-kei-ishikawa.jpg?w=1024)
![[TIFF 2025] “The Angel of Death: On Jafar Panahi’s 𝐼𝑡 𝑊𝑎𝑠 𝐽𝑢𝑠𝑡 𝐴𝑛 𝐴𝑐𝑐𝑖𝑑𝑒𝑛𝑡” by Nirris Nagendrarajah](https://chajournal.com/wp-content/uploads/2025/09/jafar-panahi-director-it-was-just-an-accident-1.jpg?w=1024)
![[TIFF 2025] “Of Eros & Of Dust: On Ratchapoom Boonbunchachoke’s 𝐴 𝑈𝑠𝑒𝑓𝑢𝑙 𝐺ℎ𝑜𝑠𝑡” by Nirris Nagendrarajah](https://chajournal.com/wp-content/uploads/2025/09/a-useful-ghost-film-poster--1.jpg?w=1024)
![[TIFF 2025] “Light At The End of the Labyrinth: On Genki Kawamura’s 𝐸𝑥𝑖𝑡 8” by Nirris Nagendrarajah](https://chajournal.com/wp-content/uploads/2025/09/exit-8.jpg?w=1024)
![[TIFF 2025] “Affairs of the Heart: On Cai Shangjun’s 𝑇ℎ𝑒 𝑆𝑢𝑛 𝑅𝑖𝑠𝑒𝑠 𝑂𝑛 𝑈𝑠 𝐴𝑙𝑙” by Nirris Nagendrarajah](https://chajournal.com/wp-content/uploads/2025/09/cai-shangjuns-the-sun-rises-on-us-all-2025.-131-min.jpg?w=1000)
![[REVIEW] “Everything, Nothing, All at Once: Edward Yang’s 𝑌𝑖 𝑌𝑖” by Keziah Cho](https://chajournal.com/wp-content/uploads/2025/08/edward-yang-director-yi-yi-2.png?w=1024)
![[REVIEW] “Diaspora and Duality: The Emotional Cartography of Arun Budhathoki’s 𝐴𝑛𝑑 𝐼 𝐵𝑙𝑎𝑚𝑒𝑑 𝐶𝑎𝑛𝑎𝑑𝑖𝑎𝑛 𝑊𝑖𝑛𝑡𝑒𝑟 𝐴𝑔𝑎𝑖𝑛” by Subash Singh Parajuli](https://chajournal.com/wp-content/uploads/2025/08/arun-budhathoki-and-i-blamed-canadian-winter-again-poems-east-west-nirala-publications-2025.-98pgs.-.jpg?w=923)
![[EXCLUSIVE] “𝑇𝑎𝑙𝑖𝑏𝑒́: The Forgotten Faces of Globalisation” by Emma Zhang](https://chajournal.com/wp-content/uploads/2025/08/e07c3432-3e50-439d-b428-1c00cf25c682.jpg?w=1024)
![[REVIEW] “The Dynasty that Dreamt in Red: Diamond Shumshere Rana’s 𝑇ℎ𝑒 𝑊𝑎𝑘𝑒 𝑜𝑓 𝑇ℎ𝑒 𝑊ℎ𝑖𝑡𝑒 𝑇𝑖𝑔𝑒𝑟” by Abhinav Tulachan](https://chajournal.com/wp-content/uploads/2024/08/diamond-shumshere-rana-the-wake-of-the-white-tiger.jpg?w=347)
![[REVIEW] “Winter of The Soul: On Sho Miyake’s 𝑇𝑤𝑜 𝑆𝑒𝑎𝑠𝑜𝑛𝑠, 𝑇𝑤𝑜 𝑆𝑡𝑟𝑎𝑛𝑔𝑒𝑟𝑠” by Nirris Nagendrarajah](https://chajournal.com/wp-content/uploads/2025/08/still2_two-seasons-two-strangers_locarno.jpg?w=1024)
![[REVIEW] “Archival Rhythms—Youth, Identity, and Cultural Resistance in the Vietnamese Diaspora: Elizabeth Ai’s 𝑁𝑒𝑤 𝑊𝑎𝑣𝑒” by Nguyễn Minh Tiến](https://chajournal.com/wp-content/uploads/2024/08/acp_11.11.24-54-copy.jpg?w=1024)