Category: 2026 Entries
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “Off-Kilter Worlds and Authoritarian Futures in Ysabelle Cheung’s Patchwork Dolls” by Jennifer Eagleton Ysabelle Cheung, Patchwork Dolls, Blair, 2026. 200 pgs. Ysabelle Cheung’s stories are clearly connected to contemporary society,…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “Filmic Silence and the Speaking Body in the Novel” by Thammika Songkaeo Click HERE to read all entrieson Stamford Hospital. Eva Trobisch (director), All Good, 2018. 93 min. In 2020,…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [FIRST IMPRESSIONS] “Circumnavigation Without Glory: Lav Diaz’s Magellan and the Violence of Discovery” by Oliver Farry Click HERE to read all entries in Cha on Magellan. Lav Diaz (director), Magellan, 2025. 165 min. Lav Diaz’s Magellan…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “What is an Orange? Reading Gillian Sze’s An Orange, A Syllable” by Robert Black Gillian Sze, An Orange, A Syllable, ECW Press, 2025. 88 pgs. What Is an origin? A…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS Editor’s note: In Hongwei Bao’s new essay, Pillion (2025), directed by Harry Lighton and adapted from Adam Mars-Jones’s 2020 novella Box Hill, becomes a lens for exploring queer biker cinema, kink…
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Editor’s note: In Matt Turner’s essay, he recounts organising and leading a Tuesday-evening reading group in November 2025 at Accent Sisters, a Union Square gallery with a Chinese and feminist focus. The group, composed largely of Chinese participants and socially…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “Aesthetic Experiences: A Study of Anri Yasuda’s Beauty Matters” by Luca Griseri Anri Yasuda, Beauty Matters: Modern Japanese Literature and the Question of Aesthetics, 1890–1930, Columbia University Press, 2024. 304…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “From Star to Performer-Worker: Rethinking Anna May Wong Through Labour” by Anna Nguyen Yiman Wang, To Be An Actress: Labor and Performance in Anna May Wong’s Cross-Media World, University of…
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[ESSAY] “Maggie Cheung and the Refusal of Cinematic Immortality” by Anna Nguyen I have many confessions. I am exhausted by the discourse surrounding Wong Kar-wai’s In the Mood for Love (2000). I am exhausted by fandoms that fixate on aesthetic…
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There is no excerpt because this is a protected post.
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There is no excerpt because this is a protected post.
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There is no excerpt because this is a protected post.
![[REVIEW] “Off-Kilter Worlds and Authoritarian Futures in Ysabelle Cheung’s 𝑃𝑎𝑡𝑐ℎ𝑤𝑜𝑟𝑘 𝐷𝑜𝑙𝑙𝑠” by Jennifer Eagleton](https://chajournal.com/wp-content/uploads/2026/01/patchwork-dolls.webp?w=1024)
![[ESSAY] “Filmic Silence and the Speaking Body in the Novel” by Thammika Songkaeo](https://chajournal.com/wp-content/uploads/2025/01/stamford-hospital-all-is-good.png?w=846)
![[FIRST IMPRESSIONS] “Circumnavigation Without Glory: Lav Diaz’s 𝑀𝑎𝑔𝑒𝑙𝑙𝑎𝑛 and the Violence of Discovery” by Oliver Farry](https://chajournal.com/wp-content/uploads/2025/09/review-22history-as-painting-lav-diazs-magellan22-by-alicia-izharuddin.png?w=795)
![[ESSAY] “What is an Orange? Reading Gillian Sze’s 𝐴𝑛 𝑂𝑟𝑎𝑛𝑔𝑒, 𝐴 𝑆𝑦𝑙𝑙𝑎𝑏𝑙𝑒” by Robert Black](https://chajournal.com/wp-content/uploads/2026/01/https-ecwpress.comproductsorange-a-syllable.webp?w=663)
![[ESSAY] “Geared Up for Pillion” by Hongwei Bao](https://chajournal.com/wp-content/uploads/2024/12/pillion-film-poster.jpg?w=1024)
![[ESSAY] “Debord at Union Square” by Matt Turner](https://chajournal.com/wp-content/uploads/2026/01/the-society-of-the-spectacle.png?w=747)
![[ESSAY] “Aesthetic Experiences: A Study of Anri Yasuda’s 𝐵𝑒𝑎𝑢𝑡𝑦 𝑀𝑎𝑡𝑡𝑒𝑟𝑠” by Luca Griseri](https://chajournal.com/wp-content/uploads/2026/01/https-__m.media-amazon.com_images_i_819sezp2oml._sl1500_.jpg.jpg?w=1000)
![[ESSAY] “From Star to Performer-Worker: Rethinking Anna May Wong Through Labour” by Anna Nguyen](https://chajournal.com/wp-content/uploads/2026/01/yiman-wang-to-be-an-actress-labor-and-performance-in-anna-may-wongs-cross-media-world-university-of-california-press.jpg?w=1000)
![[ESSAY] “Maggie Cheung and the Refusal of Cinematic Immortality” by Anna Nguyen](https://chajournal.com/wp-content/uploads/2025/01/irma-vep-1996-maggie-cheung.jpg?w=1024)
![Protected: [INCIDENTAL] “Meetings with Hong Kong Buddhist Nuns” by Simon Patton](https://chajournal.com/wp-content/uploads/2026/07/hong-kong-mountain-trail-cropped.webp?w=1024)
![Protected: [TRANSLATION] “Mr. and Mrs. Hertz” by Liu Yichang, Translated by Chris Song](https://chajournal.com/wp-content/uploads/2024/02/liu-yichang-and-chris-song-1.png?w=1024)
![Protected: [CONVERSATION] “Waving Frantically at Life” by Sadie Kaye and Lindsey McAlister](https://chajournal.com/wp-content/uploads/2025/06/picture-1.jpg?w=1024)