Category: 2026 Entries
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All entries on SUNDANCE 2026 [SUNDANCE 2026] ββI Want to Make Films for Teenagers Foreverβ: A Conversation on BURNβ by Β Nirris Nagendrarajah & Makoto Nagahisa Makoto Nagashia (director), BURN, 2025. 103 min. INTRODUCTION Nirris Nagendrarajah W-w-why do people do what…
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Editor’s note: Daniel Gauss treats Prambanan Temple as a ninth-century political technology, where ritual, architecture, and kingship converged to naturalise obedience by embedding rule within Shaivite cosmology. Built by the Sanjaya dynasty as a counter to Borobudur Temple, it functioned…
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Editor’s note: Troy Cabida reflects on his debut poetry collection Neon Manila, exploring queer Filipino-immigrant embodiment, pop music, resistance, as glamour and violence coexist. Some poems from the collection can be found HERE. [ESSAY] βOn Neon Manila: A Balancing Act…
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Read Troy Cabida’s essay “On Neon Manila: A Balancing Act Between Sparkle and Substance” HERE. [EXCLUSIVE] βFour Poems from Neon Manilaβ by Troy Cabida Troy Cabida, Neon Manila, Nine Arches Press, 2025. 72 pgs. Black Turtleneck Sonnet With my first ever…
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Editor’s note: Julia Merican reads Lu Leiβs practice through meals, menus, embroidery, and exhibitions, attending to how intimacy operates as both method and politics. From private dinners with strangers to layered textile works, Lu uses food and language to negotiate…
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Editor’s note: Kathy Nguyen recounts a Vietnamese refugee familyβs exploitation by a nameless sponsor, detailing coerced labour, rage, and inherited memory across resettlement landscapes. It condemns capitalism as predatory, sustained by dispossession and silence, while honouring survival resistance. An earlier…
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Read Zheng Wang’s essay “A Gaze Across the River: On Translating Zhang Zhihao” HERE. Editor’s note: These translations, rendered by Zheng Wang, bring together a decade-spanning selection of Zhang Zhihaoβs poems that dwell on family, rural landscapes, ageing, grief, desire,…
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Editor’s note: Zheng Wangβs essay reflects on his encounter with the poet Zhang Zhihao and the process of translating his poetry across languages and generations. It traces their meeting by the Yangtze River into a broader meditation on rootedness, memory,…
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS [REVIEW] βThe GPA of Youth: On Boredom, Brilliance and the Cost of Conformity in Chetan Bhagatβs Five Point Someoneβ by Abhinav Tulachan Chetan Bhagat, Five Point Someone, Rupa Publications India, 2004.…
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[ESSAY] “Fieldnotes: Bund and Flood” by Aizuddin Anuar Translator’s note: This is a translation of my own work, originally written in Malay and titled βNota lapangan: ban dan banjirβ (2025), which was published in MediaSelangor in Malaysia. Through a series…
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Editor’s note: In his latest essay for Cha, Daniel Gauss examines Dafen, a former rural settlement located in Shenzhenβs Longgang District in southern China, within the Pearl River Delta near the Hong Kong border. The essay examines Dafenβs transformation from…
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Editor’s note: Laurehl Onyx B. Cabiles’s essay traces a Filipino upbringing in conflict-marked Cotabato and its unlikely resonance with Derry Girls. Through memories of militarisation, prejudice, and youthful fear, it shows how humour bridges distant histories, revealing comedy as a…
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Editor’s note: Anna Nguyenβs essay critiques the literary marketplaceβs fixation on identity, arguing that it rewards legible, consumable narratives while punishing rigorous resistance. Drawing on Glissant, Jordan, and Davis, she challenges flattened intersectionality, positionality statements, and the colonial gaze masquerading…
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS [REVIEW] “Off-Kilter Worlds and Authoritarian Futures in Ysabelle Cheung’s Patchwork Dolls” by Jennifer Eagleton Ysabelle Cheung, Patchwork Dolls, Blair, 2026. 200 pgs. Ysabelle Cheungβs stories are clearly connected to contemporary society,…
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS [ESSAY] “Filmic Silence and the Speaking Body in the Novel” by Thammika Songkaeo Click HERE to read all entrieson Stamford Hospital. Eva Trobisch (director), All Good, 2018. 93 min. In 2020,…
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS [FIRST IMPRESSIONS] “Circumnavigation Without Glory: Lav Diazβs Magellan and the Violence of Discovery” by Oliver Farry Click HERE to read all entries in Cha on Magellan. Lav Diaz (director), Magellan, 2025. 165 min. Lav Diazβs Magellan…
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS [ESSAY] “What is an Orange? Reading Gillian Szeβs An Orange, A Syllable” by Robert Black Gillian Sze, An Orange, A Syllable, ECW Press, 2025. 88 pgs. What Is an origin? A…
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS Editor’s note: In Hongwei Bao’s new essay, Pillion (2025), directed by Harry Lighton and adapted from Adam Mars-Jonesβs 2020 novella Box Hill, becomes a lens for exploring queer biker cinema, kink…
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Editor’s note: In Matt Turnerβs essay, he recounts organising and leading a Tuesday-evening reading group in November 2025 at Accent Sisters, a Union Square gallery with a Chinese and feminist focus. The group, composed largely of Chinese participants and socially…
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS [ESSAY] βAesthetic Experiences: A Study of Anri Yasudaβs Beauty Mattersβ by Luca Griseri Anri Yasuda, Beauty Matters: Modern Japanese Literature and the Question of Aesthetics, 1890β1930, Columbia University Press, 2024. 304…
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS [ESSAY] βFrom Star to Performer-Worker: Rethinking Anna May Wong Through Labourβ by Anna Nguyen Yiman Wang, To Be An Actress: Labor and Performance in Anna May Wongβs Cross-Media World, University of…
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[ESSAY] βMaggie Cheung and the Refusal of Cinematic Immortalityβ by Anna Nguyen I have many confessions. I am exhausted by the discourse surrounding Wong Kar-wai’s In the Mood for Love (2000). I am exhausted by fandoms that fixate on aesthetic…
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There is no excerpt because this is a protected post.
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There is no excerpt because this is a protected post.
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There is no excerpt because this is a protected post.
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There is no excerpt because this is a protected post.
![[SUNDANCE 2026] ββI Want to Make Films for Teenagers Foreverβ: A Conversation on π΅π’ππβ by Β Nirris Nagendrarajah & Makoto Nagahisa](https://chajournal.com/wp-content/uploads/2026/01/burn.jpg?w=936)
![[ESSAY] “Prambanan: A Temple in Java that Turned Faith into Obedience” by Daniel Gauss](https://chajournal.com/wp-content/uploads/2026/01/img_20251111_094005.jpg?w=1024)
![[ESSAY] βOn ππππ ππππππ: A Balancing Act Between Sparkle and Substanceβ by Troy Cabida](https://chajournal.com/wp-content/uploads/2025/01/img_6830.jpg?w=1024)
![[EXCLUSIVE] “Four Poems from ππππ ππππππ” by Troy Cabida](https://chajournal.com/wp-content/uploads/2026/01/81b4db7dtkl._sl1500_-1.jpg?w=984)
![[ESSAY] “A Face, a Cover, a Failure: Fleurs des lettres Issue 118 Cover Controversy” by Chris Song](https://chajournal.com/wp-content/uploads/2025/01/copy-of-copy-of-copy-of-copy-of-copy-of-a-fragment-of-history-a-life-bound-in-dependence-with-the-river-as-kin.png?w=596)
![[ESSAY] βA Seat at the Table: Lu Lei and the Politics of Intimacyβ by Julia Merican](https://chajournal.com/wp-content/uploads/2026/01/64901cc90ad6cbfa52190a71-biography_1325594-resize-1920-1234.webp?w=1024)
![[ESSAY] “Sweating Labour, Angry Tears” by Kathy Ngoc Nguyen](https://chajournal.com/wp-content/uploads/2026/01/abstract-orange-brushstroke-white-paper.jpg?w=1024)
![[TRANSLATION] “Ten Poems” by Zhang Zhihao, translated by Zheng Wang Β](https://chajournal.com/wp-content/uploads/2026/01/zhange28098s-profile-photo.jpeg?w=591)
![[ESSAY] “A Gaze Across the River: On Translating Zhang Zhihao” by Zheng Wang Β](https://chajournal.com/wp-content/uploads/2026/01/https-__www.poetryinternational.com_en_poets-poems_poets_poet_102-28920_zhang.jpg?w=336)
![[ESSAY] “After the Fall, Before the Image: On Reading a Hong Kong Protest as Book Cover” by Daniel Garrett](https://chajournal.com/wp-content/uploads/2026/01/screenshot-2026-01-21-at-12.44.41.png?w=813)
![[ESSAY] βPostcolonial Ambivalence in Norberto Roldanβs πππ£π πΈπ πππΜπ, πΏπππ πΏππ£π π΄ππππππβ by John E. Barrios](https://chajournal.com/wp-content/uploads/2026/01/norberto-roldan.jpg?w=1024)
![[REVIEW] βThe GPA of Youth: On Boredom, Brilliance and the Cost of Conformity in Chetan Bhagatβs πΉππ£π πππππ‘ πππππππβ by Abhinav Tulachan](https://chajournal.com/wp-content/uploads/2025/01/five-point-someone-chetan-bhagat.png?w=1024)
![[ESSAY] “Fieldnotes: Bund and Flood” by Aizuddin Anuar](https://chajournal.com/wp-content/uploads/2025/01/jelai-river_bund-aizuddin-anuar.jpg?w=1024)
![[ESSAY] “Dafen Transformed: From Painting Factory to Pre-Fab Cool Zone” by Daniel Gauss](https://chajournal.com/wp-content/uploads/2026/01/img_20260117_151141.jpg?w=1024)
![[ESSAY] βWhy Does a Guy from Cotabato Province Relate to π·ππππ¦ πΊππππ ?β by Laurehl Onyx B. Cabiles](https://chajournal.com/wp-content/uploads/2026/01/derry-girls.jpg?w=1000)
![[ESSAY] “I Write An Attempt Away From Identity Reductionism” by Anna Nguyen](https://chajournal.com/wp-content/uploads/2025/01/anna-nguyen.jpg?w=933)
![[REVIEW] “Off-Kilter Worlds and Authoritarian Futures in Ysabelle Cheung’s πππ‘πβπ€πππ π·ππππ ” by Jennifer Eagleton](https://chajournal.com/wp-content/uploads/2026/01/patchwork-dolls.webp?w=1024)
![[ESSAY] “Filmic Silence and the Speaking Body in the Novel” by Thammika Songkaeo](https://chajournal.com/wp-content/uploads/2025/01/stamford-hospital-all-is-good.png?w=846)
![[FIRST IMPRESSIONS] “Circumnavigation Without Glory: Lav Diazβs ππππππππ and the Violence of Discovery” by Oliver Farry](https://chajournal.com/wp-content/uploads/2025/09/review-22history-as-painting-lav-diazs-magellan22-by-alicia-izharuddin.png?w=795)
![[ESSAY] “What is an Orange? Reading Gillian Szeβs π΄π ππππππ, π΄ ππ¦ππππππ” by Robert Black](https://chajournal.com/wp-content/uploads/2026/01/https-ecwpress.comproductsorange-a-syllable.webp?w=663)
![[ESSAY] “Geared Up for Pillion” by Hongwei Bao](https://chajournal.com/wp-content/uploads/2024/12/pillion-film-poster.jpg?w=1024)
![[ESSAY] “Debord at Union Square” by Matt Turner](https://chajournal.com/wp-content/uploads/2026/01/the-society-of-the-spectacle.png?w=747)
![[ESSAY] βAesthetic Experiences: A Study of Anri Yasudaβs π΅πππ’π‘π¦ πππ‘π‘πππ β by Luca Griseri](https://chajournal.com/wp-content/uploads/2026/01/https-__m.media-amazon.com_images_i_819sezp2oml._sl1500_.jpg.jpg?w=1000)
![[ESSAY] βFrom Star to Performer-Worker: Rethinking Anna May Wong Through Labourβ by Anna Nguyen](https://chajournal.com/wp-content/uploads/2026/01/yiman-wang-to-be-an-actress-labor-and-performance-in-anna-may-wongs-cross-media-world-university-of-california-press.jpg?w=1000)
![[ESSAY] βMaggie Cheung and the Refusal of Cinematic Immortalityβ by Anna Nguyen](https://chajournal.com/wp-content/uploads/2025/01/irma-vep-1996-maggie-cheung.jpg?w=1024)
![Protected: [FIRST IMPRESSIONS] “Bearing Witness in Gigi L. Leungβs πΈπ£πππ¦πππ¦ πππ£πππππ‘” by Rebekah Chan](https://chajournal.com/wp-content/uploads/2025/12/everyday-movement-by-gigi-l.-leung-translated-by-jennifer-feeley-.jpg?w=993)
![Protected: [FIRST IMPRESSIONS] “Fragmentation and Repair in Leslie Shimotakaharaβs πβπ π΅πππππ€ππ‘ππ” by Jonathan Han](https://chajournal.com/wp-content/uploads/2026/01/the-breakwater.jpg?w=900)
![Protected: [ESSAY] βFrom Scrapbooking to Novel Writing: Giving Voice to an Unsettling Family Secret in πβπ π΅πππππ€ππ‘ππβ by Leslie Shimotakahara](https://chajournal.com/wp-content/uploads/2025/01/leslieshimotakahara_photo.jpg?w=1024)