Category: 2025 Entries
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Hisham Matar,Β The Return: Fathers, Sons and the Land In Between,Β Alfred A. Knopf Canada, 2016, 256 pgs.Β You walk into a memoir anticipating something deeply personal. You expect to encounter…
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS [REVIEW] “From Silence to Sound: Kaori Laiβs Microhistorical Poetics of the White Terror” by Serena De Marchi Kaori Lai (author), Sylvia Li-chun Lin and Howard Goldblatt (translators), Portraits in White, Columbia…
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π RETURN TO FIRST IMPRESSIONSπRETURN TO CHA REVIEW OF BOOKS AND FILMS Quan Manh Ha and Quynh H. Vo (translators), Longings: Contemporary Fiction by Vietnamese Women Writers, Texas Tech University Press, 2024. 260 pgs. Vietnamese literature in English translation is…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Jerrold Tarog (director), Quezon, 2025. 135 min. βAny man who tries to be good all the time is bound to come to ruin among the great number who are…
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Editor’s note: We are honoured to present the personal reflection βCurriculum Vitae in Silenceβ and the poem of the same title by Liu Hongbin, a Chinese British poet of Tiananmen exile. He was shaped by a childhood torn between pastoral…
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π RETURN TO FIRST IMPRESSIONSπRETURN TO CHA REVIEW OF BOOKS AND FILMS Chris Martinez (director), Kontrabida Academy, 2025. 107 min. Teleserye (drama), whether on television or in motion pictures, has long been a mainstay of afternoon and evening entertainment in…
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Chris Song’s Note: Liu Yichangβs εδ»₯ι¬― (1918β2018) short story βRiotβ εδΊ, set against the backdrop of the 1967 Hong Kong Riots, is a hauntingly experimental meditation on violence, urban alienation, and the blurred boundary between the living and the inanimate.…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Pillion & Box Hill. Editor’s note: We are delighted to present Hongwei Baoβs essayistic film review, which blends cultural history, theory, and critique through the…
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πΒ RETURN TO FIRST IMPRESSIONSπΒ RETURN TO CHA REVIEW OF BOOKS AND FILMS James Albon (author and illustrator), Love Languages, Top Shelf Productions, 2025. 176 pgs. The book begins with six pages of vibrant illustrations depicting people of diverse cultural backgrounds at…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Uno Chiyo (author), Rebecca Copeland (translator), The Story of a Single Woman, Pushkin Press, 2025. 106 pgs. Everything in Uno Chiyoβs The Story of a Single Woman, translated from…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Larissa Lai, The Lost Century: A Novel, Arsenal Pulp Press, 2022. 374 pgs. Published in 2022 and penned by one of the most influential Chinese Canadian writers, Larissa Lai,…
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS [REVIEW] βThe Mountains Speak: The Himalayan Arc” by Abhinav Tulachan Namita Gokhale (editor), The Himalayan Arc: Journeys East of South-east, HarperCollins India, 2018. 352 pgs. Namche Bazaar has always been my…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Kawika Guillermo, Nimrods: A Fake-Punk Self-Hurt Anti-Memoir, Duke University Press, 2023. 240 pgs. Fuck βem all. Squares on bothsides. I am the only completeman in the industry.βBurroughs, Naked Lunch…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Ang Lee. Ang Lee (director), The Wedding Banquet, 1993. 108 min. Ang Leeβs 1993 film The Wedding Banquet opens with a sequence in which Wai-Tung…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Sean Wang (director), Didi, 2024. 96 min. In Chinese culture, parents often address their children by their familial roles, a gesture of affection and intimacy. My mother calls me…
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TIFF 2025 β 10. The Archivistβs Film: A Conversation on Kunsang Kyirongβs 100 Sunsetβ 9. She Was Screaming into Silence: A Conversation on Cai Shangjunβs The Sun Rises On Us Allβ 8. You Don’t Belong to Anyone: A Conversation on…
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πΒ RETURN TO FIRST IMPRESSIONSπΒ RETURN TO CHA REVIEW OF BOOKS AND FILMS Kevin Alambra (director), Warla, 2025. 111 min. I have just watched Warla. I cannot claim any lived experience concerning trans issues; however, I found myself uneasy with the bluntness…
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Earlier this week, the Nobel Prize in Literature for 2025 was awarded to the Hungarian novelist LΓ‘szlΓ³ Krasznahorkai βfor his compelling and visionary oeuvre that, in the midst of apocalyptic terror, reaffirms the power of art.β Coverage in outlets such…
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π RETURN TO FIRST IMPRESSIONSπRETURN TO CHA REVIEW OF BOOKS AND FILMS Johannes SchΓΆnherr, North Korean Cinema. A History, McFarland, 2012. 224 pgs. My experience with the three books on North Korean cinema I had read up to this pointβPaul…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Kiriti Sengupta. Kiriti Sengupta, Selected Poems, Transcendent Zero Press, 2025. 228 pgs. It has been more than a decade since the medical practitioner turned poet,…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Mallika Bhaumik, When Time is a Magic Jar, Red River Press, 2025. 108 pgs. When Time is a Magic Jar by Mallika Bhaumik is like finding an old, dusty…
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πΒ RETURN TO FIRST IMPRESSIONSπΒ RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Mending Bodies. β Hon Lai Chu (author), Jacqueline Leung (translator), Mending Bodies, Two Lines Press, 2025. 240 pgs.β Michael Shanks (director), Together, 2025. 102 min.…
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Editor’s note: In this interview, poet and critic Tiffany Troy speaks with translator Chenxin Jiang about her recent rendering of for now I am sitting here growing transparent (Zephyr Press, 2025) by Hong Kong poet, filmmaker, and scholar Yau Ching.…
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πΒ RETURN TO FIRST IMPRESSIONSπΒ RETURN TO CHA REVIEW OF BOOKS AND FILMS ThuαΊn (author), Nguyα» n An LΓ½ (translator), Elevator in SΓ i GΓ²n, New Directions, 2024. 192 pgs. Nobel laureate Patrick Modiano once wrote that βit is not the future which counts,…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Eva Yip Man-lai (director), Cecilia Lau (organiser), Yat Yat Kingdom, 2025. In the world of theatre, actors often serve as vessels for the stories of others, portraying characters born…
![[REVIEW] βA Memory of Absence: Hisham Matarβs πβπ π
ππ‘π’ππβ by Varsha Nair](https://chajournal.com/wp-content/uploads/2025/10/hisham-matar-the-return-fathers-sons-and-the-land-in-between-2.jpg?w=660)
![[REVIEW] “From Silence to Sound: Kaori Laiβs Microhistorical Poetics of the White Terror” by Serena De Marchi](https://chajournal.com/wp-content/uploads/2024/10/portraits-in-white-by-kaori-lai.png?w=1024)
![[FIRST IMPRESSIONS] βFinding Meaning in the Very Act of QuestioningβπΏπππππππ : πΆπππ‘ππππππππ¦ πΉπππ‘πππ ππ¦ ππππ‘πππππ π πππππ ππππ‘πππ β by Rebecca Maine](https://chajournal.com/wp-content/uploads/2025/10/longings-contemporary-fiction-by-vietnamese-women-writers.jpg?w=907)
![[REVIEW] βTarogβs ππ’ππ§ππ: A Definition of Machiavellian Politicsβ by Gene Michael M. Atanacio](https://chajournal.com/wp-content/uploads/2024/10/jerrold-tarog-director-quezon-2.png?w=1024)
![[EXCLUSIVE] “Curriculum Vitae in Silence” by Liu Hongbin](https://chajournal.com/wp-content/uploads/2025/10/marble-feature.webp?w=1024)
![[REVIEW] βChris Martinezβs πΎπππ‘ππππππ π΄ππππππ¦ and the Anatomy of a Filipino Teleseryeβ by Bryan Elijah Trajano](https://chajournal.com/wp-content/uploads/2024/10/chris-martinez-director-kontrabida-academy-2025.-107-min.jpg?w=1000)
![[TRANSLATION] “Riot” by Liu Yichang, Translated by Chris Song](https://chajournal.com/wp-content/uploads/2024/02/liu-yichang-and-chris-song-1.png?w=1024)
![[EXCLUSIVE] βRiding Together: πππππππ and the Radical History of Queer Cinemaβ by Hongwei Bao](https://chajournal.com/wp-content/uploads/2025/10/pillion-film-review-2025-cha-an-asian-literary-journal-hongwei-bao.png?w=1024)
![[FIRST IMPRESSIONS] βLife Outside the Bubble in James Albonβs πΏππ£π πΏππππ’ππππ β by Vanessa Winghei Yeung](https://chajournal.com/wp-content/uploads/2025/10/lovelangs_jalbon-2.jpg?w=1024)
![[REVIEW]Β βThe Trembling of Memory: Self and Society in Uno Chiyoβs πβπ ππ‘πππ¦ ππ π ππππππ πππππβ by Wani Nazir](https://chajournal.com/wp-content/uploads/2025/10/uno-chiyo-author-rebecca-copeland-translator-the-story-of-a-single-woman-pushkin-press-1.jpg?w=977)
![[REVIEW] βAlternative Local and Translocal Hong Kong Histories in Larissa Laiβs πβπ πΏππ π‘ πΆπππ‘π’ππ¦β by Yiwen Liu](https://chajournal.com/wp-content/uploads/2025/10/larissa-lai-the-lost-century.png?w=1024)
![[REVIEW] βThe Mountains Speak: πβπ π»ππππππ¦ππ π΄ππβ by Abhinav Tulachan](https://chajournal.com/wp-content/uploads/2025/10/namche-bazaar-the-himalayan-arc-journeys-east-of-south-east-copy.jpg?w=695)
![[REVIEW] β ‘________________________’: Rererecapitulating Kawika Guillermoβs Devastatingly Wondrous πππππππ : π΄ πΉπππ-ππ’ππ ππππ-π»π’ππ‘ π΄ππ‘π-ππππππ” by Jason S Polley](https://chajournal.com/wp-content/uploads/2025/10/kawika-guillermo-devastating-nimrods-a-fake-punk-self-hurt-anti-memoir-.jpg?w=1024)
![[REVIEW] “Filial Piety and Farce: Negotiating Family and Queerness in Ang Lee’s πβπ πππππππ π΅ππππ’ππ‘” by Jade GuΒ](https://chajournal.com/wp-content/uploads/2025/10/ang-lee-director-the-wedding-banquet-.webp?w=1024)
![[REVIEW] βThe Weight of Love: Sean Wangβs π·πππ and the Chinese American Familyβ by Theodora Yu](https://chajournal.com/wp-content/uploads/2025/10/sean-wang-director-didi-2024.-2.jpg?w=625)
![[TIFF 2025] βShe Was Screaming into Silence: A Conversation on Cai Shangjunβs πβπ ππ’π π
ππ ππ ππ ππ π΄ππβ by Nirris Nagendrarajah, Cai Shangjun & Han Nianjin](https://chajournal.com/wp-content/uploads/2025/09/cai-shangjuns-the-sun-rises-on-us-all-2025.-131-min.jpg?w=1000)
![[REVIEW] βπππππ: A Crime of Passionate Advocacy?β by Matthew Ordonez](https://chajournal.com/wp-content/uploads/2025/10/warla_kv.png?w=600)
![[EXCLUSIVE] “Whose Words Win the Nobel? On Translators and the Question of Literary Recognition” by Kabir Deb](https://chajournal.com/wp-content/uploads/2025/10/copy-of-copy-of-taken-as-strictly-true-neuroscience-and-sinology-in-laszlo-krasznahorkais-f09d90b7f09d9192f09d91a0f09d91a1f09d919ff09d91a2f09d9190f09d91a1f09d9196f09d919cf09d919b-f09d918.png?w=1024)
![[REVIEW] βJohannes SchΓΆnherr’s ππππ‘β πΎπππππ πΆπππππ:Β Rise (and Fall?) (and Rise again?) of the Propaganda Machineβ by Cyril Camus](https://chajournal.com/wp-content/uploads/2025/08/johannes-schonherr-north-korean-cinema.-a-history-1.jpg?w=838)
![[REVIEW] “The Stillness Between Fire and Water: On Kiriti Senguptaβs ππππππ‘ππ πππππ ” by Abhik Ganguly](https://chajournal.com/wp-content/uploads/2025/10/selected-poems-final-1-scaled-e1754154149300.webp?w=1024)
![[REVIEW] βWhen the Jar Spills Time: Reading Mallika Bhaumikβs πβππ ππππ ππ π πππππ π½ππβ by Wani Nazir](https://chajournal.com/wp-content/uploads/2025/10/when-time-is-a-magic-jar.jpg?w=1024)
![[REVIEW] “The Fantasy of Wholeness through Body Horror in Hon Lai-chuβs πππππππ π΅πππππ and Michael Shanksβs πππππ‘βππβ by Charlie Ng](https://chajournal.com/wp-content/uploads/2025/10/the-fantasy-of-wholeness-through-body-horror-in-hon-lai-chus-mending-bodies-and-michael-shankss-together.png?w=1024)
![[EXCLUSIVE] “On Translating Hong Kong Identity, Resilience, & Longing” by Tiffany Troy and Chenxin Jiang](https://chajournal.com/wp-content/uploads/2024/09/71e5yoi5wl._sl1500_-1.jpg?w=1023)
![[REVIEW] “Truth, Lies, and the Mask We Choose: On ThuαΊnβs πΈπππ£ππ‘ππ ππ πππ πΊππ” by Michael Londra](https://chajournal.com/wp-content/uploads/2025/10/f09f9381-return-to-first-impressions-f09f9381-return-to-cha-review-of-books-and-films.jpg?w=881)
![[REVIEW] “Between Play and Pain: πππ‘ πππ‘ πΎππππππβs Tender Confession” by Dawna Fung](https://chajournal.com/wp-content/uploads/2025/10/e3808ae4b880e4b880e9818ae6a882e5a0b4e3808b.jpg?w=1015)