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β Main Pageβ Three Generationsβ Fan Yusu Decided to Live Off a Rich Manβ Chinese Migrant Workers: Staging 1965’s Shanghai in 2017’s Picunβ Chinese Queer Feminist Poetic Intimacies: A Translation Playβ Daybreak . βThree Generationsβ is a response to Hui…
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β Main Pageβ Three Generationsβ Fan Yusu Decided to Live Off a Rich Manβ Chinese Migrant Workers: Staging 1965’s Shanghai in 2017’s Picunβ Chinese Queer Feminist Poetic Intimacies: A Translation Playβ Daybreak . This role-play game script is a creative…
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β Main Pageβ Three Generationsβ Fan Yusu Decided to Live Off a Rich Manβ Chinese Migrant Workers: Staging 1965’s Shanghai in 2017’s Picunβ Chinese Queer Feminist Poetic Intimacies: A Translation Playβ Daybreak . βFan Yusu Decided to Live Off a…
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β Main Pageβ Three Generationsβ Fan Yusu Decided to Live Off a Rich Manβ Chinese Migrant Workers: Staging 1965’s Shanghai in 2017’s Picunβ Chinese Queer Feminist Poetic Intimacies: A Translation Playβ Daybreak . βDaybreakβ is inspired by The Vagina Monologues…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS ClickΒ HERE to readΒ all entries inΒ ChaΒ onΒ Making Space.ClickΒ HERE to readΒ all entries inΒ ChaΒ onΒ Where Else. β Nicolette Wong (editor), Making Space: A Collection of Writing and Art, Cart Noodles Press, 2023. 163 pgs.β…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Nightmare Japan. Jay McRoy, Nightmare Japan: Contemporary Japanese Horror Cinema, Brill, 2008. 232 pgs. Something has been happening with Asian horror, and it took a…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Tomoko Hidaka, Salaryman Masculinity: Continuity and Change in Hegemonic Masculinity in Japan, Brill, 2010. 224 pgs. βSalarymanβ is a word thatβs uniquely Japanese, even if the concept is not.…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Owlish. Dorothy Tse (author), Natascha Bruce (translator), Owlish, Fitzcarraldo Editions, 2023. 224 pgs. The β-ishβ in Owlish by Dorothy Tse suggests a suffixed impreciseness, a mutating…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS β Michihito Fujii (director), The Journalist, 2019. 113 min.β Michihito Fujii (director), A Family, 2021. 136 min.β Michihito Fujii (director), Village, 2023. 120 min. In these days of ever fewer choices…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Don Mee Choi, DMZ Colony, Wave Books, 2020. 152 pgs. Reading Don Mee Choiβs DMZ Colony is an experience that plunges into a theatre of words, a theatre of…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Richard Gordon and Carma Hinton (directors), The Gate of Heavenly Peace, 1995. 180 min. i. There was one rule in our house when I was a child back when…
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πΒ RETURN TO FIRST IMPRESSIONSπΒ RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Identity, Home and Writing Elsewhere. Jennifer Wong, Identity, Home and Writing Elsewhere in Contemporary Chinese Diaspora Poetry, Bloomsbury, 2023. When Jennifer…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Azar Nafisi, Reading Lolita in Tehran: A Memoir in Books, Penguin Random House, 2003. 356 pgs. There was a time when I was desperate for a reaffirmation of literatureβs…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Owlish. Dorothy Tse (author), Natascha Bruce (translator), Owlish, Fitzcarraldo Editions, 2023. 224 pgs. Defying our expectations of time and space, Dorothy…
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πΒ RETURN TO FIRST IMPRESSIONSπΒ RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Identity, Home and Writing Elsewhere. Jennifer Wong, Identity, Home and Writing Elsewhere in Contemporary Chinese Diaspora Poetry, Bloomsbury, 2023. Jennifer…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Brian Sze-hang Kwok, Fading Neon Lights: An Archive of Hong Kongβs Visual Culture, City University of Hong Kong Press, 2023. 202 pgs. Brian Sze-hang Kwok may not know the…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Tan Twan Eng, The House of Doors, Canongate, 2023. 320 pgs. Third novels can be tricky. The second has to prove the first was not a fluke. Something more…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Ozawa Minoru (author), Janine Beichman (translator), Well-Versed: Exploring Modern Japanese Haiku, with photography by Maeda ShinzΕ and Akira, Japan Publishing Industry Foundation for Culture, 2021. 375 pgs. Haiku has…
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πΒ RETURN TO FIRST IMPRESSIONSπΒ RETURN TO CHA REVIEW OF BOOKS AND FILMS ClickΒ HERE to readΒ all entries inΒ ChaΒ onΒ Chungking Express. Wong Kar-wai (director), Chungking Express, 1994. 92 min. Whenever I think of Wong Kar-waiβs Chungking Express I hear California Dreaminβ by The Mamas…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Chan Tze-Woon (director), Blue Island, 2022. 97 min. A history student, I linger in the Hong Kong Museum of Historyβs condensed Hong Kong Story exhibition: one room per millennium,…
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS [FIRST IMPRESSIONS] βBeijing Bubbles: Andrew Fieldβs Rocking Chinaβ by Matt Turner Andrew Field, Rocking China: Rock Music Scenes in Beijing, Shanghai & Beyond, Earnshaw Books, 2023. 212 pgs. You can listen…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Yudho Aditya (director), Pria, 2017. 22 min. In a world where heterosexuality is still considered the norm, there remain many deterrents for LGBT people from embracing their queerness. And,…
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lt usually takes me two short scooter rides, a session on the Puyuma express train, and a fair amount of walking and waiting to get to and from work every day. I’ve recently given up riding my second scooter from…
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πΒ RETURN TO FIRST IMPRESSIONSπΒ RETURN TO CHA REVIEW OF BOOKS AND FILMS ClickΒ HERE to readΒ all entries inΒ ChaΒ onΒ How Kyoto Breaks Your Heart. Florentyna Leow, How Kyoto Breaks Your Heart, The Emma Press, 2023. 152 pgs. I open Florentyna Leowβs How Kyoto Breaks…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Soetsu Yanagi, The Beauty of Everyday Things, Penguin, 2018. 352 pgs. The best book purchases are those of volumes discovered serendipitously on a shop shelf, just as the best…
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TH: We are pleased to present an exclusive essay by Frances An on her forthcoming novel, Ladder Brake. Frances also offered us an excerpt from the book. On Writing Ladder Brake by Frances An After her high-achieving older sister disappears,…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Nathan Go, Forgiving Imelda Marcos, Farrar, Straus and Giroux, 2023. 240 pgs. Nathan Goβs novel Forgiving Imelda Marcos comes at a kind of global cultural moment for things Filipino and…
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Translated from the Chinese original, also available below, by the author. Drawing of Mimi by the author. Mimi Iβd like to tell you about Mimi. Sheβs a cat, the shop cat of Taihing Fresh Fruit Store, downstairs in the Tai…
![[FEMINISMS] “Three Generations” by Tingting Hu](https://chajournal.com/wp-content/uploads/2023/07/three-generations-tingting-hu-1.png?w=936)
![[FEMINISMS] βChinese Migrant Workers: Staging 1965’s Shanghai in 2017’s Picunβ by Yihan Lulu Wang](https://chajournal.com/wp-content/uploads/2023/07/yihang-lulu-wang.png?w=1024)
![[FEMINISMS] “Fan Yusu Decided to Live Off a Rich Man” by Siyu Liu](https://chajournal.com/wp-content/uploads/2023/07/01.jpg?w=640)
![[FEMINISMS] βChinese Queer Feminist Poetic Intimacies: A Translation Playβ by Huiyin Zhou and Fran Yu with Chinese Artists and Organizers Collective](https://chajournal.com/wp-content/uploads/2023/07/aoc-collective.jpg?w=500)
![[FEMINISMS] “Daybreak” by Lux Chen](https://chajournal.com/wp-content/uploads/2023/07/daybreak4-1.jpg?w=1024)
![[REVIEW] βI Will Always Return: Reading ππππππ πππππ and πβπππ πΈππ πβ by Vaughan Rapatahana](https://chajournal.com/wp-content/uploads/2023/07/where-else-making-space.png?w=1024)
![[REVIEW] βEnfleshing Horror: Jay McRoyβs πππβπ‘ππππ π½ππππβ by Junnan Chen](https://chajournal.com/wp-content/uploads/2023/07/nightmare-japan-1.jpg?w=1024)
![[REVIEW] βThe Paradigm to Emulate is the Salarymenβ by Mario Rustan](https://chajournal.com/wp-content/uploads/2023/07/group-of-salarymen.webp?w=1000)
![[REVIEW] βThe Shadow of Hong Kong in Dorothy Tse’s ππ€πππ ββ by Michelle Suen](https://chajournal.com/wp-content/uploads/2023/05/dorothy-tse-cha-an-asian-literary-journal.jpg?w=1024)
![[FIRST IMPRESSIONS] “Michihito Fujii on Netflix” by Paul French](https://chajournal.com/wp-content/uploads/2023/07/michihito-fujii-1.png?w=1024)
![[REVIEW] βOblong Oblong: Mirror Words in Transit in Don Mee Choiβs π·ππ πΆππππ𦔠by Pareys Liu Yiyi](https://chajournal.com/wp-content/uploads/2023/07/dmz_colony_cover_for_web-copy.jpg?w=498)
![[FIRST IMPRESSIONS] βOn a Yellow Sticker: πβπ πΊππ‘π ππ π»πππ£ππππ¦ πππππβ by J. Chen](https://chajournal.com/wp-content/uploads/2023/07/gate-of-heavenly-peace.jpeg?w=366)
![[REVIEW] βVibrant Setting of Ancient China: Lisa Seeβs πΏπππ¦ πππβπ πΆπππππ ππ πππππβ by Emma Pei Yin](https://chajournal.com/wp-content/uploads/2023/07/lisa-see_lady-tans-circle-of-women-copy.jpg?w=664)
![[REVIEW] βPoetry of the Nomads: Jennifer Wongβs πΌππππ‘ππ‘π¦, π»πππ πππ ππππ‘πππ πΈππ ππ€βπππ ππ πΆπππ‘ππππππππ¦ πΆβππππ π π·πππ ππππ ππππ‘ππ¦β by Emma Zhang](https://chajournal.com/wp-content/uploads/2023/06/jennifer-wong-cha-identity-home-and-writing-elsewhere.png?w=1024)
![[FIRST IMPRESSIONS] βWhere Are the Other Voices We Want to Hear? Reading π
ππππππ πΏππππ‘π ππ ππβπππβ by Garfield Chow](https://chajournal.com/wp-content/uploads/2023/07/reading-lolita-in-tehran-1.jpeg?w=675)
![[REVIEW] βPangs of Things That Have PassedβBrian Sze-hang Kwok’s πΉπππππ ππππ πΏππβπ‘π : π΄π π΄ππβππ£π ππ π»πππ πΎπππβπ πππ π’ππ πΆπ’ππ‘π’ππβ by Lian-Hee Wee](https://chajournal.com/wp-content/uploads/2023/06/29.jpg?w=1024)
![[REVIEW] βSome Private Morsel of Your Own: Tan Twan Engβs πβπ π»ππ’π π ππ π·ππππ β by Douglas Kerr](https://chajournal.com/wp-content/uploads/2023/06/the-house-of-doors-1.jpg?w=1024)
![[REVIEW] βBeautifully ProducedβOzawa Minoruβs ππππ-ππππ ππ: πΈπ₯πππππππ ππππππ π½ππππππ π π»ππππ’β by Michael Tsang](https://chajournal.com/wp-content/uploads/2023/06/well-versed.png?w=1024)
![[FIRST IMPRESSIONS] βTwo Stories in One: Wong Kar-waiβs πΆβπ’ππππππ πΈπ₯ππππ π β by e rathke](https://chajournal.com/wp-content/uploads/2023/06/chungking-express.jpg?w=1000)
![[FIRST IMPRESSIONS] βA Hong Kong History in Chan Tze-Woonβs π΅ππ’π πΌπ ππππβ by Michelle Suen](https://chajournal.com/wp-content/uploads/2023/06/blue-island.png?w=1024)
![[FIRST IMPRESSIONS] βBeijing Bubbles: Andrew Fieldβs π
ππππππ πΆβπππβ by Matt Turner](https://chajournal.com/wp-content/uploads/2023/06/rocking-china-copy.jpg?w=1024)
![[FIRST IMPRESSIONS] βTraditionalist Material Symbols in Yudho Adityaβs ππππβ by Upasana Dandona](https://chajournal.com/wp-content/uploads/2023/06/pria-fi.jpg?w=600)
![[EXCLUSIVE] βThe Temptation of the Claw Machine’s RevengeβΒ by Quenntis Ashby](https://chajournal.com/wp-content/uploads/2023/06/the-24-hour-claw-machine-arcade-on-the-corner-of-fuxing-road-and-lide-street-copy.jpg?w=1022)
![[REVIEW] βShelter Amid Unfamiliar Rains: Florentyna Leowβs π»ππ€ πΎπ¦ππ‘π π΅πππππ πππ’π π»ππππ‘β by Ari Santiago](https://chajournal.com/wp-content/uploads/2023/06/how-kyoto-breaks-your-heart-1.jpg?w=1024)
![[FIRST IMPRESSIONS] βCraft Work: Soetsu Yanagiβs πβπ π΅πππ’π‘π¦ ππ πΈπ£πππ¦πππ¦ πβππππ β by Oliver Farry](https://chajournal.com/wp-content/uploads/2023/06/onta-ware-collected-by-yanagi-soetsu.jpg?w=1024)
![[EXCLUSIVE] “On Writing πΏπππππ π΅ππππ” by Frances An](https://chajournal.com/wp-content/uploads/2023/06/ladder-brake-1.png?w=1024)
![[REVIEW] βOne Fatherβs Regret: Nathan Goβs πΉπππππ£πππ πΌπππππ ππππππ β by Noelle Q. de Jesus](https://chajournal.com/wp-content/uploads/2023/06/forgiving-imelda-marcos-1.jpg?w=900)
![[EXCLUSIVE] “Mimi” by Jasmine Tong](https://chajournal.com/wp-content/uploads/2023/06/mimi_jasmine-tong_cha-an-asian-literary-journal-1.jpg?w=1024)