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    CALLS FOR SUBMISSIONS: First Impressions, Essays, En Route, Xi Xiβ€”Can We Say, Write to Power, and Auditory Cortex

    Header artwork by Annysa Ng 茢 First Impressionsclick for information 茢 Essays click for information 茢 En Routeclick for information 茢 XI XIβ€”Can We Sayclick for information 茢 Write to Powerclick for information 茢 Auditory Cortexclick for information

  • [REVIEW] “Chi Pang-yuan’s π‘‡β„Žπ‘’ πΊπ‘Ÿπ‘’π‘Žπ‘‘ πΉπ‘™π‘œπ‘€π‘–π‘›π‘” π‘…π‘–π‘£π‘’π‘Ÿ: 𝐴 π‘€π‘’π‘šπ‘œπ‘–π‘Ÿ π‘œπ‘“ πΆβ„Žπ‘–π‘›π‘Ž, π‘“π‘Ÿπ‘œπ‘š π‘€π‘Žπ‘›π‘β„Žπ‘’π‘Ÿπ‘–π‘Ž π‘‘π‘œ π‘‡π‘Žπ‘–π‘€π‘Žπ‘›” by Paoi Wilmer

    {Written by Paoi Wilmer, this review is part of Issue 42 (January 2019) of Cha.} {Return to Cha Review of Books and Films.} Chi Pang-yuan (author), John Balcom (translator), The Great Flowing River: A Memoir of China, from Manchuria to Taiwan,…

    Nov 18, 2018
    [REVIEW] “Chi Pang-yuan’s π‘‡β„Žπ‘’ πΊπ‘Ÿπ‘’π‘Žπ‘‘ πΉπ‘™π‘œπ‘€π‘–π‘›π‘” π‘…π‘–π‘£π‘’π‘Ÿ: 𝐴 π‘€π‘’π‘šπ‘œπ‘–π‘Ÿ π‘œπ‘“ πΆβ„Žπ‘–π‘›π‘Ž, π‘“π‘Ÿπ‘œπ‘š π‘€π‘Žπ‘›π‘β„Žπ‘’π‘Ÿπ‘–π‘Ž π‘‘π‘œ π‘‡π‘Žπ‘–π‘€π‘Žπ‘›” by Paoi Wilmer
  • [Review] There’s No Place Like Home: Nashua Gallagher’s All the Words a Stage

    {Written by Nina Powles, this review is part of Issue 42 (January 2019) of Cha.}Β {Return to Cha Review of Books and Films.} Nashua Gallagher, All the Words a Stage, Chameleon Press, 2018. 102 pgs. “They place me in new soil…

    Nov 18, 2018
    [Review] There’s No Place Like Home: Nashua Gallagher’s All the Words a Stage
  • [Review] An Anatomy of Trauma: Jenna Le’s A History of the Cetacean American Diaspora

    {Written by John W. Steele, this review is part of Issue 42 (January 2019) of Cha.}Β {Return to Cha Review of Books and Films.} Jenna Le, A History of the Cetacean American Diaspora, Indolent Books, 2018. 94 pgs. In this stunning…

    Nov 18, 2018
    [Review] An Anatomy of Trauma: Jenna Le’s A History of the Cetacean American Diaspora
  • [REVIEW] “Spreading the Genre: A review of πΆπ‘œπ‘›π‘‘π‘’π‘šπ‘π‘œπ‘Ÿπ‘Žπ‘Ÿπ‘¦ πΆβ„Žπ‘–π‘›π‘’π‘ π‘’ π‘†β„Žπ‘œπ‘Ÿπ‘‘-π‘†β„Žπ‘œπ‘Ÿπ‘‘ π‘†π‘‘π‘œπ‘Ÿπ‘–π‘’π‘ ” by Maialen Marin-Lacarta

    {Written by Maialen Marin-Lacarta, this review is part of Issue 42 (December 2018) of Cha.} {Return to Cha Review of Books and Films.} Aili Mu (translator and editor) with Mike Smith (contributor), Contemporary Chinese Short-Short Stories: A Parallel Text, Columbia University…

    Nov 9, 2018
    [REVIEW] “Spreading the Genre: A review of πΆπ‘œπ‘›π‘‘π‘’π‘šπ‘π‘œπ‘Ÿπ‘Žπ‘Ÿπ‘¦ πΆβ„Žπ‘–π‘›π‘’π‘ π‘’ π‘†β„Žπ‘œπ‘Ÿπ‘‘-π‘†β„Žπ‘œπ‘Ÿπ‘‘ π‘†π‘‘π‘œπ‘Ÿπ‘–π‘’π‘ ” by Maialen Marin-Lacarta
  • “Reflections on Poetry as Portraiture: Maryknoll Convent School” by Antony Huen

    I was delighted to be invited by Maryknoll Convent School (Secondary Section) to offer three rounds of one-hour poetry writing workshops as part of the Cha Writing Workshop Series. I taught fourth, fifth and sixth form students on 15, 26…

    Nov 7, 2018
    “Reflections on Poetry as Portraiture: Maryknoll Convent School” by Antony Huen
  • [REVIEW] “On the New Translation of Eileen Chang’s 𝐿𝑖𝑑𝑑𝑙𝑒 π‘…π‘’π‘’π‘›π‘–π‘œπ‘›π‘ ” by Susan Blumberg-Kason

    {Written by Susan Blumberg-Kason, this review is part of Issue 42 (January 2019) of Cha.} {Return to Cha Review of Books and Films.} Editors’ note: Read a response from the translators of Little Reunions, Jane Weizhen Pan and Martin Merz here and…

    Nov 7, 2018
    [REVIEW] “On the New Translation of Eileen Chang’s 𝐿𝑖𝑑𝑑𝑙𝑒 π‘…π‘’π‘’π‘›π‘–π‘œπ‘›π‘ ” by Susan Blumberg-Kason
  • [Review] “Preserving the Unspoken Past: Su Tong’s Petulia’s Rouge Tin” by Ronald Torrance

    {Written by Ronald Torrance, this review is part of Issue 42 (January 2019) of Cha.} {Return to Cha Review of Books and Films.} Su Tong (author), Jane Weizhen Pan (translator) and Martin Merz (translator), Petulia’s Rouge Tin, Penguin, 2018. 106 pgs.…

    Nov 6, 2018
    [Review] “Preserving the Unspoken Past: Su Tong’s Petulia’s Rouge Tin” by Ronald Torrance
  • [REVIEW] “‘So punk in drublic’; or, ‘Stepping in her footprints to erase your being here’β€”Kawika Guillermo’sΒ Stamped: An Anti-travel Novel” by Jason S Polley

    {Written by Jason S Polley, this review is part of Issue 42 (January 2019) of Cha.} {Return to Cha Review of Books and Films.} Kawika Guillermo, Stamped: An Anti-travel Novel, Westphalia, 2018. 360 pgs. He understood that need to escape, but…

    Nov 4, 2018
    [REVIEW] “‘So punk in drublic’; or, ‘Stepping in her footprints to erase your being here’β€”Kawika Guillermo’sΒ Stamped: An Anti-travel Novel” by Jason S Polley
  • “Reading and Writing Poetry with Visual Images: St. Rose of Lima’s College” by Eddie Tay

    I have had the pleasure of conducting a poetry writing workshop, part of the Cha Writing Workshop Series, at St. Rose of Lima’s College on Wednesday 24Β October 2018 at the invitation of Ms. Ivy Ng, the panel chairperson at the…

    Nov 4, 2018
    “Reading and Writing Poetry with Visual Images: St. Rose of Lima’s College” by Eddie Tay
  • HONG KONG STUDIESβ€”Issue 4 (Fall 2019) Call for Papersβ€”General Research Articles

    The first bilingual and interdisciplinary academic journal on Hong Kong, Hong Kong Studies (Chinese University Press), is now accepting general research articles on Hong Kong for Issue 4 (scheduled for publication in Fall 2019). . We welcome papers from multiple…

    Oct 25, 2018
    HONG KONG STUDIESβ€”Issue 4 (Fall 2019) Call for Papersβ€”General Research Articles
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Cha

Cha: An Asian Literary Journal
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Asian Cha Daily chajournal.com
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