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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Tang Shu-wing (director), Bhagavad Gita, West Kowloon Cultural District, 2023. One of the most thought-provoking stage performances of the summer of 2023 is Tang Shu-wing’s Bhagavad Gita. Shown in…
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Click HERE to read an essay by Agnes Chew and an excerpt from Eternal Summer of Homeland. 📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Agnes Chew, Eternal Summer of My Homeland, Epigram Books, 2023. 184 pgs.…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Mamoru Hosada (director), Wolf Children, 2012. 117 min. A story about a single mother trying to bring up two half-Japanese children on her own might naturally be of interest…
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❀ Main Page❀ Three Generations❀ Fan Yusu Decided to Live Off a Rich Man❀ Chinese Migrant Workers: Staging 1965’s Shanghai in 2017’s Picun❀ Chinese Queer Feminist Poetic Intimacies: A Translation Play❀ Daybreak . “Three Generations” is a response to Hui…
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❀ Main Page❀ Three Generations❀ Fan Yusu Decided to Live Off a Rich Man❀ Chinese Migrant Workers: Staging 1965’s Shanghai in 2017’s Picun❀ Chinese Queer Feminist Poetic Intimacies: A Translation Play❀ Daybreak . This role-play game script is a creative…
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❀ Main Page❀ Three Generations❀ Fan Yusu Decided to Live Off a Rich Man❀ Chinese Migrant Workers: Staging 1965’s Shanghai in 2017’s Picun❀ Chinese Queer Feminist Poetic Intimacies: A Translation Play❀ Daybreak . “Fan Yusu Decided to Live Off a…
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❀ Main Page❀ Three Generations❀ Fan Yusu Decided to Live Off a Rich Man❀ Chinese Migrant Workers: Staging 1965’s Shanghai in 2017’s Picun❀ Chinese Queer Feminist Poetic Intimacies: A Translation Play❀ Daybreak . “Daybreak” is inspired by The Vagina Monologues…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Making Space.Click HERE to read all entries in Cha on Where Else. ❀ Nicolette Wong (editor), Making Space: A Collection of Writing and Art, Cart Noodles Press, 2023. 163 pgs.❀…


![[REVIEW]“Detachment in the Cycle of Kali Yuga: A Review of Tang Shu-wing’s 𝐵ℎ𝑎𝑔𝑎𝑣𝑎𝑑 𝐺𝑖𝑡𝑎” by Emma Zhang](https://chajournal.com/wp-content/uploads/2023/07/bhagavad-gita-1.jpg?w=1024)
![[REVIEW] “Stragglers in Singapore: Agnes Chew’s 𝐸𝑡𝑒𝑟𝑛𝑎𝑙 𝑆𝑢𝑚𝑚𝑒𝑟 𝑜𝑓 𝑀𝑦 𝐻𝑜𝑚𝑒𝑙𝑎𝑛𝑑” by Frances An](https://chajournal.com/wp-content/uploads/2023/07/eternal-summer-of-my-homeland.png?w=1024)
![[FIRST IMPRESSIONS] “𝑊𝑜𝑙𝑓 𝐶ℎ𝑖𝑙𝑑𝑟𝑒𝑛 as a Statement on Parenthood and Modern Japan” by Jeremiah Dutch](https://chajournal.com/wp-content/uploads/2023/07/wolf-children.jpg?w=1020)
![[FEATURE] Feminisms with Chinese Characteristics: A 𝐶ℎ𝑎 Symposium](https://chajournal.com/wp-content/uploads/2023/07/screenshot-2023-07-18-at-12.03.52-1.png?w=1024)
![[FEMINISMS] “Three Generations” by Tingting Hu](https://chajournal.com/wp-content/uploads/2023/07/three-generations-tingting-hu-1.png?w=936)
![[FEMINISMS] “Chinese Migrant Workers: Staging 1965’s Shanghai in 2017’s Picun” by Yihan Lulu Wang](https://chajournal.com/wp-content/uploads/2023/07/yihang-lulu-wang.png?w=1024)
![[FEMINISMS] “Fan Yusu Decided to Live Off a Rich Man” by Siyu Liu](https://chajournal.com/wp-content/uploads/2023/07/01.jpg?w=640)
![[FEMINISMS] “Chinese Queer Feminist Poetic Intimacies: A Translation Play” by Huiyin Zhou and Fran Yu with Chinese Artists and Organizers Collective](https://chajournal.com/wp-content/uploads/2023/07/aoc-collective.jpg?w=500)
![[FEMINISMS] “Daybreak” by Lux Chen](https://chajournal.com/wp-content/uploads/2023/07/daybreak4-1.jpg?w=1024)
![[REVIEW] “I Will Always Return: Reading 𝑀𝑎𝑘𝑖𝑛𝑔 𝑆𝑝𝑎𝑐𝑒 and 𝑊ℎ𝑒𝑟𝑒 𝐸𝑙𝑠𝑒” by Vaughan Rapatahana](https://chajournal.com/wp-content/uploads/2023/07/where-else-making-space.png?w=1024)