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[REVIEW] “Saying Goodbye: Xu Xi’s π·πππ π»πππ πΎπππ” by Mike Ingham
{Written by Mike Ingham, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} Xu Xi, Dear Hong Kong: An Elegy For A City, Penguin, 2017. 156 pgs. Let…
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{Written by Jason S Polley, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Christopher DeWolf, Borrowed…
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{Written by Susan Blumberg-Kason, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} Joe Piscatella (director), Joshua: Teenager vs. Superpower, 2017. 78 min. When Occupy movements sprung…
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{Written by Karen Fang, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} β Ann Hui (director), Our Time Will Come (Ming yue ji shi you), 2017.…
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{Written by Douglas Kerr, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} Chan Ho-Kei (author), Jeremy Tiang (translator), The Borrowed, Head of Zeus, 2016. 496 pgs.…
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{Written by Matt Turner, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.}Β {Return to Cha Review of Books and Films} Simon Cartledge, A System Apart: Hong Kong’s Political Economy from 1997 until Now, Penguin, 2017.…
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Cha: An Asian Literary JournalΒ is now calling for submissions for Issue 39, scheduled for publication in March 2018. Please send in (preferably Asian-themed) poetry, fiction, creative non-fiction, reviews, photography & art for consideration. Submission guidelines can be foundΒ here. Deadline: 31…
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UPDATE (Sunday 22 April 2018): Please click here to see the list of winners and finalists. This contest, entitled βAuditory Cortexβ, is run by the first and only Hong Kong-based English-language free-access online literary journal,Β Cha: An Asian Literary Journal. The…
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Cha Reading Series takes the online journal out into the physical world. It brings together poets, writers, translators and artists who are in some way or other affiliated withΒ Cha. Readings will take place in various impromptu locations across the city,…
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The Hong Kong academic Wong Kwok Kui’s preface to the philosophy book Unsleeping Philosophy (Commercial Press, 2017) was removed after he refused to amend a passage referencing the Umbrella Movement (Hong Kong Free Press). Here, Cha presents the censored preface,…


![[REVIEW] “Saying Goodbye: Xu Xi’s π·πππ π»πππ πΎπππ” by Mike Ingham](https://chajournal.com/wp-content/uploads/2017/11/xu-xi_dear-hong-kong.jpg?w=400)
![[REVIEW] “Impromptu Performances and Wild Exhibitions: Christopher DeWolf’s π΅πππππ€ππ ππππππ : πΏπππ π΅ππ‘π€πππ π‘βπ πΆπππππ ππ ππππππ π»πππ πΎπππ” by Jason S Polley](https://chajournal.com/wp-content/uploads/2017/11/97807343108591.jpg?w=400)
![[Review] A Leap of Faith: Joe Piscatella’s Joshua: Teenager vs. Superpower](https://chajournal.com/wp-content/uploads/2017/11/joshua.jpg?w=665)
![[REVIEW] “War Films: Ann Hui’s ππ’π ππππ ππππ πΆπππ and Christopher Nolan’s π·π’πππππ” by Karen Fang](https://chajournal.com/wp-content/uploads/2017/11/our-time-will-come_dunkirk_cha.jpg?w=1024)
![[REVIEW] “A History of Hong Kong in Six Cases: Chan Ho-Kei’s πβπ π΅πππππ€ππ” by Douglas Kerr](https://chajournal.com/wp-content/uploads/2017/11/the-borrowed-chan-ho-kei.jpg?w=600)
![[REVIEW] “Between a Rock: Simon Cartledge’s π΄ ππ¦π π‘ππ π΄ππππ‘: π»πππ πΎπππ’π πππππ‘ππππ πΈππππππ¦ ππππ 1997 ππππ πππ€” by Matt Turner](https://chajournal.com/wp-content/uploads/2017/11/simon-cartledge_a-system-apart.jpg?w=872)



