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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [FIRST IMPRESSIONS] “Metamorphosis and Memory in Dorothy Tse’s City Like Water” by Jonathan Han Dorothy Tse (author), Natascha Bruce (translator). City Like Water, Graywolf Press, 2026. 112 pgs. Dorothy Tse’s City…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “When Goodbyes Are Not Permanent: Kit Fan’s Goodbye Chinatown” by Susan Blumberg-Kason Click HERE to read all entries in Chaon Goodbye Chinatown. Kit Fan, Goodbye Chinatown, World Editions, 2026. 268…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “Contradictions Amidst a Nation Aborted in Jun Robles Lana’s Sisa” by Lorence Lozano Jun Robles Lana (director), Sisa, 2025. 115 min. After its world premiere last year at the 29th…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “Bittersweet Fusion: Taste, Pain, and Fate in Kit Fan’s Goodbye Chinatown” by Angus Stewart Click HERE to read all entries in Chaon Goodbye Chinatown. Kit Fan, Goodbye Chinatown, World Editions,…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “The Shame Economy: Caste as Currency in Mulk Raj Anand’s Untouchable” by Abhinav Tulachan Mulk Raj Anand, Untouchable, Wishart Books Ltd., 1935. 160 pgs. “In a country where caste is…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS Editor’s note: Beth Adams approaches Do You Like Brahms?, a Korean TV drama set within a prestigious Seoul music school, through her enduring interest in Asian television that explores artistic vocation,…
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[ESSAY] “Does MOCA Bangkok Have a Soft Porn Problem?” by Daniel Gauss It is time for museums, especially those dedicated to contemporary art, finally to understand the objectification of women. It is also time to ask why one of Asia’s…
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[ESSAY] “FOUR TWENTY PM: A.T. Apichart at the National Gallery of Thailand” by Daniel Gauss There is a famous painting by Caravaggio of St Jerome translating the Bible. He is old, gaunt, and frail, and he works with a skull…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “Claire Lee’s On The Verge: Silence, Urban & City Life, and Quiet Chaos” by Tin Yuet Tam Click HERE to read all entries in Chaon On the Verge. Claire Lee, On the Verge, Independently…


![[REVIEW] “Gods, Ghosts, and the Lunar Year: Reading Joan Mee Nar Law and Barbara E. Ward’s 𝐶ℎ𝑖𝑛𝑒𝑠𝑒 𝐹𝑒𝑠𝑡𝑖𝑣𝑎𝑙𝑠” by Simon Patton](https://chajournal.com/wp-content/uploads/2026/03/41leivsiyil.jpg?w=500)
![[FIRST IMPRESSIONS] “Metamorphosis and Memory in Dorothy Tse’s 𝐶𝑖𝑡𝑦 𝐿𝑖𝑘𝑒 𝑊𝑎𝑡𝑒𝑟” by Jonathan Han](https://chajournal.com/wp-content/uploads/2026/03/city-like-water-dorothy-tse-cha-an-asian-literary-journal.jpg?w=1000)
![[REVIEW] “When Goodbyes Are Not Permanent: Kit Fan 𝐺𝑜𝑜𝑑𝑏𝑦𝑒 𝐶ℎ𝑖𝑛𝑎𝑡𝑜𝑤𝑛 by” by Susan Blumberg-Kason](https://chajournal.com/wp-content/uploads/2026/03/goodbye-chinatown-kit-fan-cha.jpg?w=938)
![[REVIEW] “Contradictions Amidst a Nation Aborted in Jun Robles Lana’s 𝑆𝑖𝑠𝑎” by Lorence Lozano](https://chajournal.com/wp-content/uploads/2026/03/sisa-directed-by-jun-lana.jpg?w=1024)
![[REVIEW] “The Shame Economy: Caste as Currency in Mulk Raj Anand’s 𝑈𝑛𝑡𝑜𝑢𝑐ℎ𝑎𝑏𝑙𝑒” by Abhinav Tulachan](https://chajournal.com/wp-content/uploads/2026/03/untouchable-mulk-raj-anand-1.jpg?w=979)
![[ESSAY] “Music, Ambition, and Quiet Longing in 𝐷𝑜 𝑌𝑜𝑢 𝐿𝑖𝑘𝑒 𝐵𝑟𝑎ℎ𝑚𝑠?” by Beth Adams](https://chajournal.com/wp-content/uploads/2026/02/do-you-like-brahms_.jpg?w=426)
![[ESSAY] “Does MOCA Bangkok Have a Soft Porn Problem?” by Daniel Gauss](https://chajournal.com/wp-content/uploads/2026/03/museum_of_contemporary_art_moca_bangkok_thailand_-_20161201-05.jpg?w=1024)
![[ESSAY] “FOUR TWENTY PM: A.T. Apichart at the National Gallery of Thailand” by Daniel Gauss](https://chajournal.com/wp-content/uploads/2025/03/https-__www.facebook.com_photo__fbid2572090546292510seta.633624243472493.jpg?w=1024)
![[REVIEW] “Claire Lee’s On The Verge: Silence, Urban & City Life, and Quiet Chaos” by Tin Yuet Tam](https://chajournal.com/wp-content/uploads/2025/12/on-the-verge_claire-lee.png?w=1024)