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I know that you created Cha because Hong Kong lacked an outlet for writers, can you tell me your initial thoughts and how the magazine was formed? I won’t say that Hong Kong ‘lacks’ an outlet for writers. A lot…
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What is it like being a writer in a place like Hong Kong? Is it a nurturing environment? Is Hong Kong a nurturing environment for writers? Absolutely. You just need to open up yourself and participate. However, the city will…
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– Henry W. Leung, reviewer for Lantern Review, has written an extensive review of the current edition of Cha (Issue #12); the review is now available on the LR blog. Henry emphasises, among other things, the Asian-themed poetry (‘Most of the…
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– Michelle Cahill’s short story “The Sadhu” is now published in the November 2010 issue of Transnational Literature. You can read the story here [pdf]. – – Michelle Cahill’s poetry was published in issue #2 of Cha – –
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Have you seen any changes in terms of subjects contributors write about, as well as writing style? We see changes in each issue as the types of submissions coming in vary and the taste of the guest editor influences the…
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Read Kavita Jindal’s review of Tradesman’s Exit by Mike Bartholomew-Biggs on Eyewear here. – – Kavita Jindal’s poetry was published in issue #1 of Cha. — –
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This was originally posted on 2nd October, 2010. –John Hollander’s “Kitty: Black Domestic Shorthair” in Types of Shape (1991) ––
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Watch the book trailer for Greg Santos’s debut poetry collection, The Emperor’s Sofa (DC Books, 2010). – – Greg Santos’s poetry was published in issue #10 of Cha. – –
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This post was originally written on 17th June, 2009.– Tonight we went to watch Samuel Beckett’s Waiting for Godot, a tragi-comedy. (Also see my review of Krapp’s Last Tape.) The production stars Ian McKellen (Estragon) and Patrick Stewart (Vladimir). I…
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I understand there are also similar journals such as the Asia Literary Review, what would you say distinguishes the two? First of all, I think Asia Literary Review is an excellent journal and I commend them for their effort and…
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