• Robert Raymer’s Lovers and Strangers Revisited will be translated into French by Éditions GOPE. The French version will be sold in France, Switzerland, Belgium and Asian places such as Hong Kong, Thailand and Cambodia. You can go to Robert’s website and…

  • POETS FOR PLAYS “Some of the city’s most well-known poets bring the love at an Infinitheatre fundraiser this Sunday, Feb. 13 from 5–7 p.m. at Bain St-Michel (5300 St-Dominique). Mike Spry, Gillian Sze, Mary di Michele, and others will read the love…

  • – Lyn Lifshin’s poem “” is now published in the February 2011 issue of The Orange Room Review. Read it here. – Lyn Lifshin’s poems were published in issue 4 and issue 10 of Cha –

  • Winnie Chau – Winnie Chau’s poem “The Finger-biting Girl”, previously published in The Delinquent, is now featured on Eyewear. Read it here. – Winnie Chau’s poem “her story” was published in Issue #4 of Cha. –

  • Kudos 86 JANUARY/FEBRUARY 2011 Runs mainly from the end of January right up to mid March, and beyond in some cases – £3.00         THE SWEET SMELL OF SUCCESS  and loads of dough with The Biscuit Prize Ver-ily there’s some tasty stuff…

  • – Steven Digman’s The Moving of Art, photographs in the fine-art of transportation, is now available here. Steven Digman’s photography was published in Issue 10 of Cha. – –

  • – Ivy Alvarez’s “Tilt”, written in response to Makaelathe’s (aged 7) “The Viollisa Bird” is now featured on BIG Kids Magazine. Ivy’s piece begins with the following: Every airport has a particular smell. Hong Kong International Airport’s a dried fish/market…

  • – Kristine Ong Muslim’s poem “Almost Midnight” is now published in Schrodinger’s Mouse.  – Kristine Ong Muslim’s poetry was published in issue #9 of Cha. –

  • Every now and then it is very nice to go to a quiet museum that is not swamped with visitors, especially one that does not oppress you with one thousand pieces of art or more to see. Today, as part…

  • “Oysters” by Edouard Manet, 1862  Shall the world, then, be overrun by oysters? What? Apart from this? Sarah Waters in Tipping the Velvet (1998) tells us more: I opened no more shells for Kitty, for she managed them herself. ‘Look…