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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Mamoru Hosada (director), Wolf Children, 2012. 117 min. A story about a single mother trying to bring up two half-Japanese children on her own might naturally be of interest…
![[FIRST IMPRESSIONS] “𝑊𝑜𝑙𝑓 𝐶ℎ𝑖𝑙𝑑𝑟𝑒𝑛 as a Statement on Parenthood and Modern Japan” by Jeremiah Dutch](https://chajournal.com/wp-content/uploads/2023/07/wolf-children.jpg?w=1020)
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. What do feminisms mean to you? Whose feminisms? Do Chinese interpretations of feminisms accord with or contradict your own views? Perhaps you have not thought of these questions, especially the last one. This special collaboration between editors of Feminisms…
![[FEATURE] Feminisms with Chinese Characteristics: A 𝐶ℎ𝑎 Symposium](https://chajournal.com/wp-content/uploads/2023/07/screenshot-2023-07-18-at-12.03.52-1.png?w=1024)
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❀ Main Page❀ Three Generations❀ Fan Yusu Decided to Live Off a Rich Man❀ Chinese Migrant Workers: Staging 1965’s Shanghai in 2017’s Picun❀ Chinese Queer Feminist Poetic Intimacies: A Translation Play❀ Daybreak . “Three Generations” is a response to Hui…
![[FEMINISMS] “Three Generations” by Tingting Hu](https://chajournal.com/wp-content/uploads/2023/07/three-generations-tingting-hu-1.png?w=936)
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❀ Main Page❀ Three Generations❀ Fan Yusu Decided to Live Off a Rich Man❀ Chinese Migrant Workers: Staging 1965’s Shanghai in 2017’s Picun❀ Chinese Queer Feminist Poetic Intimacies: A Translation Play❀ Daybreak . This role-play game script is a creative…
![[FEMINISMS] “Chinese Migrant Workers: Staging 1965’s Shanghai in 2017’s Picun” by Yihan Lulu Wang](https://chajournal.com/wp-content/uploads/2023/07/yihang-lulu-wang.png?w=1024)
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❀ Main Page❀ Three Generations❀ Fan Yusu Decided to Live Off a Rich Man❀ Chinese Migrant Workers: Staging 1965’s Shanghai in 2017’s Picun❀ Chinese Queer Feminist Poetic Intimacies: A Translation Play❀ Daybreak . “Fan Yusu Decided to Live Off a…
![[FEMINISMS] “Fan Yusu Decided to Live Off a Rich Man” by Siyu Liu](https://chajournal.com/wp-content/uploads/2023/07/01.jpg?w=640)
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❀ Main Page❀ Three Generations❀ Fan Yusu Decided to Live Off a Rich Man❀ Chinese Migrant Workers: Staging 1965’s Shanghai in 2017’s Picun❀ Chinese Queer Feminist Poetic Intimacies: A Translation Play❀ Daybreak . This translation play is a response to…
![[FEMINISMS] “Chinese Queer Feminist Poetic Intimacies: A Translation Play” by Huiyin Zhou and Fran Yu with Chinese Artists and Organizers Collective](https://chajournal.com/wp-content/uploads/2023/07/aoc-collective.jpg?w=500)
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❀ Main Page❀ Three Generations❀ Fan Yusu Decided to Live Off a Rich Man❀ Chinese Migrant Workers: Staging 1965’s Shanghai in 2017’s Picun❀ Chinese Queer Feminist Poetic Intimacies: A Translation Play❀ Daybreak . “Daybreak” is inspired by The Vagina Monologues…
![[FEMINISMS] “Daybreak” by Lux Chen](https://chajournal.com/wp-content/uploads/2023/07/daybreak4-1.jpg?w=1024)
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Making Space.Click HERE to read all entries in Cha on Where Else. ❀ Nicolette Wong (editor), Making Space: A Collection of Writing and Art, Cart Noodles Press, 2023. 163 pgs.❀…
![[REVIEW] “I Will Always Return: Reading 𝑀𝑎𝑘𝑖𝑛𝑔 𝑆𝑝𝑎𝑐𝑒 and 𝑊ℎ𝑒𝑟𝑒 𝐸𝑙𝑠𝑒” by Vaughan Rapatahana](https://chajournal.com/wp-content/uploads/2023/07/where-else-making-space.png?w=1024)
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Nightmare Japan. Jay McRoy, Nightmare Japan: Contemporary Japanese Horror Cinema, Brill, 2008. 232 pgs. Something has been happening with Asian horror, and it took a…
![[REVIEW] “Enfleshing Horror: Jay McRoy’s 𝑁𝑖𝑔ℎ𝑡𝑚𝑎𝑟𝑒 𝐽𝑎𝑝𝑎𝑛” by Junnan Chen](https://chajournal.com/wp-content/uploads/2023/07/nightmare-japan-1.jpg?w=1024)
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Tomoko Hidaka, Salaryman Masculinity: Continuity and Change in Hegemonic Masculinity in Japan, Brill, 2010. 224 pgs. “Salaryman” is a word that’s uniquely Japanese, even if the concept is not.…
![[REVIEW] “The Paradigm to Emulate is the Salarymen” by Mario Rustan](https://chajournal.com/wp-content/uploads/2023/07/group-of-salarymen.webp?w=1000)
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Header artwork by Annysa Ng 茶 First Impressionsclick for information 茶 Essays click for information 茶 En Routeclick for information 茶 XI XI—Can We Sayclick for information 茶 Write to Powerclick for information 茶 Auditory Cortexclick for information
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