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    CALLS FOR SUBMISSIONS: First Impressions, Essays, En Route, Xi Xi—Can We Say, Write to Power, and Auditory Cortex

    Header artwork by Annysa Ng 茶 First Impressionsclick for information 茶 Essays click for information 茶 En Routeclick for information 茶 XI XI—Can We Sayclick for information 茶 Write to Powerclick for information 茶 Auditory Cortexclick for information

  • [CONVERSATION] “Painting a Legacy of Optimism & Beauty” by Sadie Kaye & George Tang Kwok-wing

    Editor’s note: In this conversation with Sadie Kaye, 77-year-old Hong Kong artist George Tang Kwok-wing reflects on his seven decades in art in the lead-up to his participation in Fine Art Asia 2025, where he unveiled a monumental new large-scale…

    Oct 7, 2025
    [CONVERSATION] “Painting a Legacy of Optimism & Beauty” by Sadie Kaye & George Tang Kwok-wing
  • [TIFF 2025] “The Paper Boy: On Park Chan-wook’s 𝑁𝑜 𝑂𝑡ℎ𝑒𝑟 𝐶ℎ𝑜𝑖𝑐𝑒” by Nirris Nagendrarajah

    TIFF 2025 ▞ 10. The Archivist’s Film: A Conversation on Kunsang Kyirong’s 100 Sunset▞ 9. She Was Screaming into Silence: A Conversation on Cai Shangjun’s The Sun Rises On Us All▞ 8. You Don’t Belong to Anyone: A Conversation on…

    Oct 7, 2025
    [TIFF 2025] “The Paper Boy: On Park Chan-wook’s 𝑁𝑜 𝑂𝑡ℎ𝑒𝑟 𝐶ℎ𝑜𝑖𝑐𝑒” by Nirris Nagendrarajah
  • [EXCLUSIVE] “On Translating Hong Kong Identity, Resilience, & Longing” by Tiffany Troy and Chenxin Jiang

    Editor’s note: In this interview, poet and critic Tiffany Troy speaks with translator Chenxin Jiang about her recent rendering of for now I am sitting here growing transparent (Zephyr Press, 2025) by Hong Kong poet, filmmaker, and scholar Yau Ching.…

    Oct 5, 2025
    [EXCLUSIVE] “On Translating Hong Kong Identity, Resilience, & Longing” by Tiffany Troy and Chenxin Jiang
  • [REVIEW] “Truth, Lies, and the Mask We Choose: On Thuận’s 𝐸𝑙𝑒𝑣𝑎𝑡𝑜𝑟 𝑖𝑛 𝑆𝑎𝑖 𝐺𝑜𝑛” by Michael Londra

    📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Thuận (author), Nguyễn An Lý (translator), Elevator in Sài Gòn, New Directions, 2024. 192 pgs. Nobel laureate Patrick Modiano once wrote that “it is not the future which counts,…

    Oct 3, 2025
    [REVIEW] “Truth, Lies, and the Mask We Choose: On Thuận’s 𝐸𝑙𝑒𝑣𝑎𝑡𝑜𝑟 𝑖𝑛 𝑆𝑎𝑖 𝐺𝑜𝑛” by Michael Londra
  • [REVIEW] “Between Play and Pain: 𝑌𝑎𝑡 𝑌𝑎𝑡 𝐾𝑖𝑛𝑔𝑑𝑜𝑚’s Tender Confession” by Dawna Fung

    📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Eva Yip Man-lai (director), Cecilia Lau (organiser), Yat Yat Kingdom, 2025. In the world of theatre, actors often serve as vessels for the stories of others, portraying characters born…

    Oct 3, 2025
    [REVIEW] “Between Play and Pain: 𝑌𝑎𝑡 𝑌𝑎𝑡 𝐾𝑖𝑛𝑔𝑑𝑜𝑚’s Tender Confession” by Dawna Fung
  • [REVIEW] “A Prism of Time: The Shifting Passions of Mani Rao’s Poetry in 𝑆𝑜 𝑇ℎ𝑎𝑡 𝑌𝑜𝑢 𝐾𝑛𝑜𝑤” by Jennifer Eagleton

    📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on So That You Know. Mani Rao, So That You Know, HarperCollins India, 2025. 312 pgs. Referring to notes I made on Mani Rao’s newest poetry…

    Sep 26, 2025
    [REVIEW] “A Prism of Time: The Shifting Passions of Mani Rao’s Poetry in 𝑆𝑜 𝑇ℎ𝑎𝑡 𝑌𝑜𝑢 𝐾𝑛𝑜𝑤” by Jennifer Eagleton
  • [REVIEW] “A War, Many Cries, and a Long, Unkind Sleep: 𝐿𝑒𝑡𝑡𝑒𝑟𝑠 𝑓𝑟𝑜𝑚 𝐺𝑎𝑧𝑎” by Kabir Deb

    📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Mahmoud Alshaer & Mohammed Al-Zaqzooq (editors), Letters from Gaza: A Collection by the People; Unveiling Their Stories and Emotions from the Year That Has Been, Penguin Random House SEA,…

    Sep 22, 2025
    [REVIEW] “A War, Many Cries, and a Long, Unkind Sleep: 𝐿𝑒𝑡𝑡𝑒𝑟𝑠 𝑓𝑟𝑜𝑚 𝐺𝑎𝑧𝑎” by Kabir Deb
  • [FIRST IMPRESSIONS] “The Train Ride of Life: Hiro Arikawa’s 𝑇ℎ𝑒 𝑃𝑎𝑠𝑠𝑒𝑛𝑔𝑒𝑟𝑠 𝑜𝑛 𝑡ℎ𝑒 𝐻𝑎𝑛𝑘𝑦𝑢 𝐿𝑖𝑛𝑒” by Koay Xinyi

    📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Hiro Arikawa (author), Allison Markin Powell (translator). The Passengers on the Hankyu Line, Penguin Random House, 2025. 256 pgs. It seems fitting that I began reading The Passengers on…

    Sep 20, 2025
    [FIRST IMPRESSIONS] “The Train Ride of Life: Hiro Arikawa’s 𝑇ℎ𝑒 𝑃𝑎𝑠𝑠𝑒𝑛𝑔𝑒𝑟𝑠 𝑜𝑛 𝑡ℎ𝑒 𝐻𝑎𝑛𝑘𝑦𝑢 𝐿𝑖𝑛𝑒” by Koay Xinyi
  • [REVIEW] “Lav Diaz’s 𝑀𝑎𝑔𝑒𝑙𝑙𝑎𝑛: From Counter-Time to Counter-History” by Ramzzi Fariñas

    茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “Lav Diaz’s Magellan: From Counter-Time to Counter-History” by Ramzzi Fariñas Click HERE to read all entries in Cha on Magellan. Lav Diaz (director), Magellan, 2025. 165 min. If the art of history is to be…

    Sep 20, 2025
    [REVIEW] “Lav Diaz’s 𝑀𝑎𝑔𝑒𝑙𝑙𝑎𝑛: From Counter-Time to Counter-History” by Ramzzi Fariñas
  • [REVIEW] “History as Painting: Lav Diaz’s 𝑀𝑎𝑔𝑒𝑙𝑙𝑎𝑛” by Alicia Izharuddin

    茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “History as Painting: Lav Diaz’s Magellan” by Alicia Izharuddin Click HERE to read all entries in Cha on Magellan. Lav Diaz (director), Magellan, 2025. 165 min. The most striking aspect of Lav Diaz’s Magellan is…

    Sep 16, 2025
    [REVIEW] “History as Painting: Lav Diaz’s 𝑀𝑎𝑔𝑒𝑙𝑙𝑎𝑛” by Alicia Izharuddin
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Cha

Cha: An Asian Literary Journal
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Asian Cha Daily chajournal.com
asiancha.com
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Email: editors@asiancha.com

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