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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS R.T. Samuel, Rakesh K. and Rashmi R.D. (editors), The Blaft Book of Anti-Caste SF, Blaft Publications, 2025. 428 pgs. It is a curious irony that speculative fiction—so often described…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [FIRST IMPRESSIONS] “The Legacy and Brilliance of Hong Kong Crime Novels: Charles Philipp Martin’s Rented Grave” by Susan Blumberg-Kason Charles Philipp Martin, Rented Grave: An Inspector Lok Novel, Level Best Books,…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “Order in the City: Tammy Lai-Ming Ho’sIf I Do Not Reply” by Luca Griseri Click HERE to read all entries in Cha on If I Do Not Reply. Tammy Lai-Ming Ho, If I Do Not…
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📁 RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on The Milk Tea Alliance. Jeffrey Wasserstrom, The Milk Tea Alliance: Inside Asia’s Struggle against Autocracy and Beijing, Columbia Global Reports, 2025. 104 pgs. The…
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📁 RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS Weike Wang, Joan Is Okay, Penguin Random House, 2022. 224 pgs. Joan is Okay, the sophomore novel by Weike Wang, opens with the line: “When I think about…
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📁 RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS Gilda Cordero-Fernando, The Last Full Moon: Lessons on My Life, University of the Philippines Press and GCF Books, 2005. 250 pgs. “I don’t want to be boring ever.”—Chappell…
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📁 RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS Shunji Iwai (director), Undo, 1994. 47 min. The film Undo (1994) by Shunji Iwai is modest in length at just 47 minutes. Yet the narrative never feels rushed,…
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📁 RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS Anand Patwardhan, Vasudhaiva Kutumbakam (The World is Family), 2023. 96 min. “யாதும் ஊரே! யாவரும் கேளிர்!” (“Every place is our homeland, everyone is our kin”)—these words from the Tamil…


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![[ESSAY] “Order in the City: Tammy Lai-Ming Ho’s 𝐼𝑓 𝐼 𝐷𝑜 𝑁𝑜𝑡 𝑅𝑒𝑝𝑙𝑦” by Luca Griseri](https://chajournal.com/wp-content/uploads/2025/01/if-i-do-not-reply_tammy-ho-1.jpg?w=907)
![[REVIEW] “Boba, Grass Jelly, Light Ice, Democracy: On Jeffrey Wasserstrom’s 𝑇ℎ𝑒 𝑀𝑖𝑙𝑘 𝑇𝑒𝑎 𝐴𝑙𝑙𝑖𝑎𝑛𝑐𝑒” by Nick Zeller](https://chajournal.com/wp-content/uploads/2025/05/the-milk-tea-alliance-inside-asias-struggle-against-autocracy-and-beijing.jpg?w=1000)
![[EXCLUSIVE] “The Manifestation of Eros: On the Construction of the Eros Image in Hong Sang-soo’s Films” by Hanyin Xu](https://chajournal.com/wp-content/uploads/2025/05/hong-sang-soo.jpg?w=1000)
![[REVIEW] “The Telos of Toil: Reading Weike Wang’s 𝐽𝑜𝑎𝑛 𝑖𝑠 𝑂𝑘𝑎𝑦 Through Labour and Identity” by Tiffany Troy](https://chajournal.com/wp-content/uploads/2025/05/weike-wang-joan-is-okay.png?w=1024)
![[REVIEW] “Grandmothered! A Filipina Gen Z’s Critique of Gilda Cordero-Fernando’s 𝑇ℎ𝑒 𝐿𝑎𝑠𝑡 𝐹𝑢𝑙𝑙 𝑀𝑜𝑜𝑛” by Janelle Tanguin](https://chajournal.com/wp-content/uploads/2025/05/gilda-cordero-fernando-the-last-full-moon-lessons-of-my-life.jpg?w=1024)
![[FIRST IMPRESSIONS] “Beyond Earshot: Transcribing Meaning in Shunji Iwai’s 𝑈𝑛𝑑𝑜” by Miran Tsay](https://chajournal.com/wp-content/uploads/2025/05/shunji-iwai.jpg?w=1024)
![[FIRST IMPRESSIONS] “Between Memory and History: Anand Patwardhan’s 𝑉𝑎𝑠𝑢𝑑ℎ𝑎𝑖𝑣𝑎 𝐾𝑢𝑡𝑢𝑚𝑏𝑎𝑘𝑎𝑚” by Kathiravan Annamalai](https://chajournal.com/wp-content/uploads/2025/05/anand-patwardhan-vasudhaiva-kutumbakam-the-world-is-family-.png?w=1024)