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{Written by Frances An, this review is part of Issue 46 of Cha.} {Return to Cha Review of Books and Films.} Yeng Pway Ngon (author), Jeremy Tiang (translator), Costume, Balestier Press, 2020. 269 pgs. “Like so many of his characters, he [Yeng Pway Ngon] was…
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Download Lucas Klein’s introduction to Duo Duo’sWords as Grain HERE. “How to make sense of Duo Duo’s poetry is the overarching question it poses, at the root of its political significance as well as its literary interest. In the words…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “Layered Spaces: A Review of Chi Ta-wei’s The Membranes” by Serena De Marchi Chi Ta-wei (author), Ari Larissa Heinrich (translator), The Membranes, Columbia University Press, 2021. 168 pgs. Chi Ta-wei’s classic of…
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Click HERE to read all entries in Cha on Lockdown Lovers. TH: We are pleased to present an exclusive essay by Michael O’Sullivan on his new book, Lockdown Lovers (Penguin Random House, 2021), a five-part love story set in lockdown conditions in Asia and Europe.…
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TH: All the poems in Ho Fuk Yan’s latest poetry collection, Love in the Time of the Coronavirus 愛在瘟疫時, were written in response to the pandemic as experienced, observed, interpreted, and reimagined by the poet in 2020. The poems are…
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{Written by Wong Yang, this review is part of Issue 46 of Cha.} {Return to Cha Review of Books and Films.} Daryl Lim Wei Jie, A Book of Changes, Math Paper Press, 2016. 65 pgs. Few collections coming out of Singapore literature’s “new wave” of…
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{Written by Susan Blumberg-Kason, this review is part of Issue 46 of Cha.} {Return to Cha Review of Books and Films.} Stephen Griffiths, The Kowloon English Club, Blacksmith Books, 2021. 292 pgs. Hong Kong in 1996 was a special time. The Handover was a…
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{Written by Jennifer Anne Eagleton, this review is part of Issue 46 of Cha.} {Return to Cha Review of Books and Films.} Click HERE to read all entries in Cha on Aftershock. Holmes Chan (editor), Aftershock: Essays from Hong Kong, Small Tune Press, 2020. 93 pgs. Aftershocks are small…
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{Written by Frances An, this review is part of Issue 46 of Cha.} {Return to Cha Review of Books and Films.} Rosemary Roberts and Li Li (editors), The Making and Remaking of China’s Red Classics: Politics, Aesthetics, and Mass Culture, Hong Kong University…
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{Written by Quenntis Ashby, this review is part of Issue 46 of Cha.} {Return to Cha Review of Books and Films.} Jason Erik Lundberg, A Fickle and Restless Weapon, Epigram Books, 2020. 456 pgs. Jason Erik Lundberg’s debut novel is a fascinating and…


![[REVIEW] “Cantonese Opera as Collective Imagination: A Review of Yeng Pway Ngon’s 𝐶𝑜𝑠𝑡𝑢𝑚𝑒” by Frances An](https://chajournal.com/wp-content/uploads/2021/06/yeng-pway-ngon_costume_jeremy-tiang.png?w=1024)
![[FEATURE] Lucas Klein’s Introduction to Duo Duo’s 𝑊𝑜𝑟𝑑𝑠 𝑎𝑠 𝐺𝑟𝑎𝑖𝑛 + “The Force of Forging Words”](https://chajournal.com/wp-content/uploads/2021/06/duo-duo_words-as-grain_lucas-klein.png?w=1024)
![[REVIEW] “Layered Spaces: A Review of Chi Ta-wei’s 𝑇ℎ𝑒 𝑀𝑒𝑚𝑏𝑟𝑎𝑛𝑒𝑠” by Serena De Marchi](https://chajournal.com/wp-content/uploads/2021/06/layered-spaces-a-review-of-chi-ta-weis-the-membranes-1.png?w=1024)
![[EXCLUSIVE] “Literal and Metaphorical Lockdown: On Writing 𝐿𝑜𝑐𝑘𝑑𝑜𝑤𝑛 𝐿𝑜𝑣𝑒𝑟𝑠” by Michael O’Sullivan](https://chajournal.com/wp-content/uploads/2021/05/lockdown-lovers_michael-osullivan.png?w=1024)
![[FEATURE] “Love in the Time of Coronavirus: Postscript and Ten Poems” by Ho Fuk Yan](https://chajournal.com/wp-content/uploads/2021/05/love-in-the-time-of-coronavirus.jpeg?w=1024)
![[REVIEW] “No Absolutes: A Review of Daryl Lim Wei Jie’s 𝐴 𝐵𝑜𝑜𝑘 𝑜𝑓 𝐶ℎ𝑎𝑛𝑔𝑒𝑠” by Wong Yang](https://chajournal.com/wp-content/uploads/2018/08/bookofchanges_front_078e160a-9c71-4861-a841-247fdebb0332.jpg?w=1024)
![[REVIEW] “The Centre of the Universe: A Review of Stephen Griffiths’s The Kowloon English Club” by Susan Blumberg-Kason](https://chajournal.com/wp-content/uploads/2021/05/kowloon-english-club-800px.jpeg?w=672)
![[REVIEW] “Hong Kong’s Unstable Fault Lines: A Review of 𝐴𝑓𝑡𝑒𝑟𝑠ℎ𝑜𝑐𝑘” by Jennifer Anne Eagleton](https://chajournal.com/wp-content/uploads/2021/05/aftershock_edited-by-holmes-chan.png?w=1024)
![[REVIEW] “Amid Corrupt Cultural Landscapes: A Review of The Making and Remaking of China’s Red Classics” by Frances An](https://chajournal.com/wp-content/uploads/2021/05/the-making-and-remaking-of-chinas-red-classics-politics-aesthetics-and-mass-culture.png?w=1024)
![[REVIEW] “Identity is a Constant Negotiation and Struggle for a Self-Worth Fighting For: A Review of Jason Erik Lundberg’s A Fickle and Restless Weapon” by Quenntis Ashby](https://chajournal.com/wp-content/uploads/2021/04/a-fickle-and-restless-weapon.png?w=1024)