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    CALLS FOR SUBMISSIONS: First Impressions, Essays, En Route, Xi Xiβ€”Can We Say, Write to Power, and Auditory Cortex

    Header artwork by Annysa Ng 茢 First Impressionsclick for information 茢 Essays click for information 茢 En Routeclick for information 茢 XI XIβ€”Can We Sayclick for information 茢 Write to Powerclick for information 茢 Auditory Cortexclick for information

  • [REVIEW] Sōseki: Modern Japan’s Greatest Novelist

    {Written by Angela Qian, this review is part of Issue 42 (January 2019) of Cha.}Β {Return to Cha Review of Books and Films.} ClickΒ HERE to readΒ all entries inΒ ChaΒ onΒ Natsume Sōseki. John Nathan, Sōseki: Modern Japan’s Greatest Novelist, Columbia University Press, 2018. 344…

    Dec 4, 2018
    [REVIEW] Sōseki: Modern Japan’s Greatest Novelist
  • [REVIEW] “Between Fiction and Reality: Jun’ichirō Tanizaki’s In Black and White” by James Au Kin-Pong

    {Written by James Au Kin-Pong, this review is part of Issue 42 (January 2019) of Cha.}Β {Return to Cha Review of Books and Films.} Jun’ichirō Tanizaki (author), Phyllis I. Lyons (translator), In Black and White, Columbia University Press, 2018. 256 pgs.…

    Nov 29, 2018
    [REVIEW] “Between Fiction and Reality: Jun’ichirō Tanizaki’s In Black and White” by James Au Kin-Pong
  • [Review] “Letter to the Editors” by Susan Blumberg-Kason

    {Written by Susan Blumberg-Kason, this rejoinder is part of Issue 42 (January 2019) of Cha.} {Return to Cha Review of Books and Films.} Editors’ note: Read Susan Blumberg-Kason’s review of Eileen Chang’s Little Reunions here and Jane Weizhen Pan and Martin Merz’s response…

    Nov 29, 2018
    [Review] “Letter to the Editors” by Susan Blumberg-Kason
  • [REVIEW] “Message from Translators of 𝐿𝑖𝑑𝑑𝑙𝑒 π‘…π‘’π‘’π‘›π‘–π‘œπ‘›π‘ ” by Jane Weizhen Pan and Martin Merz

    {Written by Jane Weizhen Pan and Martin Merz, this rejoinder is part of Issue 42 (January 2019) of Cha.} {Return to Cha Review of Books and Films.} Editors’ note: Read Susan Blumberg-Kason’s review of Eileen Chang’s Little Reunions here and her response to…

    Nov 25, 2018
    [REVIEW] “Message from Translators of 𝐿𝑖𝑑𝑑𝑙𝑒 π‘…π‘’π‘’π‘›π‘–π‘œπ‘›π‘ ” by Jane Weizhen Pan and Martin Merz
  • [REVIEW] In the Country Where I Live: Two Collections by Rochelle Potkar

    {Written by Kate Rogers, this review is part of Issue 42 (January 2019) of Cha.} {Return to Cha Review of Books and Films.} ❀ Rochelle Potkar, Paper Asylum, Copper Coin, 2018. 103 pgs. ❀ Rochelle Potkar, Four Degrees of Separation, Paperwall Media, 2016.…

    Nov 24, 2018
    [REVIEW] In the Country Where I Live: Two Collections by Rochelle Potkar
  • [REVIEW] “Chi Pang-yuan’s π‘‡β„Žπ‘’ πΊπ‘Ÿπ‘’π‘Žπ‘‘ πΉπ‘™π‘œπ‘€π‘–π‘›π‘” π‘…π‘–π‘£π‘’π‘Ÿ: 𝐴 π‘€π‘’π‘šπ‘œπ‘–π‘Ÿ π‘œπ‘“ πΆβ„Žπ‘–π‘›π‘Ž, π‘“π‘Ÿπ‘œπ‘š π‘€π‘Žπ‘›π‘β„Žπ‘’π‘Ÿπ‘–π‘Ž π‘‘π‘œ π‘‡π‘Žπ‘–π‘€π‘Žπ‘›” by Paoi Wilmer

    {Written by Paoi Wilmer, this review is part of Issue 42 (January 2019) of Cha.} {Return to Cha Review of Books and Films.} Chi Pang-yuan (author), John Balcom (translator), The Great Flowing River: A Memoir of China, from Manchuria to Taiwan,…

    Nov 18, 2018
    [REVIEW] “Chi Pang-yuan’s π‘‡β„Žπ‘’ πΊπ‘Ÿπ‘’π‘Žπ‘‘ πΉπ‘™π‘œπ‘€π‘–π‘›π‘” π‘…π‘–π‘£π‘’π‘Ÿ: 𝐴 π‘€π‘’π‘šπ‘œπ‘–π‘Ÿ π‘œπ‘“ πΆβ„Žπ‘–π‘›π‘Ž, π‘“π‘Ÿπ‘œπ‘š π‘€π‘Žπ‘›π‘β„Žπ‘’π‘Ÿπ‘–π‘Ž π‘‘π‘œ π‘‡π‘Žπ‘–π‘€π‘Žπ‘›” by Paoi Wilmer
  • [Review] There’s No Place Like Home: Nashua Gallagher’s All the Words a Stage

    {Written by Nina Powles, this review is part of Issue 42 (January 2019) of Cha.}Β {Return to Cha Review of Books and Films.} Nashua Gallagher, All the Words a Stage, Chameleon Press, 2018. 102 pgs. “They place me in new soil…

    Nov 18, 2018
    [Review] There’s No Place Like Home: Nashua Gallagher’s All the Words a Stage
  • [Review] An Anatomy of Trauma: Jenna Le’s A History of the Cetacean American Diaspora

    {Written by John W. Steele, this review is part of Issue 42 (January 2019) of Cha.}Β {Return to Cha Review of Books and Films.} Jenna Le, A History of the Cetacean American Diaspora, Indolent Books, 2018. 94 pgs. In this stunning…

    Nov 18, 2018
    [Review] An Anatomy of Trauma: Jenna Le’s A History of the Cetacean American Diaspora
  • [REVIEW] “Spreading the Genre: A review of πΆπ‘œπ‘›π‘‘π‘’π‘šπ‘π‘œπ‘Ÿπ‘Žπ‘Ÿπ‘¦ πΆβ„Žπ‘–π‘›π‘’π‘ π‘’ π‘†β„Žπ‘œπ‘Ÿπ‘‘-π‘†β„Žπ‘œπ‘Ÿπ‘‘ π‘†π‘‘π‘œπ‘Ÿπ‘–π‘’π‘ ” by Maialen Marin-Lacarta

    {Written by Maialen Marin-Lacarta, this review is part of Issue 42 (December 2018) of Cha.} {Return to Cha Review of Books and Films.} Aili Mu (translator and editor) with Mike Smith (contributor), Contemporary Chinese Short-Short Stories: A Parallel Text, Columbia University…

    Nov 9, 2018
    [REVIEW] “Spreading the Genre: A review of πΆπ‘œπ‘›π‘‘π‘’π‘šπ‘π‘œπ‘Ÿπ‘Žπ‘Ÿπ‘¦ πΆβ„Žπ‘–π‘›π‘’π‘ π‘’ π‘†β„Žπ‘œπ‘Ÿπ‘‘-π‘†β„Žπ‘œπ‘Ÿπ‘‘ π‘†π‘‘π‘œπ‘Ÿπ‘–π‘’π‘ ” by Maialen Marin-Lacarta
  • “Reflections on Poetry as Portraiture: Maryknoll Convent School” by Antony Huen

    I was delighted to be invited by Maryknoll Convent School (Secondary Section) to offer three rounds of one-hour poetry writing workshops as part of the Cha Writing Workshop Series. I taught fourth, fifth and sixth form students on 15, 26…

    Nov 7, 2018
    “Reflections on Poetry as Portraiture: Maryknoll Convent School” by Antony Huen
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Cha

Cha: An Asian Literary Journal
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Asian Cha Daily chajournal.com
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Email: editors@asiancha.com

 

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