Category: Richell Isaiah Flores
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS [REVIEW] “Unfortunately, I Return to Panahon: Glenn Baritβs Cleaners and the Materiality of Memory” by Richell Isaiah Flores Glenn Barit (director). Cleaners, 2019. 79 min. Critical for me is the word…
![[REVIEW] “Unfortunately, I Return to ππππβππ: Glenn Baritβs πΆπππππππ and the Materiality of Memory” by Richell Isaiah Flores](https://chajournal.com/wp-content/uploads/2026/08/glenn-barit-director.-cleaners-1.jpg?w=1024)
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πRETURN TO FIRST IMPRESSIONSπRETURN TO CHA REVIEW OF BOOKS AND FILMS Jose Lorenzo βPepeβ Diokno, Isang Himala, 2024. 145 min. Isang Himala (A Miracle), directed by Jose Lorenzo βPepeβ Diokno, is an adaptation on three levelsβof the screenplay by National…
![[FIRST IMPRESSIONS] βThe Miracle of Adaptation in Pepe Dioknoβs πΌπ πππ π»πππππβ by Richell Isaiah Flores](https://chajournal.com/wp-content/uploads/2025/01/jose-lorenzo-pepe-diokno-isang-himala-2024_2-2.jpg?w=1024)
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS [FIRST IMPRESSIONS] βSimultaneities and Narratives in Apichatpong Weerasethakulβs Mysterious Object at Noon” by Richell Isaiah Flores Apichatpong Weerasethakul (director), Mysterious Object at Noon, 2000. 83 min. “Enlisting locals to contribute improvised…
![[FIRST IMPRESSIONS] βSimultaneities and Narratives in Apichatpong Weerasethakulβs ππ¦π π‘πππππ’π ππππππ‘ ππ‘ ππππ” by Richell Isaiah Flores](https://chajournal.com/wp-content/uploads/2024/03/mysterious-objects-at-noon.jpg?w=1000)
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