Category: Richell Isaiah Flores
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่ถ FIRST IMPRESSIONS ่ถ REVIEW OF BOOKS & FILMS [REVIEW] “Unfortunately, I Return to Panahon: Glenn Baritโs Cleaners and the Materiality of Memory” by Richell Isaiah Flores Glenn Barit (director). Cleaners, 2019. 79 min. Critical for me is the word…
![[REVIEW] “Unfortunately, I Return to ๐๐๐๐โ๐๐: Glenn Baritโs ๐ถ๐๐๐๐๐๐๐ and the Materiality of Memory” by Richell Isaiah Flores](https://chajournal.com/wp-content/uploads/2026/08/glenn-barit-director.-cleaners-1.jpg)
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๐RETURN TO FIRST IMPRESSIONS๐RETURN TO CHA REVIEW OF BOOKS AND FILMS Jose Lorenzo โPepeโ Diokno, Isang Himala, 2024. 145 min. Isang Himala (A Miracle), directed by Jose Lorenzo โPepeโ Diokno, is an adaptation on three levelsโof the screenplay by National…
![[FIRST IMPRESSIONS] โThe Miracle of Adaptation in Pepe Dioknoโs ๐ผ๐ ๐๐๐ ๐ป๐๐๐๐๐โ by Richell Isaiahย Flores](https://chajournal.com/wp-content/uploads/2025/01/jose-lorenzo-pepe-diokno-isang-himala-2024_2-2.jpg)
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่ถ FIRST IMPRESSIONS ่ถ REVIEW OF BOOKS & FILMS [FIRST IMPRESSIONS] โSimultaneities and Narratives in Apichatpong Weerasethakulโs Mysterious Object at Noon” by Richell Isaiah Flores Apichatpong Weerasethakul (director), Mysterious Object at Noon, 2000. 83 min. “Enlisting locals to contribute improvised…
![[FIRST IMPRESSIONS] โSimultaneities and Narratives in Apichatpong Weerasethakulโs ๐๐ฆ๐ ๐ก๐๐๐๐๐ข๐ ๐๐๐๐๐๐ก ๐๐ก ๐๐๐๐” by Richell Isaiah Flores](https://chajournal.com/wp-content/uploads/2024/03/mysterious-objects-at-noon.jpg)