Category: Prism: Theory and Modern Chinese Literature
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Hangping Xu and Yunte Huang (special issue editors),Β Translatability and Transmediality: Chinese Poetry in/and the World, V20: N1 ofΒ Prism: Theory and Modern Chinese Literature. Duke University Press, March 2023. 252…
![[REVIEW] “Worlds of Translation, Translated Worlds: ππππ π Special Issue πππππ πππ‘ππππππ‘π¦ πππ πππππ ππππππππ‘𦔠by Astrid MΓΈller-Olsen](https://chajournal.com/wp-content/uploads/2023/11/prisme28094march-2023.png?w=1024)
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{Return to Cha Review of Books and Films.} Carlos Rojas (special issue editor), Method as Method, V16: N2 of Prism: Theory and Modern Chinese Literature. Duke University Press, 2019. According to a quick etymological internet search, the term βmethodβ originates in the…
![[REVIEW] “Review as Method: A Review of Method as Method” by Gareth Paul Breen](https://chajournal.com/wp-content/uploads/2021/01/prism_method-as-method.png?w=1024)
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{Return to Cha Review of Books and Films.} Carlos Rojas (special issue editor), Method as Method, V16: N2 of Prism: Theory and Modern Chinese Literature. Duke University Press, 2019. Method here is used as a βprismβ to tease out our underlying assumptions…
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Β {Return to Cha Review of Books and Films.} Carlos Rojas (special issue editor), Method as Method, V16: N2 of Prism: Theory and Modern Chinese Literature. Duke University Press, 2019. Twenty years ago, as a graduate student newly arrived in the…
Cha 