Category: Issue 38 “Writing Hong Kong”
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The first issue of Cha was published ten years ago in November 2007. It was also ten years after Hong Kong’s handover to China. These two facts are not coincidental. Since the beginning of Cha, I have completed my PhD…
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{Written by Judy Wu, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} Carol Dyer (editor), Imprint 16: The Annual Anthology of the Women in Publishing Society…
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{Written by Nicholas Chan, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} Guy Sanderson Shirra, The Accidental Prawn: “Interesting Times” β Policing 20th Century Hong Kong…
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{Written by Janice Tsang, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} Liu Waitong (author), Enoch Yee-lok Tam, Desmond Sham, Audrey Heijins, Chan Lai-kuen and Cao…
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{Written by Natalie Liu, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.}Β {Return to Cha Review of Books and Films} Michael Kaan, The Water Beetles, Goose Lane, 2017. 360 pgs. The Water Beetles is a…
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{Written by Michael Tsang, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} Antony Dapiran, City of Protest: A Recent History of Dissent in Hong Kong, Penguin, 134…
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{Written by Abraham Overbeeke, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.}Β {Return to Cha Review of Books and Films} Karen Fang, Arresting Cinema: Surveillance in Hong Kong Film, Stanford University Press, 2017. 240 pgs.…
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{Written by Joyce Lau, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} Robert Gottlieb and Simon Ng, Global Cities: Urban Environments in Los Angeles, Hong Kong, and…
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{Written by W.F. Lantry, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} Magnus Renfrew, Uncharted Territory: Culture and Commerce in Hong Kong’s Art World, Penguin, 2017. 115…
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{Written by Susan Blumberg-Kason, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} Chan Chi-fat (director), Weeds on Fire (Dian wu bu), 2016. 95 min. Hong Kong…
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{Written by Michael Tsang, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} PEN Hong Kong, Hong Kong 20/20: Reflections on a borrowed place, Blacksmith Books, 2017. 400…
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{Written by Jason Y. Ng, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} Ben Bland, Generation HK: Seeking Identity in China’s Shadow, Penguin, 2017. 100 pgs. Unpacking…
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{Written by Ray Hecht, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} John Saeki, The Tiger Hunters of Tai O, Blacksmith Books, 2017. 304 pgs. The Tiger…
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[REVIEW] “Saying Goodbye: Xu Xi’s π·πππ π»πππ πΎπππ” by Mike Ingham
{Written by Mike Ingham, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} Xu Xi, Dear Hong Kong: An Elegy For A City, Penguin, 2017. 156 pgs. Let…
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{Written by Jason S Polley, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Christopher DeWolf, Borrowed…
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{Written by Susan Blumberg-Kason, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} Joe Piscatella (director), Joshua: Teenager vs. Superpower, 2017. 78 min. When Occupy movements sprung…
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{Written by Douglas Kerr, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} Chan Ho-Kei (author), Jeremy Tiang (translator), The Borrowed, Head of Zeus, 2016. 496 pgs.…
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{Written by Matt Turner, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.}Β {Return to Cha Review of Books and Films} Simon Cartledge, A System Apart: Hong Kong’s Political Economy from 1997 until Now, Penguin, 2017.…

![[Review] A Rich Slice of Global Hong Kong: Imprint 16](https://chajournal.com/wp-content/uploads/2017/12/imprint1.png?w=682)
![[REVIEW] “Narrating Hong Kong Through the Handover: Guy Shirra’s πβπ π΄πππππππ‘ππ ππππ€π” by Nicholas Chan](https://chajournal.com/wp-content/uploads/2017/12/accidental-prawn.jpg?w=559)
![[REVIEW] “Capturing Disappearing Hong Kong: Liu Waitong’s πππππππππ π»πππ πΎπππ π€ππ‘β ππππππ‘π ” by Janice Tsang](https://chajournal.com/wp-content/uploads/2017/12/wandering-hong-kong.png?w=642)
![[Review] Waltzing with Words: Viki Holmes’s Girls’ Adventure Stories of Long Ago](https://chajournal.com/wp-content/uploads/2017/12/girls-adventure-stories.jpg?w=333)
![[Review] A Story About a Memory: Michael Kaan’s The Water Beetles](https://chajournal.com/wp-content/uploads/2017/12/water-beetles_cut.jpg?w=640)
![[Review] “Locked Potential: Antony Dapiran’s πΆππ‘π¦ ππ ππππ‘ππ π‘” by Michael Tsang](https://chajournal.com/wp-content/uploads/2017/12/city-of-protest1.jpg?w=400)
![[REVIEW] “Reading Karen Fang’s π΄ππππ π‘πππ πΆπππππ: ππ’ππ£ππππππππ ππ π»πππ πΎπππ πΉπππ” by Abraham Overbeeke](https://chajournal.com/wp-content/uploads/2017/12/arresting-cinema1.jpg?w=400)
![[REVIEW] A Tale of Two Metropolises: Robert Gottlieb and Simon Ng’s Global Cities: Urban Environments in Los Angeles, Hong Kong, and China](https://chajournal.com/wp-content/uploads/2017/12/global-cities_cha.jpg?w=1024)
![[REVIEW] “The Weight of Lightness: Magnus Renfrew’s πππβπππ‘ππ ππππππ‘ππ𦔠by W.F. Lantry](https://chajournal.com/wp-content/uploads/2017/12/uncharted-territory.jpg?w=400)
![[REVIEW] “A City of Strangers: Dung Kai-Cheung’s πΆπππ‘ππππ π πΏππ£π ππ‘πππππ ” by Vivian Tang](https://chajournal.com/wp-content/uploads/2017/12/cantonese-love-stories1.jpg?w=400)
![[REVIEW] “A Throwback to Hong Kong’s Golden Age: Chi Fat Chan’s πππππ ππ πΉπππ” by Susan Blumberg-Kason](https://chajournal.com/wp-content/uploads/2017/11/maxresdefault-4.jpg?w=1024)
![[REVIEW] Candid Hong Kong: PEN Hong Kong’s Hong Kong 20/20](https://chajournal.com/wp-content/uploads/2017/11/hk2020_cover_8001.jpg?w=800)
![[REVIEW] “Ben Bland’s πΊππππππ‘πππ π»πΎ: πππππππ πΌππππ‘ππ‘π¦ ππ πΆβπππ’π πβππππ€” by Jason Y. Ng](https://chajournal.com/wp-content/uploads/2017/11/ben-bland1.jpg?w=400)
![[REVIEW] Hong Kong in the Fifties: John Saeki’s The Tiger Hunters of Tai O](https://chajournal.com/wp-content/uploads/2017/11/tiger-hunters-of-tai-o_8001.jpg?w=800)
![[REVIEW] “Saying Goodbye: Xu Xi’s π·πππ π»πππ πΎπππ” by Mike Ingham](https://chajournal.com/wp-content/uploads/2017/11/xu-xi_dear-hong-kong.jpg?w=400)
![[REVIEW] “Impromptu Performances and Wild Exhibitions: Christopher DeWolf’s π΅πππππ€ππ ππππππ : πΏπππ π΅ππ‘π€πππ π‘βπ πΆπππππ ππ ππππππ π»πππ πΎπππ” by Jason S Polley](https://chajournal.com/wp-content/uploads/2017/11/97807343108591.jpg?w=400)
![[Review] A Leap of Faith: Joe Piscatella’s Joshua: Teenager vs. Superpower](https://chajournal.com/wp-content/uploads/2017/11/joshua.jpg?w=665)
![[REVIEW] “A History of Hong Kong in Six Cases: Chan Ho-Kei’s πβπ π΅πππππ€ππ” by Douglas Kerr](https://chajournal.com/wp-content/uploads/2017/11/the-borrowed-chan-ho-kei.jpg?w=600)
![[REVIEW] “Between a Rock: Simon Cartledge’s π΄ ππ¦π π‘ππ π΄ππππ‘: π»πππ πΎπππ’π πππππ‘ππππ πΈππππππ¦ ππππ 1997 ππππ πππ€” by Matt Turner](https://chajournal.com/wp-content/uploads/2017/11/simon-cartledge_a-system-apart.jpg?w=872)