Category: Feature: Feminisms with Chinese Characteristics
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❀ Main Page❀ Three Generations❀ Fan Yusu Decided to Live Off a Rich Man❀ Chinese Migrant Workers: Staging 1965’s Shanghai in 2017’s Picun❀ Chinese Queer Feminist Poetic Intimacies: A Translation Play❀ Daybreak . “Three Generations” is a response to Hui…
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❀ Main Page❀ Three Generations❀ Fan Yusu Decided to Live Off a Rich Man❀ Chinese Migrant Workers: Staging 1965’s Shanghai in 2017’s Picun❀ Chinese Queer Feminist Poetic Intimacies: A Translation Play❀ Daybreak . This role-play game script is a creative…
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❀ Main Page❀ Three Generations❀ Fan Yusu Decided to Live Off a Rich Man❀ Chinese Migrant Workers: Staging 1965’s Shanghai in 2017’s Picun❀ Chinese Queer Feminist Poetic Intimacies: A Translation Play❀ Daybreak . “Fan Yusu Decided to Live Off a…
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❀ Main Page❀ Three Generations❀ Fan Yusu Decided to Live Off a Rich Man❀ Chinese Migrant Workers: Staging 1965’s Shanghai in 2017’s Picun❀ Chinese Queer Feminist Poetic Intimacies: A Translation Play❀ Daybreak . “Daybreak” is inspired by The Vagina Monologues…
![[FEATURE] Feminisms with Chinese Characteristics: A 𝐶ℎ𝑎 Symposium](https://chajournal.com/wp-content/uploads/2023/07/screenshot-2023-07-18-at-12.03.52-1.png?w=1024)
![[FEMINISMS] “Three Generations” by Tingting Hu](https://chajournal.com/wp-content/uploads/2023/07/three-generations-tingting-hu-1.png?w=936)
![[FEMINISMS] “Chinese Migrant Workers: Staging 1965’s Shanghai in 2017’s Picun” by Yihan Lulu Wang](https://chajournal.com/wp-content/uploads/2023/07/yihang-lulu-wang.png?w=1024)
![[FEMINISMS] “Fan Yusu Decided to Live Off a Rich Man” by Siyu Liu](https://chajournal.com/wp-content/uploads/2023/07/01.jpg?w=640)
![[FEMINISMS] “Chinese Queer Feminist Poetic Intimacies: A Translation Play” by Huiyin Zhou and Fran Yu with Chinese Artists and Organizers Collective](https://chajournal.com/wp-content/uploads/2023/07/aoc-collective.jpg?w=500)
![[FEMINISMS] “Daybreak” by Lux Chen](https://chajournal.com/wp-content/uploads/2023/07/daybreak4-1.jpg?w=1024)