Category: Exclusive—Translation
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Read Zheng Wang’s essay “A Gaze Across the River: On Translating Zhang Zhihao” HERE. Editor’s note: These translations, rendered by Zheng Wang, bring together a decade-spanning selection of Zhang Zhihao’s poems that dwell on family, rural landscapes, ageing, grief, desire,…
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Editor’s note: Zheng Wang’s essay reflects on his encounter with the poet Zhang Zhihao and the process of translating his poetry across languages and generations. It traces their meeting by the Yangtze River into a broader meditation on rootedness, memory,…
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[ESSAY] “Fieldnotes: Bund and Flood” by Aizuddin Anuar Translator’s note: This is a translation of my own work, originally written in Malay and titled “Nota lapangan: ban dan banjir” (2025), which was published in MediaSelangor in Malaysia. Through a series…
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Translator’s note: Chi Ta-wei’s 紀大偉 short story, “Beneath His Eyes, in Your Palm, a Red, Red Rose Is About to Bloom” 他的眼底, 你的掌心, 即將綻放一朵紅玫瑰 (1994), is a queer, prophetic, postmodern, posthuman, drug-fuelled cyberpunk pastiche, a descent into a stygian labyrinth…
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Chris Song’s Note: Liu Yichang’s 劉以鬯 (1918–2018) short story “Riot” 動亂, set against the backdrop of the 1967 Hong Kong Riots, is a hauntingly experimental meditation on violence, urban alienation, and the blurred boundary between the living and the inanimate.…
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Earlier this week, the Nobel Prize in Literature for 2025 was awarded to the Hungarian novelist László Krasznahorkai “for his compelling and visionary oeuvre that, in the midst of apocalyptic terror, reaffirms the power of art.” Coverage in outlets such…
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Chris Song’s Note: Selected from Hong Kong author Lok Fung’s acclaimed short story collection The Charred City, “A Wayward Wisdom Tooth” recounts the tale of Shevon Kam, a driven beauty executive who endures a decade-long struggle with a decaying wisdom tooth—a…
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Jacqueline Leung’s note: “果實微溫,” pronounced “gwo sud mei wun,” translates literally from Cantonese as “warm fruit” and phonetically echoes “grocery run.” When Stuart Lau Wai-shing attended the Iowa International Writing Program in 2017, a bus would arrive each Tuesday morning, ferrying…
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Ma Ka Fai’s note: These are selected excerpts from my novel Once Upon a Time in Hong Kong III (雙天至尊), forthcoming this year. The story’s protagonist, Hon Tien-Yan, is a passionate martial arts enthusiast and an ardent admirer of Bruce Lee.…
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Chris Song’s note: Roses in the Floating World 浮世薔薇 is the debut novel of Luwei Rose Luqiu 閭丘露薇, bearing an autobiographical touch as it recounts the lives of three generations of women—Miss Zhao, Ruolin, and Xiaoyu. The narrative follows these…
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Chris Song’s note: Haixin 海辛 (1930–2011) was one of Hong Kong’s most prolific realist fiction writers. His deep curiosity about various professions and the lives of ordinary people in Hong Kong, combined with his broad taste in literature, allowed him…
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Chris Song’s note: Lü Lun’s “Piano Day” tells the story of May, a Garbo-like beauty who uses her piano sessions to extract tributes from men, ensnaring both T and P in a web of emotional temptation and entanglement. Like Lü Lun’s…
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Andrea Lingenfelter’s Note: In “The Legend of a Funambulist”, Lawrence Kwok-ling Pun 潘國靈 takes us on a journey with the tightrope-walker Mantra from his origins in the former Soviet Union, through Cold War Europe, and on to sojourns in New York,…
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There is no excerpt because this is a protected post.
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Chris Song’s note: In “A Night Flight”, the passengers endure days of eerie silence and mounting despair, with many succumbing to death and some choosing to leap into the night. The story draws a haunting parallel to the Flight MH370…
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About the story “The Singing of the Bluebird” 蓝鸟啾啾: A Chinese man who grew up in poverty on a riverboat studies hard and becomes wealthy. After moving abroad, he marries a blonde-haired, blue-eyed Western woman. Enchanted by stories of his childhood among…
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Chris Song’s Note: “The Charred City” conveys the manic restlessness Hongkongers felt after 1997. The story is set in the stifling social atmosphere of post-Handover Hong Kong, which was “charred”, ironically by pervasive celebratory fireworks. The protagonist, at the behest…
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Vanessa Yee-kwan Wong’s Note: “Nausea” was published in Wong Bik-wan’s 黃碧雲Tenderness and Violence 溫柔與暴烈 (Cosmo Books, 1994). Inspired by Jean-Paul Sartre’s novel of the same name (La Nausée, 1938), the story encourages an existentialist reading of Hong Kong’s political precarity…
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Chris Song’s Note: Lawrence Kwok-ling Pun’s 潘國靈 short story “Twenty Years Since Losing the City” 失城二十年 is a sequel to Wong Bik-wan’s 黃碧雲 canonical short story “Losing the City”, which gruesomely explores the despair Hongkongers felt upon the 1997 Handover and the…
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Chris Song’s Note: Liu Yichang’s 劉以鬯 (1918–2018) short story “Lunar New Year’s Eve” 除夕 imagines the last day of Cao Xueqin 曹雪芹 (1710–1765), author of The Dream of the Red Chamber 紅樓夢, who is believed to have died on Lunar New Year’s…
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Chris Song’s Note: Xu Nianci 徐念慈 (1875-1908), from Changshu, Jiangsu, was a Chinese writer, editor, and translator in the late Qing dynasty who mastered English and Japanese in his early twenties and was skilled in mathematics and writing. In 1904,…
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Chris Song’s Note: Chan Hay-ching’s 陳曦靜 short story “Boda’s Borders” 寶達的邊境 was originally written in Chinese and was first published in Hong Kong Literature Bimonthly 城市文藝, No. 105 (April 2020). It was later included in her collection Rocky, a Stray Dog…
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Chris Song’s Note: Xu Dishan wrote “The Gills of the Metal Fish” 鐵魚底鰓 in either 1940 or 1941 when he was living in Hong Kong. Different from his previous fiction with various religious elements, “The Gills of the Metal Fish”…
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Kendall Heitzman’s introduction: “Project Babel” was published in Japanese in the Tokyo Shimbun on 26 November 2022. It first appeared in English in my translation at a reading on 22 September 2023 at the University of Minnesota. An abridged version was…
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TH: We are pleased to present Chris Song’s English translation of Mary Wong’s short story “Christmas Shopping” 聖誕購物, which is collected in Surviving Central 中環人. The story won the 25th Secondary School Students’ Best Ten Books Award. Ⓖ🅁Ⓞ🅄Ⓝ🄳……🄵Ⓛ🄾Ⓞ🅁 “It’s better…
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TH: Wong King Fai’s short story “The Girl Without a Face” 無相女 was published in the Hong Kong Literary 香港文學 magazine in 2009 and is included in the author’s collection Hong Kong: Mock City 香港:重複的城市. In 2023, it was shortlisted…
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TH: Suo Er read part of this essay at the “Nature on Edge” panel at the Iowa City Public Library on Friday 8 September 2023, as part of the Iowa Writing Program Fall 2023. I’m not joking when I say…
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TH: “Like” 讚 is a short story collected in Mary Wong’s Surviving Central 中環人, which won the “25th Secondary School Students’ Best Ten Books Award.” Chandler strolled into the sleek modern Haneda Airport, wearing a casual ensemble. He handed over his passport…
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Preface: À la recherche du temps perdu by Leo Ou-Fan Lee Translated from the Chineseby Heidi Huang A memoir, as the word itself implies, is a personal walk down one’s memory lane “in search of the lost time” against oblivion.…
![[TRANSLATION] “Ten Poems” by Zhang Zhihao, translated by Zheng Wang](https://chajournal.com/wp-content/uploads/2026/01/zhange28098s-profile-photo.jpeg?w=591)
![[ESSAY] “A Gaze Across the River: On Translating Zhang Zhihao” by Zheng Wang](https://chajournal.com/wp-content/uploads/2026/01/https-__www.poetryinternational.com_en_poets-poems_poets_poet_102-28920_zhang.jpg?w=336)
![[ESSAY] “Fieldnotes: Bund and Flood” by Aizuddin Anuar](https://chajournal.com/wp-content/uploads/2025/01/jelai-river_bund-aizuddin-anuar.jpg?w=1024)
![[TRANSLATION] “Beneath His Eyes, In Your Palm, a Red Rose is About to Bloom” by Chi Ta-wei, translated by Nathaniel Isaacson](https://chajournal.com/wp-content/uploads/2024/12/e-08897.jpg?w=1024)
![[TRANSLATION] “Riot” by Liu Yichang, Translated by Chris Song](https://chajournal.com/wp-content/uploads/2024/02/liu-yichang-and-chris-song-1.png?w=1024)
![[EXCLUSIVE] “Whose Words Win the Nobel? On Translators and the Question of Literary Recognition” by Kabir Deb](https://chajournal.com/wp-content/uploads/2025/10/copy-of-copy-of-taken-as-strictly-true-neuroscience-and-sinology-in-laszlo-krasznahorkais-f09d90b7f09d9192f09d91a0f09d91a1f09d919ff09d91a2f09d9190f09d91a1f09d9196f09d919cf09d919b-f09d918.png?w=1024)
![[TRANSLATION] “A Wayward Wisdom Tooth” by Lok Fung, Translated by Chris Song](https://chajournal.com/wp-content/uploads/2025/08/alireza-heidarpour-46cfxprdjni-unsplash.jpg?w=1024)
![[EXCLUSIVE] “Warm Fruit” by Stuart Lau, translated by Jacqueline Leung](https://chajournal.com/wp-content/uploads/2025/04/stuart-lau_jacqueline-leung_cha.png?w=1024)
![[TRANSLATION] “Master Ip and the Dragonling” by Ma Ka fai, translated by Chris Song](https://chajournal.com/wp-content/uploads/2025/01/ma-ka-fai-e9a6ace5aeb6e8bc9d.png?w=1024)
![[TRANSLATION] “𝑅𝑜𝑠𝑒𝑠 𝑖𝑛 𝑡ℎ𝑒 𝐹𝑙𝑜𝑎𝑡𝑖𝑛𝑔 𝑊𝑜𝑟𝑙𝑑 [An Excerpt]” by Luwei Rose Luqiu, translated by Chris Song](https://chajournal.com/wp-content/uploads/2024/11/luwei-rose-luqiu-and-chris-song_cha-an-asian-literary-journal.png?w=1024)
![[TRANSLATION] “Spirits of Cicadas” by Haixin, translated by Chris Song](https://chajournal.com/wp-content/uploads/2024/10/haixin-e6b5b7e8be9b_chris-song.png?w=1024)
![[TRANSLATION] “Piano Day” by Lü Lun, translated by Chris Song](https://chajournal.com/wp-content/uploads/2024/10/lu-lun-e4beb6e580ab_cha-an-asian-literary-journal.png?w=1024)
![[TRANSLATION] “The Legend of a Funambulist” by Lawrence Kwok-ling Pun, Translated by Andrea Lingenfelter](https://chajournal.com/wp-content/uploads/2024/03/lawrence-kwok-ling-pun-e6bd98e59c8be99d88-1.jpg?w=1024)
![Protected: [EXCLUSIVE] “Ashen and Split: A Correspondence with Quyên Nguyễn-Hoàng” by Alex Tan](https://chajournal.com/wp-content/uploads/2024/09/qnh_history-draft.png?w=1024)
![[TRANSLATION] “A Night Flight” by Liu Waitong, translated by Chris Song](https://chajournal.com/wp-content/uploads/2024/06/liu-waitong_cha.png?w=1024)
![[EXCLUSIVE] “The Singing of the Bluebird” by Yuan Jinmei, translated by Kevin McGeary](https://chajournal.com/wp-content/uploads/2024/05/yuan-jinmei_kevin-mcgeary.png?w=1024)
![[TRANSLATION] “The Charred City” by Lok Fung, Translated by Chris Song](https://chajournal.com/wp-content/uploads/2024/04/lok-fung-cha-an-asian-literary-journal.jpg?w=1024)
![[TRANSLATION] “Nausea” by Wong Bik-wan, Translated by Vanessa Yee-kwan Wong](https://chajournal.com/wp-content/uploads/2024/04/wong-bik-wan-1.png?w=940)
![[TRANSLATION] “Lunar New Year’s Eve” by Liu Yichang, Translated by Chris Song](https://chajournal.com/wp-content/uploads/2024/02/liu-yichang-copy.jpg?w=1024)
![[TRANSLATION] “A New Tale from Mr Faluo” BY Xu Nianci, TRANSLATED BY CHRIS SONG](https://chajournal.com/wp-content/uploads/2024/01/a-new-tale-from-mr.-falou-e696b0e6b395e89ebae58588e7949fe8ad9a2.png?w=880)
![[EXCLUSIVE] Two New Translations of Lin Huiyin by Mike Fu](https://chajournal.com/wp-content/uploads/2024/01/mike-fu-translations.png?w=1024)
![[TRANSLATION] “Boda’s Borders” by Chan Hay-ching, translated by Chris Song](https://chajournal.com/wp-content/uploads/2024/01/chan-hay-ching-and-chris-song.png?w=934)
![[TRANSLATION] “The Gills of the Metal Fish” by Xu Dishan, Translated by Chris Song](https://chajournal.com/wp-content/uploads/2023/12/image3-1.jpeg?w=1024)
![[TRANSLATION] “Project Babel” by Li Kotomi, Translated by Kendall Heitzman](https://chajournal.com/wp-content/uploads/2023/12/kendall-heitzman-and-li-kotomi_cha-an-asian-literary-journal-copy-1.jpg?w=1024)
![[TRANSLATION] “Christmas Shopping” BY MARY WONG, Translated by Chris Song](https://chajournal.com/wp-content/uploads/2023/09/like.png?w=873)
![[TRANSLATION] “The Girl Without a Face” by Wong King Fai, Translated by Chris Song](https://chajournal.com/wp-content/uploads/2023/11/girl-without-a-face_cha-an-asian-literary-journal.jpg?w=1024)
![[EXCLUSIVE] “Do You Have a Sea Chart in Your Mind?” by Suo Er, Translated by Suo Er and Grace Najmulski](https://chajournal.com/wp-content/uploads/2023/10/suo-er.png?w=1024)
![[EXCLUSIVE] Preface to 𝑀𝑦 𝑇𝑤𝑒𝑛𝑡𝑖𝑒𝑡ℎ 𝐶𝑒𝑛𝑡𝑢𝑟𝑦: 𝐴 𝑀𝑒𝑚𝑜𝑖𝑟 𝑜𝑓 𝐿𝑒𝑜 𝑂𝑢-𝐹𝑎𝑛 𝐿𝑒𝑒](https://chajournal.com/wp-content/uploads/2023/08/leo-ou-fan-lee_cha.jpg?w=1024)