Category: Cha Review of Books and Films
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{Written by Michael Tsang, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} Antony Dapiran, City of Protest: A Recent History of Dissent in Hong Kong, Penguin, 134…
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{Written by Abraham Overbeeke, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.}Β {Return to Cha Review of Books and Films} Karen Fang, Arresting Cinema: Surveillance in Hong Kong Film, Stanford University Press, 2017. 240 pgs.…
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{Written by Joyce Lau, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} Robert Gottlieb and Simon Ng, Global Cities: Urban Environments in Los Angeles, Hong Kong, and…
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{Written by W.F. Lantry, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} Magnus Renfrew, Uncharted Territory: Culture and Commerce in Hong Kong’s Art World, Penguin, 2017. 115…
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{Written by Susan Blumberg-Kason, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} Chan Chi-fat (director), Weeds on Fire (Dian wu bu), 2016. 95 min. Hong Kong…
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{Written by Michael Tsang, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} PEN Hong Kong, Hong Kong 20/20: Reflections on a borrowed place, Blacksmith Books, 2017. 400…
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{Written by Jason Y. Ng, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} Ben Bland, Generation HK: Seeking Identity in China’s Shadow, Penguin, 2017. 100 pgs. Unpacking…
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{Written by Ray Hecht, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} John Saeki, The Tiger Hunters of Tai O, Blacksmith Books, 2017. 304 pgs. The Tiger…
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[REVIEW] “Saying Goodbye: Xu Xi’s π·πππ π»πππ πΎπππ” by Mike Ingham
{Written by Mike Ingham, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} Xu Xi, Dear Hong Kong: An Elegy For A City, Penguin, 2017. 156 pgs. Let…
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{Written by Jason S Polley, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Christopher DeWolf, Borrowed…
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{Written by Susan Blumberg-Kason, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} Joe Piscatella (director), Joshua: Teenager vs. Superpower, 2017. 78 min. When Occupy movements sprung…
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{Written by Karen Fang, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} β Ann Hui (director), Our Time Will Come (Ming yue ji shi you), 2017.…
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{Written by Douglas Kerr, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.} {Return to Cha Review of Books and Films} Chan Ho-Kei (author), Jeremy Tiang (translator), The Borrowed, Head of Zeus, 2016. 496 pgs.…
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{Written by Matt Turner, this review is part of the “Writing Hong Kong” Issue (December 2017) of Cha.}Β {Return to Cha Review of Books and Films} Simon Cartledge, A System Apart: Hong Kong’s Political Economy from 1997 until Now, Penguin, 2017.…
![[Review] “Locked Potential: Antony Dapiran’s πΆππ‘π¦ ππ ππππ‘ππ π‘” by Michael Tsang](https://chajournal.com/wp-content/uploads/2017/12/city-of-protest1.jpg?w=400)
![[REVIEW] “Reading Karen Fang’s π΄ππππ π‘πππ πΆπππππ: ππ’ππ£ππππππππ ππ π»πππ πΎπππ πΉπππ” by Abraham Overbeeke](https://chajournal.com/wp-content/uploads/2017/12/arresting-cinema1.jpg?w=400)
![[REVIEW] A Tale of Two Metropolises: Robert Gottlieb and Simon Ng’s Global Cities: Urban Environments in Los Angeles, Hong Kong, and China](https://chajournal.com/wp-content/uploads/2017/12/global-cities_cha.jpg?w=1024)
![[REVIEW] “The Weight of Lightness: Magnus Renfrew’s πππβπππ‘ππ ππππππ‘ππ𦔠by W.F. Lantry](https://chajournal.com/wp-content/uploads/2017/12/uncharted-territory.jpg?w=400)
![[REVIEW] “A City of Strangers: Dung Kai-Cheung’s πΆπππ‘ππππ π πΏππ£π ππ‘πππππ ” by Vivian Tang](https://chajournal.com/wp-content/uploads/2017/12/cantonese-love-stories1.jpg?w=400)
![[REVIEW] “A Throwback to Hong Kong’s Golden Age: Chi Fat Chan’s πππππ ππ πΉπππ” by Susan Blumberg-Kason](https://chajournal.com/wp-content/uploads/2017/11/maxresdefault-4.jpg?w=1024)
![[REVIEW] Candid Hong Kong: PEN Hong Kong’s Hong Kong 20/20](https://chajournal.com/wp-content/uploads/2017/11/hk2020_cover_8001.jpg?w=800)
![[REVIEW] “Ben Bland’s πΊππππππ‘πππ π»πΎ: πππππππ πΌππππ‘ππ‘π¦ ππ πΆβπππ’π πβππππ€” by Jason Y. Ng](https://chajournal.com/wp-content/uploads/2017/11/ben-bland1.jpg?w=400)
![[REVIEW] Hong Kong in the Fifties: John Saeki’s The Tiger Hunters of Tai O](https://chajournal.com/wp-content/uploads/2017/11/tiger-hunters-of-tai-o_8001.jpg?w=800)
![[REVIEW] “Saying Goodbye: Xu Xi’s π·πππ π»πππ πΎπππ” by Mike Ingham](https://chajournal.com/wp-content/uploads/2017/11/xu-xi_dear-hong-kong.jpg?w=400)
![[REVIEW] “Impromptu Performances and Wild Exhibitions: Christopher DeWolf’s π΅πππππ€ππ ππππππ : πΏπππ π΅ππ‘π€πππ π‘βπ πΆπππππ ππ ππππππ π»πππ πΎπππ” by Jason S Polley](https://chajournal.com/wp-content/uploads/2017/11/97807343108591.jpg?w=400)
![[Review] A Leap of Faith: Joe Piscatella’s Joshua: Teenager vs. Superpower](https://chajournal.com/wp-content/uploads/2017/11/joshua.jpg?w=665)
![[REVIEW] “War Films: Ann Hui’s ππ’π ππππ ππππ πΆπππ and Christopher Nolan’s π·π’πππππ” by Karen Fang](https://chajournal.com/wp-content/uploads/2017/11/our-time-will-come_dunkirk_cha.jpg?w=1024)
![[REVIEW] “A History of Hong Kong in Six Cases: Chan Ho-Kei’s πβπ π΅πππππ€ππ” by Douglas Kerr](https://chajournal.com/wp-content/uploads/2017/11/the-borrowed-chan-ho-kei.jpg?w=600)
![[REVIEW] “Between a Rock: Simon Cartledge’s π΄ ππ¦π π‘ππ π΄ππππ‘: π»πππ πΎπππ’π πππππ‘ππππ πΈππππππ¦ ππππ 1997 ππππ πππ€” by Matt Turner](https://chajournal.com/wp-content/uploads/2017/11/simon-cartledge_a-system-apart.jpg?w=872)