Category: Bong Joon-Ho
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[ESSAY] “Pseudo-Resistance and Ethical Beauty: A Critique of South Korean and Japanese Cinematic Aesthetics” by Zheng Wang In the narrative context of East Asian visual media, both South Korean and Japanese films and television series excel at exposing the darker…
![[ESSAY] “Pseudo-Resistance and Ethical Beauty: A Critique of South Korean and Japanese Cinematic Aesthetics” by Zheng Wang](https://chajournal.com/wp-content/uploads/2024/06/8331752405576_.pic_.png?w=610)
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Bong Joon-ho (director), Mickey 17, 2025. 137 min. Header image © bartos. Bong Joon-ho’s Mickey 17 is at once an existential tragedy and a darkly comic spectacle—a sci-fi epic…
![[REVIEW] “Dying for a Living: Bong Joon-ho’s 𝑀𝑖𝑐𝑘𝑒𝑦 17 and the Horror of Being Replaceable” by Ananya Singh](https://chajournal.com/wp-content/uploads/2025/03/c2a9marclafon-mickey17-rectangle.jpg?w=1024)
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [ESSAY] “Tragedies of Inequality: Bong Joon-ho’s Parasite and Jordan Peele’s Us” by Jonathan Chan Bong Joon-Ho (director), Parasite, 2019. 132 min.Jordan Peele (director), Us, 2019, 116 min. The sociologist Teo You Yenn…
![[ESSAY] “Tragedies of Inequality: Bong Joon-ho’s 𝑃𝑎𝑟𝑎𝑠𝑖𝑡𝑒 and Jordan Peele’s 𝑈𝑠” by Jonathan Chan](https://chajournal.com/wp-content/uploads/2024/01/us.png?w=749)
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