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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Chie Hayakawa (director), Plan 75, 2022. 112 min. Perhaps storytelling is an indispensable part of being human? Perhaps we all need to tell ourselves—and each other—certain stories to get…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS in.light.of.living—Sik.Faan (author), jck (illustrator), and daanngaazai (calligrapher), Pattern, Language, Setting—A Glossary of City Spaces in Hong Kong, Enlighten & Fish, 2021. 240 pgs. Pattern, Language, Setting—A Glossary of City…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Peter Ho Davies, The Art of Revision, Graywolf Press, 2021. 192 pgs. While I wasn’t particularly aware of the Graywolf Press series to which this book belongs—The Art of…,…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Bhaswati Ghosh, Nostalgic for a Place Never Seen, Copper Coin Publishing, 2024. 102 pgs. Nostalgia is humanity’s Janus-faced companion—simultaneously looking back and forward, with someone or something perpetually tugging…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Paola Irene Galli Mastrodonato, Emilio Salgari: The Tiger Is Still Alive!, Fairleigh Dickinson University Press, 2024. 462 pgs. The very first thought that crossed my mind upon seeing Paola…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on A Woman Burnt. Imayam (author), GJV Prasad (translator), A Woman Burnt, Simon and Schuster India, 2023. 336 pgs. We step into a new world—otherwise inaccessible—every…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Mohammad Rasoulof (director), The Seed of the Sacred Fig, 2024. 167 min. The fig tree spreads by entwining itself around another, slowly constricting, siphoning its strength, until nothing remains…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Yiyun Li. Yiyun Li, Must I Go, Penguin Random House, 2020. 368 pgs. Lately, I find fewer and fewer books that surprise me—novels capable of…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Fang Li (director), The Sinking of the Lisbon Maru, 2023. 123 min. The Sinking of the Lisbon Maru is a documentary film recounting the torpedoing of the Japanese cargo…
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There is a scene in the television show Friends where the six main characters—the titular friends—discuss “Chinese food.” Chandler jokingly remarks, “Yes, but in China, they just call it food.” It was a humorous moment, and it made perfect sense.…


![[FIRST IMPRESSIONS] “The Stories We Live By: Narrative, Meaning, and Existential Emptiness in Chie Hayakawa’s 𝑃𝑙𝑎𝑛 75” by Anders Kølle](https://chajournal.com/wp-content/uploads/2025/02/chie-hayakawa-plan-75.png?w=1024)
![[FIRST IMPRESSIONS] “The Importance of Nomenclature in 𝑃𝑎𝑡𝑡𝑒𝑟𝑛, 𝐿𝑎𝑛𝑔𝑢𝑎𝑔𝑒, 𝑆𝑒𝑡𝑡𝑖𝑛𝑔—𝐴 𝐺𝑙𝑜𝑠𝑠𝑎𝑟𝑦 𝑜𝑓 𝐶𝑖𝑡𝑦 𝑆𝑝𝑎𝑐𝑒𝑠 𝑖𝑛 𝐻𝑜𝑛𝑔 𝐾𝑜𝑛𝑔” By Vanessa Winghei Yeung](https://chajournal.com/wp-content/uploads/2025/02/in.light_.of_.livinge28094sik.faan-author-jck-illustrator-and-daanngaazai-calligrapher-pattern-language-setting-e28093-a-glossary-of-city-spaces-in-hong-kong.jpeg?w=1024)
![[REVIEW] “The Last Word on Writing: Peter Ho Davies’s 𝑇ℎ𝑒 𝐴𝑟𝑡 𝑜𝑓 𝑅𝑒𝑣𝑖𝑠𝑖𝑜𝑛” by Noelle Q. de Jesus](https://chajournal.com/wp-content/uploads/2025/02/peter-ho-davies-the-art-of-revision-1.jpg?w=1024)
![[REVIEW] “This is How Places Heave: Memory and Longing in Bhaswati Ghosh’s 𝑁𝑜𝑠𝑡𝑎𝑙𝑔𝑖𝑐 𝑓𝑜𝑟 𝑎 𝑃𝑙𝑎𝑐𝑒 𝑁𝑒𝑣𝑒𝑟 𝑆𝑒𝑒𝑛” by Sayan Aich](https://chajournal.com/wp-content/uploads/2025/02/bhaswati-ghosh-nostalgic-for-a-place-never-seen-1.jpg?w=543)
![[REVIEW] “Asia’s Italian Novelist: Paola Irene Galli Mastrodonato” by Masturah Alatas](https://chajournal.com/wp-content/uploads/2025/02/emilio-salgari-the-tiger-is-still-alive-1.jpg?w=932)
![[REVIEW] “A Tale of Love and Abuse: Imayam’s 𝐴 𝑊𝑜𝑚𝑎𝑛 𝐵𝑢𝑟𝑛𝑡” by Fathima M](https://chajournal.com/wp-content/uploads/2025/02/a-woman-burnt-1.jpg?w=952)
![[REVIEW] “Strangled by Power: Mohammad Rasoulof’s 𝑇ℎ𝑒 𝑆𝑒𝑒𝑑 𝑜𝑓 𝑡ℎ𝑒 𝑆𝑎𝑐𝑟𝑒𝑑 𝐹𝑖𝑔” by Ananya Singh](https://chajournal.com/wp-content/uploads/2025/02/the-seed-of-the-sacred-fig_web-1024x559-1.webp?w=1024)
![[REVIEW] “A Meditation on Memory and Loss: Yiyun Li’s 𝑀𝑢𝑠𝑡 𝐼 𝐺𝑜” by Dorina Tataran](https://chajournal.com/wp-content/uploads/2025/02/must-i-go-cha-an-asian-literary-journal.png?w=1024)
![[REVIEW] “Crying in the Cinema, Chinese Style: Fang Li’s 𝑇ℎ𝑒 𝑆𝑖𝑛𝑘𝑖𝑛𝑔 𝑜𝑓 𝑡ℎ𝑒 𝐿𝑖𝑠𝑏𝑜𝑛 𝑀𝑎𝑟𝑢” by Edward Allen](https://chajournal.com/wp-content/uploads/2025/02/fang-li-director-the-sinking-of-the-lisbon-maru.webp?w=680)
![[EXCLUSIVE] “The Beginning of My Education in The Finer Points of Chinese Cuisine” by Jeff Beyl](https://chajournal.com/wp-content/uploads/2025/02/fremont-film-still.png?w=1024)