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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Xiaofei Tian (editor), Reading Du Fu: Nine Views, Hong Kong University Press, 2020. 200 pgs. The idea for Reading Du Fu: Nine Views grew out of a two-day conference…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Hiroko Oyamada. Hiroko Oyamada (author), David Boyd (translator), The Factory, New Directions, 2019. 128 pgs. Hiroko Oyamada’s The Factory weaves…
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📁 RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Fly Me to the Moon. Sasha Chuk (director), Fly Me to the Moon 但願人長久, 2023. 112 min. Every era of Hong Kong cinema has…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Yuta Takahashi (author), Cat Anderson (translator), The Chibineko Kitchen, John Murray, 2024. 192 pgs. The Japanese iyashikei—or healing—genre has resonated deeply with readers worldwide, offering solace and comfort through…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Absolutely on Music. Haruki Murakami (author), Jay Rubin (translator), Absolutely on Music: Conversations with Seiji Ozawa, Alfred A. Knopf, 2016. 352 pgs. When we look back…
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Kishore Kumar I was just five when I first “saw” Kishore Kumar—his presence flickering to life on the tiny black-and-white television set my grandfather had brought back from one of his work trips to the then-USSR. There he was—handsome, dashing,…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “Before TSMC and Same-Sex Marriage: Qiu Miaojin’s Notes of a Crocodile” by Glen Loveland Qiu Miaojin (author), Bonnie Huie (translator), Notes of a Crocodile, NYRB Classics, 2017, 256 pgs. To…
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[FIRST IMPRESSIONS] “Love and Loss in Petersen Vargas’s 𝑈𝑛/𝐻𝑎𝑝𝑝𝑦 𝑓𝑜𝑟 𝑌𝑜𝑢” by Jhon Steven C. Espenido
📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Petersen Vargas (Director), Un/Happy for You, 2024. 110 min. If there is one recent romantic drama that has left an everlasting mark on me, it is Un/Happy for You,…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Chie Hayakawa (director), Plan 75, 2022. 112 min. Perhaps storytelling is an indispensable part of being human? Perhaps we all need to tell ourselves—and each other—certain stories to get…


![[REVIEW] “Interrogative Reflections: Nine Views of Reading Du Fu” by Marsha McDonald](https://chajournal.com/wp-content/uploads/2025/03/xiaofei-tian-editor-reading-du-fu-nine-views-1.jpg?w=1024)
![[FIRST IMPRESSIONS] “Susan Barker’s 𝑂𝑙𝑑 𝑆𝑜𝑢𝑙: A Globetrotting Horror with an Asian Sense of Eternity” by Kevin McGeary](https://chajournal.com/wp-content/uploads/2025/03/old-soul-susan-barker.jpg?w=975)
![[REVIEW] “A Senseless Menagerie: Hiroko Oyamada’s 𝑇ℎ𝑒 𝐹𝑎𝑐𝑡𝑜𝑟𝑦” by Tyran Grillo](https://chajournal.com/wp-content/uploads/2023/11/the-factory.png?w=562)
![[REVIEW] “In the Wake of Hong Kong Dreaming: Sasha Chuk’s 𝐹𝑙𝑦 𝑀𝑒 𝑡𝑜 𝑡ℎ𝑒 𝑀𝑜𝑜𝑛” by Tin Yuet Tam](https://chajournal.com/wp-content/uploads/2024/03/fly-me-to-the-moon.jpg?w=1024)
![[FIRST IMPRESSIONS] “Dining with the Departed: Yuta Takahashi’s 𝑇ℎ𝑒 𝐶ℎ𝑖𝑏𝑖𝑛𝑒𝑘𝑜 𝐾𝑖𝑡𝑐ℎ𝑒𝑛” by Aditi Yadav](https://chajournal.com/wp-content/uploads/2025/03/the-chibineko-kitchen-john-murray-1.jpg?w=651)
![[REVIEW] “A Symphony of Words and Sound—Haruki Murakami’s 𝐴𝑏𝑠𝑜𝑙𝑢𝑡𝑒𝑙𝑦 𝑜𝑛 𝑀𝑢𝑠𝑖𝑐: 𝐶𝑜𝑛𝑣𝑒𝑟𝑠𝑎𝑡𝑖𝑜𝑛𝑠 𝑤𝑖𝑡ℎ 𝑆𝑒𝑖𝑗𝑖 𝑂𝑧𝑎𝑤𝑎” by Antonia Yang](https://chajournal.com/wp-content/uploads/2025/01/absolutely-on-music-conversations-with-seiji-ozawa-alfred-a.-knopf-2016.jpg?w=751)
![[EXCLUSIVE] “Kishore Kumar: A Journey of Adoration and Rediscovery” by Namrata](https://chajournal.com/wp-content/uploads/2025/02/kishore-kumar-cha.jpg?w=1024)
![[REVIEW] “Before TSMC and Same-Sex Marriage: Qiu Miaojin’s 𝑁𝑜𝑡𝑒𝑠 𝑜𝑓 𝑎 𝐶𝑟𝑜𝑐𝑜𝑑𝑖𝑙𝑒” by Glen Loveland](https://chajournal.com/wp-content/uploads/2025/02/qiu.crocodile.hires2-copy.jpg?w=990)
![[FIRST IMPRESSIONS] “Love and Loss in Petersen Vargas’s 𝑈𝑛/𝐻𝑎𝑝𝑝𝑦 𝑓𝑜𝑟 𝑌𝑜𝑢” by Jhon Steven C. Espenido](https://chajournal.com/wp-content/uploads/2025/02/petersen-vargas-director-unhappy-for-you-1.png?w=841)
![[FIRST IMPRESSIONS] “The Stories We Live By: Narrative, Meaning, and Existential Emptiness in Chie Hayakawa’s 𝑃𝑙𝑎𝑛 75” by Anders Kølle](https://chajournal.com/wp-content/uploads/2025/02/chie-hayakawa-plan-75.png?w=1024)