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πRETURN TO FIRST IMPRESSIONSπRETURN TO CHA REVIEW OF BOOKS AND FILMS Ming-sho Ho, Be Water: Collective Improvisation in Hong Kongβs Anti-Extradition Protests, Temple University Press, 2025. 258 pgs. The Hong Kong protests of 2019, which erupted in opposition to the…
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πRETURN TO FIRST IMPRESSIONSπRETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Mending Bodies. Hon Lai Chu (author), Jacqueline Leung (translator), Mending Bodies, Two Lines Press, 2025. 240 pgs. For those who haven’t read the original Chinese…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Click HERE to read all entries in Cha on Life Ceremony. Sayaka Murata (author), Ginny Tapley Takemori (translator), Life Ceremony, Granta Books, 2022. 266 pgs. Whenever I encounter the name Sayaka Murata,…
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θΆ FIRST IMPRESSIONS θΆ REVIEW OF BOOKS & FILMS [REVIEW] βAdaptation and the Illusion of Home: Manjushree Thapaβs Seasons of Flightβ by Abhinav Tulachan Manjushree Thapa, Seasons of Flight, Penguin India, 2011. 226 pgs. βThe flap of a butterflyβs wings…
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Doua Moua and Nirris Nagendrarajah Editorβs note: In this interview, Nirris Nagendrarajah talks to screenwriter and actor Doua Moua; they discuss The Harvest, a tender exploration of a Hmong family navigating illness, identity, and intergenerational conflict. Inspired by his own experiences…
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π RETURN TO FIRST IMPRESSIONSπRETURN TO CHA REVIEW OF BOOKS AND FILMS Also read “Feature: Lu Xun” in Cha. Lu Xun (author), Eileen J. Cheng (translator), Theodore Huters (editor), Wild Grass & Morning Blossoms Gathered at Dusk, Harvard University Press,…
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π RETURN TO FIRST IMPRESSIONSπRETURN TO CHA REVIEW OF BOOKS AND FILMS Kim Ki-duk (director), The Isle, 2000. 90 min. Some films are like waves that gently lap against the shores of our memories; others, however, jolt us by revealing…
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π RETURN TO FIRST IMPRESSIONSπ RETURN TO CHA REVIEW OF BOOKS AND FILMS Masaki Kobayashi (director), Kwaidan, 1964. 175 min. Maβa profound Japanese concept that encapsulates the essence of stillness. The term refers to the empty spaces in between, a fleeting suspension…


![[REVIEW] “Improvising Revolution: Hong Kongβs Protests Through the Lens of Ming-sho Ho” by Jennifer Eagleton](https://chajournal.com/wp-content/uploads/2024/06/the-flowers-of-democracy-are-everywhere.jpg?w=1024)
![[REVIEW] “Walking in Unison?: On Hon Lai Chu’s πππππππ π΅πππππ ” by Jennifer Eagleton](https://chajournal.com/wp-content/uploads/2025/05/hon-lai-chu-author-jacqueline-leung-translator-mending-bodies-two-lines-press-2025.-240-pgs.jpg?w=938)
![[REVIEW] “Tender Aberrations: Reading Sayaka Murata’s πΏπππ πΆππππππ𦔠by Tyran Grillo](https://chajournal.com/wp-content/uploads/2025/05/sayaka-murata-author-ginny-tapley-takemori-translator.png?w=1024)
![[REVIEW] βAdaptation and the Illusion of Home: Manjushree Thapaβs ππππ πππ ππ πΉπππβπ‘β by Abhinav Tulachan](https://chajournal.com/wp-content/uploads/2025/06/manjushree-thapa-seasons-of-flight-1.jpg?w=881)
![[EXCLUSIVE] “Love Is Time: A Conversation on πβπ π»πππ£ππ π‘” by NIRRIS NAGENDRARAJAH and Doua Moua”](https://chajournal.com/wp-content/uploads/2025/06/the-harvest_carley-soo.png?w=1024)
![[REVIEW] “Between Heckle & Hush: The Public & Private Voices of a Poet” by Michael Ingham](https://chajournal.com/wp-content/uploads/2025/06/andrew-barker-cha-an-asian-literary-journal.png?w=1024)
![[REVIEW] “One of the Greatest Writers, Full Stop: Lu Xun’s ππππ πΊπππ π & πππππππ π΅πππ π πππ πΊππ‘βππππ ππ‘ π·π’π π” by Robert Postings](https://chajournal.com/wp-content/uploads/2025/06/wild-grass-and-morning-blossoms-gathered-at-dusk-harvard-university-press-2022.-272-pgs.jpg?w=955)
![[FIRST IMPRESSIONS] βπβπ πΌπ ππ at 25: Kim Ki Dukβs Blooming Poem on the Island of Solitudeβ by G.A. Gowtham](https://chajournal.com/wp-content/uploads/2025/06/f_1_the_isle_01c5e5da4c.jpeg?w=1024)
![[EXCLUSIVE] βπΎπ€πππππ: Horror and Folklore as an Art Formβ by Tushi Gogoi](https://chajournal.com/wp-content/uploads/2025/06/kwaidan.jpg?w=570)