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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Sho Miyake (director), Two Seasons, Two Strangers (Tabi to Hibi), 2025. 89 min. A woman sits at her desk, a pencil poised above a blank page. She has been…
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Editor’s note: In “Noodle Insurrection or a Gathering of Radicals”, Jennifer Eagleton intertwines Chinese character radicals with politics, crafting a witty poem around Shaanxi’s biangbiang noodles. She blends linguistic play, cultural history, and insurrectionary imagery, demonstrating radicals’ layered meanings. A…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Elizabeth Ai (editor), New Wave: Rebellion and Reinvention in the Vietnamese Diaspora, Angel City Press, 2024. 192 pgs. Elizabeth Ai’s edited volume New Wave: Rebellion and Reinvention in the…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “The Power of Multilingual Inquiry: Mapping Intra-Asian Relations Beyond Binaries—Satoru Hashimoto’s Afterlives of Letters” by Jennifer Junwa Lau Click HERE to read all entries in Chaon Afterlives. Satoru Hashimoto, Afterlives…
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📁 RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS Editor’s note: Gauri Yadav’s review essay explores Sumana Roy’s How I Became a Tree as an ecofeminist, genre-defying work that reimagines autobiography through plant life. Blending personal narrative,…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS John Hsu (director), Dead Talents Society 鬼才之道, 2024. 105 min. Put aside the spine-chilling horror of Nosferatu: what if the realm of the dead had its own celebrity influencers,…
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茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “Fiction as Control: Yiyun Li’s Exacting The Book of Goose” by Zalman S. Davis Click HERE to read all entries in Cha on Yiyun Li. Yiyun Li, The Book of Goose, Farrar, Straus and Giroux, 2022.…
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Editor’s note: In his reflection “A Slower Mode of Time”, Chris Sullivan contrasts urban haste with nature’s unhurried rhythms, weaving cicadas, childhood memories, and captive flamingos into a meditation on suspended instincts, looping time, and the quiet grace of slower…
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📁 RETURN TO FIRST IMPRESSIONS📁 RETURN TO CHA REVIEW OF BOOKS AND FILMS Jeremy Atherton Lin, Deep House: The Gayest Love Story Ever Told, Allen Lane, 2025. Deep House, a memoir by Jeremy Atherton Lin, may or may not be “the gayest…
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Editor’s note: Cuiyu Lin’s “Broken English, Sweet Oranges” is a lyrical meditation on language, fragility, and repair, weaving Chinese porcelain mending with personal scars to reveal brokenness as both burden and beauty, and imperfection as a vessel for truth. The…


![[REVIEW] “Winter of The Soul: On Sho Miyake’s 𝑇𝑤𝑜 𝑆𝑒𝑎𝑠𝑜𝑛𝑠, 𝑇𝑤𝑜 𝑆𝑡𝑟𝑎𝑛𝑔𝑒𝑟𝑠” by Nirris Nagendrarajah](https://chajournal.com/wp-content/uploads/2025/08/still2_two-seasons-two-strangers_locarno.jpg?w=1024)
![[EXCLUSIVE] “Noodle Insurrection or a Gathering of Radicals” by Jennifer Eagleton](https://chajournal.com/wp-content/uploads/2025/08/biang-biang.png?w=1024)
![[REVIEW] “Archival Rhythms—Youth, Identity, and Cultural Resistance in the Vietnamese Diaspora: Elizabeth Ai’s 𝑁𝑒𝑤 𝑊𝑎𝑣𝑒” by Nguyễn Minh Tiến](https://chajournal.com/wp-content/uploads/2024/08/acp_11.11.24-54-copy.jpg?w=1024)
![[REVIEW] “The Power of Multilingual Inquiry: Mapping Intra-Asian Relations Beyond Binaries—Satoru Hashimoto’s 𝐴𝑓𝑡𝑒𝑟𝑙𝑖𝑣𝑒𝑠 𝑜𝑓 𝐿𝑒𝑡𝑡𝑒𝑟𝑠” by Jennifer Junwa Lau](https://chajournal.com/wp-content/uploads/2025/07/afterlives-of-letters-the-transnational-origins-of-modern-literature-in-china-japan-and-korea.jpg?w=1000)
![[EXCLUSIVE] “Sumana Roy’s 𝐻𝑜𝑤 𝐼 𝐵𝑒𝑐𝑎𝑚𝑒 𝑎 𝑇𝑟𝑒𝑒: Autobiography as Ecofeminist Manifesto” by Gauri Yadav](https://chajournal.com/wp-content/uploads/2025/08/sumana-roy-how-i-became-a-tree-.jpg?w=1024)
![[REVIEW] “Gazing at Ghosts: John Hsu’s 𝐷𝑒𝑎𝑑 𝑇𝑎𝑙𝑒𝑛𝑡𝑠 𝑆𝑜𝑐𝑖𝑒𝑡𝑦” by Keziah Cho](https://chajournal.com/wp-content/uploads/2025/08/john-hsu-director-dead-talents-society--1.jpg?w=1024)
![[REVIEW] “Fiction as Control: Yiyun Li’s Exacting 𝑇ℎ𝑒 𝐵𝑜𝑜𝑘 𝑜𝑓 𝐺𝑜𝑜𝑠𝑒” by Zalman S. Davis](https://chajournal.com/wp-content/uploads/2025/08/yiyun-li-the-book-of-goose-farrar-straus-and-giroux.jpg?w=978)
![[EXCLUSIVE] “A Slower Mode of Time” by Chris Sullivan](https://chajournal.com/wp-content/uploads/2024/08/a-slower-mode-of-time-chris-sullivan.jpg?w=1024)
![[REVIEW] “On Queerness, Migration and Same-Sex Marriage—A Review of Jeremy Atherton Lin’s 𝐷𝑒𝑒𝑝 𝐻𝑜𝑢𝑠𝑒: 𝑇ℎ𝑒 𝐺𝑎𝑦𝑒𝑠𝑡 𝐿𝑜𝑣𝑒 𝑆𝑡𝑜𝑟𝑦 𝐸𝑣𝑒𝑟 𝑇𝑜𝑙𝑑” by Hongwei Bao](https://chajournal.com/wp-content/uploads/2025/08/deep-house-by-jeremy-atherton-lin--1.jpg?w=987)
![[EXCLUSIVE] “Broken English, Sweet Oranges” by Cuiyu Lin](https://chajournal.com/wp-content/uploads/2024/08/karolina-grabowska.png?w=1024)