• Cha

    • Home
    • About and Contact
    • Cha Review of Books and Films
    • Cha Reading Series
    • Cha Writing Workshops Series
      • Workshops
    • Cha Voices Archive
    • Contests, Special Editions, and Features

    Featured

    CALLS FOR SUBMISSIONS: First Impressions, Essays, En Route, Xi Xi—Can We Say, Write to Power, and Auditory Cortex

    Header artwork by Annysa Ng 茶 First Impressionsclick for information 茶 Essays click for information 茶 En Routeclick for information 茶 XI XI—Can We Sayclick for information 茶 Write to Powerclick for information 茶 Auditory Cortexclick for information

  • [FEATURE] “𝐴𝑛𝑦𝑡ℎ𝑖𝑛𝑔 𝑏𝑢𝑡 𝐻𝑢𝑚𝑎𝑛: Three Poems” by Daryl Lim Wei Jie

    ◉ Afterword: Living Between Languages◉ Three Poems◉ Anything but Human 大重啟 @ TrendLit Publishing Expressionof Contentment by Daryl Lim Wei Jie I am extraordinarily     really verycomfortable    even my toes have gone forpsychoanalysis and my nose hairs havetheir favourite brand of…

    Sep 10, 2025
    [FEATURE] “𝐴𝑛𝑦𝑡ℎ𝑖𝑛𝑔 𝑏𝑢𝑡 𝐻𝑢𝑚𝑎𝑛: Three Poems” by Daryl Lim Wei Jie
  • [ESSAY] “When Everything Becomes a ‘Gender Issue’ in Asia” by Zheng Wang

    Editor’s note: In “When Everything Becomes a ‘Gender Issue’ in Asia”, Zheng Wang argues that across Asia, public debate often compresses diverse injustices into the single language of gender. While this framework can demand justice, it also displaces other issues—class,…

    Sep 9, 2025
    [ESSAY] “When Everything Becomes a ‘Gender Issue’ in Asia” by Zheng Wang
  • [TIFF 2025] “Saigon Does Not Believe In Tears: On Leon Le’s 𝐾𝑦 𝑁𝑎𝑚 𝐼𝑛𝑛” by Nirris Nagendrarajah

    TIFF 2025 ▞ 10. The Archivist’s Film: A Conversation on Kunsang Kyirong’s 100 Sunset▞ 9. She Was Screaming into Silence: A Conversation on Cai Shangjun’s The Sun Rises On Us All▞ 8. You Don’t Belong to Anyone: A Conversation on…

    Sep 9, 2025
    [TIFF 2025] “Saigon Does Not Believe In Tears: On Leon Le’s 𝐾𝑦 𝑁𝑎𝑚 𝐼𝑛𝑛” by Nirris Nagendrarajah
  • [TIFF 2025] “The Need for Change: On Kei Ishikawa’s 𝐴 𝑃𝑎𝑙𝑒 𝑉𝑖𝑒𝑤 𝑜𝑓 𝐻𝑖𝑙𝑙𝑠” by Nirris Nagendrarajah

    TIFF 2025 ▞ 10. The Archivist’s Film: A Conversation on Kunsang Kyirong’s 100 Sunset▞ 9. She Was Screaming into Silence: A Conversation on Cai Shangjun’s The Sun Rises On Us All▞ 8. You Don’t Belong to Anyone: A Conversation on…

    Sep 9, 2025
    [TIFF 2025] “The Need for Change: On Kei Ishikawa’s 𝐴 𝑃𝑎𝑙𝑒 𝑉𝑖𝑒𝑤 𝑜𝑓 𝐻𝑖𝑙𝑙𝑠” by Nirris Nagendrarajah
  • [TIFF 2025] “The Angel of Death: On Jafar Panahi’s 𝐼𝑡 𝑊𝑎𝑠 𝐽𝑢𝑠𝑡 𝐴𝑛 𝐴𝑐𝑐𝑖𝑑𝑒𝑛𝑡” by Nirris Nagendrarajah

    TIFF 2025 ▞ 10. The Archivist’s Film: A Conversation on Kunsang Kyirong’s 100 Sunset▞ 9. She Was Screaming into Silence: A Conversation on Cai Shangjun’s The Sun Rises On Us All▞ 8. You Don’t Belong to Anyone: A Conversation on…

    Sep 8, 2025
    [TIFF 2025] “The Angel of Death: On Jafar Panahi’s 𝐼𝑡 𝑊𝑎𝑠 𝐽𝑢𝑠𝑡 𝐴𝑛 𝐴𝑐𝑐𝑖𝑑𝑒𝑛𝑡” by Nirris Nagendrarajah
  • [TIFF 2025] “Of Eros & Of Dust: On Ratchapoom Boonbunchachoke’s 𝐴 𝑈𝑠𝑒𝑓𝑢𝑙 𝐺ℎ𝑜𝑠𝑡” by Nirris Nagendrarajah

    TIFF 2025 ▞ 10. The Archivist’s Film: A Conversation on Kunsang Kyirong’s 100 Sunset▞ 9. She Was Screaming into Silence: A Conversation on Cai Shangjun’s The Sun Rises On Us All▞ 8. You Don’t Belong to Anyone: A Conversation on…

    Sep 7, 2025
    [TIFF 2025] “Of Eros & Of Dust: On Ratchapoom Boonbunchachoke’s 𝐴 𝑈𝑠𝑒𝑓𝑢𝑙 𝐺ℎ𝑜𝑠𝑡” by Nirris Nagendrarajah
  • [FIRST IMPRESSIONS] “Forget the Remake, Masayuki Suo’s 𝑆ℎ𝑎𝑙𝑙 𝑊𝑒 𝐷𝑎𝑛𝑐𝑒? is in Perfect Step with Japan” by Jeremiah Dutch

    📁 RETURN TO FIRST IMPRESSIONS📁RETURN TO CHA REVIEW OF BOOKS AND FILMS Masayuki Suo (director), Shall We Dance? 1996, 136 min.  At college, I once romanced a young lady by agreeing to take ballroom dancing lessons with her after her…

    Sep 7, 2025
    [FIRST IMPRESSIONS] “Forget the Remake, Masayuki Suo’s 𝑆ℎ𝑎𝑙𝑙 𝑊𝑒 𝐷𝑎𝑛𝑐𝑒? is in Perfect Step with Japan” by Jeremiah Dutch
  • [TIFF 2025] “Light At The End of the Labyrinth: On Genki Kawamura’s 𝐸𝑥𝑖𝑡 8” by Nirris Nagendrarajah

    TIFF 2025 ▞ 10. The Archivist’s Film: A Conversation on Kunsang Kyirong’s 100 Sunset▞ 9. She Was Screaming into Silence: A Conversation on Cai Shangjun’s The Sun Rises On Us All▞ 8. You Don’t Belong to Anyone: A Conversation on…

    Sep 6, 2025
    [TIFF 2025] “Light At The End of the Labyrinth: On Genki Kawamura’s 𝐸𝑥𝑖𝑡 8” by Nirris Nagendrarajah
  • [TIFF 2025] “Affairs of the Heart: On Cai Shangjun’s 𝑇ℎ𝑒 𝑆𝑢𝑛 𝑅𝑖𝑠𝑒𝑠 𝑂𝑛 𝑈𝑠 𝐴𝑙𝑙” by Nirris Nagendrarajah

    TIFF 2025 ▞ 10. The Archivist’s Film: A Conversation on Kunsang Kyirong’s 100 Sunset▞ 9. She Was Screaming into Silence: A Conversation on Cai Shangjun’s The Sun Rises On Us All▞ 8. You Don’t Belong to Anyone: A Conversation on…

    Sep 6, 2025
    [TIFF 2025] “Affairs of the Heart: On Cai Shangjun’s 𝑇ℎ𝑒 𝑆𝑢𝑛 𝑅𝑖𝑠𝑒𝑠 𝑂𝑛 𝑈𝑠 𝐴𝑙𝑙” by Nirris Nagendrarajah
  • [REVIEW] “Everything, Nothing, All at Once: Edward Yang’s 𝑌𝑖 𝑌𝑖” by Keziah Cho

    茶 FIRST IMPRESSIONS 茶 REVIEW OF BOOKS & FILMS [REVIEW] “Everything, Nothing, All at Once: Edward Yang’s Yi Yi” by Keziah Cho Edward Yang (director), Yi Yi, 2000. 173 min. Edward Yang’s Yi Yi opens in a register of melodrama.…

    Sep 2, 2025
    [REVIEW] “Everything, Nothing, All at Once: Edward Yang’s 𝑌𝑖 𝑌𝑖” by Keziah Cho
Previous Page
1 … 15 16 17 18 19 … 299
Next Page

Cha

Cha: An Asian Literary Journal
proudly exists on three websites:

Asian Cha Daily chajournal.com
asiancha.com
hkprotesting.com

Email: editors@asiancha.com

  • Subscribe Subscribed
    • Cha
    • Join 311 other subscribers
    • Already have a WordPress.com account? Log in now.
    • Cha
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar