<?xml version="1.0" encoding="UTF-8"?>
<!-- generator="wordpress.com" -->
<urlset xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.sitemaps.org/schemas/sitemap/0.9 http://www.sitemaps.org/schemas/sitemap/0.9/sitemap.xsd"
	xmlns="http://www.sitemaps.org/schemas/sitemap/0.9"
	xmlns:news="http://www.google.com/schemas/sitemap-news/0.9"
	xmlns:image="http://www.google.com/schemas/sitemap-image/1.1"
	>
<url><loc>https://chajournal.com/2026/09/06/tony-leung/</loc><news:news><news:publication><news:name>Cha</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-09-06T12:05:00+00:00</news:publication_date><news:title>[ESSAY] &#8220;Tony Leung in the Cinema: Between Hong Kong and Kuala Lumpur&#8221; by Liew KH</news:title></news:news><image:image><image:loc>https://chajournal.com/wp-content/uploads/2026/09/tony-at-angkor-wat-a.jpeg?w=150</image:loc></image:image></url><url><loc>https://chajournal.com/2026/09/06/shanghai-flower/</loc><news:news><news:publication><news:name>Cha</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-09-06T11:25:12+00:00</news:publication_date><news:title>[Artist Statement] “Shanghai Flower: A Tribute to Eileen Chang” by Antzu Huang</news:title></news:news><image:image><image:loc>https://chajournal.com/wp-content/uploads/2026/09/28181042-eileen-chang_cover_1444x2000.jpg?w=108</image:loc></image:image></url><url><loc>https://chajournal.com/2026/09/06/calls/</loc><news:news><news:publication><news:name>Cha</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-09-06T11:16:46+00:00</news:publication_date><news:title>CALLS: Hong Kong, First Impressions, Essays, Proposals, En Route, Xi Xi—Can We Say, &#038; More</news:title></news:news><image:image><image:loc>https://chajournal.com/wp-content/uploads/2025/12/annysa-ng-locket-min.jpg?w=113</image:loc></image:image></url><url><loc>https://chajournal.com/2026/09/06/only-yesterday/</loc><news:news><news:publication><news:name>Cha</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-09-06T11:04:40+00:00</news:publication_date><news:title>[FIRST IMPRESSIONS] “Don’t Forget Your Handkerchief When Watching Isao Takahata’s 𝑂𝑛𝑙𝑦 𝑌𝑒𝑠𝑡𝑒𝑟𝑑𝑎𝑦” by Jeremiah Dutch</news:title></news:news><image:image><image:loc>https://chajournal.com/wp-content/uploads/2026/09/only-yesterday.jpg?w=103</image:loc></image:image></url><url><loc>https://chajournal.com/2026/09/05/sentimental/</loc><news:news><news:publication><news:name>Cha</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-09-05T11:09:23+00:00</news:publication_date><news:title>[ESSAY] &#8220;Reading Cinema Beyond Geopolitics: Rey Chow’s 𝑆𝑒𝑛𝑡𝑖𝑚𝑒𝑛𝑡𝑎𝑙 𝐹𝑎𝑏𝑢𝑙𝑎𝑡𝑖𝑜𝑛𝑠, 𝐶𝑜𝑛𝑡𝑒𝑚𝑝𝑜𝑟𝑎𝑟𝑦 𝐶ℎ𝑖𝑛𝑒𝑠𝑒 𝐹𝑖𝑙𝑚𝑠&#8221; by Jessica Morris</news:title></news:news><image:image><image:loc>https://chajournal.com/wp-content/uploads/2026/09/sentimental-fabulations-contemporary-chinese-films-attachment-in-the-age-of-global-visibility.jpg?w=100</image:loc></image:image></url></urlset>
