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<url><loc>https://chajournal.com/2026/09/05/sentimental/</loc><news:news><news:publication><news:name>Cha</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-09-05T11:09:23+00:00</news:publication_date><news:title>[ESSAY] &#8220;Reading Cinema Beyond Geopolitics: Rey Chow’s 𝑆𝑒𝑛𝑡𝑖𝑚𝑒𝑛𝑡𝑎𝑙 𝐹𝑎𝑏𝑢𝑙𝑎𝑡𝑖𝑜𝑛𝑠, 𝐶𝑜𝑛𝑡𝑒𝑚𝑝𝑜𝑟𝑎𝑟𝑦 𝐶ℎ𝑖𝑛𝑒𝑠𝑒 𝐹𝑖𝑙𝑚𝑠&#8221; by Jessica Morris</news:title></news:news><image:image><image:loc>https://chajournal.com/wp-content/uploads/2026/09/sentimental-fabulations-contemporary-chinese-films-attachment-in-the-age-of-global-visibility.jpg?w=100</image:loc></image:image></url><url><loc>https://chajournal.com/2026/09/05/shanghai-flower/</loc><news:news><news:publication><news:name>Cha</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-09-05T07:42:14+00:00</news:publication_date><news:title>[Artist Statement] “Shanghai Flower: A Tribute to Eileen Chang” by Antzu Huang</news:title></news:news><image:image><image:loc>https://chajournal.com/wp-content/uploads/2026/09/28181042-eileen-chang_cover_1444x2000.jpg?w=108</image:loc></image:image></url><url><loc>https://chajournal.com/2026/09/05/calls/</loc><news:news><news:publication><news:name>Cha</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-09-05T07:30:11+00:00</news:publication_date><news:title>CALLS: Hong Kong, First Impressions, Essays, Proposals, En Route, Xi Xi—Can We Say, &#038; More</news:title></news:news><image:image><image:loc>https://chajournal.com/wp-content/uploads/2025/12/annysa-ng-locket-min.jpg?w=113</image:loc></image:image></url><url><loc>https://chajournal.com/2026/09/04/one-million-yen/</loc><news:news><news:publication><news:name>Cha</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-09-04T17:43:59+00:00</news:publication_date><news:title>[FIRST IMPRESSIONS] &#8220;Yuki Tanada&#8217;s 𝑂𝑛𝑒 𝑀𝑖𝑙𝑙𝑖𝑜𝑛 𝑌𝑒𝑛 𝐺𝑖𝑟𝑙: On Shame, Solitude, and Starting Over&#8221; by Anna Moon</news:title></news:news><image:image><image:loc>https://chajournal.com/wp-content/uploads/2025/09/yuki-tanada-director.-one-million-yen-girl-.jpg?w=106</image:loc></image:image></url><url><loc>https://chajournal.com/2026/09/04/taipei-story/</loc><news:news><news:publication><news:name>Cha</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-09-04T16:03:10+00:00</news:publication_date><news:title>[FIRST IMPRESSIONS] &#8220;Neither Leaving nor Staying: The Limbo of KEFF&#8217;s 𝑇𝑎𝑖𝑝𝑒𝑖 𝑆𝑢𝑖𝑐𝑖𝑑𝑒 𝑆𝑡𝑜𝑟𝑦&#8221; by Anna Moon</news:title></news:news><image:image><image:loc>https://chajournal.com/wp-content/uploads/2026/09/fe77dba67200a355a41381460edbb9edaed989b78c9a45e287fdbf6eae171872.jpg?w=113</image:loc></image:image></url><url><loc>https://chajournal.com/2026/09/04/theory/</loc><news:news><news:publication><news:name>Cha</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-09-04T11:27:47+00:00</news:publication_date><news:title>[REVIEW] &#8220;Theory after Academia: 𝑇ℎ𝑒 𝐹𝑟𝑒𝑛𝑐ℎ𝑚𝑒𝑛, 𝐴 𝐿𝑜𝑣𝑒𝑟’𝑠 𝐷𝑖𝑠𝑐𝑜𝑢𝑟𝑠𝑒, and the Return to Everyday Life&#8221; by Anna Nguyen</news:title></news:news><image:image><image:loc>https://chajournal.com/wp-content/uploads/2026/09/theory-after-academia-cha.png?w=150</image:loc></image:image></url><url><loc>https://chajournal.com/2026/09/03/sai-kung/</loc><news:news><news:publication><news:name>Cha</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-09-03T15:22:10+00:00</news:publication_date><news:title>[INCIDENTAL] “The Sea of Sai Kung” by Liang Xuyu</news:title></news:news><image:image><image:loc>https://chajournal.com/wp-content/uploads/2026/09/saigon-by-liang-xuyu-6.jpg?w=150</image:loc></image:image></url></urlset>