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<url><loc>https://chajournal.com/2026/06/15/hot-pot/</loc><news:news><news:publication><news:name>Cha</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-06-15T14:33:18+00:00</news:publication_date><news:title>[ESSAY] “𝐻𝑜𝑡 𝑃𝑜𝑡: A Queer East Asian Play About A Meal, Four Friends and What Remains Unsaid” by Hongwei Bao</news:title></news:news><image:image><image:loc>https://chajournal.com/wp-content/uploads/2026/06/hot-pot-poster-square-with-title.jpg?w=150</image:loc></image:image></url><url><loc>https://chajournal.com/2026/06/15/merely-grow/</loc><news:news><news:publication><news:name>Cha</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-06-15T11:44:29+00:00</news:publication_date><news:title>[REVIEW] “Now and Now and Now and Now: Abyssal Form in Yiyun Li’s 𝑇ℎ𝑖𝑛𝑔𝑠 𝑖𝑛 𝑁𝑎𝑡𝑢𝑟𝑒 𝑀𝑒𝑟𝑒𝑙𝑦 𝐺𝑟𝑜𝑤” by Ronny Chan</news:title></news:news><image:image><image:loc>https://chajournal.com/wp-content/uploads/2025/06/things-in-nature-merely-grow-by-yiyun-li-farrar-straus-and-giroux-2025.jpg?w=96</image:loc></image:image></url><url><loc>https://chajournal.com/2026/06/15/calls/</loc><news:news><news:publication><news:name>Cha</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-06-15T10:00:27+00:00</news:publication_date><news:title>CALLS: First Impressions, Essays, Proposals, En Route, Xi Xi—Can We Say, Write to Power, &#038; Auditory Cortex</news:title></news:news><image:image><image:loc>https://chajournal.com/wp-content/uploads/2025/12/annysa-ng-locket-min.jpg?w=113</image:loc></image:image></url><url><loc>https://chajournal.com/2026/06/14/continental-drift/</loc><news:news><news:publication><news:name>Cha</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-06-14T18:39:59+00:00</news:publication_date><news:title>[REVIEW] &#8220;Bodies and Landscapes in Flux: Displacement, Placemaking, and Agency in Mai-Linh Hong’s 𝐶𝑜𝑛𝑡𝑖𝑛𝑒𝑛𝑡𝑎𝑙 𝐷𝑟𝑖𝑓𝑡&#8221; by Shui-yin Sharon Yam</news:title></news:news><image:image><image:loc>https://chajournal.com/wp-content/uploads/2026/06/mai-linh-hong.-continental-drift.webp?w=100</image:loc></image:image></url><url><loc>https://chajournal.com/2026/06/14/chinese-characters/</loc><news:news><news:publication><news:name>Cha</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-06-14T14:44:00+00:00</news:publication_date><news:title>[REVIEW] &#8220;One Script, Many Languages: The Journey of Chinese Writing Across Asia&#8221; by Gabriel Corsetti</news:title></news:news><image:image><image:loc>https://chajournal.com/wp-content/uploads/2026/06/chinese-characters-across-asia-how-the-chinese-script-came-to-write-japanese-korean-and-vietnamese-1.jpg?w=100</image:loc></image:image></url><url><loc>https://chajournal.com/2026/06/14/delicious-meals/</loc><news:news><news:publication><news:name>Cha</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-06-14T11:16:01+00:00</news:publication_date><news:title>[REVIEW] &#8220;Pot Noodles and Power: Junko Takase&#8217;s 𝑀𝑎𝑦 𝑌𝑜𝑢 𝐻𝑎𝑣𝑒 𝐷𝑒𝑙𝑖𝑐𝑖𝑜𝑢𝑠 𝑀𝑒𝑎𝑙𝑠&#8221; by Anna Nguyen</news:title></news:news><image:image><image:loc>https://chajournal.com/wp-content/uploads/2026/06/the-politics-of-the-packed-lunch-junko-takases-may-you-have-delicious-meals.jpg?w=98</image:loc></image:image></url></urlset>
